Voici une partition musicale pour Violoncelle que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique cette partition a pour titre Classique Contrebasse N005 Suite N01 Pour Violoncelle:Gigue. C'est l'éditeur Leduc sous la référence AL16661 qui a les droits pour éditer cette partition. / Violoncelle / Partition

La référence PN4562 2 de l'éditeur Billaudot dont l'auteur célèbre est Maingueneau Louis, qui a pour titre GIGUE, a été écrite et composée pour Violoncelle et plus particulièrement pour Violoncelle Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violoncelle Et Piano / Partition

Fl Git. Par WEISS FERDINAND. I. ALLEMANDE - II. COURANTE - III. SARABANDE - IV. ARIA - V GIGUE / Niveau : Assez Facile / Répertoire / Guitare et Musique de Chambre

Praeambulum - Courante - Sarabande - Menuetto - Gigue. Par RAPHAEL GUNTER. / Répertoire / Flûte Traversière, Violoncelle et Piano

Par SENFTER JOHANNA. The composer Johanna Senfter (1879 1961) from Oppenheim concerned herself with chamber music for strings all her life, even studied violin in Frankfurt herself. Max Reger then gave her lessons in Leipzig, first privately, then in his composition class at the conservatoire and valued her 'extraordinary compositional talent'. The strict teacher more and more became a committed promoter of the works by Johanna Senfter. For a period of 50 years, the composer concerned herself with the string quartet genre, from Quartet No. 1 in D minor Op. 4, composed shortly after the turn of the century, to the sixth and last Quartet in C minor Op. 115 which was performed for the first time in 1960, one year before her death. The Quartet in F sharp minor Op. 28 is her second quartet which was premiered in Darmstadt on 5 November 1922. In this work, as in later works, Senfter combined traditional form models – here Baroque movements like gavotte, saraband, gigue – with expressive, late Romantic musical language. The work, consisting of six short movements, may without doubt be regarded as a valuable addition to the quartet repertoire./ Répertoire / 2 Violons, Alto et Violoncelle

'The idea of writing a 'Jazz Suite for cello solo' came out when I tried to imagine how it would have sounded like if one of the baroque masters (Gabrielli, Buxtehude, Bach) had lived in our time and wanted to write a suite of dances. I thought it would probably still keep some of the conventions of the traditional form, like maybe the use of a Prelude to establish the key and the alternation of slow with fast movements. But some things would have definitely been different: the harmonies, for example would probably have been more complex and not always tonal. Also the popular dances used as a workbench for the suite would have been not gigues or Bourees but perhaps latin american or Jazz standards. Well, since the great masters are unfortunately not able at the moment to accept my challenge, I had to write it myself. I hope you will enjoy it. The famous cello player Janos Starker says: "Lucio Amanti is a very fine cellist and imaginative composer. His Jazz Suite is an enjoyable mix of jazz and classicism. I much appreciate his work.' (Janos Starker)

Par CHARPENTIER MARC-ANTOINE. L'unique suite pour consort de violes de gambe de Marc-Antoine CHARPENTIER, d'un raffinement exceptionnel. / Niveau : Avancé / baroque / Répertoire / Consort de Violes de gambe

Edition : Paris, l'Auteur, Bayard, Leclerc, s.d. (=1744)Pièces à deux instruments égaux, particulièrement deux flûtes seules, de différents auteurs, dont Blavet. Certaines pièces suivies de variations.Présentation par Jean SaintArroman : Utilisation pédagogique des pièces.Ces trois recueils de pièces à deux flûtes seules, offrent un panorama de la musique du milieu du XVIIIe siècle en France, avec l'ajout de quelques airs étrangers. Les pièces sont de difficultés variées. Les phrasés sont très bien indiqués, et l'agrémentation, détaillée dans l'introduction, est très représentative du classicisme français. / Musique De Chambre / 96 pages / niveau : 1 / Fac-Similés - Format: 23.5 X 31.5

String Ensemble and Piano. Par PACHELBEL JOHANN. Formation : Musique de Chambre, Quatuor, Quintette - Instrumentation :Quatuor à Cordes : 2 Violons 1 Alto 1 Violoncelle 1 Piano (optionnel) - Niveau de Difficulté : Intermédiaire / Avancé - Durée : 1 mn 40 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Johann PACHELBEL - Arrangeur : Eric VIRETON / Niveau : Intermédiaire à Avancé / Répertoire / Quatuor de Cordes

Par TELEMANN GEORG PHILIPP. From The 'Tafelmusik'/ Répertoire / 2 Flûtes Traversières, Cordes et Basse Continue

Repertiore Classics Violoncelle comprend une vaste collection de morceaux à partir d'un éventail de compositeurs bien connus tels que Bach, Debussy, Haendel, Mozart et bien d'autres. / Violoncelle

Par SUZUKI SHINICHI. Suzuki Cello School: Cello Part Volume 5 contains 5 classical pieces for Cello. For the student: This volume is part of the worldwide Suzuki method of teaching. The companion recording should be used along with this publication. A Piano accompaniment book is also available for this material. For the teacher: In order to be an effective Suzuki teacher, ongoing education is encouraged. Each regional Suzuki association provides teacher development for its membership via conferences, institutes, short-term and long-term programs. In order to remain current, you are encouraged to become a member of your regional Suzuki association, and, if not already included, the International Suzuki Association. For the parent: Credentials are essential for any Suzuki teacher you choose. We recommend you ask your teacher for his or her credentials, especially those related to training in the Suzuki method. The Suzuki Method experience should foster a positive relationship among the teacher, parent and child. / Pédagogie / Méthode / Violoncelle