Klavierquartett SKU: VD.ED13752 Composed by Ferdinand Ries. Edited by Gui...(+)
Klavierquartett
SKU:
VD.ED13752
Composed
by Ferdinand Ries. Edited
by Guido Johannes Joerg.
Arranged by Ferdinand
Ries. Denkmäler
rheinischer Musik Bd.
42a. Classical. Set of
parts. Verlag Dohr
#ED13752. Published by
Verlag Dohr (VD.ED13752).
Composed by Ferdinando Carulli (1770-1841). Arranged by Reno Brandoni. For Cl...(+)
Composed by Ferdinando
Carulli (1770-1841).
Arranged by Reno
Brandoni.
For Classical Guitar or
Lute. Saddle-stitched.
Classics. Book/DVD Set.
76
pages. Published by Mel
Bay
Publications, Inc
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
The
study score
(,,Studien-Edition) is
available at G.
Henle Verlag.
Symphony; Classical. Full
score. 96 pages. Duration
35'. Breitkopf and
Haertel #PB 14610.
Published by Breitkopf
and Haertel
(BR.PB-14610).
ISBN
9790004211144. 10 x 12.5
inches.
Beethoven
did not work continuously
on this symphony and
interrupted his work a
couple of times. As the
sketches show, he
presumably wrote down
first ideas in the autumn
of 1800.No other
autograph material has
survived. As Ferdinand
Ries, a pupil of
Beethoven, bitterly
reports, Beethoven gave
him the autograph, but it
was unfortunately stolen
by a friend, out of pure
friendship. In April
1803, the composition was
premiered publicly,
together with the first
symphony and the third
piano concerto with
Beethoven himself as
soloist. Although
Beethoven's first two
symphonies are still
influenced by Haydn and
Mozart, novelties can
already be discovered.
The second symphony
starts breaking away from
traditional forms and
lets us surmise the
monumentality of
Beethoven's innovation.
The editor, Armin Raab,
critically illuminates
the transmission of the
work and its sources. He
also clears up a wide
spread belief in older
literature, that this
cheerful work might have
been composed parallel to
the Heiligenstadter
Testament. The practical
performance material by
Breitkopf & Hartel is
based on the music text
of the New Beethoven
Complete Edition and
constitutes the
authoritative reading of
Beethoven research.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G.
Henle Verlag.
Symphony; Classical.
Part. 16 pages. Duration
35'. Breitkopf and
Haertel #OB 14610-16.
Published by Breitkopf
and Haertel
(BR.OB-14610-16).
ISBN
9790004336526. 10 x 12.5
inches.
Beethoven
did not work continuously
on this symphony and
interrupted his work a
couple of times. As the
sketches show, he
presumably wrote down
first ideas in the autumn
of 1800.No other
autograph material has
survived. As Ferdinand
Ries, a pupil of
Beethoven, bitterly
reports, Beethoven gave
him the autograph, but it
was unfortunately stolen
by a friend, out of pure
friendship. In April
1803, the composition was
premiered publicly,
together with the first
symphony and the third
piano concerto with
Beethoven himself as
soloist. Although
Beethoven's first two
symphonies are still
influenced by Haydn and
Mozart, novelties can
already be discovered.
The second symphony
starts breaking away from
traditional forms and
lets us surmise the
monumentality of
Beethoven's innovation.
The editor, Armin Raab,
critically illuminates
the transmission of the
work and its sources. He
also clears up a wide
spread belief in older
literature, that this
cheerful work might have
been composed parallel to
the Heiligenstadter
Testament. The practical
performance material by
Breitkopf & Hartel is
based on the music text
of the New Beethoven
Complete Edition and
constitutes the
authoritative reading of
Beethoven research.
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Words are not enough to
praise this exemplary
edition, resulting from
many years of systematic
editorial work on the
sources. Breitkopf's
source-critical,
practice-oriented edition
by Clive Brown and Peter
Hauschild will provide
valuable new impulses in
t. Symphony; Classical.
Part. 16 pages. Duration
35'. Breitkopf and
Haertel #OB 5232-16.
Published by Breitkopf
and Haertel
(BR.OB-5232-16).
ISBN
9790004334799. 10 x 12.5
inches.
For the
present Urtext edition of
Beethoven's Symphony No.
2, the editor also
consulted certain sources
and authentic new
variants for the first
time; among them are the
nonet arrangement made by
Beethoven's pupil
Ferdinand Ries in 1807,
thus with authentic
variants. Thanks to his
vast knowledge, the
editor has uncovered a
number of errors and
contradictions in the
sources. The basic
differences with respect
to other editions chiefly
concern the articulation
and dynamics in movements
1, 2 and 4. They can
easily be found in the
Critical Commentary of
the conducting
score.
Words are
not enough to praise this
exemplary edition,
resulting from many years
of systematic editorial
work on the sources.
Breitkopf's
source-critical,
practice-oriented edition
by Clive Brown and Peter
Hauschild will provide
valuable new impulses in
the interpretation of
Beethoven's music. (Kurt
Masur, 2006).
SKU: HL.49015504 Edited by Frank Ziegler and Joachim Veit. This edition: ...(+)
SKU: HL.49015504
Edited by Frank Ziegler
and Joachim Veit. This
edition: Hardback/Hard
Cover. Book. Edition
Schott. Neue Aufsatze zu
Leben und Werk Carl Maria
von Webers. Classical.
475 pages. Schott Music
#ED 8583. Published by
Schott Music
(HL.49015504).
ISBN
9783795703257.
German.
Das
Anliegen der Herausgeber,
mit der Arbeit an der
Carl-Maria-von-Weber-Gesa
mtausgabe auch den
naheren Umkreis des
Komponisten zu beleuchten
und so das gesamte Umfeld
fruhromantischer Musik
und Kunstanschauung in
ein helleres Licht zu
setzen, wird in diesem
Band mit Beitragen aus
germanistischer,
musikwissenschaftlicher,
musikpraktischer und
psychologischer Sicht
weitergefuhrt.Nach
Aufsatzen zu E. T. A.
Hoffmann und zur
Musikanschauung des
fruhen 19. Jahrhunderts
folgen Beitrage, die
unbekannte Dokumente aus
Webers Umkreis erstmals
prasentieren, danach
werden editorische Fragen
der Gesamtausgabe
behandelt. Es folgen
analytische Betrachtungen
von Kompositionen sowie
Beitrage zur Rezeption
des Weberschen ouvres.
Auffuhrungspraktische und
musikpsychologische
Studien runden diesen
Teil ab. Der
abschliessende Aufsatz
zur
Entwicklungsgeschichte
des Klavierquartetts
zeigt, welche neuen und
interessanten Bezuge eine
aus der Sicht des
praktischen Musikers
verfasste Musikhistorie
offenlegen kann.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Folder.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G.
Henle Verlag.
Symphony; Classical. Set
of parts. 136 pages.
Duration 35'. Breitkopf
and Haertel #OB 14610-30.
Published by Breitkopf
and Haertel
(BR.OB-14610-30).
ISBN
9790004336564. 10 x 12.5
inches.
Beethoven
did not work continuously
on this symphony and
interrupted his work a
couple of times. As the
sketches show, he
presumably wrote down
first ideas in the autumn
of 1800.No other
autograph material has
survived. As Ferdinand
Ries, a pupil of
Beethoven, bitterly
reports, Beethoven gave
him the autograph, but it
was unfortunately stolen
by a friend, out of pure
friendship. In April
1803, the composition was
premiered publicly,
together with the first
symphony and the third
piano concerto with
Beethoven himself as
soloist. Although
Beethoven's first two
symphonies are still
influenced by Haydn and
Mozart, novelties can
already be discovered.
The second symphony
starts breaking away from
traditional forms and
lets us surmise the
monumentality of
Beethoven's innovation.
The editor, Armin Raab,
critically illuminates
the transmission of the
work and its sources. He
also clears up a wide
spread belief in older
literature, that this
cheerful work might have
been composed parallel to
the Heiligenstadter
Testament. The practical
performance material by
Breitkopf & Hartel is
based on the music text
of the New Beethoven
Complete Edition and
constitutes the
authoritative reading of
Beethoven research.
Ode to Joy. Vocal
score compatible with all
available music
editions. Composed by
Ludwig van Beethoven.
Carus Choir Coach.
Symphonie Nr.9.Ccc.
Secular choral music.
Compact Disc. Composed
1815-1824. Op. 125.
Duration 22 minutes.
Carus Verlag #CV
23.801/92. Published by
Carus Verlag
(CA.2380192).
Text
language: German. Text:
Schiller,
Friedrich.
It's
about 200 years since
Beethoven scribbled down
a theme in D minor in his
sketch book, which he
later used, slightly
altered, in the 2nd
movement of his 9th
Symphony. Beethoven had
thought of setting
Schiller's Ode to Joy
much earlier. As early as
1803 Ferdinand Ries
mentioned a complete
setting of the text by
Beethoven which no longer
survives. The vocal score
of the finale of the 9th
Symphony is based on the
vocal score made by Carl
Reinecke around the end
of the 19th century. The
version by Reinecke,
popular worldwide,
closely reflects the
sound of the orchestral
writing, yet at the same
time is remains playable.
Stefan Schuck has revised
this historic vocal
score, in the process
taking into account
recent research findings.
The new Carus vocal score
contains rehearsal
letters from all current
versions of the
orchestral material, and
is thus compatible with
all available music
editions. In the
presentation of this
edition, particular
attention has been paid
to the practical needs of
(choral) singers and
repetiteurs.
Piano SKU: VD.ED19074 Composed by Ferdinand Ries. Edited by Guido Johanne...(+)
Piano
SKU:
VD.ED19074
Composed
by Ferdinand Ries. Edited
by Guido Johannes Joerg.
Classical. Score. 42 S.
pages. Verlag Dohr
#ED19074. Published by
Verlag Dohr (VD.ED19074).
Piano SKU: VD.ED19073 Composed by Ferdinand Ries. Edited by Guido Johanne...(+)
Piano
SKU:
VD.ED19073
Composed
by Ferdinand Ries. Edited
by Guido Johannes Joerg.
Classical. Score. 42 S.
pages. Verlag Dohr
#ED19073. Published by
Verlag Dohr (VD.ED19073).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G.
Henle Verlag.
Symphony; Classical.
Part. 16 pages. Duration
35'. Breitkopf and
Haertel #OB 14610-15.
Published by Breitkopf
and Haertel
(BR.OB-14610-15).
ISBN
9790004336519. 10 x 12.5
inches.
Beethoven
did not work continuously
on this symphony and
interrupted his work a
couple of times. As the
sketches show, he
presumably wrote down
first ideas in the autumn
of 1800.No other
autograph material has
survived. As Ferdinand
Ries, a pupil of
Beethoven, bitterly
reports, Beethoven gave
him the autograph, but it
was unfortunately stolen
by a friend, out of pure
friendship. In April
1803, the composition was
premiered publicly,
together with the first
symphony and the third
piano concerto with
Beethoven himself as
soloist. Although
Beethoven's first two
symphonies are still
influenced by Haydn and
Mozart, novelties can
already be discovered.
The second symphony
starts breaking away from
traditional forms and
lets us surmise the
monumentality of
Beethoven's innovation.
The editor, Armin Raab,
critically illuminates
the transmission of the
work and its sources. He
also clears up a wide
spread belief in older
literature, that this
cheerful work might have
been composed parallel to
the Heiligenstadter
Testament. The practical
performance material by
Breitkopf & Hartel is
based on the music text
of the New Beethoven
Complete Edition and
constitutes the
authoritative reading of
Beethoven research.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G.
Henle Verlag.
Symphony; Classical.
Part. 16 pages. Duration
35'. Breitkopf and
Haertel #OB 14610-27.
Published by Breitkopf
and Haertel
(BR.OB-14610-27).
ISBN
9790004336557. 10 x 12.5
inches.
Beethoven
did not work continuously
on this symphony and
interrupted his work a
couple of times. As the
sketches show, he
presumably wrote down
first ideas in the autumn
of 1800.No other
autograph material has
survived. As Ferdinand
Ries, a pupil of
Beethoven, bitterly
reports, Beethoven gave
him the autograph, but it
was unfortunately stolen
by a friend, out of pure
friendship. In April
1803, the composition was
premiered publicly,
together with the first
symphony and the third
piano concerto with
Beethoven himself as
soloist. Although
Beethoven's first two
symphonies are still
influenced by Haydn and
Mozart, novelties can
already be discovered.
The second symphony
starts breaking away from
traditional forms and
lets us surmise the
monumentality of
Beethoven's innovation.
The editor, Armin Raab,
critically illuminates
the transmission of the
work and its sources. He
also clears up a wide
spread belief in older
literature, that this
cheerful work might have
been composed parallel to
the Heiligenstadter
Testament. The practical
performance material by
Breitkopf & Hartel is
based on the music text
of the New Beethoven
Complete Edition and
constitutes the
authoritative reading of
Beethoven research.
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Words are not enough to
praise this exemplary
edition, resulting from
many years of systematic
editorial work on the
sources. Breitkopf's
source-critical,
practice-oriented edition
by Clive Brown and Peter
Hauschild will provide
valuable new impulses in
t. Symphony; Classical.
Part. 16 pages. Duration
35'. Breitkopf and
Haertel #OB 5232-27.
Published by Breitkopf
and Haertel
(BR.OB-5232-27).
ISBN
9790004334829. 10 x 12.5
inches.
For the
present Urtext edition of
Beethoven's Symphony No.
2, the editor also
consulted certain sources
and authentic new
variants for the first
time; among them are the
nonet arrangement made by
Beethoven's pupil
Ferdinand Ries in 1807,
thus with authentic
variants. Thanks to his
vast knowledge, the
editor has uncovered a
number of errors and
contradictions in the
sources. The basic
differences with respect
to other editions chiefly
concern the articulation
and dynamics in movements
1, 2 and 4. They can
easily be found in the
Critical Commentary of
the conducting
score.
Words are
not enough to praise this
exemplary edition,
resulting from many years
of systematic editorial
work on the sources.
Breitkopf's
source-critical,
practice-oriented edition
by Clive Brown and Peter
Hauschild will provide
valuable new impulses in
the interpretation of
Beethoven's music. (Kurt
Masur, 2006).
Ode to Joy. Vocal
score compatible with all
available music
editions. Composed by
Ludwig van Beethoven.
Carus Choir Coach.
Symphonie Nr.9.Ccc.
Secular choral music.
Compact Disc. Composed
1815-1824. Op. 125.
Duration 22 minutes.
Carus Verlag #CV
23.801/93. Published by
Carus Verlag
(CA.2380193).
Text
language: German. Text:
Schiller,
Friedrich.
It's
about 200 years since
Beethoven scribbled down
a theme in D minor in his
sketch book, which he
later used, slightly
altered, in the 2nd
movement of his 9th
Symphony. Beethoven had
thought of setting
Schiller's Ode to Joy
much earlier. As early as
1803 Ferdinand Ries
mentioned a complete
setting of the text by
Beethoven which no longer
survives. The vocal score
of the finale of the 9th
Symphony is based on the
vocal score made by Carl
Reinecke around the end
of the 19th century. The
version by Reinecke,
popular worldwide,
closely reflects the
sound of the orchestral
writing, yet at the same
time is remains playable.
Stefan Schuck has revised
this historic vocal
score, in the process
taking into account
recent research findings.
The new Carus vocal score
contains rehearsal
letters from all current
versions of the
orchestral material, and
is thus compatible with
all available music
editions. In the
presentation of this
edition, particular
attention has been paid
to the practical needs of
(choral) singers and
repetiteurs.
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Words are not enough to
praise this exemplary
edition, resulting from
many years of systematic
editorial work on the
sources. Breitkopf's
source-critical,
practice-oriented edition
by Clive Brown and Peter
Hauschild will provide
valuable new impulses in
t. Symphony; Classical.
Part. 16 pages. Duration
35'. Breitkopf and
Haertel #OB 5232-23.
Published by Breitkopf
and Haertel
(BR.OB-5232-23).
ISBN
9790004334812. 10 x 12.5
inches.
For the
present Urtext edition of
Beethoven's Symphony No.
2, the editor also
consulted certain sources
and authentic new
variants for the first
time; among them are the
nonet arrangement made by
Beethoven's pupil
Ferdinand Ries in 1807,
thus with authentic
variants. Thanks to his
vast knowledge, the
editor has uncovered a
number of errors and
contradictions in the
sources. The basic
differences with respect
to other editions chiefly
concern the articulation
and dynamics in movements
1, 2 and 4. They can
easily be found in the
Critical Commentary of
the conducting
score.
Words are
not enough to praise this
exemplary edition,
resulting from many years
of systematic editorial
work on the sources.
Breitkopf's
source-critical,
practice-oriented edition
by Clive Brown and Peter
Hauschild will provide
valuable new impulses in
the interpretation of
Beethoven's music. (Kurt
Masur, 2006).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G.
Henle Verlag.
Symphony; Classical.
Part. 16 pages. Duration
35'. Breitkopf and
Haertel #OB 14610-19.
Published by Breitkopf
and Haertel
(BR.OB-14610-19).
ISBN
9790004336533. 10 x 12.5
inches.
Beethoven
did not work continuously
on this symphony and
interrupted his work a
couple of times. As the
sketches show, he
presumably wrote down
first ideas in the autumn
of 1800.No other
autograph material has
survived. As Ferdinand
Ries, a pupil of
Beethoven, bitterly
reports, Beethoven gave
him the autograph, but it
was unfortunately stolen
by a friend, out of pure
friendship. In April
1803, the composition was
premiered publicly,
together with the first
symphony and the third
piano concerto with
Beethoven himself as
soloist. Although
Beethoven's first two
symphonies are still
influenced by Haydn and
Mozart, novelties can
already be discovered.
The second symphony
starts breaking away from
traditional forms and
lets us surmise the
monumentality of
Beethoven's innovation.
The editor, Armin Raab,
critically illuminates
the transmission of the
work and its sources. He
also clears up a wide
spread belief in older
literature, that this
cheerful work might have
been composed parallel to
the Heiligenstadter
Testament. The practical
performance material by
Breitkopf & Hartel is
based on the music text
of the New Beethoven
Complete Edition and
constitutes the
authoritative reading of
Beethoven research.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G.
Henle Verlag.
Symphony; Classical.
Part. 16 pages. Duration
35'. Breitkopf and
Haertel #OB 14610-23.
Published by Breitkopf
and Haertel
(BR.OB-14610-23).
ISBN
9790004336540. 10 x 12.5
inches.
Beethoven
did not work continuously
on this symphony and
interrupted his work a
couple of times. As the
sketches show, he
presumably wrote down
first ideas in the autumn
of 1800.No other
autograph material has
survived. As Ferdinand
Ries, a pupil of
Beethoven, bitterly
reports, Beethoven gave
him the autograph, but it
was unfortunately stolen
by a friend, out of pure
friendship. In April
1803, the composition was
premiered publicly,
together with the first
symphony and the third
piano concerto with
Beethoven himself as
soloist. Although
Beethoven's first two
symphonies are still
influenced by Haydn and
Mozart, novelties can
already be discovered.
The second symphony
starts breaking away from
traditional forms and
lets us surmise the
monumentality of
Beethoven's innovation.
The editor, Armin Raab,
critically illuminates
the transmission of the
work and its sources. He
also clears up a wide
spread belief in older
literature, that this
cheerful work might have
been composed parallel to
the Heiligenstadter
Testament. The practical
performance material by
Breitkopf & Hartel is
based on the music text
of the New Beethoven
Complete Edition and
constitutes the
authoritative reading of
Beethoven research.
Ode to Joy. Vocal
score compatible with all
available music
editions. Composed by
Ludwig van Beethoven.
Carus Choir Coach.
Symphonie Nr.9.Ccc.
Secular choral music.
Compact Disc. Composed
1815-1824. Op. 125.
Duration 22 minutes.
Carus Verlag #CV
23.801/94. Published by
Carus Verlag
(CA.2380194).
Text
language: German. Text:
Schiller,
Friedrich.
It's
about 200 years since
Beethoven scribbled down
a theme in D minor in his
sketch book, which he
later used, slightly
altered, in the 2nd
movement of his 9th
Symphony. Beethoven had
thought of setting
Schiller's Ode to Joy
much earlier. As early as
1803 Ferdinand Ries
mentioned a complete
setting of the text by
Beethoven which no longer
survives. The vocal score
of the finale of the 9th
Symphony is based on the
vocal score made by Carl
Reinecke around the end
of the 19th century. The
version by Reinecke,
popular worldwide,
closely reflects the
sound of the orchestral
writing, yet at the same
time is remains playable.
Stefan Schuck has revised
this historic vocal
score, in the process
taking into account
recent research findings.
The new Carus vocal score
contains rehearsal
letters from all current
versions of the
orchestral material, and
is thus compatible with
all available music
editions. In the
presentation of this
edition, particular
attention has been paid
to the practical needs of
(choral) singers and
repetiteurs.
Ode to Joy. Vocal
score compatible with all
available music
editions. Composed by
Ludwig van Beethoven.
Carus Choir Coach.
Symphonie Nr.9.Ccc.
Secular choral music.
Compact Disc. Composed
1815-1824. Op. 125.
Duration 22 minutes.
Carus Verlag #CV
23.801/91. Published by
Carus Verlag
(CA.2380191).
Text
language: German. Text:
Schiller,
Friedrich.
It's
about 200 years since
Beethoven scribbled down
a theme in D minor in his
sketch book, which he
later used, slightly
altered, in the 2nd
movement of his 9th
Symphony. Beethoven had
thought of setting
Schiller's Ode to Joy
much earlier. As early as
1803 Ferdinand Ries
mentioned a complete
setting of the text by
Beethoven which no longer
survives. The vocal score
of the finale of the 9th
Symphony is based on the
vocal score made by Carl
Reinecke around the end
of the 19th century. The
version by Reinecke,
popular worldwide,
closely reflects the
sound of the orchestral
writing, yet at the same
time is remains playable.
Stefan Schuck has revised
this historic vocal
score, in the process
taking into account
recent research findings.
The new Carus vocal score
contains rehearsal
letters from all current
versions of the
orchestral material, and
is thus compatible with
all available music
editions. In the
presentation of this
edition, particular
attention has been paid
to the practical needs of
(choral) singers and
repetiteurs.
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Words
are not enough to praise
this exemplary edition,
resulting from many years
of systematic editorial
work on the sources.
Breitkopf's
source-critical,
practice-oriented edition
by Clive Brown and Peter
Hauschild will provide
valuable new impulses i.
Symphony; Classical.
Study Score. 88 pages.
Duration 35'. Breitkopf
and Haertel #PB 5342-07.
Published by Breitkopf
and Haertel
(BR.PB-5342-07).
ISBN
9790004210970. 6.5 x 9
inches.
For the
present Urtext edition of
Beethoven's Symphony No.
2, the editor also
consulted certain sources
and authentic new
variants for the first
time; among them are the
nonet arrangement made by
Beethoven's pupil
Ferdinand Ries in 1807,
thus with authentic
variants. Thanks to his
vast knowledge, the
editor has uncovered a
number of errors and
contradictions in the
sources. The basic
differences with respect
to other editions chiefly
concern the articulation
and dynamics in movements
1, 2 and 4. They can
easily be found in the
Critical Commentary of
the conducting
score.
Words are
not enough to praise this
exemplary edition,
resulting from many years
of systematic editorial
work on the sources.
Breitkopf's
source-critical,
practice-oriented edition
by Clive Brown and Peter
Hauschild will provide
valuable new impulses in
the interpretation of
Beethoven's music. (Kurt
Masur, 2006).
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Words are not enough to
praise this exemplary
edition, resulting from
many years of systematic
editorial work on the
sources. Breitkopf's
source-critical,
practice-oriented edition
by Clive Brown and Peter
Hauschild will provide
valuable new impulses in
t. Symphony; Classical.
Part. 16 pages. Duration
35'. Breitkopf and
Haertel #OB 5232-19.
Published by Breitkopf
and Haertel
(BR.OB-5232-19).
ISBN
9790004334805. 10 x 12.5
inches.
For the
present Urtext edition of
Beethoven's Symphony No.
2, the editor also
consulted certain sources
and authentic new
variants for the first
time; among them are the
nonet arrangement made by
Beethoven's pupil
Ferdinand Ries in 1807,
thus with authentic
variants. Thanks to his
vast knowledge, the
editor has uncovered a
number of errors and
contradictions in the
sources. The basic
differences with respect
to other editions chiefly
concern the articulation
and dynamics in movements
1, 2 and 4. They can
easily be found in the
Critical Commentary of
the conducting
score.
Words are
not enough to praise this
exemplary edition,
resulting from many years
of systematic editorial
work on the sources.
Breitkopf's
source-critical,
practice-oriented edition
by Clive Brown and Peter
Hauschild will provide
valuable new impulses in
the interpretation of
Beethoven's music. (Kurt
Masur, 2006).
Composed by Ludwig van Beethoven (1770-1827). Edited by Stefan Schuck. For SATB ...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Stefan Schuck.
For SATB vocal soli, SATB
choir, piano. This
edition: softcover. Vocal
score. Language: German.
Duration 22 mintues.
Published by Carus Verlag
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Arranged by C. Brown.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Words are not enough to
praise this exemplary
edition, resulting from
many years of systematic
editorial work on the
sources. Breitkopf's
source-critical,
practice-oriented edition
by Clive Brown and Peter
Hauschild will provide
valuable new impulses in
t. Symphony; Classical.
Set of parts. 136 pages.
Duration 35'. Breitkopf
and Haertel #OB 5232-30.
Published by Breitkopf
and Haertel
(BR.OB-5232-30).
ISBN
9790004334836. 10 x 12.5
inches.
For the
present Urtext edition of
Beethoven's Symphony No.
2, the editor also
consulted certain sources
and authentic new
variants for the first
time; among them are the
nonet arrangement made by
Beethoven's pupil
Ferdinand Ries in 1807,
thus with authentic
variants. Thanks to his
vast knowledge, the
editor has uncovered a
number of errors and
contradictions in the
sources. The basic
differences with respect
to other editions chiefly
concern the articulation
and dynamics in movements
1, 2 and 4. They can
easily be found in the
Critical Commentary of
the conducting
score.
Words are
not enough to praise this
exemplary edition,
resulting from many years
of systematic editorial
work on the sources.
Breitkopf's
source-critical,
practice-oriented edition
by Clive Brown and Peter
Hauschild will provide
valuable new impulses in
the interpretation of
Beethoven's music. (Kurt
Masur, 2006).