Flute. Book; CD; Instrumental Series; Play-Along. Pop Instrumental Solo Series. Movie. 44 pages. Published by Alfred Music (AP.42594).

Alto Sax. Book; CD; Instrumental Series; Play-Along. Pop Instrumental Solo Series. Movie. 44 pages. Published by Alfred Music (AP.42600).

Trumpet. Book; CD; Instrumental Series; Play-Along. Pop Instrumental Solo Series. Movie. 44 pages. Published by Alfred Music (AP.42606).

Tenor Sax. Composed by Howard Shore. Arranged by Bill Galliford. Instrumental Series; Play-Along. Pop Instrumental Solo Series. Movie. Book and CD. 44 pages. Alfred Music #00-42603. Published by Alfred Music

Trombone. Composed by Howard Shore. Arranged by ed. Bill Galliford and Various. Instrumental Series; Play-Along. Pop Instrumental Solo Series. Movie. Book and CD. 44 pages. Alfred Music #00-42612. Published by Alfred Music (AP.42612).

Clarinet. Book; CD; Instrumental Series; Play-Along. Pop Instrumental Solo Series. Movie. 44 pages. Published by Alfred Music (AP.42597).

Horn in F. Book; CD; Instrumental Series; Play-Along. Pop Instrumental Solo Series. Movie. 44 pages. Published by Alfred Music (AP.42609).

Violin. Book; CD; Play-Along; String Series. Pop Instrumental Solo Series. Movie. 44 pages. Published by Alfred Music (AP.42615).

Cello. Book; CD; Play-Along; String Series. Pop Instrumental Solo Series. Movie. 44 pages. Published by Alfred Music (AP.42621).

Viola Viola. Composed by Howard Shore. Arranged by Bill Galliford. Play-Along; String Series. Pop Instrumental Solo Series. Movie. Book and CD. 44 pages. Alfred Music #00-42618. Published by Alfred Music

By Richard Wagner. For Opera. (Vocal Scores). CD Sheet Music (Version 2.0). PDF file on CD. 5000 pages. Published by Subito Music.

Behold That Star!. (SATB Choral Score). By Sally K. Albrecht and Jay Althouse. Choir Sacred. SATB choir. Choral (Sacred); Choral Worship Cantata; Larger Works; Worship Resources. Choral, Sacred. Choral Score. 56 pages. Published by Alfred Music Publishing

Piano - Late Intermediate

SKU: FJ.S4180

Composed by Melody Bober. Piano Solo; Piano Supplemental. FJH Originals Series. Score. The FJH Music Company Inc #98-S4180. Published by The FJH Music Company Inc (FJ.S4180).

UPC: 241444439296. English. Melody Bober.

Majestic, triumphant, and inspired describe the audience's feelings after hearing this soaring piece. Commissioned by the Association of Professional Piano Instructors (APPI) to celebrate their 20th anniversary, this five-page rhapsodic solo with varied tempi explores realms of ecstatic expression...takes you out of this world! A showy piece that fits easily into the hands while giving the performer an opportunity to explore concerto-like showstopping moments comfortably in the key of C major.

Arranged by Lloyd Larson and Joel Raney. Musicals, Collection. Sacred, Lent. Choral score. 84 pages. Published by Hope Publishing Company (HP.8801).

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Alfred Dorffel. Arranged by August Horn. Choir and piano. For Solo voices, SATB Choir, Piano. This edition: Paperback. Oratorio (complete), Transcriptions, Original Works, Choral. Romantic Period; Sacr. Large Vocal Score. Romantic Period; Sacred/Hymns, German.

(Percussion Trio Feature). Composed by Gregory Danner. For Soloist(s) with Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1/2, F Horn 3/). Band Music. Grade 4. Score and parts. Duration 14:50. Published by C. Alan Publications

Choir Secular Double Choir and Violoncello

SKU: PE.EP73479

Composed by Francis Pott. Choral Works (inc. Oratorios). Edition Peters. Living Composer. Vocal Score. 164 pages. Edition Peters #98-EP73479. Published by Edition Peters (PE.EP73479).

ISBN 9790577019888. 297 x 210mm inches. English.

At First Light was commissioned by Eric Bruskin, a resident of Philadelphia, USA, in memory of his mother. Eric had a longstanding enthusiasm for my work, and I was touched to be the person he approached for a task which is both a privilege and a daunting responsibility. In a sense, no music can ever measure up to the weight of love or the hope of consolation vested in it under such circumstances - but in memory I carry the deaths of both my own parents, and I was able to draw upon that. Eric's fondness for my Cello Sonata (itself written in memoriam) led him to ask that I include a solo 'cello part in the new work - but his attachment also to my polyphonic sacred choral writing meant that he wanted a centrepiece which would be both a showcase of that approach and the celebration of a life well lived. Therefore, the seven movements of At First Light arrange themselves as a series of slow meditations surrounding an exuberant 9-minute motet in which the lamenting cello falls temporarily silent.

Eric's Jewish faith meant that approaching an agnostic humanist brought up within the Anglican tradition was hardly free of problems! Gradually, though, I was able to win his approval for a collated mosaic of texts. This embraces some liturgical Latin (necessary for the motet) as the shared preserve of broad western culture in general, but balances it with a secular approach to loss, celebration, remembrance and the many shades of our mourning those whom we see no longer. Eric was adamant that he did not want the title Requiem; but what has emerged is still a form of semi-secular Requiem in all but name, taking its title instead from a phrase in the poem by Thomas Blackburn set as the third movement. This seemed to suggest succinctly how the loss of one very close to us is an awakening into an unfamiliar world where everything is changed. Following the exuberant central movement, the texts by the Lebanese-born Kahlil Gibran and the US, Kentuckian poet Wendell Berry first address the departed loved one directly, then place us within an imaginary funeral cortege, where the perennial and universal in human experience become personal without subscribing explicitly to any particular faith (or lack of it). The final text of all is a translation of a Hebraic prayer, requested and provided by Eric Bruskin, which serves to mirror its Latin counterpart heard at the outset.

Throughout , the lamenting cello represents a commentary on the experience articulated in the text. It evokes and, in a sense, tries to embrace and sanctify the individual existential journeys of the bereft, as they in turn seek to make their own sense of what the short-lived Second World War poet Alun Lewis called 'the unbearable beauty of the dead' (movement 5).

In a modern world hostage to ever greater menace, displacement, bloodshed and anguish, I hope fervently that this music not only brings a measure of solace to the person who commissioned it, but also makes its own small contribution to bailing out the sinking ship of humanity.

Voice and piano (solo: T - 2(picc.A-fl).2(ob.d'am[ad lib.].cor ang.muha).2(B-clar.S-sax. muha).2(kfg.muha) - 1.1(corn [ad lib.]).1.0 - timp.perc(3) - acc(windmachine I).hp(rainmaker.windmachi ne II).guit(rainmaker.windma chine III) - str: 1.1.2.1.1)

SKU: BR.EB-9394

A Composed Interpretation. Composed by Hans Zender. Voice; Softbound. Edition Breitkopf. World premiere: Frankfurt am Main, September 21, 1993. Song; Music post-1945. Piano/Vocal Score. Composed 1993. 120 pages. Duration 85'. Breitkopf and Haertel #EB 9394. Published by Breitkopf and Haertel (BR.EB-9394).

ISBN 9790004188682. 9 x 12 inches.

My lecture of the Winterreise does not demand a new expressive interpretation, but instead systematically exercises the freedom which all interpreters allow themselves intuitively, such as: instrumental dilation i. e. acceleration of the pace, transposition into other keys and elaboration of characteristic color timbres. In addition, there are further ways of reading; the music; jumping around in the text, repeating certain lines, interrupting the continuity, comparing different expressions of the same phrase ... All these new possibilities are subjected to my compositional discipline and form autonomous formal processes which are imposed on Schuberts original. The transformation of the piano tones into a multifaceted orchestra full of resonance is only one of many aspects.(Hans Zender)CDs:Hans Peter Blochwitz (Tenor), Ensemble Modern, Conductor: Hans Zender CD BMG 9026-68067-2 Christoph Pregardien (Tenor), Klangforum Wien, Conductor: Sylvain Cambreling CD Kairos 0012002KAIJulien Pregardien (Tenor), Deutsche Radio Philharmonie Kaiserslautern, Conductor: Robert Reimer2 CD's P.RHEI (2016)Bibliography:Adam-S chmidmeier, Eva-Maria von: Schubert interpretieren. Hans Zender: Schuberts Winterreise. Eine komponierte Interpretation im Unterricht, in: Musik und Unterricht Heft 96 (2009), pp. 50-56.Gruhn, Wilfried: Wider die asthetische Routine. Hans Zenders Version von Schuberts Winterreise, in: Neue Zeitschrift fur Musik 1/1997.Hebling, Harald: Kompositorische Schubertrezeption im 20. Jahrhundert, Magisterarbeit Universitat Wien 2003, especially pp. 148-157.Nonnenmann, Rainer: Vom Nutzen und Nachteil der Musikhistorie fur das Musikleben. Zur Kritik aktualisierender Interpretation am Beispiel von Hans Zenders Schuberts ,Winterreise, in: Musik und Asthetik 7, Heft 26 (April 2003), pp. 65-90.ders.: Schuberts ,Winterreise . Komponierte Interpretation von Hans Zender / Ballett von John Neumeier, in: Osterreichische Musikzeitung 60 (2005), Heft 3, p. 42f.ders.: Fremd bin ich eingezogen, fremd zieh ich wieder aus. Versuch zur Rettung der Vergangenheit Schuberts Winterreise. Eine komponierte Interpretation fur Tenor und kleines Orchester (1993) von Hans Zender, in ders.: Winterreisen. Komponierte Wege von und zu Franz Schuberts Liederzyklus aus zwei Jahrhunderten, 2 Bande (= Taschenbucher zur Musikwissenschaft, Band 150/151), Wilhelmshaven: Florian Noetzel 2006, pp. 143-205.Petersen, Birger: Neue Musik. Analysen, Berlin: Simon Verlag fur Bibliothekswissen 2013, pp. 11-24.Revers, Peter: ... Schnee, du weisst von meinem Sehnen. Aspekte der Schubert-Rezeption in Hans Zenders Winterreise (1993), in: Dialekt ohne Erde. Franz Schubert und das 20. Jahrhundert, hrsg. von Otto Kolleritsch, Wien-Graz 1998 (Studien zur Wertungsforschung, Band 34), pp. 98-120.Schafer-Lembeck, Hans-Ulrich: Gegenstrebige Fugungen. Hans Zenders Musik und seine komponierte Interpretation von Schuberts Winterreise, in: Neue Musik vermitteln. Analysen Interpretationen - Unterricht, hrsg. von Hans Bassler, Ortwin Nimczik und Peter W. Schatt, Mainz: Schott, 2004, pp. 295-307.Stahmer, Klaus Hinrich: Bearbeitung als Interpretation - Zur Schubertrezeption Gustav Mahlers, Hans Zenders und Friedhelm Dohls, in: Franz Schubert und Gustav Mahler in der Musik der Gegenwart, Mainz 1998.Zender, Hans: warum wieder die Winterreise? Hartmut Regitz im Gesprach mit dem Komponisten, in: ballet.tanz - international.aktuell, Heft 12 (2001), p. 18.

World premiere: Frankfurt am Main, September 21, 1993.

Composed by Lars Halle. For jazz ensemble. Jazz Journey Series. Samba. Medium. Score and set of parts. Published by Kendor Music Inc

Jazz Ensemble plus opt. vibes - Grade 3

SKU: KN.61250S

Composed by Lars Halle. Jazz Journey. Kendor Music Inc #61250S. Published by Kendor Music Inc (KN.61250S).

UPC: 822795612509.

Payin g tribute to George Williams, a generous benefactor to the Deptford (NJ) High School music program, this buoyant Brazilian samba for advancing groups juxtaposes the feel of an intimate ensemble with that of a big band by featuring alto sax and trumpet against the jazz ensemble backdrop. The drum solo at the end can be opened up to include a variety of Latin percussion instruments if desired. Throughout this chart feelings of joy and exuberance should prevail. A guitar chord chart by Jim Greeson is included in each set. Duration 5:00.

Jazz Ensemble - Grade 3

SKU: KN.61675S

Composed by Lennie Niehaus. Jazz Journey. Kendor Music Inc #61675S. Published by Kendor Music Inc (KN.61675S).

UPC: 822795616750.

This solidly scored chart was originally recorded at the world famous Lighthouse Cafe by the Lennie Lenny Niehaus Octet on a compact disc entitled Sunday Afternoon At Hermosa Doug Beach. This big band version for advancing groups features interesting material, development, and motives. It also contains conversational exchanges between the ensemble and drummer. Solo sheets are provided for C, Eb and Bb instruments, and a guitar chord chart by Jim Greeson is included in each set. Duration 5:40. Available in SmartMusic.

Jazz Ensemble - Grade 3

SKU: KN.61603S

Composed by Lennie Niehaus. Jazz Journey. Kendor Music Inc #61603S. Published by Kendor Music Inc (KN.61603S).

UPC: 822795616033.

Sure to delight audiences with an abundance of interesting original material and surprise interludes, the superior orchestration techniques in this chart will make bands of all ability levels sound impressive. Scored for advancing players, sufficient emphasis on ensemble work is included. Solo sheets for Bb, C and Eb instruments and a guitar chord chart by Jim Greeson are provided in each set. Duration 6:40.

Score and Parts Midway Series. By Philip Sparke. ANGLO MUSIC PRESS. Published by Anglo Music.

Jazz Ensemble Score - Grade 3

SKU: KN.61003S

Composed by Lennie Niehaus. Jazz Journey. Kendor Music Inc #61003S. Published by Kendor Music Inc (KN.61003S).

UPC: 822795610031.

For years Lennie Lenny Niehaus has written great music for jazz ensembles at all ability levels, and this work for advancing groups is no exception. Interesting chord changes and backgrounds combine with the ever-popular Charleston beat to create this memorable swing chart. You'll find great ensemble writing, a sax soli, and a swinging shout chorus. The solo section offers options to the conductor to assign ad lib or as-written solos to several instrumental configurations. A guitar chord chart by Jim Greeson is included in each set. Duration ca. 4:30. Available in SmartMusic.

Choir

SKU: HP.8802

Arranged by Joel Raney and Lloyd Larson. Lent, Sacred. Listening CD. Hope Publishing Company #8802. Published by Hope Publishing Company (HP.8802).

UPC: 763628988029.

Lent & Easter Musical
Retracing Christ's final days and journey to the cross, this new musical for Lent and Holy Week includes a mixture of traditional and contemporary hymns and songs set in a variety of styles. Arranged for SATB choir with narrator(s), and options to include soloists and congregation, plus a 5-piece instrumental ensemble, scored by Ed Hogan, this 38-minute program focuses on our Savior's sacrifice and the hope in the shadows to which we cling. The Publisher grants permission to the purchaser to print parts from the CD-ROM for use in your church's performance.

Composed by Lennie Niehaus. For jazz ensemble. Jazz Journey Series. Moderately Fast Swing. Medium. Score and set of parts. Duration ca. 4 minutes, 30 seconds. Published by Kendor Music Inc