Study Score. By George Frideric Handel. (Study Score). Schott. Size 5.25x7.5 inches. 43 pages. Published by Eulenburg London (Schott).

Composed by Antonio Rosetti (Roesler). Edited by Helmut Scheck. For piano. Published by Amadeus Verlag

For French Horn. Classical (chamber). Includes a high-quality printed music score and a compact disc containing accompaniments to each piece, minus the soloist. Published by Music Minus One.

For Bassoon. Classical (chamber). Includes a high-quality printed music score and a compact disc containing accompaniments to each piece, minus the soloist. Published by Music Minus One.

By Easy Piano Music from two Centuries. Edited by Walther Georgii. Piano (Harpsichord), 2-hands. Pages: 51. Urtext edition-paper bound. Published by G. Henle.

For 2 Violas - Performance Score. By Jean-Marie Leclair. Schott. Size 9x12 inches. 40 pages. Published by Schott.

Violin and Piano. By George Frideric Handel. Editions Durand. 36 pages. Published by Editions Durand.

Composed by Francesco Geminiani (1687-1762). Edited by Mark Kroll. Francesco Geminiani Opera Omnia. Early Music. Hardcover (cloth bound). 172 pages. Published by Ut Orpheus (UT.GCE-07).

For 2 Violins and Basso Continuo. By Henry Purcell. (Study Score). Schott. 55 pages. Published by Eulenburg London (Schott).

By Francesco Mancini. Edited by Winfried Michel. For treble recorder (flute, oboe) and basso continuo. Published by Amadeus Verlag

Piano - Grade 4-5

SKU: ET.PNO30

Composed by Askell Masson. Contemporary. Composed 2004. Duration 6'30''. Editions BIM #PNO30. Published by Editions BIM (ET.PNO30).

ISBN 9790207011336.

An enchanting splendour characterises Áskell Masson’s work Fantasiestück, combined with considerable emotional depth in the treatment of the piano, which at times somehow reminded the reviewer of Beethoven’s very last piano sonatas, although of course the musical language is different. There is just
so much massive power in this work. One other thing made the music very impressive: the brilliant use of the upper range of the instrument.

By Tomaso Giovanni Albinoni. Edited by Walter Kolneder. For violin, piano (cembalo) (violoncello/viola d'G ad lib). Op.6,Sonatas 1-4. Published by Edition Kunzelmann.

Flute; Piano (Flute)

SKU: HL.50486058

Volume 1. Composed by Jean-Baptiste Loeillet. Arranged by Istvá, n Má, riá, and ssy. EMB. Classical. Editio Musica Budapest #Z12989. Published by Editio Musica Budapest (HL.50486058).

ISBN 9781423402817. UPC: 073999273281.

Piano (P+KRB)

SKU: HL.49042462

No. 1-4. Composed by Carl Maria von Weber. Edited by Markus Bandur. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. Op. 24+39+49+70. 372 pages. Schott Music #WGA1071. Published by Schott Music (HL.49042462).

ISBN 9783795794637. German - English.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.

By Giovanni Antonio Pandolfi Mealli (1660-). Edited by Alessandro Bares. For violin and basso continuo. This edition: Paperback. I piaceri del violino. Baroque. Score and set of parts. Published by Musedita Edizioni Musicali