(Essential Elements for Strings and Essential Elements Interactive are fully compatible with Essential Elements 2000 for Strings)Essential Elements for Strings offers beginning students sound pedagogy and engaging music, all carefully paced to successfully start young players on their musical journey. EE features both familiar songs and specially designed exercises, created and arranged for the classroom in a unison-learning environment, as well as instrument-specific exercises to focus each student on the unique characteristics of their own instrument. EE provides both teachers and students with a wealth of materials to develop total musicianship, even at the beginning stages.Books 1 and 2 also include access to Essential Elements Interactive (EEi), the ultimate online music education resource - anywhere, anytime, and on any device. Go to www.essentialelementsinteractive.com to learn more!Method features:- Enhanced Starting System- Optimum Reinforced Learning- Pacing- Theory, History, Cross-Curriculum and Creativity- Performance SpotlightsBook also includes My EE Library* (www.myeelibrary.com) - Instant Stream/Download/CD-ROM*- Start-up video Learn the basics- Play-along mp3 tracks for all exercises Features a professional orchestra- Duets and trios Print and play parts with friends- Music listening library Hear great pieces for orchestra!*Internet access required for My EE Library. Book includes instructions to order free opt. CD-ROM. / Violoncelle

Série originale (couverture rouge)
Adapté aux étudiants débutants, Essential Elements for Strings Book 1 couvre des techniques telles que la position de l'instrument, les doigtés et les archets tout en incorporant des leçons de théorie et d'histoire. Comprend une large portée, des détails complets, un excellent rythme, un renforcement approfondi et bien plus encore ! / Méthodes et pédagogie / Cordes / Violoncelle / HAL LEONARD

Par THIEME CLEMENS. / Répertoire / 4 Altos ou 2 Violons et 2 Altos), Violoncelle et B

Nivel Elemental. Par MOTATU STEURER D.. El presente libro trata los problemas técnicos (de índole mecánico y no expresivo) del nivel elemental. El alumno recorrerá los temas fundamentales de la técnica mecánica de la mano izquierda y asimilará así los conocimientos básicos mediante los cuaede formarse y consolidar una técnica sólida, ampliando las cualidades naturales como la agilidad, la precisión, la elasticidad y un sutil conocimiento sensitivo del violoncello. / Pédagogie / Etude / Violoncelle

Par BEETHOVEN LUDWIG VAN. This new scholarly-critical edition of String Quartet Op. 127, the first of Beethoven’s late quartets, follows upon Urtext publications of Opp. 18, 59, 74 and 95. Once more the editor is the renowned Beethoven authority Jonathan Del Mar. All surviving sources have been consulted including sketches to clarify the conflicting readings in the autograph. Not only has Del Mar reconstructed Beethoven’s original beaming, phrasing, articulation and length of crescendo hairpins, he has also corrected wrong notes that have taken hold in editions published over the years and has supplemented missing notes. Urtext edition at the cutting edge ofscholarship, with detailed separate Critical Commentary (Eng) Parts ideally laid out for performance purposes Parts (BA9029) & study score format 22. 5 x 16. 5cm (TP929) available for sale Already published: String Quartets Op. 18, BA 9016 parts, TP 916 study score String Quartets Op. 59, BA 9017 parts, TP 917 study score String Quartets Opp. 74, 95, BA 9018 parts, TP 918 study score/ Répertoire / 2 Violons, Alto et Violoncelle

This anonymous sextet arrangement of Beethoven's Fourth Piano Concerto was highly popular in Vienna during the composer's lifetime.We know this from at least two sets of handwritten parts which were then in circulation.No piano part has been handed down- indeed, the original sets of parts probably omitted the piano.The soloist presumably studied his part from the first edition of the solo part, published with the original performance material in 1808. (The full score did not appear until 1861).The sextet version deftly integrates the original wind parts into the string texture.The arrangement stands in the tradition of piano reductions with chamber music accompaniment, of the sort which were also made for Mozart's piano concertos K. 413 to 415 and later for the Chopin concertos.This Urtext edition, edited by the renowned Beethoven scholar Jonathan Del Mar, presents this arrangement for the first time in print. The musical text is supplemented by an informative Introduction and a Critical Commentary.- First ever publication of this arrangement- Includes a separate solo part as was customary in Beethoven's day- Provides new possibilities for soloists to perform this work / Quatuor A Cordes Et Piano

Par BUNTING CHRISTOPHER. Warming up and keeping one?s basic technique in peak condition (or working to get to peak condition) is fundamentally important, yet many cellists do not have routine exercises to follow. This book, the first of a two volume set, which complements book 2, provides the exercises that every cellist needs, for both the left and right hands: daily bowing practice; left hand work-out; velocity exercise; bowing patterns; spiccato work-out; cortot; Zwolle; Shifting; a study. Christopher Bunting (1924-2005), the cellist and composer, gave concerts, broadcasts and masterclasses throughout Europe, Australasia and the United States. The Daily Telegraph described him as ?a master?. Die Welt remarked on his ?highly developed musical comprehension, prodigious technique and outstanding artistry?, and the Swedish press called him ?one of the greatest instrumentalists of today?. He thought deeply about the psychological and physical influences that lie behind technique./ Etude / Violoncelle

Studies play an important role in musical instrument training. Gerhard Mantel's new edition Etüden üben (Practising studies) (3 volumes) complements his previous successful book Cello üben (ED 8714). The basics of cello technique are worked on in selected studies, with the focus being not only on the ability to learn a technically and musically oriented text within a reasonable time but also on the solution of certain problems typical of the cello. Vol. 1 covers aspects ranging from the orientation on the fingerboard via changes of position, vibrato and trills to changes of strings and double stops. Vol. 2 deals with fingerings, whole-bow stroke, dynamics, articulation and types of bowing, among others. The final volume contains studies on legato, arpeggios, chords, martellato, staccato, spiccato and changes of rhythm. The accompanying volume of commentaries (for all three volumes) describes in detail the methodological practising processes.Contenu - Octaves - Fingerings - Whole bow strokes, Energy progression - Dynamics - Articulation - Bowing patterns

Par ALEXANIAN DIRAN. The Classic Treatise on Cello Theory and Practice. An unabridged republication of Diran Alexanian's 1922 classic, Traite Theorique et Pratique du Violoncelle, this volume represents one of the most thorough explorations of cello playing and technique in the literature. It reprints the orginal dual-language edition, featuring French and English instruction side by side on the page, complemented by numerous photographs, diagrams, and music examples. Student and growing professionals alike will find it superb compendium of instruction. / Pédagogie / Livre / Livre Musical

This diptych consists of two brief contrasting movements which however have a common focus on the amalgamation and fusion of tonal colour in the three instruments.The harmonic foundations of the first movement are provided by ring modulation spectrums although these are also based on equal-tempered tuning in semitones. In the manner of a deep intake of breath, life is breathed into the first movement through numerous clashes, contrasting registers and runs at lightning speed.The second movement has an unmistakable focus on tonal colouring and the concept of echo and reverberation complemented by simple acoustic effects, unfolding a substantially extended tonal spectrum in continuation of the first movement. / Flûte, Violoncelle Et Piano