Electric bass guitar - Intermediate SKU: MB.97745 Transcribed for Solo...(+)
Electric bass guitar -
Intermediate
SKU:
MB.97745
Transcribed for Solo
Electric Bass.
Composed by Johann
Sebastian Bach. Edited by
Bennet Cohen.
Saddle-stitched, Solos,
Perfect binding,
Classical. Baroque. Book.
56 pages. Mel Bay
Publications, Inc #97745.
Published by Mel Bay
Publications, Inc
(MB.97745).
ISBN
9780786607730. UPC:
796279036719. 8.75 x
11.75 inches. Transcribed
by Bennet
Cohen.
While many
electric bassists study
the Bach cello suites at
some point, few attempt
the sonatas and partitas
for unaccompanied violin
BWV 1001-1006 . Composed
around 1720, the sonatas
and partitas display rich
polyphonic writing,
unlike the simpler
monophonic cello suites.
This collection features
a challenging but
rewarding transcription
of the complete A minor
Violin Sonata BWV 1002 ,
which fits particularly
well on the bass. Also
included are the
well-known gavotte en
rondeau from the E major
violin partita BWV1006
and the complete A minor
partita for solo flute
BWV 1013 , transposed
here to D minor. Finally,
an arrangement of the
familiar chorale Jesu,
Joy of Mans Desiring from
BWV 147 takes advantage
of the basss natural and
artificial harmonics.
Performance notes are
included. Written in
notation and tablature
for the 4-string electric
bass.
Chamber Music String Quartet SKU: CF.F1465 Arranged for String Quartet...(+)
Chamber Music String
Quartet
SKU:
CF.F1465
Arranged
for String Quartet or
String Orchestra.
Composed by Fritz
Kreisler. Arranged by
Erik Leidzen. Set of
Score and Parts. With
Standard notation.
8+1+1+1+1 pages. Carl
Fischer Music #F1465.
Published by Carl Fischer
Music (CF.F1465).
ISBN
9780825894268. UPC:
798408094263. Key: D
minor.
(For Four-Part A Cappella Chorus of Mixed Voices). By John Stainer (1840-1901). ...(+)
(For Four-Part A Cappella
Chorus of Mixed Voices).
By John Stainer
(1840-1901). Edited by N.
Clifford Page. SATB
chorus. For SATB,
Keyboard Rehearsal. Carl
Fischer Choral
Repertoire. Choral. Piano
reduction/vocal score.
Standard notation. 6
pages. Publish piano
reduction/vocal score
choral
Choral Oboe, SATB chorus SKU: CF.CM9374 On Reading V. Shukshyn—...(+)
Choral Oboe, SATB chorus
SKU: CF.CM9374
On Reading V.
Shukshyn—Choral
Symphony—Action. Composed by Valery
Gavrilin. Edited by Elena
Sharkova. Fold.
Performance Score. With
Standard notation. 12
pages. Carl Fischer Music
#CM9374. Published by
Carl Fischer Music
(CF.CM9374).
ISBN
9780825889226. UPC:
798408089221. 6.875 x
10.5 inches.
Russian.
Russian
composer Valery Gavrilin
(b. 1939, Volodga; d.
1999, St. Petersburg)
completed his thirteen
movement composition
Chimes in 1982 and
subtitled it Upon Reading
V. Shukshyn Miracle Play
- Choral Symphony.
Throughout the piece one
finds the image of an
endless road - as a river
of life - travelled by
generation to generation.
Playful and rhythmic, the
nonsensical and
happy-go-lucky narrative
of the fourth movement is
enhanced by onomatopoeic
text and thick chordal
texture.
Miniature Viennese March Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Carl Fischer
Chamber Music String Quartet SKU: CF.F1465F Arranged for String Quarte...(+)
Chamber Music String
Quartet
SKU:
CF.F1465F
Arranged
for String Quartet or
String Orchestra.
Composed by Fritz
Kreisler. Arranged by
Erik Leidzen. Full score.
With Standard notation. 8
pages. Carl Fischer Music
#F1465F. Published by
Carl Fischer Music
(CF.F1465F).
ISBN
9780825894312. UPC:
798408094317. Key: D
minor.
Piano seul [Partition] - Intermédiaire/avancé Alfred Publishing
By Claude Debussy. Edited by Willard A. Palmer. For Piano. Piano Solo. Masterwor...(+)
By Claude Debussy. Edited
by Willard A. Palmer. For
Piano. Piano Solo.
Masterwork. Level: Early
Advanced (grade 6 ). 8
pages. Published by
Alfred Publishing.
By Mel Bay. For Guitar (All). Methods. Modern Guitar Method. All Styles. Level: ...(+)
By Mel Bay. For Guitar
(All). Methods. Modern
Guitar Method. All
Styles. Level:
Intermediate. Book/CD
Set. Size 8.75x11.75. 96
pages. Published by Mel
Bay Publications, Inc.
Composed by William Bay and Mike Christiansen. Spiral-bound. Instructional metho...(+)
Composed by William Bay
and Mike Christiansen.
Spiral-bound.
Instructional method.
Book and online audio.
168 pages. Published by
Mel Bay Publications, Inc
(MB.99618M).
Country March Orchestre à Cordes [Conducteur] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1.5-2 SKU: CF.FAS12F Composed by Carl ...(+)
Orchestra String
Orchestra - Grade 1.5-2
SKU: CF.FAS12F
Composed by Carl
Strommen. Carl Fischer
First Plus String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #FAS12F. Published
by Carl Fischer Music
(CF.FAS12F).
ISBN
9780825845079. UPC:
798408045074. 8.5 X 11
inches. Key: D
major.
Composed by Various. Arranged by Carol Klose, Christopher Norton, and Hywel Davi...(+)
Composed by Various.
Arranged by Carol Klose,
Christopher Norton, and
Hywel Davies. BH Piano.
Ballet, Classical.
Softcover. 96 pages.
Boosey and Hawkes
#M060123917. Published by
Boosey and Hawkes
Prairie Lullaby Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1 SKU: CF.BAS5 Composed by Joseph Comp...(+)
Orchestra String
Orchestra - Grade 1
SKU: CF.BAS5
Composed by Joseph
Compello. SWS - FS. Carl
Fischer Beginning String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
12+8+8+5+5+5+3+2 pages.
Duration 2:30. Carl
Fischer Music #BAS5.
Published by Carl Fischer
Music (CF.BAS5).
ISBN
9780825845086. UPC:
798408045081. 8.5 X 11
inches. Key: D
major.
The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie Lullaby
should be graceful and
serene, evocative of a
peaceful night on the
open plains. To that end,
players will need to
strive for an unlabored
rhythmic flow, smooth
bowing and a clear,
steady tone as close to p
as possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If young
players are unable to
return quickly to argo at
m.53, they may make the
bow preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible.Beginning at
m.39, the violin and
viola parts are
marked pizzicato. If
young players are unable
to return quickly
to argo at m.53, they
may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and
score.The divisi no
tes at m. 69 are provided
for ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes.Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead.The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54.Performance time
with the repeat is two
and a half minutes.
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
Selected and Arranged in Sets for Mandolin. Composed by Kevin Allison. Squar...(+)
Selected and Arranged in
Sets
for Mandolin. Composed by
Kevin Allison. Squareback
saddle-stitched. Book.
108
pages. Published by Mel
Bay
Publications, Inc
Russian Dance Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1 SKU: CF.BAS16 Composed by Douglas To...(+)
Orchestra String
Orchestra - Grade 1
SKU: CF.BAS16
Composed by Douglas
Townsend. Carl Fischer
Beginning String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation. 12 pages. Carl
Fischer Music #BAS16.
Published by Carl Fischer
Music (CF.BAS16).
ISBN
9780825851735. UPC:
798408051730. 8.5 X 11
inches. Key: D
major.
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
Choral TBB chorus SKU: CF.CM9204 Composed by Traditional. Arranged by Gar...(+)
Choral TBB chorus
SKU:
CF.CM9204
Composed by
Traditional. Arranged by
Gary E. Parks.
Performance Score. With
Standard notation. 8
pages. Duration 1 minute,
50 seconds. Carl Fischer
Music #CM9204. Published
by Carl Fischer Music
(CF.CM9204).
ISBN
9780825883224. UPC:
798408083229. 6.875 x
10.5 inches. Key: D
minor. Text: Catherine E.
Parks. Cathryne E.
Parks.
Gary and
Cathryne Parks work
together to bring us a
rollicking sea chantey to
life for TBB voices. The
descriptive text of the
elements of a sailor's
life paints a full
picture of not just the
challenges and joys, but
of the loneliness as
well. A great choice for
your concert program.
Duration: 1:50.
Composed by
Shelley Smith David (D)
Smith. Fold. Performance
Score. With Standard
notation. 8 pages.
Duration 2 minutes, 28
seconds. Carl Fischer
Music #CM9404. Published
by Carl Fischer Music
(CF.CM9404).
ISBN
9780825898020. UPC:
798408098025. 6.875 x
10.5 inches. Text: Percy
Bysshe Shelley. Percy
Shelley.
Classical guitar - Intermediate SKU: MB.99904M Composed by Giovanni De Ch...(+)
Classical guitar -
Intermediate
SKU:
MB.99904M
Composed by
Giovanni De Chiaro.
Squareback saddle stitch,
Wedding. Style. Book and
online audio. 112 pages.
Mel Bay Publications, Inc
#99904M. Published by Mel
Bay Publications, Inc
(MB.99904M).
ISBN
9780786697045. 8.75 x
11.75 inches.
This
collection provides fresh
repertoire for wedding
ceremonies offering a
wonderful alternative to
the church organ.
Selections include Canon
in D Pachelbel ; Jesu,
Joy of Mans Desiring Bach
; Wedding March
Mendelssohn ; and other
popular and enjoyable
pieces suitable for the
occasion. Written in
standard notation only
with suggested
fingerings. Includes
access to online audio
recording.