Par REIZENSTEIN FRANZ. Flute, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, Double Bass. Reizenstein, F/ Répertoire / Flûte Traversière, 2 Hautbois, 2 Clarinettes, 2 Co

Par TELEMANN GEORG PHILIPP. Also suitable for flute and oboe/ Répertoire / Flûte à Bec Alto ou Flûte Traversière), Violon ou

Par TELEMANN / POULTEAU. for recorder (or flute, or oboe, or violin), oboe (or flute, or violin) and bass continuo/ Répertoire / Flûte à Bec, Hautbois et Basse Continue

Par SCHWEITZER BENJAMIN. The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this technique on the rather unusual instrumentation of two double-reed woodwinds and piano. On the one hand, a clear, well articulated playing is characteristic for these instruments, on the other hand, they have an often underestimated potential of „twilight“: air-sounds and fragile, shady colours have a especially attractive when being produced by double-reed instruments (which are often, and superficially regarded as being less capable of differentiated sounds than flute or clarinet). The piano, too, has a broad bandwidth of possibilities between percussive and delicate playing to complement the woodwinds which, in return, can absorb and continue the fading piano sounds. The beginning introduces the two contrasting elements that form the basic material for the piece: a clear, sharp chord, followed by fragile, dim sounds. The changes between these elements as well as their combination and amalgamation produce an enormous spectrum of colours and gesture. After this „motto-like“ opening follow four quite clearly separated short sections, each of them being characterised by a well-defined texture: a partly almost imperceptible air-sound passage, a short sequence of microintervallic notes, a burst of virtuosity and a recourse to the fragile sounds of the beginning. The second, longer main part consists of three sections merging subtly into each other: a short unisono-passage, marked elastic [federnd], is being dissolved into its basic elements; from these remainders, a confrontation of low, ‚arcane‘ bassoon and piano sounds and a strongly ornamented melodic line of the oboe emerges, leading to a short but powerful climax. The piece is concluded by an extended, relaxed epilogue, containing a short piano solo and a duet of oboe and bassoon and, finally, a quotation of the „elastic“ character of the middle section. Benjamin Schweitzer / Date parution : 2007-11-20/ Répertoire / Hautbois, Basson et Piano

Par MOGROVEJO LUIGI. / Date parution : 2022-07-23/ Répertoire / Flûte Traversière et Hautbois

für Flöte, Oboe und Klarinette. Par SHCHEDRIN RODION. For flute, oboe and clarinet For flute, oboe and clarinet/ Répertoire / Clarinette, Flûte Traversière et Hautbois

Par RHEINBERGER JOSEF GABRIEL. Volume 31 contains, among other works, the Piano Quartet, which was enthusiastically received by the critics in Rheinberger’s time: “The themes are noble, with significant content, the motivic development is rich and interesting, above all free from anything resembling a mould … and such a healthy musical wind blows through the entire work that I believe I am not mistaken if I forsee for this work a great success. ” This is how a contemporary critic reviewed the work. Indeed, op. 38 proceeded to become the most successful of Rheinberger’s chamber music works during his lifetime. The Sextet op. 191b is an effective arrangement of his Piano Trio No. 4 op. 191, for flute, oboe, clarinet, bassoon, horn and piano. All works are also available in separate editions./ Répertoire / Ensemble de Chambre

For Flute, Oboe and Piano. Par HOPKINS JOHN. English / Niveau : Intermédiaire / Répertoire / Flûte Traversière Hautbois et Piano

Flute, Oboe, Clarinet, Horn and Bassoon. Par JOPLIN SCOTT. / Répertoire / Quintette à vent

Par QUANTZ JOHANN JOACHIM. Arranged for Flute, Oboe and Piano by Conrad Blumenthal./ Répertoire / Flûte Traversière ou Violon), Hautbois (Flûte Trav

Divertissement Plus violoncelle, la suite de Divertissement pour violoncelle, est destiné aux élèves de violoncelle seconde année. Comme précédemment, un véritable orchestre joue avec vous sur le CD d'accompagnement. Beaucoup de titres montrent que plusieurs instruments de musique peut vous joindre, par exemple un hautbois, une flûte ou parmi d'autres. Vous pouvez facilement dire en regardant les titres et les magnifiques illustrations dont les instruments de s'attendre. / Violoncelle / 24 pages / niveau : Facile / Partition + Cd