Instrumentalists will love this collection of Broadway classics, including: Any Dream Will Do - Cabaret - Defying Gravity - Do You Hear the People Sing? - Edelweiss - Getting to Know You - Guys and Dolls - Hello, Dolly! - I Dreamed a Dream - If I Were a Bell - Luck Be a Lady - Mame - The Music of the Night - Ol' Man River - People Will Say We're in Love - Seasons of Love - Send in the Clowns - The Surrey with the Fringe on Top - Think of Me - Tomorrow - What I Did for Love - You'll Never Walk Alone - and many more. / Violoncelle

When kids learn to play an instrument, they want to play the songs they know and love! This collection of 50 songs alongs them to do just that! It includes 50 contemporary favorites, including: Believer · Don't Stop Believin' · Happy · High Hopes · Let's Get It Started · Ocean Eyes · Perfect · Rewrite the Stars · A Thousand Miles · You Will Be Found · and more./ Répertoire / Violoncelle

Par MASCAGNI PIETRO. / Date parution : 2022-02-03/ Répertoire / Double Quintette de Bois et Contrebasse

Easy Instrumental Duets. 22 showstoppers in easy duet arrangements for two instrumentalists are featured in this collection, including: Any Dream Will Do - Bring Him Home - Cabaret - Edelweiss - For Forever - Hello, Dolly! - I Believe - Memory - One - Popular - Seasons of Love - Seventy Six Trombones - Tomorrow - Where Is Love? - You've Got a Friend - and more. Arrangements work for two cellos or can be used with the other string titles from this series. 22 showstoppers in easy duet arrangements for two instrumentalists are featured in this collection. Arrangements work for two Cellos or can be used with the other woodwind titles from this series. / TV, Film, Comédie musicale / Recueil / 2 Violoncelles

Description Best Of The Beatles (Cello) 89 of the greatest songs from the legends of Liverpool, including All You Need Is Love, And I Love Her, The Fool on the Hill and Got to Get You Into My Life. Songlist A Day In The Life A Hard Day's Night All My Loving All You Need Is Love And I Love Her Anytime At All Back In The U.S.S.R. Birthday Blackbird Can't Buy Me Love Come Together Day Tripper Drive My Car Eight Days A Week Eleanor Rigby Every Little Thing Get Back Getting Better Girl Good Day Sunshine Got To Get You Into My Life Hello, Goodbye Help! Helter Skelter Here Comes The Sun Here, There And Everywhere Hey Jude I Am The Walrus I Don't Want To Spoil The Party I Feel Fine I Should Have Known Better I Want To Hold Your Hand I Will If I Fell I'll Cry Instead I'll Follow The Sun I'm A Loser I'm Happy Just To Dance With You I'm Looking Through You In My Life It Won't Be Long It's Only Love I've Just Seen A Face Julia Lady Madonna Let It Be Love Me Do Lucy In The Sky With Diamonds Magical Mystery Tour Martha My Dear Michelle No Reply Norwegian Wood (This Bird Has Flown) Nowhere Man Ob-la-di, Ob-la-da P.S. I Love You Paperback Writer Penny Lane Please Please Me Revolution Run For Your Life Sgt. Pepper's Lonely Hearts Club Band She Came In Through The Bathroom Window She's A Woman Something Strawberry Fields Forever Tell Me Why Thank You Girl The Ballad Of John And Yoko The Fool On The Hill The Long And Winding Road The Word Things We Said Today This Boy (Ringo's Theme) Ticket To Ride Twist And Shout We Can Work It Out When I'm Sixty-four While My Guitar Gently Weeps With A Little Help From My Friends Yellow Submarine Yes It Is Yesterday You Can't Do That You Never Give Me Your Money You Won't See Me Your Mother Should Know You're Going To Lose That Girl You've Got To Hide Your Love Away

for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voice range or orchestration, but for musicians, for people. It is almost impossible for me to produce a piece without having a particular person in mind or to hear him/her inwardly. No matter how standardized the interpretation of classical music is, and no matter how many coordinates have been fixed and defined, I do not want to have them seen (and therewith the notation) as determining and limiting signs, but rather as guideposts towards the creation of vital, organic music. In differentiated music, two participants are necessary in order for a piece to evolve-- the composer and the musician. Just as there is no one way for a composer to express himself or to notate music, etc., neither is there one way for a musician to read the notation, to interpret, or to live. We find ourselves, for this reason, in a network of meanings, gestures, and signs which have to be fathomed and expanded together. The tone, the breath, the gestures, the dedication, and the potentialities of a musician were also ultimately decisive for the form of this piece. It is music which pushes the expressive and technical possibilities of the instrument to its very limits. It is music in which the musician has to transport the contexts and expression over and above the notation. It was not necessary for me to find a new form for this piece; it is a work which can and should be performed in a ‘normal’ concert situation. I deliberately wanted to integrate the perhaps new and unusual content into a familiar form (thus the title ‘Sonata’) And I also wanted to embed the aforementioned extreme situations (in which the technical extremes are synonyms for tension, isolation, loss or tenderness) in an organic process in order for the listener to be able to empathize with and comprehend what is expressed in the piece. I would like to thank Natalie Clein, to whom the Sonata is dedicated, for inspiring this piece and for the path that led to the realization of the music. Thomas Larcher/ Répertoire / Violoncelle

for Guitar, Violin, Mandolin, Banjo, Flute and other C Instr. Par DIX BRUCE. Avec ce paquet de livre/CD vous apprendre les mélodies et isolation sur 12 des progressions de corde plus populaires et les plus importants dans le swing et le répertoire jazz - cycle des quintes - majeure de la pratique et des progressions mineures avec II-V-I, I-VI-II-V-I, I-III-VI-II-V cordes changements - blues majeurs, mineurs et 6/8 - et beaucoup plus--tous fondés sur swing préféré et de jazz hits. Jouer avec une section rythmique de chaîne chaud : guitare, mandoline et basse avec des mélodies de plomb a joué au saxophone ténor. Chaque mélodie apparaît dans la notation standard pour les instruments de C, tablature pour guitare et tablature mandoline. L'enregistrement comporte toutes les mélodies à vitesse lente et régulière. Mélodies pour les mélodies sont comptabilisées à demi vitesse avec seulement guitare accompagnement avant chaque piste avec le groupe complet. Instruments sont isolées pour une flexibilité maximale. En ajustant le contrôle de l'équilibre sur votre chaîne stéréo, vous pouvez entendre 1) la pleine bande - 2) guitare et basse seulement (vous jouer la mélodie de plomb du livre) - ou 3) mandoline, mélodie, et... / Niveau : Débutant / Swing - Play Along / Recueil / Guitare, Violon, Mandoline, banjo, Flûte Traversiè

for Cello. If you play an instrument and you're a Disney fan, you'll love this collection of 101 favorites to learn and play! Songs include: Beauty and the Beast - Can You Feel the Love Tonight - A Dream Is a Wish Your Heart Makes - Evermore - Go the Distance - He's a Pirate - I See the Light - Kiss the Girl - Let It Go - Mickey Mouse March - Reflection - A Spoonful of Sugar - True Love's Kiss - We're All in This Together - When You Wish upon a Star - A Whole New World - You've Got a Friend in Me - Zip-A-Dee-Doo-Dah - and more./ Recueil / Violoncelle

Dowani 3 Tempi Play est long une méthode efficace et éprouvée par le temps de pratiquer qui offre plus que conventionnels jouent au long éditions. Dowani 3 Tempi Play permet Outre-vous pour apprendre un travail systématique et avec un accompagnement à différents tempi.La première chose que vous entendez sur le CD est la version de concert dans un enregistrement de première classe avec instrument soliste et orchestre, continuo, ou l'accompagnement au piano. Puis le piano ou le clavecin d'accompagnement s'inscrit dans le tempo lent et moyen à des fins pratiques, avec l'instrument soliste entendre en sourdine au tempo lent. Enfin, vous pouvez jouer au tempo d'origine pour l'accompagnement d'un orchestre, le piano, ou basso continuo.Toutes les versions figurant sur le CD ont été enregistrés en direct par des solistes de renom, accompagnateurs, et des orchestres. Il n'y a aucun sons synthétisés dans une édition Dowani! / Violoncelle Et Piano / niveau : Elémentaire / Partition + Cd

for Cello. Par . Les musiciens apprécieront cette fabuleuse collection de 101 chansons classiques apaisantes : Ave Maria, Op. 52, No. 6 - Bridge over Troubled Water - Come Away with Me - Desperado - Edelweiss - Faithfully - In Your Eyes - Misty - Nobody Does It Better - Yesterday - et plus encore. / Date parution : 2022-05-31/ Recueil / Violoncelle

Dans cette édition de Johann Sebastian Bach ' Six Suites pour violoncelle solo ', Maurice Gendron, ayant rédigé ces, met principalement l'accent sur l'utilisation de l'archet comme sur les schémas de doigté. La principale demande qu'il phrases doit être correcte avec les instructions sur l'utilisation de l'archet. Selon sa déclaration c'est comment la 'pureté du style de Bach' continue d'exister. Gendron édité les Suites sur les patrons de doigté pour être jouable pour chaque violoncelliste. Sur ce compte, il tente d'éviter ' extensions de doigt inutiles '.Dans la notation originale, Bach forbeard de donner des instructions sur la dynamique des romantique comme crescendo ou diminuendo. Pour cette raison, Maurice Gendron a seulement ajouté quelques suggestions dynamiques dans les 1 à 5 de Suites. Tout aussi important que l'évitement de la dynamique romantique est, selon sa propre déclaration, d'éviter les ' un vide de sens rubato '. Il est particulièrement important pour lui que les violoncellistes voient l'importance de ' prendre le temps de changer sans heurt ' d'un... / Violoncelle

Mand, Vl I (3), Vl II (3), Basso (3)/ Répertoire / Mandoline, Cordes et Basse Continue

Mand, Vl I (3), Vl II (3), Basso (3)/ Répertoire / Mandoline, Cordes et Basse Continue