Arrangement for
chamber orchestra
(Linckelmann).
Composed by Ludwig van
Beethoven. Arranged by
Joachim Linckelmann.
Carus sheet music series:
Great choral works in
small scorings. Foreword
in German and English.
Sacred vocal music,
Masses, Latin. Full
Score. Op. 123. Duration
90 minutes. Carus Verlag
#CV 40.689/50. Published
by Carus Verlag
(CA.4068950).
ISBN
9790007254445. Key: D
major.
Latin.
Beethoven
described his Missa
solemnis several times as
his greatest work. Coming
from the heart, it was
intended to touch and
move audiences. Beethoven
worked long and
intensively on the
composition in order to
give what he felt was
adequate expression to
the text. In its length
and musical demands, the
Missa solemnis goes far
beyond typical liturgical
settings; for good
reason, the premiere took
place in a concert hall.
With this arrangement for
chamber orchestra (flute,
oboe, clarinet, bassoon,
horn, trumpet, trombone,
timpani and strings, plus
organ ad lib), smaller
choirs, as well as choirs
with more limited
resources of space or
finance, can now perform
this work too. However,
the symphonic character
and wide dynamic range of
the work remain. The
scoring of 7 instead of
18 winds offers an
optimal balance between
transparency and
orchestral sound. All the
vocal parts (soloists and
chorus) are identical
with the original
version, so that the
vocal score and chorus
score of that version can
be used. Major mass can
also be performed by
smaller choir Wind and
brass parts of the
original version reduced
to just seven single
instruments Vocal scores
and choral scores from
the original version can
be used. carus plus: the
work (original version)
is available in carus
music, the choir app, and
in the practice CD series
Carus Choir Coach. Score
available separately -
see item CA.4068900.
Guitar (Guitar) SKU: HL.48024601 Construction with Guitar Player Inclu...(+)
Guitar (Guitar)
SKU:
HL.48024601
Construction with
Guitar Player Including
Guitar and White
Hand. Composed by
Harrison Birtwistle.
Edited by Julian Bream.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 24 pages.
Boosey & Hawkes
#M060131042. Published by
Boosey & Hawkes
(HL.48024601).
ISBN
9781540050663. UPC:
888680933807. 9.0x12.0
inches.
Beyond the
White Hand: Construction
with Guitar Player, was
commissioned by the
Julian Bream Trust and
first performed at St
John's Smith Square by
Andrey Lebedev in 2014.
This substantial addition
to the advanced solo
guitar repertoire
reflects and expands upon
an earlier miniature from
2007: Guitar and White
Hand, BirtwistleÂ’s
first piece for the
instrument. Both pieces
draw artistic inspiration
from the artist Pablo
Picasso: the smaller
piece written for Forbes
Henderson and sharing a
title with the 1927
painting of the same
name. The larger piece
was composed in the
centenary year of
Picasso's Construction
with Guitar Player after
which the piece is named
and the sculpture
Guitar.Picasso made about
a dozen 'sculptural'
constructionsÂ’ during
1912-1914, many of which
employ recycled or carved
elements. A good number
of these were destroyed
and only one, Still Life
was shown publically
during his lifetime.
Picasso's own
Construction with Guitar
Player was an
installation of a
partially drawn and
painted figure to which
he added arms made of
newspaper that fold away
from the wall to embrace
a real guitar. In the
foreground stands a table
with a bottle of wine and
this was photographed by
Picassoin his studio in
1913. Musically,
BirtwistleÂ’s
Construction is a large
scale, dense work of
sixteen minutesÂ’
duration. It does not
develop linearly, but
presents fragments of
detail, interruptions,
digressions and loops as
a “deconstructed
guitar†in
sound.
Accordion (AKK) SKU: HL.49040918 Composed by Walzer-Buch. Arranged by Ala...(+)
Accordion (AKK)
SKU:
HL.49040918
Composed
by Walzer-Buch. Arranged
by Aladar Krikkay, Curt
Herold, Eberhart Pelz,
and Theo Koob. This
edition: Saddle
stitching. Sheet music.
Edition Schott. 17 Walzer
aus der Feder von 11
Komponisten - eine
Sammlung weltbekannter
Walzermelodien, die den
Akkordeonisten von der
Elementarstufe bis zum
Virtuosen begleiten soll.
64 pages. Schott Music
#MH999006. Published by
Schott Music
(HL.49040918).
ISBN
9783920468068.
9.0x12.0x0.23
inches.
17 Walzer
aus der Feder von 11
Komponisten - eine
Sammlung weltbekannter
Walzermelodien, die den
Akkordeonisten von der
Elementarstufe bis hin
zum Virtuosen begleiten
soll. Dies ist auch die
Grundidee, die zur Reihe
Das grosse Akkordeonbuch
gefuhrt hat: Literatur,
die man nicht nach einem
halben oder einem Jahr
zur Seite legt, sondern
die auf dem Notenpult
stehen bleibt fur viele
Jahre - Spielheft und
Unterrichtsliteratur
gleichermassen.Bisweilen
war es bei den leichten
Bearbeitungen notig, vor
allem formal von den
Originalkompositionen
abzuweichen. Aber muss
nicht jede Bearbeitung -
selbst das brillanteste
Wurthner-Konzertarrangeme
nt - auf das
Zielinstrument eingehen!
Sinn einer Bearbeitung
ist ja, eine
Originalkomposition fur
Soloinstrument, Ensemble
oder Orchester z.B. einem
weiteren Instrument
zuganglich zu machen. In
diesem Sinne ist jede
puritanische Einstellung
zu Bearbeitungen
kurzsichtig und kaum
reflektiert. Man
erschliesst sich die
Musik nur, wenn man sie
sich auf seinem ureigenen
Instrument erschliessen
kann.
White Light Hautbois, Piano (duo) - Intermédiaire Anglo Music
Oboe and Piano - intermediate SKU: BT.AMP-343-401 For Oboe and Piano(+)
Oboe and Piano -
intermediate
SKU:
BT.AMP-343-401
For
Oboe and Piano.
Composed by Philip
Sparke. Anglo
Instrumental series. Book
Only. Composed 2012. 16
pages. Anglo Music Press
#AMP 343-401. Published
by Anglo Music Press
(BT.AMP-343-401).
ISBN
9789043138628. 9x12
inches.
English-German-French-Dut
ch.
White
Light was
commissioned by Fumiko
Teramoto, oboist with the
Musashino Grand Concert
Band from Tokyo, Japan.
The request was for a
moderately slow piece, of
intermediate difficulty,
which included White in
the title, as this is her
lucky colour. Composer
Philip Sparke decided to
use this suggestion to
write a piece that was
bright and light in terms
of harmony and colour,
with much use of simple
major and minor chords
and an emphasis on pure
and transparent timbres.
He was also keen to
capture the essence and
history of the oboe as a
solo instrument - the
piece is pastoral in
character and often
almost baroque in style.
Also available for oboe
and concert band
(AMP317-010/140).
Wit is de
gelukskleur van het
opdrachtgevende orkest
van dit uitdagende
solowerk voor hobo en
piano. Philip Sparke
schreef daarom een
opgewekte compositie. Het
zwaartepunt ligt op de
heldere klanken van het
hoge hout en de
harmonie,klankkleur en
instrumentatie is helder
en doorzichtig.Ook
verkrijgbaar voor hobo en
harmonieorkest (AMP
317-010/140).
Wei
Ÿ ist die
Glücksfarbe des
auftraggebenden
Blasorchesters und daher
im Titel dieses Solowerks
für Oboe und
Klavier. Passend dazu
schuf Philip Sparke ein
Stück, das sowohl
heiter als auch hell in
seiner Harmonik, seinen
Farben und seiner
Orchestrierung ist, viele
einfache Dur- und
Mollakkorde enthält
und den Schwerpunkt auf
die klaren Klänge der
hohen Holzbläser im
Orchester legt. Ebenfalls
erhältlich für Oboe
und Blasorchester (AMP
317-010/140).
In
questo lavoro per oboe
solista e pianoforte,
Philip Sparke crea un
pezzo che è allo
stesso tempo allegro e
luminoso nella sua
armonia e nei colori, e
che nell'orchestrazione
contiene molti semplici
accordi maggiori e
minori. Disponibile anche
per oboe e banda (AMP
317-010/140).
Composed by Traditional
Christmas Songs. Arranged
by Russell Robinson
Michael J. Miller. Folio.
Yps. Set of Score and
Parts.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+4+1+2+6+24 pages.
Duration 4 minutes, 10
seconds. Carl Fischer
Music #YPS223. Published
by Carl Fischer Music
(CF.YPS223).
ISBN
9781491156643. UPC:
680160915187. 9 x 12
inches.
Notes to
the Conductor This
adaptation of Christmas
Carol Trilogy was
arranged to accompany the
choral arrangement of the
same title by Russell
Robinson. It can be
played with Robinson's
vocal arrangements with
band and chorus together
or as a stand-alone piece
for band. If performed
together with a chorus,
it is recommended that
the performers play one
to two dynamic levels
lower than written
(depending on the size of
the chorus) so as not to
overpower the singers.
Please see the chart
below for further
explanation.
Written Dynamic (To be
used if band alone) Large
Chorus (1 dynamic lower)
Small Chorus (2 dynamics
lower) mf f ff mp mf f
p mp mf
Another
possibility for
performance is for a
small group of wind
instruments with chorus.
Here, performers would
play the written
dynamics. Below are a few
recommended chamber
ensembles that would work
with a variety of
choruses, though there
are several other
alternatives. In any
case, the conductor
should be careful to
choose a set of
instruments that is both
balanced in register
(soprano, alto, tenor,
bass) and in role
(melody, countermelody,
bass line, etc.) Option 1
(Woodwind Sextet) Flute
(Oboe) Clarinet 1
Clarinet 2 Alto Saxophone
Tenor Saxophone (Bassoon)
Baritone Saxophone (Bass
Clarinet) Option 2 (Brass
Quintet) Trumpet 1
Trumpet 2 Horn Trombone
(Baritone) Tuba (Baritone
Saxophone) A final option
is to perform with one
player per instrumental
part. In all instances,
the conductor should pay
close attention to the
balance of the percussion
instruments. Notes to
the Conductor This
adaptation of Christmas
Carol Trilogy was
arranged to accompany the
choral arrangement of the
same title by Russell
Robinson. It can be
played with
Robinson’s vocal
arrangements with band
and chorus together or as
a stand-alone piece for
band. If performed
together with a chorus,
it is recommended that
the performers play one
to two dynamic levels
lower than written
(depending on the size of
the chorus) so as not to
overpower the singers.
Please see the chart
below for further
explanation. Written
Dynamic(To be used if
band alone)Large Chorus(1
dynamic lower)Small
Chorus(2 dynamics
lower)mffffmpmff pmpmf
  Another
possibility for
performance is for a
small group of wind
instruments with chorus.
Here, performers would
play the written
dynamics. Below are a few
recommended chamber
ensembles that would work
with a variety of
choruses, though there
are several other
alternatives. In any
case, the conductor
should be careful to
choose a set of
instruments that is both
balanced in register
(soprano, alto, tenor,
bass) and in role
(melody, countermelody,
bass line, etc.)Option 1
(Woodwind Sextet)Flute
(Oboe)Clarinet 1Clarinet
2Alto SaxophoneTenor
Saxophone
(Bassoon)Baritone
Saxophone (Bass
Clarinet)Option 2 (Brass
Quintet)Trumpet 1Trumpet
2HornTrombone
(Baritone)Tuba (Baritone
Saxophone)A final option
is to perform with one
player per instrumental
part. In all instances,
the conductor should pay
close attention to the
balance of the percussion
instruments.
Composed by Russell
Robinson Michael J.
Miller. Sws. Yps. Full
score. 24+22 pages.
Duration 4 minutes, 10
seconds. Carl Fischer
Music #YPS223F. Published
by Carl Fischer Music
(CF.YPS223F).
ISBN
9781491156650. UPC:
680160915194. 9 x 12
inches.
Notes to
the Conductor This
adaptation of Christmas
Carol Trilogy was
arranged to accompany the
choral arrangement of the
same title by Russell
Robinson. It can be
played with Robinson's
vocal arrangements with
band and chorus together
or as a stand-alone piece
for band. If performed
together with a chorus,
it is recommended that
the performers play one
to two dynamic levels
lower than written
(depending on the size of
the chorus) so as not to
overpower the singers.
Please see the chart
below for further
explanation.
Written Dynamic (To be
used if band alone) Large
Chorus (1 dynamic lower)
Small Chorus (2 dynamics
lower) F f ff P F f
p P F
Another
possibility for
performance is for a
small group of wind
instruments with chorus.
Here, performers would
play the written
dynamics. Below are a few
recommended chamber
ensembles that would work
with a variety of
choruses, though there
are several other
alternatives. In any
case, the conductor
should be careful to
choose a set of
instruments that is both
balanced in register
(soprano, alto, tenor,
bass) and in role
(melody, countermelody,
bass line, etc.) Option 1
(Woodwind Sextet) Flute
(Oboe) Clarinet 1
Clarinet 2 Alto Saxophone
Tenor Saxophone (Bassoon)
Baritone Saxophone (Bass
Clarinet) Option 2 (Brass
Quintet) Trumpet 1
Trumpet 2 Horn Trombone
(Baritone) Tuba (Baritone
Saxophone) A final option
is to perform with one
player per instrumental
part. In all instances,
the conductor should pay
close attention to the
balance of the percussion
instruments. Notes to
the Conductor This
adaptation of Christmas
Carol Trilogy was
arranged to accompany the
choral arrangement of the
same title by Russell
Robinson. It can be
played with
Robinson’s vocal
arrangements with band
and chorus together or as
a stand-alone piece for
band. If performed
together with a chorus,
it is recommended that
the performers play one
to two dynamic levels
lower than written
(depending on the size of
the chorus) so as not to
overpower the singers.
Please see the chart
below for further
explanation. Written
Dynamic(To be used if
band alone)Large Chorus(1
dynamic lower)Small
Chorus(2 dynamics
lower)FfffPFf pPFÂ
Another possibility
for performance is for a
small group of wind
instruments with chorus.
Here, performers would
play the written
dynamics. Below are a few
recommended chamber
ensembles that would work
with a variety of
choruses, though there
are several other
alternatives. In any
case, the conductor
should be careful to
choose a set of
instruments that is both
balanced in register
(soprano, alto, tenor,
bass) and in role
(melody, countermelody,
bass line, etc.)Option 1
(Woodwind Sextet)Flute
(Oboe)Clarinet 1Clarinet
2Alto SaxophoneTenor
Saxophone
(Bassoon)Baritone
Saxophone (Bass
Clarinet)Option 2 (Brass
Quintet)Trumpet 1Trumpet
2HornTrombone
(Baritone)Tuba (Baritone
Saxophone)A final option
is to perform with one
player per instrumental
part. In all instances,
the conductor should pay
close attention to the
balance of the percussion
instruments.
Evening Prayer Orchestre d'harmonie - Facile C.L. Barnhouse
Concert band - Grade 2 SKU: CL.026-4337-01 Composed by Shaffer. Concert B...(+)
Concert band - Grade 2
SKU:
CL.026-4337-01
Composed by Shaffer.
Concert Band.
Build-A-Band. Extra full
score. Composed 2014.
Duration 2 minutes, 12
seconds. C.L. Barnhouse
#026-4337-01. Published
by C.L. Barnhouse
(CL.026-4337-01).
The elegant
beauty of this David
Shaffer ballad provides a
nice change of pace for
any occasion. This great
Build-A-Band arrangement
makes this composition
playable by very small
bands and it will sound
great as long has you
have the four parts
covered. Optional
percussion and keyboard
parts can add to the
overall effect.
About
Build-A-Band
Series
The
Build-A-Band Series
provides educational and
enjoyable music for bands
with incomplete or
unbalanced
instrumentation. Written
using just four or five
parts (plus percussion),
these effective
arrangements will work
with any combination of
brass, woodwind, string
and percussion
instruments as long as
you distribute the parts
so that each of the five
parts is covered. All of
the publications in the
Build-A-Band Series have
been arranged to be
playable with any
instrumentation as long
as each part is used: 1st
Part, 2nd Part, 3rd Part,
4th Part, and Bass Part.
(Please note: In some of
these arrangements the
4th Part, and the Bass
Part are the same, making
it possible to play those
arrangements with only 4
parts.)
Concert Band/Harmonie and Saxophone Solo - Grade 3 SKU: BT.DHP-1115180-140(+)
Concert Band/Harmonie and
Saxophone Solo - Grade 3
SKU:
BT.DHP-1115180-140
Solo for Alto and
Soprano Saxophone.
Composed by Satoshi
Yagisawa. Solo Spectrum.
Solo & Concerto. Score
Only. Composed 2011. 44
pages. De Haske
Publications #DHP
1115180-140. Published by
De Haske Publications
(BT.DHP-1115180-140).
9x12 inches.
English-German-French-Dut
ch.
Saxophone
Concertino is one of
a series of solo concerti
by Japanese composer,
Satoshi Yagisawa. In this
piece, the solo
saxophonist's voice does
not separate from the
concert band, but rather
develops musically and
gently in combination
with it. This work
enables the soloist to
showcase his ability with
variety and grace.
Met Saxophone
Concertino voegt
Yagisawa weer een
compositie toe aan zijn
reeks van concerti
waartoe ook Trumpet
Concerto, Trombone
Concerto, Marimba
Concerto, Concertino for
Solo Percussion and Wind
Orchestra als
ookClarinet
Concerto behoren. In
dit werk staat het
soloinstrument niet los
van het blaasorkest,
gezamenlijk met de rest
van de muziek komt de
solopartij heel
geleidelijk tot
ontwikkeling. Maar wel op
een manier dat het
talentvan de solist goed
tot zijn recht
komt
Das
Saxophone Concertino
fügt sich in eine
Reihe von Concerti von
Satoshi Yagisawa ein, zu
der auch sein Trumpet
Concerto, das
Trombone Concerto,
Marimba Concerto,
Concertino for Solo
Percussion and Wind
Orchestra sowie das
Clarinet Concerto
zählen. In diesem
Stück ist die
Solostimme nicht vom
Blasorchester separiert,
sondern entwickelt die
Musik behutsam gemeinsam
mit diesem. Der Solist
kann in diesem Werk sein
Können in
vielfältiger Weise
präsentieren.
Sax
ophone Concertino si
aggiunge alla serie di
brani per strumento solo
e banda firmati del
compositore giapponese,
quali Trumpet
Concerto, Trombone
Concerto, Marimba
Concerto, Concertino for
Solo Percussion and Wind
Orchestra come anche
Clarinet Concerto.
In Saxophone
Concertino lo
strumento solista e la
banda sviluppano la
musica insieme, in
perfetta sintonia. Il
solista pu' mettersi in
luce e mostrare le
innumerevoli
sfaccettature dello
strumento con un
romantico corale, un
allegro e una
cadenza.
Guitar - very easy to easy SKU: M7.VOGG-207 Composed by Volkmar Kramarz. ...(+)
Guitar - very easy to
easy
SKU:
M7.VOGG-207
Composed
by Volkmar Kramarz. Sheet
music with CD. 144 pages.
Voggenreiter #VOGG 207.
Published by Voggenreiter
(M7.VOGG-207).
ISBN
9783802402074.
Die
faszinierende Welt der
Pop-, Blues- und
Rocksounds! Das
wichtigste Instrument der
Rockmusik; vielseitig,
aufregend und immer sehr
individuell: die
E-Gitarre. Dieses Buch
ermöglicht dir einen
schnellen Einstieg in die
Welt der
unterschiedlichen
Möglichkeiten und
Sounds der E-Gitarre und
zeigt dir die
mächtigen
Power-Rock-Akkorde,
angesagte Rockriffs,
Blues-Licks und
Improvisations-Skalen,
nach deren Muster
angesagte Hits von heute,
aber auch die großen
Klassiker und die
traditionsreichen Oldies
gestrickt sind. Ob Rock,
Blues oder Ballade: in
diesem Buch findest du
alles, um schon bald
deine eigene Musik zu
machen. Wenn du dann ein
wenig Erfahrung auf der
Gitarre gesammelt hast,
kannst du sofort mit den
vielfältigen
Audio-Tracks üben -
und deiner eigenen Band
wird schon bald nichts
mehr im Wege stehen.
Für die richtigen
Tricks und
spieltechnischen Gags ist
dabei in diesem Buch
genauso gesorgt wie
für die entscheidenden
Tipps zu Verstärkern,
Effektgeräten und
anderem Equipment. Auf
der beiliegenden CD
findest du insgesamt
über 50 Takes zum
Mitspielen, darunter auch
ausführliche Songs
u.a. von Green Day,
Metallica oder Lynyrd
Skynyrd. Alle Beispiele
und Licks mit
detaillierter Tabulatur
und natürlich wie
immer ohne Noten! Viel
Spaß und keep on
rockin'!
Euphonium Concerto Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie and Euphonium Solo - Grade 4 SKU: BT.DHP-1206255-010(+)
Concert Band/Harmonie and
Euphonium Solo - Grade 4
SKU:
BT.DHP-1206255-010
Composed by Satoshi
Yagisawa. Solo Spectrum.
Solo & Concerto. Set
(Score & Parts). Composed
2020. De Haske
Publications #DHP
1206255-010. Published by
De Haske Publications
(BT.DHP-1206255-010).
English-German-French-
Dutch.
This
three-movement concerto
(Allegro con brio,
Espressivo and
Vivacissimo) was
commissioned by the
famous Japanese euphonium
player Tamao Araki. It
demands a high level of
instrumental proficiency
from the soloist, while
the accompaniment is less
demanding and accessible
for a band of an average
level. Yagisawa’s
clever use of the
euphonium’s
colourful sound palette
with its beautiful
melodic lines makes this
composition a rare jewel.
Dit concerto in
drie delen (Allegro con
brio, Espressivo en
Vivacissimo) werd
geschreven in opdracht
van de beroemde Japanse
eufoniumspeler Tamao
Araki. Het vraagt een
grote technische
vaardigheid van de
solist: de rol van het
orkest is minder
veeleisend, wat betekent
dat het werk goed
speelbaar is voor een
orkest van gemiddeld
niveau. Met
Yagisawa’s fraaie
melodielijnen en zijn
vakkundige gebruik van de
klankkleuren van het
eufonium is deze
compositie een absoluut
juweeltje.
Dieses
Konzert hat drei Sätze
(Allegro con brio,
Espressivo und
Vivacissimo) und wurde
von dem berühmten
japanischen
Euphonium-Spieler Tamao
Araki in Auftrag gegeben.
Es erfordert vom Solisten
ein hohes Maß an
instrumentalen
Fertigkeiten. Die
Begleitung hingegen ist
weniger anspruchsvoll und
kann von Blasorchestern
mit durchschnittlichem
Niveau gemeistert werden.
Yagisawas geschickte
Verwendung der
farbenreichen
Klangpalette des
Euphoniums sowie
wunderschöne
Melodielinien machen aus
dieser Komposition ein
wahres
Glanzstück.
Euphonium Concerto Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie and Euphonium Solo - Grade 4 SKU: BT.DHP-1206255-140(+)
Concert Band/Harmonie and
Euphonium Solo - Grade 4
SKU:
BT.DHP-1206255-140
Composed by Satoshi
Yagisawa. Solo Spectrum.
Solo & Concerto. Score
Only. Composed 2020. 67
pages. De Haske
Publications #DHP
1206255-140. Published by
De Haske Publications
(BT.DHP-1206255-140).
English-German-French-
Dutch.
This
three-movement concerto
(Allegro con brio,
Espressivo and
Vivacissimo) was
commissioned by the
famous Japanese euphonium
player Tamao Araki. It
demands a high level of
instrumental proficiency
from the soloist, while
the accompaniment is less
demanding and accessible
for a band of an average
level. Yagisawa’s
clever use of the
euphonium’s
colourful sound palette
with its beautiful
melodic lines makes this
composition a rare jewel.
Dit concerto in
drie delen (Allegro con
brio, Espressivo en
Vivacissimo) werd
geschreven in opdracht
van de beroemde Japanse
eufoniumspeler Tamao
Araki. Het vraagt een
grote technische
vaardigheid van de
solist: de rol van het
orkest is minder
veeleisend, wat betekent
dat het werk goed
speelbaar is voor een
orkest van gemiddeld
niveau. Met
Yagisawa’s fraaie
melodielijnen en zijn
vakkundige gebruik van de
klankkleuren van het
eufonium is deze
compositie een absoluut
juweeltje.
Dieses
Konzert hat drei Sätze
(Allegro con brio,
Espressivo und
Vivacissimo) und wurde
von dem berühmten
japanischen
Euphonium-Spieler Tamao
Araki in Auftrag gegeben.
Es erfordert vom Solisten
ein hohes Maß an
instrumentalen
Fertigkeiten. Die
Begleitung hingegen ist
weniger anspruchsvoll und
kann von Blasorchestern
mit durchschnittlichem
Niveau gemeistert werden.
Yagisawas geschickte
Verwendung der
farbenreichen
Klangpalette des
Euphoniums sowie
wunderschöne
Melodielinien machen aus
dieser Komposition ein
wahres
Glanzstück.
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043752-140 Composed by Modes...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1043752-140
Composed by Modest
Petrovich Mussorgsky.
Arranged by Tohru
Takahashi. The Great
Classics. Concert Piece.
Score Only. Composed
2004. De Haske
Publications #DHP
1043752-140. Published by
De Haske Publications
(BT.DHP-1043752-140).
English-German-French-
Dutch.
Composer
Modest Moussorgsky
(1839-1881) came from the
prosperous environment of
Russian nobility. In
1865, after his
officer’s
education, he joined the
guard’s regiment
in St. Petersburg. Here
he met a number of
well-known
colleague-composers,
including Balakirev, Cui,
Rimsky- Korsakov and
Borodin. They strived to
develop a
“classical
style†of composing
while at the same time
retaining a strong
Russian influence. His
opera Boris Godunov tells
the tale of Boris, who
with the support of the
people, declared himself
Tsar, but totally fell
short of the role. The
opera became popular in
the re-orchestrated
version produced by
Rimsky-Korsakov in 1896.
Tohru Takahashi has
usedthe beautiful musical
themes of this opera in
Selections from Boris
Godunov - a captivating
work for concert band.
Moussorgskyâ€
s opera Boris
Godunov - gebaseerd
op het gelijknamige drama
van Aleksandr Pushkin
(waarin Boris Godunov
zichzelf met steun van
het volk uitroept tot
tsaar, maar in deze rol
compleet tekortschiet) -
werd populairin de
bewerking die
Rimsky-Korsakov in 1896
maakte. De
oorspronkelijke partituur
van Moussorgsky staat
echter vol originele
vondsten en
vooruitstrevende
harmonische, melodische
en instrumentale details.
Tohru Takahashi
gebruiktede prachtige
muzikale thematiek van
deze opera in
Selections from Boris
Godunov - een boeiend
werk voor
harmonieorkest.
Se
in Meisterwerk, die Oper
Boris Godunow,
schrieb Mussorgski auf
der Grundlage des
gleichnamigen Dramas von
Alexander Puschkin. In
diesem Stück
erklärt sich Boris
Godunow mit
Unterstützung des
Volkes selbst zum Zaren,
versagt aber kläglich
in dieser Rolle. Das Werk
ist voll von
einzigartigen Ideen und
damals sehr innovativen
harmonischen, melodischen
und instrumentalen
Details. Tohru Takahashi
verwendete in
Selections from Boris
Godunov die
wunderschönen
musikalischen Themen der
Oper - ein bezauberndes
Werk für
Blasorchester.
Compositore
essenzialmente
autodidatta, Modest
Mussorgski (1839-1881)
discende da una famiglia
agiata della nobilt
russa. Il suo capolavoro
lirico, Boris Godunov, si
basa sulla tragedia di
Alexander Puschkin, nella
quale Boris Godunov,
proclamatosi zar e
sostenuto dal popolo,
fallisce nel suo ruolo.
Nel 1896, l’opera
conosce il successo in
una versione ritoccata da
Rimski Korsakov. La
versione originale di
Mussorgski contiene idee
uniche, dettagli
armonici, melodici e
strumenti innovativi. Per
trascrivere questo brano
per banda, Tohru
Takahashi ha raccolto i
superlativi temi musicali
dell’opera.
Concert Band - Grade 5 SKU: BT.DHP-1043752-040 Composed by Modest Petrovi...(+)
Concert Band - Grade 5
SKU:
BT.DHP-1043752-040
Composed by Modest
Petrovich Mussorgsky.
Arranged by Tohru
Takahashi. The Great
Classics. Concert Piece.
Set (Score & Parts).
Composed 2004. De Haske
Publications #DHP
1043752-040. Published by
De Haske Publications
(BT.DHP-1043752-040).
English-German-French-
Dutch.
Composer
Modest Moussorgsky
(1839-1881) came from the
prosperous environment of
Russian nobility. In
1865, after his
officer’s
education, he joined the
guard’s regiment
in St. Petersburg. Here
he met a number of
well-known
colleague-composers,
including Balakirev, Cui,
Rimsky- Korsakov and
Borodin. They strived to
develop a
“classical
style†of composing
while at the same time
retaining a strong
Russian influence. His
opera Boris Godunov tells
the tale of Boris, who
with the support of the
people, declared himself
Tsar, but totally fell
short of the role. The
opera became popular in
the re-orchestrated
version produced by
Rimsky-Korsakov in 1896.
Tohru Takahashi has
usedthe beautiful musical
themes of this opera in
Selections from Boris
Godunov - a captivating
work for concert band.
Moussorgskyâ€
s opera Boris
Godunov - gebaseerd
op het gelijknamige drama
van Aleksandr Pushkin
(waarin Boris Godunov
zichzelf met steun van
het volk uitroept tot
tsaar, maar in deze rol
compleet tekortschiet) -
werd populairin de
bewerking die
Rimsky-Korsakov in 1896
maakte. De
oorspronkelijke partituur
van Moussorgsky staat
echter vol originele
vondsten en
vooruitstrevende
harmonische, melodische
en instrumentale details.
Tohru Takahashi
gebruiktede prachtige
muzikale thematiek van
deze opera in
Selections from Boris
Godunov - een boeiend
werk voor
harmonieorkest.
Se
in Meisterwerk, die Oper
Boris Godunow,
schrieb Mussorgski auf
der Grundlage des
gleichnamigen Dramas von
Alexander Puschkin. In
diesem Stück
erklärt sich Boris
Godunow mit
Unterstützung des
Volkes selbst zum Zaren,
versagt aber kläglich
in dieser Rolle. Das Werk
ist voll von
einzigartigen Ideen und
damals sehr innovativen
harmonischen, melodischen
und instrumentalen
Details. Tohru Takahashi
verwendete in
Selections from Boris
Godunov die
wunderschönen
musikalischen Themen der
Oper - ein bezauberndes
Werk für
Blasorchester.
Compositore
essenzialmente
autodidatta, Modest
Mussorgski (1839-1881)
discende da una famiglia
agiata della nobilt
russa. Il suo capolavoro
lirico, Boris Godunov, si
basa sulla tragedia di
Alexander Puschkin, nella
quale Boris Godunov,
proclamatosi zar e
sostenuto dal popolo,
fallisce nel suo ruolo.
Nel 1896, l’opera
conosce il successo in
una versione ritoccata da
Rimski Korsakov. La
versione originale di
Mussorgski contiene idee
uniche, dettagli
armonici, melodici e
strumenti innovativi. Per
trascrivere questo brano
per banda, Tohru
Takahashi ha raccolto i
superlativi temi musicali
dell’opera.
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043752-010 Composed by Modes...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1043752-010
Composed by Modest
Petrovich Mussorgsky.
Arranged by Tohru
Takahashi. The Great
Classics. Concert Piece.
Set (Score & Parts).
Composed 2004. De Haske
Publications #DHP
1043752-010. Published by
De Haske Publications
(BT.DHP-1043752-010).
English-German-French-
Dutch.
Composer
Modest Moussorgsky
(1839-1881) came from the
prosperous environment of
Russian nobility. In
1865, after his
officer’s
education, he joined the
guard’s regiment
in St. Petersburg. Here
he met a number of
well-known
colleague-composers,
including Balakirev, Cui,
Rimsky- Korsakov and
Borodin. They strived to
develop a
“classical
style†of composing
while at the same time
retaining a strong
Russian influence. His
opera Boris Godunov tells
the tale of Boris, who
with the support of the
people, declared himself
Tsar, but totally fell
short of the role. The
opera became popular in
the re-orchestrated
version produced by
Rimsky-Korsakov in 1896.
Tohru Takahashi has
usedthe beautiful musical
themes of this opera in
Selections from Boris
Godunov - a captivating
work for concert band.
Moussorgskyâ€
s opera Boris
Godunov - gebaseerd
op het gelijknamige drama
van Aleksandr Pushkin
(waarin Boris Godunov
zichzelf met steun van
het volk uitroept tot
tsaar, maar in deze rol
compleet tekortschiet) -
werd populairin de
bewerking die
Rimsky-Korsakov in 1896
maakte. De
oorspronkelijke partituur
van Moussorgsky staat
echter vol originele
vondsten en
vooruitstrevende
harmonische, melodische
en instrumentale details.
Tohru Takahashi
gebruiktede prachtige
muzikale thematiek van
deze opera in
Selections from Boris
Godunov - een boeiend
werk voor
harmonieorkest.
Se
in Meisterwerk, die Oper
Boris Godunow,
schrieb Mussorgski auf
der Grundlage des
gleichnamigen Dramas von
Alexander Puschkin. In
diesem Stück
erklärt sich Boris
Godunow mit
Unterstützung des
Volkes selbst zum Zaren,
versagt aber kläglich
in dieser Rolle. Das Werk
ist voll von
einzigartigen Ideen und
damals sehr innovativen
harmonischen, melodischen
und instrumentalen
Details. Tohru Takahashi
verwendete in
Selections from Boris
Godunov die
wunderschönen
musikalischen Themen der
Oper - ein bezauberndes
Werk für
Blasorchester.
Compositore
essenzialmente
autodidatta, Modest
Mussorgski (1839-1881)
discende da una famiglia
agiata della nobilt
russa. Il suo capolavoro
lirico, Boris Godunov, si
basa sulla tragedia di
Alexander Puschkin, nella
quale Boris Godunov,
proclamatosi zar e
sostenuto dal popolo,
fallisce nel suo ruolo.
Nel 1896, l’opera
conosce il successo in
una versione ritoccata da
Rimski Korsakov. La
versione originale di
Mussorgski contiene idee
uniche, dettagli
armonici, melodici e
strumenti innovativi. Per
trascrivere questo brano
per banda, Tohru
Takahashi ha raccolto i
superlativi temi musicali
dell’opera.
40 Pieces for Recorder Consort. By Various Composers. Arranged by Steve Rosenber...(+)
40 Pieces for Recorder
Consort. By Various
Composers. Arranged by
Steve Rosenberg.
(Recorder). Boosey and
Hawkes Chamber Music.
Size 8.5x11 inches. 73
pages. Published by
Boosey & Hawkes.
A Study Guide with Amy Porter. Composed by Georg Philipp Telemann (1681-1...(+)
A Study Guide with Amy
Porter. Composed by
Georg Philipp Telemann
(1681-1767). DVD.
Theodore Presser Company
#PO-DVD2. Published by
Theodore Presser Company
(PR.PODVD20).
SKU: HL.240927 Richard Konter & The Byrd Polar Expeditions. Book. ...(+)
SKU: HL.240927
Richard Konter & The
Byrd Polar
Expeditions. Book.
History / Expeditions &
Discoveries, Music
History. Hardcover. 322
pages. Published by Hal
Leonard (HL.240927).
ISBN 9781495099489.
UPC: 888680702533.
6.25x9.25x0.85 inches.
Larry Bartram with Dick
Boak.
A Stowaway
Ukulele Revealed: Richard
Konter & the Byrd
Polar Expeditions is the
unlikely and compelling
story of a
globe-trotting,
ukulele-strumming
Brooklyn sailor named
Richard Konter and his
famous autographed
instrument. At the height
of the ukulele craze,
Konter was a go-to
arranger for Tin Pan
Alley composers and
publishers. In 1926,
Konter shipped out as a
member of the crew of the
Byrd Arctic Expedition.
As a riveted world
followed their progress
(and that of their
arch-rival, Roald
Amundsen, the world's
greatest polar explorer),
Konter managed to get his
ukulele aboard Byrd's
plane for the first
successful polar flight.
A keen contributor to
history in the making,
Konter managed to obtain
the autographs of more
than 150 individuals,
both famous and unknown,
all of whom respected the
importance of Konter's
North Pole ukulele.
Later, Konter accompanied
Byrd to Antarctica and
later married, for the
first time at age 80, the
love of his life. For the
first time, A Stowaway
Ukulele Revealed: Richard
Konter & the Byrd
Polar Expeditions details
the marvelously diverse
cast of characters who
autographed this little
instrument, presenting
mini-biographies and
photographs to illustrate
the interconnected web of
lives brought together by
Konter. New archival
research, interviews, and
imaging all combine to
make A Stowaway Ukulele
Revealed: Richard Konter
& the Byrd Polar
Expeditions a
spellbinding read that
blends biography, music,
polar exploration,
history, determination,
courage, and romance.
Voice and piano (solo: T - 2(picc.A-fl).2(ob.d'am[ad lib.].cor ang.muha).2(B-cla...(+)
Voice and piano (solo: T
-
2(picc.A-fl).2(ob.d'am[ad
lib.].cor
ang.muha).2(B-clar.S-sax.
muha).2(kfg.muha) -
1.1(corn [ad lib.]).1.0 -
timp.perc(3) -
acc(windmachine
I).hp(rainmaker.windmachi
ne
II).guit(rainmaker.windma
chine III) - str:
1.1.2.1.1)
SKU:
BR.EB-9394
A
Composed
Interpretation.
Composed by Hans Zender.
Voice; Softbound. Edition
Breitkopf. World
premiere: Frankfurt am
Main, September 21, 1993.
Song; Music post-1945.
Piano/Vocal Score.
Composed 1993. 120 pages.
Duration 85'. Breitkopf
and Haertel #EB 9394.
Published by Breitkopf
and Haertel (BR.EB-9394).
ISBN 9790004188682. 9
x 12 inches.
My
lecture of the
Winterreise does not
demand a new expressive
interpretation, but
instead systematically
exercises the freedom
which all interpreters
allow themselves
intuitively, such as:
instrumental dilation i.
e. acceleration of the
pace, transposition into
other keys and
elaboration of
characteristic color
timbres. In addition,
there are further ways of
reading; the music;
jumping around in the
text, repeating certain
lines, interrupting the
continuity, comparing
different expressions of
the same phrase ... All
these new possibilities
are subjected to my
compositional discipline
and form autonomous
formal processes which
are imposed on Schuberts
original. The
transformation of the
piano tones into a
multifaceted orchestra
full of resonance is only
one of many aspects.(Hans
Zender)CDs:Hans Peter
Blochwitz (Tenor),
Ensemble Modern,
Conductor: Hans Zender CD
BMG 9026-68067-2
Christoph Pregardien
(Tenor), Klangforum Wien,
Conductor: Sylvain
Cambreling CD Kairos
0012002KAIJulien
Pregardien (Tenor),
Deutsche Radio
Philharmonie
Kaiserslautern,
Conductor: Robert Reimer2
CD's P.RHEI
(2016)Bibliography:Adam-S
chmidmeier, Eva-Maria
von: Schubert
interpretieren. Hans
Zender: Schuberts
Winterreise. Eine
komponierte
Interpretation im
Unterricht, in: Musik und
Unterricht Heft 96
(2009), pp. 50-56.Gruhn,
Wilfried: Wider die
asthetische Routine. Hans
Zenders Version von
Schuberts Winterreise,
in: Neue Zeitschrift fur
Musik 1/1997.Hebling,
Harald: Kompositorische
Schubertrezeption im 20.
Jahrhundert,
Magisterarbeit
Universitat Wien 2003,
especially pp.
148-157.Nonnenmann,
Rainer: Vom Nutzen und
Nachteil der
Musikhistorie fur das
Musikleben. Zur Kritik
aktualisierender
Interpretation am
Beispiel von Hans Zenders
Schuberts ,Winterreise,
in: Musik und Asthetik 7,
Heft 26 (April 2003), pp.
65-90.ders.: Schuberts
,Winterreise .
Komponierte
Interpretation von Hans
Zender / Ballett von John
Neumeier, in:
Osterreichische
Musikzeitung 60 (2005),
Heft 3, p. 42f.ders.:
Fremd bin ich eingezogen,
fremd zieh ich wieder
aus. Versuch zur Rettung
der Vergangenheit
Schuberts Winterreise.
Eine komponierte
Interpretation fur Tenor
und kleines Orchester
(1993) von Hans Zender,
in ders.: Winterreisen.
Komponierte Wege von und
zu Franz Schuberts
Liederzyklus aus zwei
Jahrhunderten, 2 Bande (=
Taschenbucher zur
Musikwissenschaft, Band
150/151), Wilhelmshaven:
Florian Noetzel 2006, pp.
143-205.Petersen, Birger:
Neue Musik. Analysen,
Berlin: Simon Verlag fur
Bibliothekswissen 2013,
pp. 11-24.Revers, Peter:
... Schnee, du weisst von
meinem Sehnen. Aspekte
der Schubert-Rezeption in
Hans Zenders Winterreise
(1993), in: Dialekt ohne
Erde. Franz Schubert und
das 20. Jahrhundert,
hrsg. von Otto
Kolleritsch, Wien-Graz
1998 (Studien zur
Wertungsforschung, Band
34), pp.
98-120.Schafer-Lembeck,
Hans-Ulrich:
Gegenstrebige Fugungen.
Hans Zenders Musik und
seine komponierte
Interpretation von
Schuberts Winterreise,
in: Neue Musik
vermitteln. Analysen
Interpretationen -
Unterricht, hrsg. von
Hans Bassler, Ortwin
Nimczik und Peter W.
Schatt, Mainz: Schott,
2004, pp.
295-307.Stahmer, Klaus
Hinrich: Bearbeitung als
Interpretation - Zur
Schubertrezeption Gustav
Mahlers, Hans Zenders und
Friedhelm Dohls, in:
Franz Schubert und Gustav
Mahler in der Musik der
Gegenwart, Mainz
1998.Zender, Hans: warum
wieder die Winterreise?
Hartmut Regitz im
Gesprach mit dem
Komponisten, in:
ballet.tanz -
international.aktuell,
Heft 12 (2001), p.
18.
World
premiere: Frankfurt am
Main, September 21,
1993.