By Stuart Townend. Arranged by Larry Shackley. For medium voice solo. Cross of C...(+)
By Stuart Townend.
Arranged by Larry
Shackley. For medium
voice solo. Cross of
Christ, Devotion, God -
Love, God's Love, Good
Friday, Gratefulness,
Lamb of God, Lord's
Supper, Love, Redemption,
Sacrifice. Key of E.
Communion, Contemporary,
General, Lent.
By Stuart Townend. Arranged by Larry Shackley. For SAB choir or 3-part choir. Ch...(+)
By Stuart Townend.
Arranged by Larry
Shackley. For SAB choir
or 3-part choir. Choral
music. General, Lent,
Cross of Christ,
Devotion, Good Friday,
Gratefulness, Lamb of
God, Lord's Supper, Love,
Redemption, Sacrifice,
Communion, Contemporary.
Choral octavo. 8 pages.
Published by Hope
Publishing Company
SKU: LO.99-2501L Composed by Lloyd Larson. Choral. Sacred Anthem, All Sai...(+)
SKU: LO.99-2501L
Composed by Lloyd Larson.
Choral. Sacred Anthem,
All Saints' Day, Baptism,
Eastertide, General, Holy
Communion, Holy Week,
Lent, Pentecost.
Performance/accompaniment
CD. Lorenz Publishing
Company #99/2501L.
Published by Lorenz
Publishing Company
(LO.99-2501L).
UPC:
000308122343.
Susan
Boersma’s text is
brought alive in this
arrangement of
“Love Unmeasured,
Love of God†by
Lloyd Larson. The prose
that tells of
God’s infinite
love for us,
“living water for
the thirsty,†is
skillfully arranged for
SATB choir and supported
by an elegant
accompaniment. An
optional violin part
makes this anthem truly
soar as it celebrates the
awesome gift of love.
Vocal, Solo Solo Voice (duet, 2 med voices) SKU: HP.8892 Composed by Stua...(+)
Vocal, Solo Solo Voice
(duet, 2 med voices)
SKU: HP.8892
Composed by Stuart
Townend. Arranged by
Larry Shackley. Piano
Accompaniment. Vocal Solo
Sheet Music Series.
Communion, Contemporary,
Lent, Good Friday,
General Worship,
Communion, Cross of
Christ, Devotion, God -
Love, God's Love,
Gratefulness, Lamb of
God, Lord's Supper, Love,
Redemption, Sacrifice,
Sacred. Vocal score. 8
pages. Hope Publishing
Company #8892. Published
by Hope Publishing
Company (HP.8892).
UPC: 763628188924. By
Stuart
Townend.
Classic
ballad by Stuart
Townend This earnest
ballad from Stuart
Townend explores the
infinite love of God that
allowed his Son to be
sacrificed for us. Larry
Shackley's gentle
blending of melodies and
piano accompaniment
brings dignity to the
folk-like tune and lends
this contemporary worship
song a classic feel. A
top-seller in SATB, this
dynamic arrangement is
now available in a new
SAB version as well as a
Medium Voice solo.
Arranged by Lyndell Leatherman. For Organ. The FJH Sacred Organ Library. Medleys...(+)
Arranged by Lyndell
Leatherman. For Organ.
The FJH Sacred Organ
Library. Medleys/Titles
include: The Majesty and
Power of His Name (Diadem
and Coronation-All Hail
the Power of Jesus'
Name); Treasures Bring,
Anthems Sing(We Three
Kings and What Child is
This?); Where Sorrow and
Love Flow Mingled Down
(When I Survey the
Wondrous Cross and
Beneath the Cross of
Jesus); The Joys Awating
(Jerusalem, My Happy Home
and When I Can Read My
Title Clear); Morning
Tribute (Morning Has
Broken and When Morning
Gilds the Skies); An
Ever-Present Comfort (All
Will Be Well and God Will
Take Care of you);
Amazing, Infinite Love
(The Love of God and My
Savior's Love); Adoration
to the King (We Worship
and Adore You/O Come, Let
Us Adore Him/Joyful,
Joyful, We Adore Thee).
Sacred. Level: Early
Advanced. Book. P
Piano book - Medium-easy to medium SKU: JK.60120 Composed by Janice Kapp ...(+)
Piano book - Medium-easy
to medium
SKU:
JK.60120
Composed by
Janice Kapp Perry.
Arranged by Marvin
Goldstein. Difficulty
Easy Medium, Difficulty
Medium, Piano Solos,
Seasonal Music Mothers
Day, Children, Comfort,
God the Father, Holy
Ghost, Jesus Christ -
Example, Jesus Christ -
Friend, Jesus Christ -
Savior, Love, Motherhood,
Prayer. Christian,
Inspirational. Jackman
Music Corporation #60120.
Published by Jackman
Music Corporation
(JK.60120).
John
13:15, 34*** Some Janice
Kapp Perry products may
require a few days
additional shipping time.
Thank you!
Janice
Kapp Perry piano solos
collection, arranged by
Marvin Goldstein, ranging
from medium-easy to
medium in
difficulty. Songs
included in this
volume: A Child's
Prayer The Voice of
the Spirit Born of
Water, Born of Spirit
I'm Trying to Be Like
Jesus Well Done, Thou
Good and Faithful
Servant Just One
Little Light In the
Arms of His Love The
Church of Jesus
Christ I Am of
Infinite Worth
Mother, Tell Me the
Story Where Is
Heaven? Composer:
Janice Kapp Perry
Arranger: Marvin
Goldstein Difficulty:
Medium-easy to
medium Reference: John
13:15, 34 *** Some
Janice Kapp Perry
products may require a
few days additional
shipping time. Thank
you!
Infinite Sadness. By Aaron Stang_Colgan Bryan. By Billy Corgan and Smashing ...(+)
Infinite Sadness. By
Aaron
Stang_Colgan Bryan. By
Billy
Corgan and Smashing
Pumpkins.
Authentic Guitar Tab
Edition
(Warner). Pop & Rock.
Book
Only. Wise Publications
#MUSAM938333. Published
by
Wise Publications
SATB chorus and piano - Medium Hard SKU: JK.01902 Composed by John H. Gow...(+)
SATB chorus and piano -
Medium Hard
SKU:
JK.01902
Composed by
John H. Gower. Arranged
by Jackie Frost
Halversen. Choral SATB,
Difficulty Medium,
Difficulty Medium Hard,
Piano Choir, Love,
Sacrament. Christian,
Inspirational. Jackman
Music Corporation #01902.
Published by Jackman
Music Corporation
(JK.01902).
UPC:
093285019027. John
19:16-20, Hebrews
13:12.
A powerful
and stirring arrangement
of this sacred piece for
SATB and piano. It
features a moving piano
accompaniment, expressive
harmonies, and emphasizes
our Savior's love shown
through His infinite
Atonement. Composer:
Music by John H. Gower
and Text by Cecil Frances
Alexander Arranger:
Jackie Frost
Halversen Difficulty:
Medium
Hard Performance time
approx:
3:20 References: John
19:16-20, Hebrews
13:12.
Overture No. 2 to the
Opera. Composed by
Ludwig van Beethoven.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical.
Part. 12 pages. Duration
13'. Breitkopf and
Haertel #OB 5142-16.
Published by Breitkopf
and Haertel
(BR.OB-5142-16).
ISBN
9790004329528. 10 x 12.5
inches.
Despite the
numbering, the overture
Leonore No. 2 was
Beethoven's first effort
to precede his only opera
with an adequate
introduction. It had been
composed last minute and
in between the rehearsals
for the premiere of the
opera Leonore oder Der
Triumph der ehelichen
Liebe (Leonore, or The
Triumph of Marital Love)
on 20 November 1805 at
the Theater an der Wien.
This comprehensive,
programmatic work was met
with incomprehension at
first performances just
like the opera itself.
Beethoven felt compelled
to re-write Leonore
completely and presented
it under its new title
Fidelio. In 1806 he
revised the overture to
such an extent that a
symphonic sonata movement
emerged; with another
incorrect numbering,
Leonore No. 3 has gone
down in music history and
above all it has achieved
a regular place in
concert repertory. And in
order to complete the
confusion: written in
1806/07, only Overture
No. 1 is Beethoven's
chronologically last
effort to write an
overture for Leonore,
before he - many years
later - put an end to
this infinite subject
with the so-called
Fidelio overture for the
third version of the
opera. After all, thanks
to the search after a
dramaturgically
convincing beginning of
the opera, the music
world has been enriched
by four quite different
orchestra scores.The
music text of the present
score is based on Volume
11 of the Supplements to
the Complete Edition. The
performance material of
the Fidelio and Leonore
No. 3 overtures is
available in Breitkopf
Urtext editions..
(Voice and Piano) SKU: HL.48186451 Composed by Reynaldo Hahn. Leduc. Post...(+)
(Voice and Piano)
SKU:
HL.48186451
Composed
by Reynaldo Hahn. Leduc.
Post-1900. Softcover. 39
pages. Alphonse Leduc
#AL30690. Published by
Alphonse Leduc
(HL.48186451).
UPC:
888680828332.
9.0x12.0x0.185
inches.
Exceptional
singer Reynaldo Hahn
(1875-1947) owes his
early successes to the
?songs for voice and
piano? genre, whose
raison d?etre he defines
in his journal as
follows: ?To highlight a
poem, word for word but
without uniformity; to
emphasize its meaning
without distorting it; to
shine light upon one
idea, obscure another and
present it all in vocal,
sung form; to produce a
sharp, precise sensation
by touching a heartstring
or evoking an image - all
in a well-structured and
tastefully written
piece?. Enhanced by an
audio version attached as
a download card, this
anthology of songs should
dispel a good many
misconceptions. This is
no salon miniature:
L?Heure exquise radiates
an infinite tenderness,
exalted by the high vocal
cadences of O Bien-Aimee!
and C?est l?heure
exquise, which surely
wrought tears from the
author of the verses,
Verlaine. Tyndaris, the
jewel of Heures latines,
clears a crystal-clear
space given over to the
delights of slumber and
of love. Like D?une
prison and Cygnes, these
songs do more than wet
the eyes: they grip the
heart..
Texts by Robert Louis Stevenson, composed by Ralph Vaughan Williams (1872-1958)....(+)
Texts by Robert Louis
Stevenson, composed by
Ralph Vaughan Williams
(1872-1958). Collection
for low voice solo and
piano accompaniment. 40
pages. Published by
Boosey & Hawkes.
By Ludwig van Beethoven. For Version 1: SATB Choir, Organ, Version 2: Solo Sopra...(+)
By Ludwig van Beethoven.
For Version 1: SATB
Choir, Organ, Version 2:
Solo Soprano, Organ
[Choir ATB]. Score.
Language: German/English.
48 no. 1. 4 pages.
Duration 2 min. Published
by Carus Verlag (German
import).
(Low Voice New Edition with Online Audio of Piano Accompaniments). Composed by...(+)
(Low Voice New Edition
with
Online Audio of Piano
Accompaniments). Composed
by
Ralph Vaughan Williams
(1872-
1958). For Low Voice,
Vocal.
Boosey and Hawkes Voice.
Softcover Audio Online.
40
pages. Published by
Boosey and
Hawkes
Composed by Billy Corgan. Piano/Vocal/Guitar Artist Songbook. General Merc...(+)
Composed by Billy Corgan.
Piano/Vocal/Guitar Artist
Songbook. General
Merchandise. Duration 240
seconds. Music Sales
#AM938333. Published by
Music
Sales
Overture No. 2 to the
Opera. Composed by
Ludwig van Beethoven.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical.
Part. 12 pages. Duration
13'. Breitkopf and
Haertel #OB 5142-27.
Published by Breitkopf
and Haertel
(BR.OB-5142-27).
ISBN
9790004329559. 10 x 12.5
inches.
Despite the
numbering, the overture
Leonore No. 2 was
Beethoven's first effort
to precede his only opera
with an adequate
introduction. It had been
composed last minute and
in between the rehearsals
for the premiere of the
opera Leonore oder Der
Triumph der ehelichen
Liebe (Leonore, or The
Triumph of Marital Love)
on 20 November 1805 at
the Theater an der Wien.
This comprehensive,
programmatic work was met
with incomprehension at
first performances just
like the opera itself.
Beethoven felt compelled
to re-write Leonore
completely and presented
it under its new title
Fidelio. In 1806 he
revised the overture to
such an extent that a
symphonic sonata movement
emerged; with another
incorrect numbering,
Leonore No. 3 has gone
down in music history and
above all it has achieved
a regular place in
concert repertory. And in
order to complete the
confusion: written in
1806/07, only Overture
No. 1 is Beethoven's
chronologically last
effort to write an
overture for Leonore,
before he - many years
later - put an end to
this infinite subject
with the so-called
Fidelio overture for the
third version of the
opera. After all, thanks
to the search after a
dramaturgically
convincing beginning of
the opera, the music
world has been enriched
by four quite different
orchestra scores.The
music text of the present
score is based on Volume
11 of the Supplements to
the Complete Edition. The
performance material of
the Fidelio and Leonore
No. 3 overtures is
available in Breitkopf
Urtext editions..
Overture No. 2 to the
Opera. Composed by
Ludwig van Beethoven.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Overture; Classical. Full
score. 68 pages. Duration
13'. Breitkopf and
Haertel #PB 5142.
Published by Breitkopf
and Haertel (BR.PB-5142).
ISBN 9790004208878. 10
x 12.5
inches.
Despite the
numbering, the overture
Leonore No. 2 was
Beethoven's first effort
to precede his only opera
with an adequate
introduction. It had been
composed last minute and
in between the rehearsals
for the premiere of the
opera Leonore oder Der
Triumph der ehelichen
Liebe (Leonore, or The
Triumph of Marital Love)
on 20 November 1805 at
the Theater an der Wien.
This comprehensive,
programmatic work was met
with incomprehension at
first performances just
like the opera itself.
Beethoven felt compelled
to re-write Leonore
completely and presented
it under its new title
Fidelio. In 1806 he
revised the overture to
such an extent that a
symphonic sonata movement
emerged; with another
incorrect numbering,
Leonore No. 3 has gone
down in music history and
above all it has achieved
a regular place in
concert repertory. And in
order to complete the
confusion: written in
1806/07, only Overture
No. 1 is Beethoven's
chronologically last
effort to write an
overture for Leonore,
before he - many years
later - put an end to
this infinite subject
with the so-called
Fidelio overture for the
third version of the
opera. After all, thanks
to the search after a
dramaturgically
convincing beginning of
the opera, the music
world has been enriched
by four quite different
orchestra scores.The
music text of the present
score is based on Volume
11 of the Supplements to
the Complete Edition. The
performance material of
the Fidelio and Leonore
No. 3 overtures is
available in Breitkopf
Urtext editions..