La méthode attendue Sassmannshaus 'Early Start sur le Double Bass' est maintenant ici. Enfin les étudiants de la plus grand instrument de la famille des cordes peut faire usage de cette méthode éprouvée et testée pour les débutants, avancés par Egon Sassmannshaus pour les autres instruments à cordes et appliqué ici à la contrebasse par Holger Sassmannshaus et J. Peter Fermer. Cette méthode permettra de répondre aux besoins du nombre croissant d'étudiants basses jeunes.'Early Start sur le Double Bass' englobe tout ce que l'on pourrait attendre d'une méthode Sassmannshaus: un démarrage facile, la progression à un taux approprié, de nombreux renvois vers les autres instruments à cordes, des chansons et des échelles dans différentes positions dès le début, comme ainsi que de nombreux duos. Illustrations vives et colorées par Charlotte Panowsky compléter l'édition.Depuis plus de trois décennies 'La Tradition Sassmannshaus' a été le nom du ménage pour l'excellence dans les méthodes de chaînes débutant en pays de langue allemande. Les éditions en anglais pour violon, alto et violoncelle, qui ont été introduits sur le marché international en 2008, se sont avérés très fructueux, en particulier aux Etats-Unis.Enfants à la basse!Alors que les enfants qui apprennent autres instruments à cordes peut commencer dès l'âge de quatre ans, l'âge approprié pour commencer la contrebasse est d'environ huit (peut-être même six), ce qui permet une progression plus rapide que sur les autres instruments à cordes, et la méthode consiste à de seulement trois volumes. Le premier volume sera publié séparément dans un anglais et une édition allemande, les deux volumes suivants auront texte allemand et en anglais dans chaque livre. Compositions originales de Furtok Boguslaw enrichir les volumes.- Basé sur les méthodes essayées et testées Sassmannshaus pour violon, alto et violoncelle- Volume 1: éditions séparées en allemand et en anglais- Les volumes 2 et 3: bilingue, éditions allemand / anglais- Augmentation modérée en difficultéLa position de jeu, duos -- Comprend les nouvelles compositions originales à B. Furtok3 tome avec accompagnements de piano à 7 pièces -Les auteursHolger Sassmannshaus est un bassiste avec le Sinfoniker Niederrheinische à Mönchengladbach / Krefeld. Il enseigne également la contrebasse et se produit avec plusieurs autres ensembles.J. Peter Close est un enseignant pour violoncelle et contrebasse à Munich. / Contrebasse

Par SCHUBERT FRANZ. Octet in F major Op. post. 166 D 803 for Clarinet (in B-flat), Bassoon, Horn, Violin (2), Viola, Violincello, Double Bass “I have done little new by way of lieder. In compensation I have tried my hand at several instrumental things, for I have composed two quartets for Violins, Viola and Violincello [A minor, D 804; D minor, D 810] and an octet [F major, D 803] and will write yet another quartet [not carried out]. Indeed, in this way I hope to prepare the way to the full-scale symphony. The latest news in Vienna is that Beethoven will give a concert [on 7 May 1824] . . . I too am inclined to give a similar concert next Year, God willing. ” Thus Schubert, writing on 31 March 1824 to his friend Leopold Kupelwieser in Rome, in a lengthy letter whose first section is decidedly low-spirited. In order to prepare the way to the full-scale symphony – by which he doubtless meant the genre as a whole rather than any specific work – he wrote string quartets and a large-scale piece of chamber music for strings and winds, taking Beethoven as his guide. Urtext of the New Schubert Edition Parts (BA5617) and study score format 22. 5 x 16. 5cm (TP302) available for sale/ Répertoire / Clarinette, Basson, Cor, 2 Violons, Viole, Violonc

Dvorák's 'String Quintet in G major? op. 77, had five movements when it was premiered on 18 March 1876. Its second movement was the 'Intermezzo? from his 'String Quartet in E minor? (1870). Later Dvorák removed this movement from the quintet, expanded it, and published it as a separate 'Notturno? for string orchestra op. 40. The 'Intermezzo? is included in its original version in the appendix of the score.This edition is based on the 'Complete Edition of the Works of Antonín Dvorák?, the principal source being the first edition of 1888, for which Dvorák subjected the work to revision.- Dvorák's famous quintet with double bass- New detailed foreword by Dvorák scholar David Beveridge (Eng/Cz/Ger)- Musical text based on the 'Complete Edition of the Works of Antonín Dvorák? (series IV, vol. 8) / Quatuor A Cordes

Par STAMITZ. Piano score of Carl Stamitz's Double Concerto In B Flat for Clarinet, Bassoon and a Piano reduction of the original orchestral part./ Répertoire / Basson, Clarinette, Orchestre et Piano

Description Benedetto Marcello: Six Sonatas For Cello Or Double Bass Six Sonatas for Cello or Double Bass with Piano accompaniment. Songlist Six Sonatas For Cello (Double Bass) And Piano

Par DUHAMEL ANTOINE. Antoine Duhamel's Contrebasse Oblige Violin, Piano & Double Bass. Antoine Duhamel's Contrebasse Oblige Violin, Piano & Double Bass. / Classique / Répertoire / Violon, Piano et Contrebasse

Easy pieces for Cello and Piano complimenting Musicland Cello Book 1. Can also be played in String Ensemble, Violin, Viola and Double Bass parts available. / Violoncelle Et Piano

Par REIZENSTEIN FRANZ. Flute, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, Double Bass. Reizenstein, F/ Répertoire / Flûte Traversière, 2 Hautbois, 2 Clarinettes, 2 Co

for Electric Guitar, Viola, Cllo and Double Bass / electric guitar, viola, cello and double bass

from Porgy and BessInstrument : string quartet (double bass ad lib.)Type : score and partsNombre de Pages : 16There is hardly any other lullaby in the field of classical music - apart from Brahms' 'Guten Abend, gute Nacht' - that has gained such popularity as George Gershwin's (1898-1937) 'Summertime'. It is a song from his opera Porgy and Bessâ'' which was premiered in New York on 10 October 1935 with only moderate success at first. Every important jazz musician insisted on presenting his own version of this rather evocative and catchy song with which Clara rocks her child to sleep at the beginning of the opera. The present version now offers the opportunity to play this famous 'Summertime' with a string quartet (and double-bass ad lib.) or string orchestra - let's swing!

Par DAVIES TANSY. Nature, Tansy Davies gloriously offbeat concerto for piano and ten instruments from 2012, teems with invention. This 20-minute work was inspired by shamanic rituals and the supernatural, and Davies describes the piano as part moth, part Maenad . There is a feral quality to much of the tumultuous solo writing all hyperactive trills and gutsy bass eruptions, shot through with rare and unexpected moments of calm. Brilliantly imaginative, and packed full of glistening, ever-changing ensemble textures, this remarkable reimagining of the concerto form sees Davies craft yet another thrilling and wholly distinctive soundworld. ARRANGEMENT Piano and ensemble of ten players: Alto Flute, Cor Anglais, Bass Clarinet, Horn, Percussion (1 player), Harp, Violin, Viola, Cello, Double Bass. / Scores / Répertoire / Piano et Ensemble De Chambre

Par DESTOUCHES ANDRE CARDINAL / FEUILLIE. for 2 violins, viola, cello (or double bass) and bass continuo/ Répertoire / 2 Violons, Alto, Violoncelle ou Contrebasse et Bas

Par ECCLES HENRY. Henry Eccles left behind a number of smaller works most of which were written for violins or flutes. However, the most famous is this Sonata in G minor. Though often played in transcription by violinists and especially by double bass players, the sonata was originally published for cello in four movements – Prelude, Courante, Sarabande and Gigue – accompanied by a figured bass. Little is known about Henry Eccles. Neither his birth nor his death date has been firmly established, ranging respectively between 1675-85 and 1735-45. It is not even certain that he composed this sonata. He probably hailed from London and later served at the court of Louis XV in France. The editorChristoph Sassmannshaus, is the grandson of Egon Sassmannshaus, the founder of the “Early Start” series of string methods. / Niveau : 3 / Répertoire / Violoncelle et Piano

A musical tale for children. Par RAMSIER PAUL. Double Bass, Piano. Ramsier, P/ Recueil / Contrebasse, Orchestre à Cordes (Quintette à Corde