Concert Band/Harmonie - Grade 3

SKU: BT.GOB-001009-010

Composed by Rob Goorhuis. Set (Score & Parts). 7 pages. Gobelin Music Publications #GOB 001009-010. Published by Gobelin Music Publications (BT.GOB-001009-010).

The composition ".The Fever Tree". in 2008 was commissioned by the Music Association of Central and Eastern Netherlands St.Willibrord as a gift to all its members on the occasion of the formation of a national music organization and the elimination of the music union for Central and Eastern Netherlands St.Willibrord.
The fever tree is a controversial legend about St. Willibrord (658-739).
The daughter of a pagan chieftain of Hoemannen that made the area around
Heumen unsafe, was seriously ill. They feared for her life.
The chief of the gang turned to predatory Willibrord, who same time in this region led mission.
Willibrord commanded theman to repent and a headband of the girl
to a certain special tree to hang.
The desperate captain obeyed, and his daughter was a miraculous heal.
Then came the anger of the Hoemannen against their leader, who in their
eyes had committed treason by the group to convert. They abused themselves to him and killed him brutally.
The daughter remained behind in great sorrow, comforted by Willibrord.

The composition has the following scenes:
- Andante moderato - the calling of Willibrord
- Allegro moderato - Willibrord passes through the province of Brabant and try to people to repent
- Vivace - Hoemannen terrorize the inhabitants of the area Heumen
- Andante - the healing of the sick girl and the conversion of the centurion
- Inquieto - the revenge of the Hoemannen
- Adagio - elegy on the death of the chief

De compositie 'The Fever Tree' (De koortsboom) werd in 2008 geschreven in opdracht van de Muziekbond Midden- en Oost Nederland St.Willibrord, als geschenk aan al haar leden bij gelegenheid van de vorming van één landelijke muziekorganisatieen de opheffing van de muziekbond voor Midden- en Oost Nederland St.Willibrord.

De koortsboom is een omstreden legende rond St. Willibrord (658-739).
De dochter van de heidense hoofdman van de Hoemannen, diehet gebied rond Heumen onveilig maakten, was ernstig ziek. Men vreesde voor haar leven. De hoofdman van de roofzuchtige bende wende zich tot Willibrord, die in dezelfde tijd in deze streek missioneerde. Willibrord gebood deman zich te bekeren én een hoofdband van het meisje aan een bepaalde, bijzondere boom te hangen. De radeloze hoofdman gehoorzaamde en zijn dochter werd op wonderbaarlijke wijze genezen. Toen keerde de woede van de Hoemannen zichtegen hun leider, die in hun ogen verraad had gepleegd aan de groep door zich te bekeren. Ze vergrepen zich aan hem en vermoordden hem op gruwelijke wijze. De dochter bleef in grote droefheid achter, getroost door Willibrord.

De compositie kent de volgende tableaus:

- Andante moderato - de roeping van Willibrord
- Allegro moderato - Willibrord trekt door het Brabantse land en tracht de bevolking te bekeren
- Vivace - deHoemannen terroriseren de inwoners van het gebied rond Heumen
- Andante - de genezing van het zieke meisje en de bekering van de hoofdman
- Inquieto - de wraak van de Hoemannen
- Adagio - treurzang over de doodvan de hoofdman.

Fanfare Band - Grade 3

SKU: BT.GOB-001010-120

Composed by Rob Goorhuis. Score Only. 24 pages. Gobelin Music Publications #GOB 001010-120. Published by Gobelin Music Publications (BT.GOB-001010-120).

The composition ".The Fever Tree". in 2008 was commissioned by the Music Association of Central and Eastern Netherlands St.Willibrord as a gift to all its members on the occasion of the formation of a national music organization and the elimination of the music union for Central and Eastern Netherlands St.Willibrord.
The fever tree is a controversial legend about St. Willibrord (658-739).
The daughter of a pagan chieftain of Hoemannen that made the area around
Heumen unsafe, was seriously ill. They feared for her life.
The chief of the gang turned to predatory Willibrord, who same time in this region led mission.
Willibrord commanded theman to repent and a headband of the girl
to a certain special tree to hang.
The desperate captain obeyed, and his daughter was a miraculous heal.
Then came the anger of the Hoemannen against their leader, who in their
eyes had committed treason by the group to convert. They abused themselves to him and killed him brutally.
The daughter remained behind in great sorrow, comforted by Willibrord.

The composition has the following scenes:
- Andante moderato - the calling of Willibrord
- Allegro moderato - Willibrord passes through the province of Brabant and try to people to repent
- Vivace - Hoemannen terrorize the inhabitants of the area Heumen
- Andante - the healing of the sick girl and the conversion of the centurion
- Inquieto - the revenge of the Hoemannen
- Adagio - elegy on the death of the chief

De compositie 'The Fever Tree' (De koortsboom) werd in 2008 geschreven in opdracht van de Muziekbond Midden- en Oost Nederland St.Willibrord, als geschenk aan al haar leden bij gelegenheid van de vorming van één landelijke muziekorganisatieen de opheffing van de muziekbond voor Midden- en Oost Nederland St.Willibrord.

De koortsboom is een omstreden legende rond St. Willibrord (658-739).
De dochter van de heidense hoofdman van de Hoemannen, diehet gebied rond Heumen onveilig maakten, was ernstig ziek. Men vreesde voor haar leven. De hoofdman van de roofzuchtige bende wende zich tot Willibrord, die in dezelfde tijd in deze streek missioneerde. Willibrord gebood deman zich te bekeren én een hoofdband van het meisje aan een bepaalde, bijzondere boom te hangen. De radeloze hoofdman gehoorzaamde en zijn dochter werd op wonderbaarlijke wijze genezen. Toen keerde de woede van de Hoemannen zichtegen hun leider, die in hun ogen verraad had gepleegd aan de groep door zich te bekeren. Ze vergrepen zich aan hem en vermoordden hem op gruwelijke wijze. De dochter bleef in grote droefheid achter, getroost door Willibrord.

De compositie kent de volgende tableaus:

- Andante moderato - de roeping van Willibrord
- Allegro moderato - Willibrord trekt door het Brabantse land en tracht de bevolking te bekeren
- Vivace - deHoemannen terroriseren de inwoners van het gebied rond Heumen
- Andante - de genezing van het zieke meisje en de bekering van de hoofdman
- Inquieto - de wraak van de Hoemannen
- Adagio - treurzang over de doodvan de hoofdman.

Piano (Piano Solo)

SKU: HL.50487472

9 fantaisies. Composed by Laszlo Lajtha. 20th Century. EMB. Book Only. Op. 1. Editio Musica Budapest #Z13154. Published by Editio Musica Budapest (HL.50487472).

ISBN 9790080131541. 26,5 x 32,5 cm inches. Laszlo Lajtha.

I. Prologue. Moderato quasi andanteII. ...comme une lettre sur moi meme. Moderato III. Maternite. Andante quasi allegretto IV. Elegie (en forme d'un tryptichon). - Poco rubato - Poco adagio - Andante V. Serenade en Carneval. Allegro giocoso VI. Soupir inquiet dans la nuit de printemps. Moderato poco rubato quasi fantasando VII. ...je m'en vais comme l'ombre quand elle decline ; et j'ai ete emporte de cote et d'autre, ainsi que les sauturelles (Ps. 109). Poco adagio VIII. Chanson ivre. Allegro commodo poco capriccioso IX. Epilogue. Poco lento molto e.

For Piano. Classical (orchestral). Includes a high-quality printed music score and a compact disc containing a complete version with soloist, in split-channel stereo (soloist on the right channel); then a second version in full stereo of the orchestral accompaniment, minus the soloist. Published by Music Minus One.

For Clarinet in B-flat. Includes a newly engraved, authoritative printed solo part, and two compact discs, containing a complete version with soloist, in digitally recorded stereo; then a digital stereo version of the accompaniment, minus the soloist. Published by Music Minus One.

Violin and orchestra

SKU: BO.B.3340

Composed by Jordi Cervello. Instrumental Sets. Duration 29:00. Published by Editorial de Musica Boileau (BO.B.3340).

ISBN 9788480207591.

Engl ish comments:
My dedication to the string instruments has been a constant throughout my compositional career and I knew that sooner or later the time would come to compose a concerto for violin and orchestra. That moment came in the autumn of 2002 and after ten months of uninterrupted work I finished it in August of 2003. It is a work structured similarly to the traditional concertos. An important impetus for the elaboration of my concerto was due to the ill-fated violinist Ginette Neveu. Her version of Sibelius' Concerto has always stayed with me. For this reason the first movement, Moderato-Allegro, begins with a contemplative atmosphere similar to that of Sibelius' Concerto in which the principal thematic ideas appear tentatively. These ideas, two rhythmic and two melodic, are reaffirmed through a broad development that culminates in an orchestral fullness. A calm, mysterious passage recalls the introduction and after becoming blurred, three bars burst in leading to the rapid section of the movement. Soloist and orchestra engage in a dialectic struggle of a dramatic nature. The agitation subsides leaving only a tranquil and suggestive clarinet phrase. This will be taken up by the soloist who leads up to the movement's most dramatic moment playing an accelerating triplet figure supported by an orchestral pedal in crescendo. From here the soloist's cadenza emerges beginning with soft double notes. It finishes with an ascending progression and the soloist settles into the high register to elicit the orchestra's intervention in a soft and transfigured atmosphere. Once internalised the second movement, Adagio poco sostenuto e leggero begins. It has a solemn character and opens with two trumpet calls answered by the violoncellos and the contrabasses. The violin soloist introduces and plays two nostalgic themes, the first in the low register and the second, more extensive, in the middle register. The soft and delicate Misterioso e leggero begins with the violin singing on high. The rhythm of the constant quaver figures gradually accelerates until the soloist provokes a dramatic full orchestra as in a cadenza. Once again, the Calmo, in which the soloist with less and less orchestral attire serenely bids farewell. A rising series of double stops by the soloist serves to initiate the Finale-Scherzo. In 6/8 rhythm and with the character of a rondo it carries us along in a carefree, virtuosic ambiance. The principal motives, brief and concise, emerge from the happy, playful theme presented by the soloist. With an intricate progression of rapid sixths in double stops it reaches a tense and somewhat combative moment. However this resolves itself in a diminuendo that the soloist peacefully takes up with the notes re-la to commence the cadenza. This culminates in a series of tied notes to reintroduce the principal theme. A moment of melodic suspension serves as a farewell before the brief and jovial final coda. --The author

Comentari os del Espanol:
A lo largo de mi carrera compositiva mi dedicacion a los instrumentos de cuerda ha sido constante y sabia que, tarde o temprano, llegaria el momento de componer un concierto para violin y orquesta. Este llego en otono de 2002 y, tras diez meses de trabajo ininterrumpido, lo termine en agosto de 2003. Se trata de una obra estructurada de manera similar a los conciertos tradicionales. Un importante impulso a la elaboracion de mi concierto lo debo al recuerdo de la malograda violinista Ginette Neveu. Su version del concierto de Sibelius ha permanecido siempre dentro de mi. Por ese motivo, el primer movimiento Moderato-Allegro se inicia con una atmosfera contemplativa cercana a la del mencionado Concierto, en la que aparecen cautamente las principales ideas tematicas. Con un amplio desarrollo se llega a un lleno orquestal en el que estas ideas -dos ritmicas y dos melodicas- quedan reafirmadas. Un pasaje calmo y misterioso rememora la introduccion. Tras desdibujarse, irrumpen tres compases que nos llevan a la parte rapida del movimiento. Solista y orquesta establecen un combate dialectico de caracter dramatico. La inquietud desaparece hasta una tranquila e insinuante frase del clarinete. Esta sera recogida por el solista, quien, a base de una figuracion de tresillos cada vez mas rapidos apoyada por un pedal de la orquesta in crescendo, conduce hacia el momento mas dramatico del movimiento. De aqui nace la cadenza del solista, que se incia con suaves notas dobles. Finaliza con una progresion ascendente y el solista se coloca en el registro agudo para llamar la intervencion de la orquesta dentro de una atmosfera suave y transfigurada. Interiorizado es el segundo movimiento Adagio poco sostenuto e leggero. Con dos llamadas de las trompas respondidas por los violonchelos y contrabajos inicia el Adagio de caracter grave. El violin solista introduce y canta dos temas nostalgicos. El primero en el registro grave y el segundo, mas amplio, en el medio. Inicia el Misterioso e leggero, de caracter suave y delicado. Con el violin cantando en agudo. La constante figuracion de corcheas acelerara poco a poco el ritmo hasta que el solista a modo de cadenza provocara un dramatico lleno orquestal. De nuevo el Calmo, donde el solista, cada vez con menos ropaje orquestal, se despide serenamente. Una subida de dobles cuerdas a cargo del solista sirve para iniciar el Finale-Scherzo. Este, en ritmo de 6/8 y con caracter de rondo, nos transporta en un clima virtuosistico y despreocupado. Del tema alegre y jugueton presentado por el solista nacen los principales motivos, breves y concisos. Con una intrincada sucesion de rapidas sextas en doble cuerda se llega a un momento crispado y algo combativo que, sin embargo, se resolvera en un diminuendo que el solista recoge apaciblemente con las notas re-la para inciar la cadenza. Esta culmina con un suave rosario de notas en ligado para introducir de nuevo el tema principal. Un momento de suspension melodica sirve como despido antes de la breve y jovial coda final. La obra fue estrenada el 23 de septiembre de 2005 en el Teatre Monumental de Madrid por la Orquesta Sinfonica de RTVE con Markus Placci de solista y Uwe Mund de director. Gravacion: RNE y Canal Clasico de TVE. --El Autor.

Sonatas and Partitas, 4 Concertos, and Arioso. Composed by Johann Sebastian Bach (1685-1750). String Solo. Softcover. 88 pages. Published by G. Schirmer

Violin

SKU: HF.FH-6059

Polyphone Musik fur Violine solo. Edited by Spindler. Sheet music. Friedrich Hofmeister Musikverlag #FH 6059. Published by Friedrich Hofmeister Musikverlag (HF.FH-6059).

ISBN 9790203460596. 8.3 x 11.7 inches.

1. Praludium und Fuge, Sonate d-Moll (F. W. Rust); 2. Fuge, Moderato (F. Libon); 3. Fuge, Divertimento I (J. Stamitz); 4. Fuge, Moderato (W. Pichl); 5. Fugato, Moderato (G. Tartini); 6. - 9. Fuge (P. Nardini); 10. Adagio und Fuge, Maestoso (B. Campagnoli); 11. Capriccio, Fuga (C. F. A. Hering); 12. Allegro moderato (C. A. d. Beriot); 13. Fuge, Allegro moderato (F. David); 14. Moderato (E. Sauret).

Edited by Weyer, Martin. For Organ. Playing score. Collection. 63 pages. Published by Baerenreiter Verlag (German import).

By John R. Shoemaker. Edited by Thom Proctor. Instrumental method/supplement (French horn). 36 pages. Published by Belwin.

Composed by Bela Bartok (1881-1945), edited by Dr Benjamin Suchoff. For piano. The Archive Edition. Format: piano solo book. With standard notation, fingerings and introductory text. 20th Century and Hungarian. 150 pages. 9x12 inches. Published by Dover Publications.

Piano

SKU: HL.48023890

Volumes 1 & 2, Combined. Composed by Bela Bartok. BH Piano. Children, Classical, Educational. Softcover. 88 pages. Published by Boosey & Hawkes (HL.48023890).

ISBN 9781495077722. UPC: 888680640101. 9.0x12.0x0.223 inches.

Books 1 and 2 have been combined, making this a great value for piano teachers and students. Authorized revised edition.

(24 Works from the 20th and 21st Centuries). Composed by Various. For Violin, Piano Accompaniment. String Solo. Softcover. 200 pages. G. Schirmer #ED 4549. Published by G. Schirmer

For String Orchestra. Composed by Sergei Rachmaninoff (1873-1943). Arranged by Kirt Land. Southern Music. Classical. Softcover. Southern Music Company #SO126C. Published by Southern Music Company

(BRASS ENS)

SKU: HL.48184948

Composed by Victor Ewald. Robert King. Classical. Softcover. Alphonse Leduc #AL28281. Published by Alphonse Leduc (HL.48184948).

UPC: 888680825928. 8.5x11.0x0.154 inches.

“Russ ian-born, Victor Ewald (1860-1935) mainly composed for brass instruments. His Symphony for 5-part Brass Choir, also known as his Brass Quintet, No. 1, Op. 5 remains among his greatest works. It is often thought that Ewald's four quintets are the first original pieces to be composed for the ensemble recognised today as the Brass Quintet. The first of these, Symphony, comprises three movements; 1) Moderato, 2) Adagio-Allegro-Adagio, and 3) Allegro Moderato. Including separate parts as well as a full score, this edition of Ewald's Symphony for 5-Part Brass Choir is not to be missed by aspiring brass ensembles.”.

Orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Oboe 1, Oboe 2, Percussion, Piano, Timpani, Trumpet 1, Trumpet 2, Viola, Violin 1, Violin 2, Violoncello

SKU: PR.11641142S

Op. 39. Composed by Lowell Liebermann. Study Score. 84 pages. Duration 25 minutes. Theodore Presser Company #116-41142S. Published by Theodore Presser Company (PR.11641142S).

ISBN 9781491134030. UPC: 680160683772.

The Concerto for Flute and Orchestra, Op. 39 was completed in September of 1992. It was commissioned by James Galway, and is dedicated to him. The work is scored for an orchestra comprised of piccolo, flute, oboe, english horn, clarinet, bass clarinet, bassoon, contrabassoon, two horns, two trumpets, timpani, percussion, harp, piano and strings. The Concerto is in three movements. The first movement, Moderato, is an arc-like form, all of whose components are in fact variations on the harmonic progression of its principal theme. The central section of this movement is a set of explicit chaconne variations on a chorale-version of this progression. The second movement, Adagio molto, presents a lyrical melody which is spun out over a pulsating syncopated ostinato which persists through the entire length of the movement. The final movement, Presto, is a virtuoso work-out for the flutist in a rondo-like form which closes with a Prestissimo coda. The Concerto for Flute and Orchestra has been recorded for release on the BMG label by James Galway with the London Mozart Players conducted by the composer.
The Concerto for Flute and Orchestra, Op. 39 was completed in September of 1992. It was commissioned by James Galway, and is dedicated to him.The work is scored for an orchestra comprised of piccolo, flute, oboe, english horn, clarinet, bass clarinet, bassoon, contrabassoon, two horns, two trumpets, timpani, percussion, harp, piano and strings.The Concerto is in three movements. The first movement, Moderato, is an arc-like form, all of whose components are in fact variations on the harmonic progression of its principal theme. The central section of this movement is a set of explicit chaconne variations on a chorale-version of this progression.The second movement, Adagio molto, presents a lyrical melody which is spun out over a pulsating syncopated ostinato which persists through the entire length of the movement.The final movement, Presto, is a virtuoso work-out for the flutist in a rondo-like form which closes with a Prestissimo coda.The Concerto for Flute and Orchestra has been recorded for release on the BMG label by James Galway with the London Mozart Players conducted by the composer.

Schirmer's Library of Musical Classics Vol. 2114. Composed by Various. String Solo. Softcover. 120 pages. G. Schirmer #LB2114. Published by G. Schirmer

By Carl Maria von Weber. Edited by Ruthardt. For piano, 4 hands. Op.3,10,60. Published by C.F. Peters.

Flute and Piano. By Various. Arranged by Louis Moyse. (Flute). Woodwind Method. Size 9x12 inches. Published by Schirmer.

(An Anthology of Organ Masterworks). By Geoffrey R. Lorenz. For organ. Masterworks and Transcriptions. 3-staff. Sacred organ

Edited by Martin Weyer. Organ solo book for organ. With organ notation and introductory text. 59 pages. Published by Baerenreiter-Ausgaben (German import).

For French Horn. Classical (orchestral). Includes a high-quality printed music score and a compact disc containing a complete performance with soloist; then a second version with the accompaniment, minus the soloist. Published by Music Minus One.

For piano for 4 hands. Les Classiques favoris. Classical. Grade 3. Score. 126 pages. Published by Editions Henry Lemoine

(72 Compositions Chosen from the Works of Georg Philipp Telemann). By John Goodin. For Mandolin. Solos. Bill's Music Shelf. Classic. Intermediate. Book. 128 pages. Published by Mel Bay Publications, Inc