Composed by Alessandro Scarlatti (1660-1725), Johann Sebastian Bach (1685-1750), Franz Joseph Haydn (1732- 1809), Wolfgang Amadeus Mozart (1756-1791), Ludwig van Beethoven (1770-1827), Franz Schubert (1797-1828), Frederic Chopin (1810-1849), Robert Schumann, Franz Liszt (1811-1886), Johannes Brahms (1833-1897), Claude Debussy (1862-1918), Scott Joplin (1868-1917), Sergei Rachmaninoff (1873-1943), Bela Bartok (1881-1945), George Frideric Handel (1685- 1759), and Manuel de Falla (1876-1946). Edited by Phyllis Alpert Lehrer and Ingrid Jacobson Clarfield. Piano students, teachers, performers. Classics for the Developing Pianist Study Guide Book 5 contains analysis, practice tips, and suggestions for performance addressing 20 piano pieces selected from the four main style periods, found in the companion repertoire book 5. Baroque Period, Classical Period, Romantic Period, 21st Century. Book. Sheet Music Plus #CDPSG5. Published by Sheet Music Plus

Fanfare Band - Grade 4

SKU: BT.AMP-226-020

Contest March. Composed by Philip Sparke. Ceremonial Series. Concert March. Set (Score & Parts). Composed 2009. Anglo Music Press #AMP 226-020. Published by Anglo Music Press (BT.AMP-226-020).

9x12 inches. English-German-French-Dut ch.

Philip Sparke wrote this march for the famous brass band contest held ever year on Whit Friday in Oldham and Saddleworth. Given the competition’s long history (over 120 years), he consciously composed this piece in a very traditional march form. The title, The Conqueror, refers to Alexander the Great’s nickname as well as being something every band aspires to be!

Philip Sparke schrieb diesen Marsch für die Teilnahme am berühmten Pfingstfreitag-Marschwett bewerb in England. So weist The Conqueror auch weitgehend die Form eines Wettbewerbsmarsches auf. Ganz im Sinne des passenden Titels Der Eroberer“ sollte es für jedes Blasorchester ein Leichtes sein, Juroren und/oder Publikum mit dieser Musik zu überzeugen!

Durante la stagione musicale delle brass band inglesi, c’è un appuntamento al quale gli appassionati non possono mancare: il celebre Whit Friday March Contest, un concorso all’aperto che ha luogo il venerdì dopo l’Ascensione. Si tratta di un evento cui partecipano anche formazioni straniere, tra cui la Brass Band Alexander di Stavanger in Norvegia, per la quale Philip Sparke ha composto questa marcia. The Conqueror fa parte delle marce da concerto tradizionali. Il titolo si riallaccia ad Alessandro Magno.

Fanfare Band - Grade 4

SKU: BT.AMP-226-120

Contest March. Composed by Philip Sparke. Ceremonial Series. Concert March. Score Only. Composed 2009. 28 pages. Anglo Music Press #AMP 226-120. Published by Anglo Music Press (BT.AMP-226-120).

9x12 inches. English-German-French-Dut ch.

Philip Sparke wrote this march for the famous brass band contest held ever year on Whit Friday in Oldham and Saddleworth. Given the competition’s long history (over 120 years), he consciously composed this piece in a very traditional march form. The title, The Conqueror, refers to Alexander the Great’s nickname as well as being something every band aspires to be!

Philip Sparke schrieb diesen Marsch für die Teilnahme am berühmten Pfingstfreitag-Marschwett bewerb in England. So weist The Conqueror auch weitgehend die Form eines Wettbewerbsmarsches auf. Ganz im Sinne des passenden Titels Der Eroberer“ sollte es für jedes Blasorchester ein Leichtes sein, Juroren und/oder Publikum mit dieser Musik zu überzeugen!

Durante la stagione musicale delle brass band inglesi, c’è un appuntamento al quale gli appassionati non possono mancare: il celebre Whit Friday March Contest, un concorso all’aperto che ha luogo il venerdì dopo l’Ascensione. Si tratta di un evento cui partecipano anche formazioni straniere, tra cui la Brass Band Alexander di Stavanger in Norvegia, per la quale Philip Sparke ha composto questa marcia. The Conqueror fa parte delle marce da concerto tradizionali. Il titolo si riallaccia ad Alessandro Magno.

Concert Band/Harmonie - Grade 4

SKU: BT.AMP-226-140

Contest March. Composed by Philip Sparke. Ceremonial Series. Concert March. Score Only. Composed 2009. 24 pages. Anglo Music Press #AMP 226-140. Published by Anglo Music Press (BT.AMP-226-140).

9x12 inches. English-German-French-Dut ch.

Philip Sparke wrote this march for the famous brass band contest held ever year on Whit Friday in Oldham and Saddleworth. Given the competition’s long history (over 120 years), he consciously composed this piece in a very traditional march form. The title, The Conqueror, refers to Alexander the Great’s nickname as well as being something every band aspires to be!

Philip Sparke schrieb diesen Marsch für die Teilnahme am berühmten Pfingstfreitag-Marschwett bewerb in England. So weist The Conqueror auch weitgehend die Form eines Wettbewerbsmarsches auf. Ganz im Sinne des passenden Titels Der Eroberer“ sollte es für jedes Blasorchester ein Leichtes sein, Juroren und/oder Publikum mit dieser Musik zu überzeugen!

Durante la stagione musicale delle brass band inglesi, c’è un appuntamento al quale gli appassionati non possono mancare: il celebre Whit Friday March Contest, un concorso all’aperto che ha luogo il venerdì dopo l’Ascensione. Si tratta di un evento cui partecipano anche formazioni straniere, tra cui la Brass Band Alexander di Stavanger in Norvegia, per la quale Philip Sparke ha composto questa marcia. The Conqueror fa parte delle marce da concerto tradizionali. Il titolo si riallaccia ad Alessandro Magno.

By Wolfgang Amadeus Mozart. Voice and piano with other instruments. Published by International Music Co.

Composed by Martino Bitti. Edited by Alessandro Borin / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH337-FSP).

Guitar

SKU: UT.CH-227

Edited by Piero Bonaguri. Saddle stitching. Piero Bonaguri Collection. Classical. Ut Orpheus #CH 227. Published by Ut Orpheus (UT.CH-227).

ISBN 9790215324145. 9 x 12 inches.

Emilio Calandin: Piccola sfumatura
Claudia Montero: Lagrimas de Buenos Aires
Marco Reghezza: Como Preludio
Marco Smaili: Preludio
Alessand ro Spazzoli: Preludio in Do maggiore
Roberto Tagliamacco: Prelude sur le nom de Tarrega
Paolo Ugoletti: Prelude sur le nom de Tarrega

Having been invited several times onto the jury of the prestigious Certamen Tarrega in Benicasim, I thought I would involve a few composers in a gift to the father of the modern guitar. So I asked the composers to write a Prelude of the kind that Tarrega wrote and which count among his most significant compositions.
These Preludes for Tarrega, all written between August and November 2015, are very different from each other. The common feature, however, between these and the Preludes by Tarrega is their brevity, an average level of performance difficulty and guaranteed easy listening, even when written in a non-tonal language (like the meditative and melancholy piece by Emilio Calandin and the one by Marco Smaili, with its Impressionistic feel reminding one of Tarrega's most famous pupil, Miguel Llobet).
In some Preludes (the ones by Paolo Ugoletti, Roberto Tagliamacco, Claudia Montero) the reference to Lagrima, one of Tarrega's most famous Preludes, is evident in form, title and some citations. Ugoletti and Tagliamacco work well and expressively on harmony and counterpoint, while the Argentinian Claudia Montero links Tarrega to a heartbreaking Buenos Aires...
In Alessandro Spazzoli there is rather more a connection with Tarrega's sense of melody and deep simplicity, while Marco Reghezza remembers ironically what was brewing in European music when Tarrega was alive: in fact, his Como Preludio goes across the 24 keys - and even a reference to Wagner's Tristan raises its head...
I am delighted for this volume to come out at the time of the fiftieth edition of the Certamen Tarrega.
(Piero Bonaguri).

Piano

SKU: CU.EC4260

Volume 3. Composed by Muzio Clementi, Alessandro Longo, Bruno Mugellini. Published by Edizioni Curci (CU.EC4260).

ISBN 9790215902732.

Piano

SKU: CU.EC4259

Volume 2. Composed by Muzio Clementi, Alessandro Longo, Bruno Mugellini. Published by Edizioni Curci (CU.EC4259).

ISBN 9790215905757.

Piano

SKU: CU.EC4258

Volume 1. Composed by Muzio Clementi, Alessandro Longo, Bruno Mugellini. Published by Edizioni Curci (CU.EC4258).

ISBN 9790215900349.

(How to Apply Your Own Voice to the Brushes...). Composed by Florian Alexandru-Zorn. For Drumset. DVD; Method/Instruction; Percussion - Drum DVD. Jazz; Pop; Pop/Rock; Rock. Intermediate. Published by Alfred Music

ABC for piano, del 2' er en pianobok for litt viderekomne. Den er forst og fremst mente for barn, men kan ogsa brukes av voksne som vil friske opp pianokunnskapene sine, laere noter pa egen hand, eller hjelpe sine barn som laerer a spille. Boken inneholder et utbrettsark med oversikt over alle tangentene og notene + litt teori.

Boken inneholder mange morsomme oppgaver. Det er brukt mangefolketoner, bade fra Norge og andre europeiske land, samt populaerebarnesanger.

Innhold:
Lille bjork
Kjerringa med staven
En hostkveld
Na skal vi telle
Humoreske - L. Mozart
mary had a little lamb
Tamburin -J. Rameau
Vuggesang
Blinke, blinke stjerne lill
I min hage
Et stykke - J. Arman
Jeg gikk meg over sjo og land
Preludium
Do vne Trulte
Haren uti gresset
Kjaere gasen min er stjalet
Jeg gikk en tur pa stien
Min nye ball
Etyde - L. Shytte
Marching Pigs - Boris Berlin
Vesle Lise er sa liten - P.I. Tschaikovsky
Etyde
Potet-sang
Etyde - C. Czerny
Min hatt den har tre kanter
Alle fugler
Gratulerer med dagen
Hurra for deg!
Ola Diger
Musette - L. Mozart
I Dovregubbens hall E. Grieg
Etyde - C. Czerny
Menuet - W.A. Mozart
En spok
O sole mio!
Per Sjuspring
Oh, when the Saints go marching in
Pa var bryllupsdag
Etyde - N. Paganini
Gjok - Couperin
Jeg trenger deg for dansen
Morgenstemning - E. Grieg
Du er den eneste
Skalaer, arpeggio og akkorder
Schumanns regler for musikere
Olga Alexandra Holter er fodt i Russland. Etter a graduere fra Gnesyn's Musikkakademi i Moskva, en av de mest kjente hoyskolene i Russland, begynte hun a jobbe som pianolaerer. Senere tok hun mastergrad i lingvistikk og pedagogikk. Hun kom til Norge i 1993. For a fa en grundig forstaelse av det norske musikk-pedagogiske systemet gikk hun pa Musikkhogskolen i Oslo, hvor hun studerte hos den kjente pianisten Liv Glaser. I 1999 etablerte Olga Barnemusikkakademiet, hvor hun i dag jobber som pianolaerer og daglig leder

(Piano Solo). Composed by Maurice Ravel (1875-1937). Edited by Alexandra Marx. For Piano Solo (PIANO SOLO). Henle Music Folios. Softcover. 12 pages. G. Henle #HN1260. Published by G. Henle

Piano

SKU: CU.EC2965

Composed by Alessandro Longo. Published by Edizioni Curci (CU.EC2965).

(A Compact Guide To Musical Expression). By Florian Alexandru-Zorn. Book; Method/Instruction; Percussion - Miscellaneous Educational Books and Manuals. Published by Alfred Music Publishing