Guitar SKU: HL.14022610 For Guitar. Composed by Luys de Narvaez. M...(+)
Guitar
SKU:
HL.14022610
For
Guitar. Composed by
Luys de Narvaez. Music
Sales America. Classical.
Book [Softcover]. 112
pages. Music Sales
#UMG21613. Published by
Music Sales
(HL.14022610).
A Selection of Choruses for Treble Voices. By Antonio Vivaldi. Arranged by Doree...(+)
A Selection of Choruses
for Treble Voices. By
Antonio Vivaldi. Arranged
by Doreen Rao. (SSAA).
Boosey and Hawkes Large
Choral. Size 6.75x10.5
inches. 42 pages.
Published by Boosey and
Hawkes.
Composed by Richard Burchard. Gentry Publications. General Worship, Sacred. ...(+)
Composed by Richard
Burchard.
Gentry Publications.
General
Worship, Sacred. Octavo.
16
pages. Gentry
Publications
#JG2598. Published by
Gentry
Publications
SATB choir, organ - Difficult SKU: PL.9420 Composed by Gerald Near. Cathe...(+)
SATB choir, organ -
Difficult
SKU:
PL.9420
Composed by
Gerald Near. Cathedral.
Choral, Chant, Christmas.
Octavo. Paraclete Press
#9420. Published by
Paraclete Press
(PL.9420).
The
third movement, Puer
Natus in Bethlehem ( A
Boy is born in
Bethlehem), now being
offered under separate
cover, presents, in a
context of general
rejoicing, the idea of
regeneration through the
metamorphosis of an
ancient chant melody into
a carol.
Cum Sancto Spiritu Chorale SATB SATB divisi, A Cappella Gentry Publications
Movement from Missa Abreviada. Composed by José and Nunes- Garcia. Edi...(+)
Movement from Missa
Abreviada.
Composed by José
and Nunes-
Garcia. Edited by Alec
Schumaker and Marques L.
A.
Garrett. Gentry
Publications.
Concert, General Worship,
Sacred. Octavo. 20 pages.
Duration 160 seconds.
Gentry
Publications #JG2607.
Published by Gentry
Publications
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8091417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski. Set
(Score & Parts). Composed
2008. Beriato Music
#BMP8091417. Published by
Beriato Music
(BT.BMP8091417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Voice and Piano. By Antonio Vivaldi. Arranged by A Gentili. (Voice and Piano). ...(+)
Voice and Piano. By
Antonio Vivaldi. Arranged
by A Gentili. (Voice and
Piano). Vocal Collection.
Book only. Size 8x10.75
inches. 28 pages.
Published by Ricordi.
Cum Sancto Spiritu Chorale 2 parties SA, Piano [Conducteur] Carus Verlag
SA Choir, Piano SKU: CA.332990 Composed by Leo Delibes. Chorissimo. Separ...(+)
SA Choir, Piano
SKU:
CA.332990
Composed by
Leo Delibes. Chorissimo.
Separate edition with
choral collection. Sacred
vocal music, Whole church
year / Omni tempore. Full
score. 1 pages. Carus
Verlag #CV 03.329/90.
Published by Carus Verlag
(CA.332990).
ISBN
9790007184261. Key: C
major. Language:
Latin.
Soli SATB, SATB Choir, 2 Vl, 2 Va, Bc SKU: CA.3622214 Ascension cantat...(+)
Soli SATB, SATB Choir, 2
Vl, 2 Va, Bc
SKU:
CA.3622214
Ascension cantata.
Composed by Dietrich
Buxtehude. Edited by
Violetta Brehm. Arranged
by Angelika Tasler.
Stuttgart Urtext Edition:
Buxtehude. Du
Lebensfurst, Herr Jesu
Christ 22. Sacred vocal
music, Cantatas,
Ascension. Single Part,
Viola 2. BuxWV 22. 4
pages. Duration 12
minutes. Carus Verlag #CV
36.222/14. Published by
Carus Verlag
(CA.3622214).
ISBN
9790007214180. Language:
German.
The
Ascension Cantata Du
Lebensfurst, Herr Jesu
Christ BuxWV 22 by
Dieterich Buxtehude is
based on five verses of
the hymn of thanksgiving
of the same name by
Johann Rist (1641), and
in formal terms, is in
the genre of a Concerto
cum aria. An introductory
sonata is followed by
verse and ritornello in
alternation. A special
feature of the scoring is
the use of the violetta
as a string instrument in
the middle of the
five-part string texture.
This can be played by a
modern viola. Score and
part available separately
- see item
CA.3622200.
Kyrie-Gloria-Messe
(Lutherische Messe).
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Missa In G /Bwv 235
Rev.2000. Innovative
practice aids, Sacred
vocal music, Masses,
Latin, Mass settings,
incomplete (also Missa
brevis). Set of Orchestra
Parts. Composed the
period at Leipzig. BWV
235. Duration 30 minutes.
Carus Verlag #CV
31.235/19. Published by
Carus Verlag
(CA.3123519).
ISBN
9790007137380. Key: G
minor. Language:
Latin.
As well as
the Mass in B minor,
there are four further,
shorter mass compositions
by Bach, the so-called
Lutheran or Kyrie-Gloria
masses. Despite their
high musical qualities,
they are often
overshadowed by other
church works by Bach.
With their six-movement
structure (up to the Cum
sancto spiritu) they had
their specific liturgical
position in church
services of the time of
Bach. The masses largely
comprise parodies, with
the original music mainly
taken from cantatas which
Bach sometimes
considerably reworked in
his well-known style
according to the new
context of the work.
Ulrich Leisinger has
edited the four works for
Carus in new critical
editions. Score and parts
available separately -
see item CA.3123500.
Cum vidisset Jesus Chorale SSAATTBB SSAATTBB A Cappella [Octavo] Boosey and Hawkes
(SSSSAATTBB a cappella, Latin). Composed by James Macmillan. For Choral. Boosey ...(+)
(SSSSAATTBB a cappella,
Latin). Composed by James
Macmillan. For Choral.
Boosey and Hawkes Sacred
Choral. Octavo. 22 pages.
Boosey and Hawkes
#M060126369. Published by
Boosey and Hawkes
(First Edition). By Samuel Barber (1910-1981). Edited by Joshua Parman. SATB A C...(+)
(First Edition). By
Samuel Barber
(1910-1981). Edited by
Joshua Parman. SATB A
Cappella. Choral. 8
pages. G. Schirmer
#ED4485. Published by G.
Schirmer
Performed by Sweet Honey In The Rock. Arranged by Ysaye M. Barnwell. (SATB div a...(+)
Performed by Sweet Honey
In The Rock. Arranged by
Ysaye M. Barnwell. (SATB
div a cappella). Choral
Collection. Size 9x12
inches. 192 pages.
Published by Contemporary
A Cappella Publishing.
By Mode 1 Medieval Plainsong. Arranged by Richard Proulx. For Voices: SATB, or u...(+)
By Mode 1 Medieval
Plainsong. Arranged by
Richard Proulx. For
Voices: SATB, or unison.
Piano reduction. Latin
and English texts. Choral
Sacred. Level: easy. 2
pages. Published by GIA
Publications.
Seven Sacred Motets Chorale SATB SATB A Cappella [Vocal Score] Oxford University Press
By Michael Finnissy (1946-). For SATB choir, a cappella. Mixed Voices. Sacred, C...(+)
By Michael Finnissy
(1946-). For SATB choir,
a cappella. Mixed Voices.
Sacred, Choral
Collection. Vocal score.
Duration 30'. Published
by Oxford University
Press
Score and Parts. Performed by The Canadian Brass. By Modest Petrovich Mussorgsky...(+)
Score and Parts.
Performed by The Canadian
Brass. By Modest
Petrovich Mussorgsky.
Arranged by Arthur
Frackenpohl. Brass
Ensemble. Size 9x12
inches. Published by Hal
Leonard Corporation.
By Antonio Vivaldi. Edited by Antonio Vivaldie, Giovanni Maria Ruggieri. Arrange...(+)
By Antonio Vivaldi.
Edited by Antonio
Vivaldie, Giovanni Maria
Ruggieri. Arranged by
Clayton Westermann. For
Soprano voice and Alto
voice (Soli), Choir /
Piano. (Chorus and
piano). New Issues.
Baroque: Rococco/Gallant;
Sacred/Hymns. Vocal
Score. Text Language:
Latin, English. Composed
c1710. 80 pages. Duration
31 minutes. Published by
Serenissima.
Kyrie-Gloria-Messe
(Lutherische Messe).
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Missa In G /Bwv 235
Rev.2000. Innovative
practice aids, Sacred
vocal music, Masses,
Latin, Mass settings,
incomplete (also Missa
brevis). Single Part,
Violin 2. Composed the
period at Leipzig. BWV
235. 12 pages. Duration
30 minutes. Carus Verlag
#CV 31.235/12. Published
by Carus Verlag
(CA.3123512).
ISBN
9790007085933. Key: G
minor. Language:
Latin.
As well as
the Mass in B minor,
there are four further,
shorter mass compositions
by Bach, the so-called
Lutheran or Kyrie-Gloria
masses. Despite their
high musical qualities,
they are often
overshadowed by other
church works by Bach.
With their six-movement
structure (up to the Cum
sancto spiritu) they had
their specific liturgical
position in church
services of the time of
Bach. The masses largely
comprise parodies, with
the original music mainly
taken from cantatas which
Bach sometimes
considerably reworked in
his well-known style
according to the new
context of the work.
Ulrich Leisinger has
edited the four works for
Carus in new critical
editions. Score and part
available separately -
see item CA.3123500.