Fünf Bläser, 5. Par REITER ALBERT. Fl Ob Klar Hr Fg/ Répertoire / Musique de Chambre

Par ALBERT BENOIT. / Niveau : Avancé / Répertoire / Guitare, Cor Anglais, Alto, Clarinette Basse

Vl Git. Par REITER ALBERT. Wie alle Musik, die Reiter geschrieben hat, aus den Instrumenten heraus musikantisch erfunden. Der 3. Satz greift die Thematik des 1. Satzes wieder auf und rundet die Form zu einer großen Dreiteiligkeit. ÖLP / Niveau : Assez Facile / Répertoire / Guitare et Musique de Chambre

Par ALBERT BENOIT. / Niveau : Avancé / Date parution : 2018-05-04/ Répertoire / Guitare, Cor Anglais, Alto et Clarinette Basse

for piano and woodwind quintet. Par JALBERT PIERRE. Wind Dances is in seven short contrasting movements, each containing dance-like rhythms, both slow and fast. Having two sons who both play the clarinet, I've heard many a woodwind quintet, so I've been wanting to write for the medium for quite a while. In this instance, I also added my own instrument, the piano. The work opens with a fast movement containing driving rhythms in the winds, which are then answered by the piano. The second movement features colorful effects in the winds and piano (slap tongue, air sounds, muted tones) leading to a long extended lyrical line, gradually orchestrated to involve all the winds. The third movement is a dynamic scherzo, with a separate middle section similar to a traditional Trio section. The slowly unfolding fourth movement is the longest of the piece and anchors the middle of the work. The fifth movement is a kind of echo of the third movement, though this time the dynamic scherzo is high and light, rather than low and dark. The sixth movement is related to the second movement, and is basically a solo cadenza for the clarinet, with a few accompanimental gestures in the piano. The seventh and final movement reprises material from the first movement, this time with new and driving dance-like gestures added. - Pierre Jalbert / Niveau : Avancé / Répertoire / Flûte Traversière (Piccolo), Hautbois, Clarinette,

For Flute, Clarinet In Bb, and Piano. Par JALBERT PIERRE. Triple Set was commissioned by the Flute/Clarinet Duos Consortium, an organization of 17 groups which will give the premiere performances of the work. I’ve always been fascinated by the flute and clarinet, and when I was approached by my colleagues at Rice (Leone Buyse and Michael Webster) to write a piece for flute, clarinet and piano (I’m a pianist myself), for the Flute/Clarinet Duos Consortium, I was happy to oblige. Both of my sons also play the clarinet, so many of these sounds are around me all the time. The piece is in three contrasting movements. The first movement, Driving, marked “With great energy”, is rhythmically propelled forward by the piano’s muted strings and the flute and clarinet playing at first in rhythmic unison, then each taking a turn at solos while the other participates in the accompanimental syncopations. The second movement, Still, is marked “Timeless” and slowly unfolds its melodic and harmonic ideas. The third movement, Relentless, is a kind of 6/8 scherzo, which vigorously and relentlessly propels itself forward to the end, with just two minor interruptions of quasi-cadenza like passages for flute and clarinet duo. - Pierre Jalbert/ Répertoire / Flûte Traversière, Clarinette et Piano

Dall'Adagio Del Quartetto In Memoria Di Prokofe'V - Partitura. Par COLLA ALBERTO. Dall'Adagio Del Quartetto In Memoria Di Prokofe'V - Partitura / Musique contemporaine / Date parution : 1905-06-29/ Répertoire / Quatuor à Cordes

Per Violino, Violoncello E Pianoforte. Par COLLA ALBERTO. / Musique contemporaine / Date parution : 1905-06-29/ Répertoire / Violon, Violoncelle et Piano

Per Violino, Violoncello E Pianoforte. Par COLLA ALBERTO. / Musique contemporaine / Répertoire / Violon, Violoncelle et Piano

Par PAUS RAMON. Composed in January 2015, “AUDAX” has a duration of 7 min. It was premiered on 11 February 2015 by Alberto Martos. It is a commission from the Adolfo Suárez Museum. Adolfo Suárez was a Prime Minister of the Spanish Government whohad to reunite the Spanish people in the period of the Transition (1976-1981), he was tremendously bold 'AUDAX' in this very difficult task. Hence the name of the work/ Répertoire / Violoncelle