Sonata no. 2 in g minor op. 117 for Violoncello and Piano. Par FAURE GABRIEL. In contrast to the first cello sonata (HN 1357) composed four years earlier, this substantially more catchy and playful second sonata enjoyed great success with audiences and critics right from the start. Friend and associate Vincent d'Indy wrote to Fauré the day after the premiere in May 1922: I would like to tell you how much I am still charmed by your so beautiful sonata. In it I found what is seemingly forgotten these days: music.” It therefore comes as no surprise that the sonata rapidly found its way into the concert repertoire, where it maintains an uncontested position to this today. The duo David Geringas and Markus Bellheim provided fingerings. / Classique / Répertoire / Violoncelle et Piano

Ausgabe für Violoncello. Par SCHUBERT FRANZ. Une bonne intention n’est jamais assez bonne (d’après Kurt Tucholsky): l’Arpeggione, cette sorte d’hybride – une grande guitare frottée par un archet – n’a jamais réussi à s’imposer auprès des musiciens. Cette curiosité organologique serait certainement déjà tombée depuis longtemps dans l’oubli le plus total si précisément Franz Schubert n’avait pas composé sa sonate en La mineur pour cet instrument. Et cette oeuvre en trois mouvements est vraiment immortelle. Mais elle pose aussi un problème pour l’Urtext, car sans certaines interventions dans le texte, la partie d’arpeggione originale ne pourrait être exécutée sur l’instrument le plus proche au niveau du timbre, àsavoir l’alto ou le violoncelle. La maison d’édition G. Henle résout ainsi le dilemme: d’une part, la partie d’arpeggione originale est superposée à la partie de piano originale (partition), de l’autre, dans la partie séparée jointe à la partition les rares changements d’octaves indispensables sont clairement indiqués. Il était hors de question pour nous d’envisager une autre partie – le violon par exemple (comme dans l’édition Diabelli parue après la mort du compositeur), la flûte ou tout autre instrument mélodique à tessiture aiguë – car toutes ces alternatives s’écartent trop des représentations de timbre que pouvait avoir Schubert. Dans le meilleur des cas, on pourrait envisager – pourquoi pas? – une partie de contrebasse. / Partition brochée / Répertoire / Violoncelle et Piano

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Sonatas for Viola da Gamba and Harpsichord BWV 1027-1029 (Version for Viola da Gamba or Violoncello) qui a été écrite pourVioloncelle Et Piano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 676. / Violoncelle Et Piano / Chanson En Séparée

15 selections of some of J.S. Bach's most treasured compositions in accessible arrangements for budding instrumentalists with online demo and backing tracks for download or streaming with the popular Playback features allowing the player to adjust pitch, change keys, slow down audio, and more. Pieces include Adagio, Bist Du Bei Mir, Bourrée in E Minor, Jesu, Joy of Man's Desiring, Minuet in G Major, Polonaise in G Minor, Sheep May Safely Graze, Sleepers, Awake (Wachet Auf) and more. / Violoncelle

The entire four movements of Henry Eccles' Sonata in G Minor for ViolonCello and Piano remain in the key of G minor, with many long, expressive phrases and some moments of fleet-fingered delight.Henry Eccles was a Violinist and composer of the Baroque era who was a musician to King William and Queen Mary and a member of the Royal Band of Queen Anne. The Duke d'Aumont brought him to Paris, where he entered the service of King Louis XIV. In 1720, Eccles published a book of sonatas for Violin and figured bass, from which renowned English composer Malcolm Lipkin has created this arrangement for 'Cello and Piano. / Violoncelle Et Piano

Par ECCLES HENRY. Henry Eccles left behind a number of smaller works most of which were written for violins or flutes. However, the most famous is this Sonata in G minor. Though often played in transcription by violinists and especially by double bass players, the sonata was originally published for cello in four movements – Prelude, Courante, Sarabande and Gigue – accompanied by a figured bass. Little is known about Henry Eccles. Neither his birth nor his death date has been firmly established, ranging respectively between 1675-85 and 1735-45. It is not even certain that he composed this sonata. He probably hailed from London and later served at the court of Louis XV in France. The editorChristoph Sassmannshaus, is the grandson of Egon Sassmannshaus, the founder of the “Early Start” series of string methods. / Niveau : 3 / Répertoire / Violoncelle et Piano

Par RACHMANINOV SERGEI. The edition is part of the ABRSM syllabus (grade 8). Rachmaninov's Sonata In G Minor Op. 19 is a lyrically expressive and technically demanding piece for both the cellist and pianist alike. The contrasts in expression and character are outlined with beautiful melodies and supported by rich, sonorous harmonies, which, altogether, really make this piece stand out in the repertoire for solo cello. This piece serves as a wonderful enrichment to any cellist's repertoire. The piano score is also included on a separate insert. / Répertoire d'Examen / Répertoire / Violoncelle et Piano

Frédéric Chopin composa son trio de piano quand il avait 18 ans, étudiant. À propos de la performance du trio le 31 Août 1830, il écrit: 'Le dimanche, nous avons répété le trio. Peut-être parce que je n'ai pas entendu parler pendant un moment, j'étais très heureux avec moi-même (l'homme chanceux!) 'Par ailleurs, Robert Schumann a également partagé cette opinion, écrivant dans une revue: '. N'est-ce pas aussi noble que possible, plus plein d'enthousiasme que n'importe quelle chanson jamais écrite par un poète, original dans les moindres détails comme dans l'ensemble, chaque note de musique et de la vie? 'Nous sommes d'accord avec ce verdict et recommandent ce trio dans notre nouvelle édition Urtext à tous les amateurs de musique de chambre très romantique. / Trio De Pianos

E minor - revised edition - with marked and unmarked string part - cello and piano fingering: Kanngiesser, Claus fingering: Schilde, Klaus editor: Behr, Johannes editor: Voss, Egon

The quartet in a minor is one of the chamber music works with which Schubert wanted to 'pave the way to the great symphony? in spring 1824. At the same time he was paving his way to a wider audience, as the 'Rosamunde? Quartet was the first and only string quartet that was not only publicly performed in Schubert's lifetime but also published in parts. It is fortunate for us that this was the case because the autograph of this much-loved quartet is missing today and the only source for the work is the first edition. And this is precisely where the challenge lies, as the parts exhibit some inaccuracies regarding the articulation and dynamics. They have had to be carefully resolved, something which our new Urtext edition has done in an exemplary fashion. Its name can be traced back to Schubert's incidental music to the play Rosamunde, which can be heard at the beginning of the Andante. Quite a few people might, however, be reminded of the Impromptu in B flat major op. post. 142 #3, in which Schubert later once again took up the beautiful melody. / Quatuor A Cordes

Trio in g-moll op. 17. Par SCHUMANN CLARA. / Répertoire / Violon, Violoncelle et Piano

Par BRAHMS JOHANNES. Quintet In F Minor (Op. 34), plus the G Minor, A Major and C Minor Quartets (Opp. 25, 26, 60). Breitkopf & Härtel edition. Quintet In F Minor (Op. 34), plus the G Minor, A Major and C Minor Quartets (Opp. 25, 26, 60). Breitkopf & Hortel edition./ Répertoire / Musique de Chambre

for Cello and Piano, Violin, Cello and Piano, Flute and Piano. Par CHOPIN FREDERIC / PADEREWSKI. Chopin's works for piano and strings were usually made for a specific occasion, and we owe their existence to the repertoire needs of specific individuals. The exception is the Sonata in G minor for cello, the last work by the composer intended for publication, a work reflecting his current style, highly reflective, the result of imagination encroaching into post-romantic areas. Chopin's chamber works belong to the regular concert repertoire. These works were edited by by I. J. Paderewski, L. Bronarski and J. Turczy ski. Chopin's works for piano and strings were usually made for a specific occasion, and we owe their existence to the repertoire needs of specific individuals. The exception is the Sonata in G minor for cello, the last work by the composer intended for publication, a work reflecting his current style, highly reflective, the result of imagination encroaching into post-romantic areas. Chopin's chamber works belong to the regular concert repertoire. These works were edited by by I. J. Paderewski, L. Bronarski and J. Turczy ski./ Répertoire / Divers