Par ALBENIZ ISAAC. A spell-binding exploration of the music of Spain, Fantasía Española features four exciting yet contrasting sections and challenging parts for all players. Three of Spain's most famous composers are represented in this medley arranged by Bob Phillips. The piece begins with an exciting, driving excerpt from 'Asturias (Leyenda)', by Isaac Albéniz, which, though written for piano, is most often heard on guitar. The setting of this section allows the violins and violas a display of virtuosity with its unrelenting rhythmic drive. Beautiful, lyric, and emotional, 'Tango in D,' also by Albéniz, will showcase the musicianship of the entire orchestra. Originally written for piano, the strings will shine in this second section of the arrangement. The third section is the slow and lyric, 'Adelita.' Drawn from the deep treasure of Spanish guitar music and written by the father of classical guitar, Francisco Tárrega, this piece is simply beautiful. The medley concludes with 'Danza Ritual del Fuego' from the ballet El Amor Brujo. Written by Manuel de Falla for full orchestra, the string setting drives to a fabulous and dramatic finish.(5:45) / Date parution : 2022-10-12/ Répertoire / Orchestre à Cordes

Dall'Adagio Del Quartetto In Memoria Di Prokofe'V - Partitura. Par COLLA ALBERTO. Dall'Adagio Del Quartetto In Memoria Di Prokofe'V - Partitura / Musique contemporaine / Date parution : 1905-06-29/ Répertoire / Quatuor à Cordes

Per Violino, Violoncello E Pianoforte. Par COLLA ALBERTO. / Musique contemporaine / Date parution : 1905-06-29/ Répertoire / Violon, Violoncelle et Piano

Per Violino, Violoncello E Pianoforte. Par COLLA ALBERTO. / Musique contemporaine / Répertoire / Violon, Violoncelle et Piano

Arrangeur: F. Lucato_J. B. Plays. Par ALBENIZ ISAAC. Arr. : F. Lucato_J. B. Plays / Niveau : 2ème Cycle / Répertoire / 2 Violons, Alto et Violoncelle

La partition Si J'Etais (N04 Couperin/N05 Verdi/N06 Albeniz/Bson/Alto Ou Vclle Pno Lm064 de Lancen Serge a été composée pour Musique de Chambre et plus particulièrement pour Basson, Alto Ou Violoncelle Et Piano. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Basson, Alto Ou Violoncelle Et Piano / Partition

Par ALBENIZ ISAAC / DE SOUSA ANTUNES QUITO (Arr.). / Niveau : 3ème cycle / Répertoire / Guitare et Violoncelle

Arrangeur: F. Lucato_J. B. Plays. Par ALBENIZ ISAAC. Arr. : F. Lucato_J. B. Plays / Niveau : 2ème Cycle / Répertoire / 2 Violons, Alto et Violoncelle

Arrgt: Eric Vireton. Par BALBASTRE CLAUDE. Formation : Musique de Chambre, Duo - Instrumentation : 1 Violon 1 Violoncelle - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 1 mn 00 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Claude BALBASTRE - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique / Répertoire / Violon et Violoncelle

for piano and woodwind quintet. Par JALBERT PIERRE. Wind Dances is in seven short contrasting movements, each containing dance-like rhythms, both slow and fast. Having two sons who both play the clarinet, I've heard many a woodwind quintet, so I've been wanting to write for the medium for quite a while. In this instance, I also added my own instrument, the piano. The work opens with a fast movement containing driving rhythms in the winds, which are then answered by the piano. The second movement features colorful effects in the winds and piano (slap tongue, air sounds, muted tones) leading to a long extended lyrical line, gradually orchestrated to involve all the winds. The third movement is a dynamic scherzo, with a separate middle section similar to a traditional Trio section. The slowly unfolding fourth movement is the longest of the piece and anchors the middle of the work. The fifth movement is a kind of echo of the third movement, though this time the dynamic scherzo is high and light, rather than low and dark. The sixth movement is related to the second movement, and is basically a solo cadenza for the clarinet, with a few accompanimental gestures in the piano. The seventh and final movement reprises material from the first movement, this time with new and driving dance-like gestures added. - Pierre Jalbert / Niveau : Avancé / Répertoire / Flûte Traversière (Piccolo), Hautbois, Clarinette,

Canticle. Par JALBERT PIERRE. Canticle (String Quartet No. 6) was commissioned by the Chiara String Quartet. It consists of seven movements, highly contrasting in character, with movements I and VII serving as similar bookends to the overall arch of the work. The piece opens with the quartet members striking various crotales, producing bell sounds that eventually blend with the string quartet – evoking the title, Canticle. The faster, pulse-oriented music requires the players to use glass rods on their instruments and at one point quickly moves back and forth between alternating rhythmic subdivisions, producing extremely rapid metric modulations. The last movement blends the string quartet with the bowing of the crotales to produce an ethereal, other-worldly finale to the canticle. Pierre Jalbert / Niveau : Avancé / Répertoire / Quatuor à Cordes

Fünf Bläser, 5. Par REITER ALBERT. Fl Ob Klar Hr Fg/ Répertoire / Musique de Chambre

Par ALBERT BENOIT. / Niveau : Avancé / Répertoire / Guitare, Cor Anglais, Alto, Clarinette Basse