Composed by Kevin Waters. Quality organ music based on two common chants. Advent, Marian, General. Published by CanticaNOVA Publications (C5.6043).

By Zebulon M. Highben. For SATB choir, optional congregation, organ, oboe or clarinet, handbells or handchimes. Evening. Moderately Easy. Octavo. Published by MorningStar Music Publishers

SAB choir, Organ or Piano - Easy/Medium

SKU: PL.0004

Composed by J. William Greene. Parish. Choral, Evensong, General. Octavo. Paraclete Press #0004. Published by Paraclete Press (PL.0004).

These delightful anthems come at a time of great interest in Celtic music and literature. Dr. Greene has composed characterful and colorful music for each of these poems that will be a joy to learn. The Tree of Life is set quite reflectively with a flute obbligato that captures the elegiac text. Patrick s Evening Hymn has long phrase lines and a chant-like flow between the organ and voices. Caedmon s Hymn is set as a lively vigorous dance that emphasizes the strength of this text. The keyboard parts are discreet and supportive throughout and the voice ranges are quite moderate in scope. These short anthems are winning additions to the SAB repertory.

Composed by Sergei Rachmaninoff (1873-1943). Edited by Helmut Loos. Morning, Midday, Evening. Choral score. 64 pages. Published by Carus Verlag (CA.2301405).

Composed by Sergei Rachmaninoff (1873-1943). Edited by Helmut Loos. This edition: Paperbound. Morning, Midday, Evening. Full score. Published by Carus Verlag

By Gerald Near (1942-). For organ. Ascension, Pentecost, Trinity, Feast of Corpus Christi, Communion, Morning, Evening. Published by Aureole Editions . Ascension, Pentecost, Trinity, Feast of Corpus Christi, Communion, Morning, Evening.

Abendlied/Evening Song. By Jean Daetwyler. For Alphorn and Harp (Piano). Swiss import. Level: Grade 4. Published by Editions Marc Reift. (EMR 786)

By David Ashley White. For SATB Choir and percussion. (Mixed Voices). Evening, General. Choral. Level: moderately easy. Octavo. Published by ECS Publishing.

Easy Piano Budget Books. By Various Composers. Easy Piano Songbook (Easy arrangements for piano and voice). Size 8.25x10.75 inches. 302 pages. Published by Hal Leonard.

Abendlied/Evening Song. By Jean Daetwyler. For Alphorn and Harp (Piano). Swiss import. Level: Grade 4. Published by Editions Marc Reift. (EMR 785)

Abendlied/Evening Song. By Jean Daetwyler. For Alphorn and Harp (Piano). Swiss import. Level: Grade 4. Published by Editions Marc Reift. (EMR 785)

(Guitar)

SKU: HL.14078841

Chant du Monde. General Merchandise. Duration 240 seconds. Hal Leonard #CDMFG4095. Published by Hal Leonard (HL.14078841).

Abendlied/Evening Song. By Jean Daetwyler. For Alphorn and Harp (Piano). Swiss import. Level: Grade 4. Published by Editions Marc Reift. (EMR 786)

(Mattins and Lauds of Holy Saturday). By Various. For Plainchant, SATB Choir. Royal School of Church Music. Sacred. Easy. Text language: English. 24 pages. Published by GIA Publications

Composed by Stephen McManus. For SATB choir, a cappella. Text: Liturgy of the Hours. Brief settings of the seven Magnificat antiphons for the last days of Advent. Advent. Octavo. Published by CanticaNOVA Publications

(Evenings Lit by the Burning Coals) for Piano. By Claude Debussy. Editions Durand. Size 8.75x12 inches. Published by Durand.

(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

Piano (Piano Solo)

SKU: HL.49046935

Solo Piano. Composed by Gregory Spears. Piano Solo. Classical. Softcover. 98 pages. Duration 6180 seconds. Schott Music #ED30418. Published by Schott Music (HL.49046935).

ISBN 9781705169353. UPC: 842819116837. 9.25x12.0x0.5 inches.

SEVEN DAYS is a cycle for solo piano in 21 movements, most lasting between three and seven minutes, distributed in the form of a custom app produced by the 92Y and released during their Fall 2021 season. Using the app on their phones, listeners are asked to listen to three movements a day according to an approximate schedule - one movement in the morning, one in the afternoon, and another sometime in the evening - for seven days. The music is performed by Pedja Muzijevic and presented alongside paintings by Gloria Maximo. (Please visit 92Y.org for information on how to download the Seven Days app.) The work is designed as a listening experience that tunes us into the passing of time, connecting us both to the present moment as well as the cycle of the week. The experience invites music to inhabit and structure our everyday - to find us where we are in the world. The morning-afternoonevening schedule is meant to focus participants on the dawn-to-dusk cycle as well as to create a communal listening ritual. It is also an experiment in large-scale form, designed to draw attention to musical material developing across a week-long expanse, interspersed with vast silences. SEVEN DAYS was shaped by a year spent in relative isolation due to the pandemic. While it is a work composed during a time of quarantine, it will be experienced first by an audience in the process of returning to a more normal world. In that sense, it is an artwork born out of a year of relatively cloistered existence that seeks to preserve aspects of that experience as we move forward. The piece was also inspired by the work of Morton Feldman and Chantal Akerman, whose large-scale works consider time, process, and stillness. Their art struck me with a fresh relevance during the silent stretches of the pandemic year 2020. It was also a year in which writings about time, penned by contemplatives like Henry David Thoreau and Thomas Merton, held new weight. All of this in turnresonated with Gloria Maximo's profound paintings, which I've long admired. SEVEN DAYS is an artwork we are invited to do - using music to point our attention to the present moment, the everyday, and the seemingly mundane. It is a piece listeners are also asked to live within as it unfolds over a week rather than to witness it live. The key players here are time and the listener's own surroundings, starring together alongside music and art in a wordless drama. -Gregory Spears.

The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Published by Hal Leonard.

by Mizzy McCaskill and Dona Gilliam. For flute. Building Excellence. Classic, solos. Level: Multiple Levels. Book. Method. Size 8.75x11.75. 112 pages. Published by Mel Bay Pub., Inc.

Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard

85 Early / Late Intermediate Selections in Their Original Form - Baroque to Modern. Edited by Maurice Hinson. For Piano. Piano Collection. Essential Keyboard Repertoire. Masterwork. Level: Early Intermediate / Late Intermediate. Book. 128 pages. Published by Alfred Publishing.

Edited by Albert Weir, Amy Appleby. For piano. Format: piano solo book. With fingerings. Baroque, classical period and romantic period. 400 pages. 9x12 inches. Published by Music Sales.