for Violin and Orchestra - Piano Reduction. By Edouard Lalo. Edited by P. Jost. ...(+)
for Violin and Orchestra
- Piano Reduction. By
Edouard Lalo. Edited by
P. Jost. Violin. Pages:
Score =VIII and 55 * Vl
Part = 23. Piano
Reduction-paper bound.
Published by G. Henle.
Violon et Piano [Set de Parties séparées] - Intermédiaire Schirmer
Composed by Edouard Lalo (1823-1892), edited by Leopold Lichtenberg. For violin ...(+)
Composed by Edouard Lalo
(1823-1892), edited by
Leopold Lichtenberg. For
violin and piano.
Schirmer Vol.1236.
Format: set of
performance parts
(includes separate pull
out violin part). With
solo part and piano
accompaniment. Romantic
Period. 71 pages. 9x12
inches. Published by G.
Schirmer, Inc.
Composed by Edouard Lalo (1823-1892), edited by Yehudi Menuhin. Set of performan...(+)
Composed by Edouard Lalo
(1823-1892), edited by
Yehudi Menuhin. Set of
performance parts
(includes separate
pull-out violin part) for
violin and piano. Opus
21. With solo part and
piano reduction. 44
pages. Published by C.F.
Peters.
Violoncelle, Piano [Set de Parties séparées] G. Henle
(With Marked and Unmarked String Parts). By Edouard Lalo (1823-1892). Edited by ...(+)
(With Marked and Unmarked
String Parts). By Edouard
Lalo (1823-1892). Edited
by Peter Jost. For cello
and piano reduction. This
edition: Urtext edition.
Henle Music Folios. Solo
part and piano score,
softcover. 80 pages
Urtext. Composed
by Edouard Lalo. Edited
by Christian Rudolf
Riedel. This edition:
cello part. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The first true final
version
Symphony;
Solo concerto; Romantic.
Part. 12 pages. Duration
35'. Breitkopf and
Haertel #OB 5520-23.
Published by Breitkopf
and Haertel
(BR.OB-5520-23).
ISBN
9790004338971. 10 x 12.5
inches.
Edouard
Lalo's Symphonie
espagnole was heretofore
inadequately edited: the
two first editions (piano
reduction and score)
differ considerably from
one another, since the
composer continued to
hone his work after the
completion of the
engraver's master for the
piano reduction, and he
even made certain
compositional additions.
Christian Rudolf Riedel's
new urtext edition
eliminates all these
inadequacies and
inconsistencies.
Moreover, the editor was
able to base himself for
the first time ever on
the previously unknown
autograph of the solo
part. The discovery of
this source was nothing
less than sensational.
Lalo, who was an
outstanding violinist in
his own right, had
meticulously marked up
his manuscript with the
help of the arrangement
by Pablo de Sarasate, to
whom Lalo had dedicated
the work and entrusted
the world premiere. This
new source situation
allowed for the
preparation of an urtext
edition that corresponds
throughout to the
author's final version.
The composer's piano
part, which sometimes
resembles a short score,
was revised by the
editor, who rendered it
easier to perform and
supplemented the ten
measures that had been
missing until now in the
introduction to the fifth
movement.As benfits this
publishing house, the
handy 6x9 inch score is
meticulously edited and
is a welcome aid to study
of the whole works. (Mary
Nemet,
Strings)
Urtext. Composed
by Edouard Lalo. Edited
by Christian Rudolf
Riedel. This edition:
violin 1 part. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The first true final
version
Symphony;
Solo concerto; Romantic.
Part. 12 pages. Duration
35'. Breitkopf and
Haertel #OB 5520-15.
Published by Breitkopf
and Haertel
(BR.OB-5520-15).
ISBN
9790004338940. 10 x 12.5
inches.
Edouard
Lalo's Symphonie
espagnole was heretofore
inadequately edited: the
two first editions (piano
reduction and score)
differ considerably from
one another, since the
composer continued to
hone his work after the
completion of the
engraver's master for the
piano reduction, and he
even made certain
compositional additions.
Christian Rudolf Riedel's
new urtext edition
eliminates all these
inadequacies and
inconsistencies.
Moreover, the editor was
able to base himself for
the first time ever on
the previously unknown
autograph of the solo
part. The discovery of
this source was nothing
less than sensational.
Lalo, who was an
outstanding violinist in
his own right, had
meticulously marked up
his manuscript with the
help of the arrangement
by Pablo de Sarasate, to
whom Lalo had dedicated
the work and entrusted
the world premiere. This
new source situation
allowed for the
preparation of an urtext
edition that corresponds
throughout to the
author's final version.
The composer's piano
part, which sometimes
resembles a short score,
was revised by the
editor, who rendered it
easier to perform and
supplemented the ten
measures that had been
missing until now in the
introduction to the fifth
movement.As benfits this
publishing house, the
handy 6x9 inch score is
meticulously edited and
is a welcome aid to study
of the whole works. (Mary
Nemet,
Strings)
Urtext. Composed
by Edouard Lalo. Edited
by Christian Rudolf
Riedel. This edition:
wind parts. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library).
The first true final
version
Symphony;
Solo concerto; Romantic.
Set of parts. 176 pages.
Duration 35'. Breitkopf
and Haertel #OB 5520-30.
Published by Breitkopf
and Haertel
(BR.OB-5520-30).
ISBN
9790004338995. 10 x 12.5
inches.
Edouard
Lalo's Symphonie
espagnole was heretofore
inadequately edited: the
two first editions (piano
reduction and score)
differ considerably from
one another, since the
composer continued to
hone his work after the
completion of the
engraver's master for the
piano reduction, and he
even made certain
compositional additions.
Christian Rudolf Riedel's
new urtext edition
eliminates all these
inadequacies and
inconsistencies.
Moreover, the editor was
able to base himself for
the first time ever on
the previously unknown
autograph of the solo
part. The discovery of
this source was nothing
less than sensational.
Lalo, who was an
outstanding violinist in
his own right, had
meticulously marked up
his manuscript with the
help of the arrangement
by Pablo de Sarasate, to
whom Lalo had dedicated
the work and entrusted
the world premiere. This
new source situation
allowed for the
preparation of an urtext
edition that corresponds
throughout to the
author's final version.
The composer's piano
part, which sometimes
resembles a short score,
was revised by the
editor, who rendered it
easier to perform and
supplemented the ten
measures that had been
missing until now in the
introduction to the fifth
movement.As benfits this
publishing house, the
handy 6x9 inch score is
meticulously edited and
is a welcome aid to study
of the whole works. (Mary
Nemet,
Strings)
Urtext. Composed
by Edouard Lalo. Edited
by Christian Rudolf
Riedel. This edition:
double bass part.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
The first true final
version
Symphony;
Solo concerto; Romantic.
Part. 12 pages. Duration
35'. Breitkopf and
Haertel #OB 5520-27.
Published by Breitkopf
and Haertel
(BR.OB-5520-27).
ISBN
9790004338988. 10 x 12.5
inches.
Edouard
Lalo's Symphonie
espagnole was heretofore
inadequately edited: the
two first editions (piano
reduction and score)
differ considerably from
one another, since the
composer continued to
hone his work after the
completion of the
engraver's master for the
piano reduction, and he
even made certain
compositional additions.
Christian Rudolf Riedel's
new urtext edition
eliminates all these
inadequacies and
inconsistencies.
Moreover, the editor was
able to base himself for
the first time ever on
the previously unknown
autograph of the solo
part. The discovery of
this source was nothing
less than sensational.
Lalo, who was an
outstanding violinist in
his own right, had
meticulously marked up
his manuscript with the
help of the arrangement
by Pablo de Sarasate, to
whom Lalo had dedicated
the work and entrusted
the world premiere. This
new source situation
allowed for the
preparation of an urtext
edition that corresponds
throughout to the
author's final version.
The composer's piano
part, which sometimes
resembles a short score,
was revised by the
editor, who rendered it
easier to perform and
supplemented the ten
measures that had been
missing until now in the
introduction to the fifth
movement.As benfits this
publishing house, the
handy 6x9 inch score is
meticulously edited and
is a welcome aid to study
of the whole works. (Mary
Nemet,
Strings)
Urtext. Composed
by Edouard Lalo. Edited
by Christian Rudolf
Riedel. This edition:
violin 2 part. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The first true final
version
Symphony;
Solo concerto; Romantic.
Part. 12 pages. Duration
35'. Breitkopf and
Haertel #OB 5520-16.
Published by Breitkopf
and Haertel
(BR.OB-5520-16).
ISBN
9790004338957. 10 x 12.5
inches.
Edouard
Lalo's Symphonie
espagnole was heretofore
inadequately edited: the
two first editions (piano
reduction and score)
differ considerably from
one another, since the
composer continued to
hone his work after the
completion of the
engraver's master for the
piano reduction, and he
even made certain
compositional additions.
Christian Rudolf Riedel's
new urtext edition
eliminates all these
inadequacies and
inconsistencies.
Moreover, the editor was
able to base himself for
the first time ever on
the previously unknown
autograph of the solo
part. The discovery of
this source was nothing
less than sensational.
Lalo, who was an
outstanding violinist in
his own right, had
meticulously marked up
his manuscript with the
help of the arrangement
by Pablo de Sarasate, to
whom Lalo had dedicated
the work and entrusted
the world premiere. This
new source situation
allowed for the
preparation of an urtext
edition that corresponds
throughout to the
author's final version.
The composer's piano
part, which sometimes
resembles a short score,
was revised by the
editor, who rendered it
easier to perform and
supplemented the ten
measures that had been
missing until now in the
introduction to the fifth
movement.As benfits this
publishing house, the
handy 6x9 inch score is
meticulously edited and
is a welcome aid to study
of the whole works. (Mary
Nemet,
Strings)
Edouard Lalo
composed two operas:
“Le Roi
d’Ysâ€
enjoyed considerable
success at its first
performance at the
Opera-Comique in 1888,
and it remained in the
repertory for many
years. His other
opera,
“Fiesqueâ€, on
the other hand, had to
wait nearly 140 years
before it was performed
in a concert version in
Montpellier in 2006, and
then was finally
premiered on stage at the
National Theatre Mannheim
on 16 June
2007. Fiesque is an
opera of action and
intrigue, set in Genoa in
1547 and based on
Schiller’s early
drama “Die
Verschwörung des
Fiesco zu Genuaâ€.
The historical Fiesco led
a conspiracy against the
ruling Doria family,
Doges of Genoa. The plot
revolves around
Fiesque’s love for
Julie, daughter of his
enemy Andreas Doria, and
his wife Lonore’s
bitter suspicion. Fiesque
is also opposed by
Verrina, an old fanatical
republican who distrusts
Fiesque’s
commitment to
overthrowing the Dorias,
especially when his
involvement with
Doria’s daughter
is known. In the final
act the Dorias are
overthrown; the crowd
acclaims Fiesque and
Lonore in a triumphal
march, but Verrina
refuses to allow Fiesque
to assume supreme power
and throws him to his
death in the waters of
harbour.
Lalo’s
invention is remarkable,
and the orchestral
writing is at times
powerful, at times
poignant. Its revival
adds a remarkable work to
the repertory of French
operas.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Concert band - Grade 5 SKU: RM.LALO00795-CO Composed by Edouard Lalo. Arr...(+)
Concert band - Grade 5
SKU:
RM.LALO00795-CO
Composed by Edouard Lalo.
Arranged by Gabriel
Pares. Operas, operas
comiques, operettes.
Orchestra. Conductor's
score. Editions Robert
Martin #LALO00795-CO.
Published by Editions
Robert Martin
(RM.LALO00795-CO).
Concert band - Grade 5 SKU: RM.LALO00795-BA Composed by Edouard Lalo. Arr...(+)
Concert band - Grade 5
SKU:
RM.LALO00795-BA
Composed by Edouard Lalo.
Arranged by Gabriel
Pares. Operas, operas
comiques, operettes.
Orchestra. Full set.
Editions Robert Martin
#LALO00795-BA. Published
by Editions Robert Martin
(RM.LALO00795-BA).
Trombone & Piano - Advanced SKU: CY.CC2405 Composed by Edouard Lalo. Arra...(+)
Trombone & Piano -
Advanced
SKU:
CY.CC2405
Composed by
Edouard Lalo. Arranged by
Ralph Sauer. Spanish
romantic. Solo with
Piano. Published by
Cherry Classics
(CY.CC2405).
Lalo was born
in Lille (Nord), in
northernmost France. He
attended that city's
music conservatory in his
youth. Then, beginning at
age 16, Lalo studied at
the Paris Conservatoire
under Berlioz's old enemy
Francois Antoine
Habeneck. For several
years, he worked as a
string player and teacher
in Paris. In 1848, he
joined with friends to
found the Armingaud
Quartet, playing viola
and second violin. Lalo's
earliest surviving
compositions are songs
and chamber works. He
dedicated most of his
career to the composition
of chamber music, which
was in vogue, and to
writing works for
orchestra. These two
works beautifully
arranged by Mr. Sauder
show the core of Lalo's
chamber music; personal,
subtle at times and
filled with a French
lyricism. For advanced
performers.
Euphonium & piano - advanced SKU: CY.CC2608 Composed by Edouard Lalo. Arr...(+)
Euphonium & piano -
advanced
SKU:
CY.CC2608
Composed by
Edouard Lalo. Arranged by
Ralph Sauer. French 20th
century. Solo part and
piano accompaniment.
Published by Cherry
Classics (CY.CC2608).
Lalo was born
in Lille (Nord), in
northernmost France. He
attended that city's
music conservatory in his
youth. Then, beginning at
age 16, Lalo studied at
the Paris Conservatoire
under Berlioz's old enemy
François Antoine
Habeneck. For several
years, he worked as a
string player and teacher
in Paris. In 1848, he
joined with friends to
found the Armingaud
Quartet, playing viola
and second violin. Lalo's
earliest surviving
compositions are songs
and chamber works. He
dedicated most of his
career to the composition
of chamber music, which
was in vogue, and to
writing works for
orchestra. These two
works beautifully
arranged by Mr. Sauder
show the core of Lalo's
chamber music; personal,
subtle at times and
filled with a French
lyricism. For
advanced performers.
Cello and orchestra (solo: vc - 2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.PB-15...(+)
Cello and orchestra
(solo: vc - 2.2.2.2 -
4.2.3.0 - timp - str)
SKU: BR.PB-15120
Urtext. Composed
by Edouard Lalo. Edited
by Peter Jost. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic. Study
Score. Breitkopf and
Haertel #PB 15120.
Published by Breitkopf
and Haertel
(BR.PB-15120).
ISBN
9790004212233. 6.5 x 9
inches.
In the past
years, French music has
become a focal point of
Breitkopf's orchestral
library. With Edouard
Lalo's popular
violoncello concerto,
these new editions of
French music now bring
publishers Breitkopf and
G. Henle together once
again in another example
of their proven
cooperation. Peter Jost,
an expert on French music
who established his claim
to expertise through his
Debussy, Franck and
Saint-Saens editions,
ensures a flawless Urtext
edition which is based
for the first time on the
autograph piano
reduction. This
piano-cello score shows
traces of several layers
of arrangements, the last
two of which were
obviously not taken into
account in the first
edition. The new edition
thus offers a wealth of
new, authentic readings.A
carefully researched text
with clear and spacious
printing highlights this
sympathetic collaboration
of two esteemed
publishing houses,
Breitkopf & Hartel and
Henle. (Mary Nemet,
Strings)
Urtext. Composed
by Edouard Lalo. Edited
by Peter Jost. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
first definitive author's
version - In Cooperation
with G. Henle Verlag.
Solo concerto; Romantic.
Part. 12 pages. Breitkopf
and Haertel #OB 15100-15.
Published by Breitkopf
and Haertel
(BR.OB-15100-15).
ISBN
9790004339640. 10 x 12.5
inches.
In the past
years, French music has
become a focal point of
Breitkopf's orchestral
library. With Edouard
Lalo's popular
violoncello concerto,
these new editions of
French music now bring
publishers Breitkopf and
G. Henle together once
again in another example
of their proven
cooperation. Peter Jost,
an expert on French music
who established his claim
to expertise through his
Debussy, Franck and
Saint-Saens editions,
ensures a flawless Urtext
edition which is based
for the first time on the
autograph piano
reduction. This
piano-cello score shows
traces of several layers
of arrangements, the last
two of which were
obviously not taken into
account in the first
edition. The new edition
thus offers a wealth of
new, authentic readings.A
carefully researched text
with clear and spacious
printing highlights this
sympathetic collaboration
of two esteemed
publishing houses,
Breitkopf & Hartel and
Henle. (Mary Nemet,
Strings)
Cello and orchestra (solo: vc - 2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.PB-15...(+)
Cello and orchestra
(solo: vc - 2.2.2.2 -
4.2.3.0 - timp - str)
SKU: BR.PB-15100
Urtext. Composed
by Edouard Lalo. Edited
by Peter Jost. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
The first
definitive author's
version - In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic. Full score. 112
pages. Breitkopf and
Haertel #PB 15100.
Published by Breitkopf
and Haertel
(BR.PB-15100).
ISBN
9790004212011. 10 x 12.5
inches.
In the past
years, French music has
become a focal point of
Breitkopf's orchestral
library. With Edouard
Lalo's popular
violoncello concerto,
these new editions of
French music now bring
publishers Breitkopf and
G. Henle together once
again in another example
of their proven
cooperation. Peter Jost,
an expert on French music
who established his claim
to expertise through his
Debussy, Franck and
Saint-Saens editions,
ensures a flawless Urtext
edition which is based
for the first time on the
autograph piano
reduction. This
piano-cello score shows
traces of several layers
of arrangements, the last
two of which were
obviously not taken into
account in the first
edition. The new edition
thus offers a wealth of
new, authentic readings.A
carefully researched text
with clear and spacious
printing highlights this
sympathetic collaboration
of two esteemed
publishing houses,
Breitkopf & Hartel and
Henle. (Mary Nemet,
Strings)
By Edouard Lalo. Arranged by Harry Alshin. Music by Edouard Lalo / arr. Harry Al...(+)
By Edouard Lalo. Arranged
by Harry Alshin. Music by
Edouard Lalo / arr. Harry
Alshin. For String
Orchestra. String
Orchestra. String
Orchestra. Level: 4
(grade 4). Conductor
Score. 12 pages.
Published by Alfred
Publishing.
Violin Concerto. By Edouard Lalo. Edited by Christian Rudolf Riedel. Arranged by...(+)
Violin Concerto. By
Edouard Lalo. Edited by
Christian Rudolf Riedel.
Arranged by Edouard Lalo.
For Violin, Orchestra.
This edition: 21. Edition
Breitkopf. Edition for
violin and piano. 84
pages. Published by
Breitkopf and Haertel
(German import).
Urtext. Composed
by Edouard Lalo. Edited
by Peter Jost. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
first definitive author's
version - In Cooperation
with G. Henle Verlag.
Solo concerto; Romantic.
Part. 12 pages. Breitkopf
and Haertel #OB 15100-23.
Published by Breitkopf
and Haertel
(BR.OB-15100-23).
ISBN
9790004339671. 10 x 12.5
inches.
In the past
years, French music has
become a focal point of
Breitkopf's orchestral
library. With Edouard
Lalo's popular
violoncello concerto,
these new editions of
French music now bring
publishers Breitkopf and
G. Henle together once
again in another example
of their proven
cooperation. Peter Jost,
an expert on French music
who established his claim
to expertise through his
Debussy, Franck and
Saint-Saens editions,
ensures a flawless Urtext
edition which is based
for the first time on the
autograph piano
reduction. This
piano-cello score shows
traces of several layers
of arrangements, the last
two of which were
obviously not taken into
account in the first
edition. The new edition
thus offers a wealth of
new, authentic readings.A
carefully researched text
with clear and spacious
printing highlights this
sympathetic collaboration
of two esteemed
publishing houses,
Breitkopf & Hartel and
Henle. (Mary Nemet,
Strings)
Urtext. Composed
by Edouard Lalo. Edited
by Peter Jost. Folder.
Orchester-Bibliothek
(Orchestral Library). The
first definitive author's
version - In Cooperation
with G. Henle Verlag.
Solo concerto; Romantic.
Set of parts. 144 pages.
Breitkopf and Haertel #OB
15100-30. Published by
Breitkopf and Haertel
(BR.OB-15100-30).
ISBN
9790004339695. 10 x 12.5
inches.
In the past
years, French music has
become a focal point of
Breitkopf's orchestral
library. With Edouard
Lalo's popular
violoncello concerto,
these new editions of
French music now bring
publishers Breitkopf and
G. Henle together once
again in another example
of their proven
cooperation. Peter Jost,
an expert on French music
who established his claim
to expertise through his
Debussy, Franck and
Saint-Saens editions,
ensures a flawless Urtext
edition which is based
for the first time on the
autograph piano
reduction. This
piano-cello score shows
traces of several layers
of arrangements, the last
two of which were
obviously not taken into
account in the first
edition. The new edition
thus offers a wealth of
new, authentic readings.A
carefully researched text
with clear and spacious
printing highlights this
sympathetic collaboration
of two esteemed
publishing houses,
Breitkopf & Hartel and
Henle. (Mary Nemet,
Strings)