For French Horn. Classical (chamber). Includes a high-quality printed music scor...(+)
For French Horn.
Classical (chamber).
Includes a high-quality
printed music score and a
compact disc containing
accompaniments to each
piece, minus the soloist.
Published by Music Minus
One.
For Bassoon. Classical (chamber). Includes a high-quality printed music score an...(+)
For Bassoon. Classical
(chamber). Includes a
high-quality printed
music score and a compact
disc containing
accompaniments to each
piece, minus the soloist.
Published by Music Minus
One.
By Easy Piano Music from two Centuries. Edited by Walther Georgii. Piano (Harpsi...(+)
By Easy Piano Music from
two Centuries. Edited by
Walther Georgii. Piano
(Harpsichord), 2-hands.
Pages: 51. Urtext
edition-paper bound.
Published by G. Henle.
Composed by Francesco Geminiani (1687-1762). Edited by Mark Kroll. Francesco Gem...(+)
Composed by Francesco
Geminiani (1687-1762).
Edited by Mark Kroll.
Francesco Geminiani Opera
Omnia. Early Music.
Hardcover (cloth bound).
172 pages. Published by
Ut Orpheus (UT.GCE-07).
Piano - Grade 4-5 SKU: ET.PNO30 Composed by Askell Masson. Contemporary. ...(+)
Piano - Grade 4-5
SKU:
ET.PNO30
Composed by
Askell Masson.
Contemporary. Composed
2004. Duration 6'30''.
Editions BIM #PNO30.
Published by Editions BIM
(ET.PNO30).
ISBN
9790207011336.
An
enchanting splendour
characterises Ãskell
Masson’s work
Fantasiestück,
combined with
considerable emotional
depth in the treatment of
the piano, which at times
somehow reminded the
reviewer of
Beethoven’s very
last piano sonatas,
although of course the
musical language is
different. There is
just so much massive
power in this work. One
other thing made the
music very impressive:
the brilliant use of the
upper range of the
instrument.
By Tomaso Giovanni Albinoni. Edited by Walter Kolneder. For violin, piano (cemba...(+)
By Tomaso Giovanni
Albinoni. Edited by
Walter Kolneder. For
violin, piano (cembalo)
(violoncello/viola d'G ad
lib). Op.6,Sonatas 1-4.
Published by Edition
Kunzelmann.
Flute; Piano (Flute) SKU: HL.50486058 Volume 1. Composed by Jean-B...(+)
Flute; Piano (Flute)
SKU: HL.50486058
Volume 1. Composed
by Jean-Baptiste
Loeillet. Arranged by
Istvá, n Má,
riá, and ssy. EMB.
Classical. Editio Musica
Budapest #Z12989.
Published by Editio
Musica Budapest
(HL.50486058).
Piano (P+KRB) SKU: HL.49042462 No. 1-4. Composed by Carl Maria von...(+)
Piano (P+KRB)
SKU:
HL.49042462
No.
1-4. Composed by Carl
Maria von Weber. Edited
by Markus Bandur. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. Op.
24+39+49+70. 372 pages.
Schott Music #WGA1071.
Published by Schott Music
(HL.49042462).
ISBN
9783795794637. German -
English.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
By Giovanni Antonio Pandolfi Mealli (1660-). Edited by Alessandro Bares. For vio...(+)
By Giovanni Antonio
Pandolfi Mealli (1660-).
Edited by Alessandro
Bares. For violin and
basso continuo. This
edition: Paperback. I
piaceri del violino.
Baroque. Score and set of
parts. Published by
Musedita Edizioni
Musicali