Composed by Alessandro Scarlatti (1660-1725), Johann Sebastian Bach (1685-17...(+)
Composed by Alessandro
Scarlatti (1660-1725),
Johann
Sebastian Bach
(1685-1750),
Franz Joseph Haydn
(1732-
1809), Wolfgang Amadeus
Mozart (1756-1791),
Ludwig
van Beethoven
(1770-1827),
Franz Schubert
(1797-1828),
Frederic Chopin
(1810-1849),
Robert Schumann, Franz
Liszt
(1811-1886), Johannes
Brahms
(1833-1897), Claude
Debussy
(1862-1918), Scott Joplin
(1868-1917), Sergei
Rachmaninoff (1873-1943),
Bela Bartok (1881-1945),
George Frideric Handel
(1685-
1759), and Manuel de
Falla
(1876-1946). Edited by
Phyllis Alpert Lehrer and
Ingrid Jacobson
Clarfield.
Piano students, teachers,
performers. Classics for
the
Developing Pianist Study
Guide Book 5 contains
analysis, practice tips,
and
suggestions for
performance
addressing 20 piano
pieces
selected from the four
main
style periods, found in
the
companion repertoire book
5.
Baroque Period, Classical
Period, Romantic Period,
21st
Century. Book. Sheet
Music
Plus #CDPSG5. Published
by
Sheet Music Plus
The Conqueror Fanfare - Intermédiaire/avancé Anglo Music
Fanfare Band - Grade 4 SKU: BT.AMP-226-020 Contest March. Composed...(+)
Fanfare Band - Grade 4
SKU:
BT.AMP-226-020
Contest March.
Composed by Philip
Sparke. Ceremonial
Series. Concert March.
Set (Score & Parts).
Composed 2009. Anglo
Music Press #AMP 226-020.
Published by Anglo Music
Press (BT.AMP-226-020).
9x12 inches.
English-German-French-Dut
ch.
Philip Sparke
wrote this march for the
famous brass band contest
held ever year on Whit
Friday in Oldham and
Saddleworth. Given the
competition’s long
history (over 120 years),
he consciously composed
this piece in a very
traditional march form.
The title, The Conqueror,
refers to Alexander the
Great’s nickname
as well as being
something every band
aspires to be!
Philip Sparke
schrieb diesen Marsch
für die Teilnahme am
berühmten
Pfingstfreitag-Marschwett
bewerb in England. So
weist The
Conqueror auch
weitgehend die Form eines
Wettbewerbsmarsches auf.
Ganz im Sinne des
passenden Titels Der
Eroberer“ sollte es
für jedes
Blasorchester ein
Leichtes sein, Juroren
und/oder Publikum mit
dieser Musik zu
überzeugen!
Durante la
stagione musicale delle
brass band inglesi,
c’è un
appuntamento al quale gli
appassionati non possono
mancare: il celebre Whit
Friday March Contest, un
concorso
all’aperto che ha
luogo il venerdì dopo
l’Ascensione. Si
tratta di un evento cui
partecipano anche
formazioni straniere, tra
cui la Brass Band
Alexander di Stavanger in
Norvegia, per la quale
Philip Sparke ha composto
questa marcia. The
Conqueror fa parte
delle marce da concerto
tradizionali. Il titolo
si riallaccia ad
Alessandro Magno.
The Conqueror Fanfare - Intermédiaire/avancé Anglo Music
Fanfare Band - Grade 4 SKU: BT.AMP-226-120 Contest March. Composed...(+)
Fanfare Band - Grade 4
SKU:
BT.AMP-226-120
Contest March.
Composed by Philip
Sparke. Ceremonial
Series. Concert March.
Score Only. Composed
2009. 28 pages. Anglo
Music Press #AMP 226-120.
Published by Anglo Music
Press (BT.AMP-226-120).
9x12 inches.
English-German-French-Dut
ch.
Philip Sparke
wrote this march for the
famous brass band contest
held ever year on Whit
Friday in Oldham and
Saddleworth. Given the
competition’s long
history (over 120 years),
he consciously composed
this piece in a very
traditional march form.
The title, The Conqueror,
refers to Alexander the
Great’s nickname
as well as being
something every band
aspires to be!
Philip Sparke
schrieb diesen Marsch
für die Teilnahme am
berühmten
Pfingstfreitag-Marschwett
bewerb in England. So
weist The
Conqueror auch
weitgehend die Form eines
Wettbewerbsmarsches auf.
Ganz im Sinne des
passenden Titels Der
Eroberer“ sollte es
für jedes
Blasorchester ein
Leichtes sein, Juroren
und/oder Publikum mit
dieser Musik zu
überzeugen!
Durante la
stagione musicale delle
brass band inglesi,
c’è un
appuntamento al quale gli
appassionati non possono
mancare: il celebre Whit
Friday March Contest, un
concorso
all’aperto che ha
luogo il venerdì dopo
l’Ascensione. Si
tratta di un evento cui
partecipano anche
formazioni straniere, tra
cui la Brass Band
Alexander di Stavanger in
Norvegia, per la quale
Philip Sparke ha composto
questa marcia. The
Conqueror fa parte
delle marce da concerto
tradizionali. Il titolo
si riallaccia ad
Alessandro Magno.
Contest March.
Composed by Philip
Sparke. Ceremonial
Series. Concert March.
Score Only. Composed
2009. 24 pages. Anglo
Music Press #AMP 226-140.
Published by Anglo Music
Press (BT.AMP-226-140).
9x12 inches.
English-German-French-Dut
ch.
Philip Sparke
wrote this march for the
famous brass band contest
held ever year on Whit
Friday in Oldham and
Saddleworth. Given the
competition’s long
history (over 120 years),
he consciously composed
this piece in a very
traditional march form.
The title, The Conqueror,
refers to Alexander the
Great’s nickname
as well as being
something every band
aspires to be!
Philip Sparke
schrieb diesen Marsch
für die Teilnahme am
berühmten
Pfingstfreitag-Marschwett
bewerb in England. So
weist The
Conqueror auch
weitgehend die Form eines
Wettbewerbsmarsches auf.
Ganz im Sinne des
passenden Titels Der
Eroberer“ sollte es
für jedes
Blasorchester ein
Leichtes sein, Juroren
und/oder Publikum mit
dieser Musik zu
überzeugen!
Durante la
stagione musicale delle
brass band inglesi,
c’è un
appuntamento al quale gli
appassionati non possono
mancare: il celebre Whit
Friday March Contest, un
concorso
all’aperto che ha
luogo il venerdì dopo
l’Ascensione. Si
tratta di un evento cui
partecipano anche
formazioni straniere, tra
cui la Brass Band
Alexander di Stavanger in
Norvegia, per la quale
Philip Sparke ha composto
questa marcia. The
Conqueror fa parte
delle marce da concerto
tradizionali. Il titolo
si riallaccia ad
Alessandro Magno.
Having
been invited several
times onto the jury of
the prestigious
Certamen Tarrega
in Benicasim, I thought I
would involve a few
composers in a gift to
the father of the modern
guitar. So I asked the
composers to write a
Prelude of the kind that
Tarrega wrote and which
count among his most
significant
compositions. These
Preludes for Tarrega, all
written between August
and November 2015, are
very different from each
other. The common
feature, however, between
these and the Preludes by
Tarrega is their brevity,
an average level of
performance difficulty
and guaranteed easy
listening, even when
written in a non-tonal
language (like the
meditative and melancholy
piece by Emilio Calandin
and the one by Marco
Smaili, with its
Impressionistic feel
reminding one of
Tarrega's most famous
pupil, Miguel
Llobet). In some
Preludes (the ones by
Paolo Ugoletti, Roberto
Tagliamacco, Claudia
Montero) the reference to
Lagrima, one of
Tarrega's most famous
Preludes, is evident in
form, title and some
citations. Ugoletti and
Tagliamacco work well and
expressively on harmony
and counterpoint, while
the Argentinian Claudia
Montero links Tarrega to
a heartbreaking Buenos
Aires... In Alessandro
Spazzoli there is rather
more a connection with
Tarrega's sense of melody
and deep simplicity,
while Marco Reghezza
remembers ironically what
was brewing in European
music when Tarrega was
alive: in fact, his
Como Preludio goes
across the 24 keys - and
even a reference to
Wagner's Tristan
raises its head... I
am delighted for this
volume to come out at the
time of the fiftieth
edition of the Certamen
Tarrega. (Piero
Bonaguri).
Trombone Solo with Piano Accompaniment - Grade 6 SKU: KN.12336 (BWV 97...(+)
Trombone Solo with Piano
Accompaniment - Grade 6
SKU: KN.12336
(BWV 974, based on
Concerto In D Minor by
Alessandro Marcello).
Composed by Johann
Sebastian Bach. Arranged
by John Marcellus. Solo.
Trombone Solo. Kendor
Music Inc #12336.
Published by Kendor Music
Inc (KN.12336).
UPC:
822795123364.
This
addition to the grade 6
repertoire for trombone,
edited by trombone legend
John Marcellus, will
instantly become a
classic for years to
come. This piece was
originally a Concerto for
Oboe and Strings by
Alessandro Marcello, and
then Johann Sebastian
Bach later adapted it for
keyboard (BWV 974). Total
duration 11:20.
The Brush Secret Batterie [DVD] - Intermédiaire Alfred Publishing
(How to Apply Your Own Voice to the Brushes...). Composed by Florian Alexandru-Z...(+)
(How to Apply Your Own
Voice to the Brushes...).
Composed by Florian
Alexandru-Zorn. For
Drumset. DVD;
Method/Instruction;
Percussion - Drum DVD.
Jazz; Pop; Pop/Rock;
Rock. Intermediate.
Published by Alfred Music
11 Arien (Nr. 36-46)
fur Singstimme und
Orchester. Composed
by Wolfgang Amadeus
Mozart. Edited by Stefan
Kunze. This edition:
complete edition, urtext
edition. Linen. New
Mozart Edition (NMA)
II/7/4. Klassik
(Classical). Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA04560_01.
Published by Baerenreiter
Verlag (BA.BA04560-01).
ISBN 9790006450657. 33
x 26 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
ABC for piano, del 2' er en pianobok for litt viderekomne. Den er forst og frems...(+)
ABC for piano, del 2' er
en pianobok for litt
viderekomne. Den er forst
og fremst mente for barn,
men kan ogsa brukes av
voksne som vil friske opp
pianokunnskapene sine,
laere noter pa egen hand,
eller hjelpe sine barn
som laerer a spille.
Boken inneholder et
utbrettsark med oversikt
over alle tangentene og
notene + litt
teori.
Boken
inneholder mange morsomme
oppgaver. Det er brukt
mangefolketoner, bade fra
Norge og andre europeiske
land, samt
populaerebarnesanger.
Innhold: Lille
bjork Kjerringa med
staven En
hostkveld Na skal vi
telle Humoreske - L.
Mozart mary had a
little lamb Tamburin
-J.
Rameau Vuggesang
Blinke, blinke stjerne
lill I min
hage Et stykke - J.
Arman Jeg gikk meg
over sjo og
land Preludium Do
vne Trulte Haren uti
gresset Kjaere gasen
min er stjalet Jeg
gikk en tur pa
stien Min nye
ball Etyde - L.
Shytte Marching Pigs
- Boris Berlin Vesle
Lise er sa liten - P.I.
Tschaikovsky Etyde Potet-sang Etyde -
C. Czerny Min hatt
den har tre
kanter Alle
fugler Gratulerer med
dagen Hurra for
deg! Ola
Diger Musette - L.
Mozart I Dovregubbens
hall E. Grieg Etyde -
C. Czerny Menuet -
W.A. Mozart En
spok O sole
mio! Per
Sjuspring Oh, when
the Saints go marching
in Pa var
bryllupsdag Etyde -
N. Paganini Gjok -
Couperin Jeg trenger
deg for
dansen Morgenstemning
- E. Grieg Du er den
eneste Skalaer,
arpeggio og
akkorder Schumanns
regler for
musikere Olga
Alexandra Holter er fodt
i Russland. Etter a
graduere fra Gnesyn's
Musikkakademi i Moskva,
en av de mest kjente
hoyskolene i Russland,
begynte hun a jobbe som
pianolaerer. Senere tok
hun mastergrad i
lingvistikk og
pedagogikk. Hun kom til
Norge i 1993. For a fa en
grundig forstaelse av det
norske musikk-pedagogiske
systemet gikk hun pa
Musikkhogskolen i Oslo,
hvor hun studerte hos den
kjente pianisten Liv
Glaser. I 1999 etablerte
Olga
Barnemusikkakademiet,
hvor hun i dag jobber som
pianolaerer og daglig
leder
(Piano Solo). Composed by Maurice Ravel (1875-1937). Edited by Alexandra Marx. F...(+)
(Piano Solo). Composed by
Maurice Ravel
(1875-1937). Edited by
Alexandra Marx. For Piano
Solo (PIANO SOLO). Henle
Music Folios. Softcover.
12 pages. G. Henle
#HN1260. Published by G.
Henle
(A Compact Guide To Musical Expression). By Florian Alexandru-Zorn. Book; Method...(+)
(A Compact Guide To
Musical Expression). By
Florian Alexandru-Zorn.
Book; Method/Instruction;
Percussion -
Miscellaneous Educational
Books and Manuals.
Published by Alfred Music
Publishing