| CLB Jazz Ensemble Recordings 2007-2008 Medium to Advanced C.L. Barnhouse
SKU: CL.991-2007-02 Compact Disc. CL Barhnouse Jazz Ensemble Recordings S...(+)
SKU:
CL.991-2007-02
Compact Disc. CL
Barhnouse Jazz Ensemble
Recordings Series.
Compact Disc. Composed
2007. C.L. Barnhouse
#991-2007-02. Published
by C.L. Barnhouse
(CL.991-2007-02).
Adrenaline
Attack (Stanton), Blue
Bones (Spera), Frankie &
Johnny (arr. E.
Richards), Funkalicious
(Rowe), Intersections
(Buckley), Jazz Between
Friends (Stanton), The
Magic In Your Eyes (R. W.
Smith), One For Woody
(Spera), Screamin' (R. W.
Smith), Spirit of New
Orleans (Classen), Twice
As Cool (Stack),
Whispering (E.
Richards). $9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mistletoe and Holly Piano seul [Feuillet] Hal Leonard
Early Intermediate (Level 4) Showcase Solos Pops. By Henry W. Sanicola, Dok Stan...(+)
Early Intermediate (Level
4) Showcase Solos Pops.
By Henry W. Sanicola, Dok
Stanford, Frank Sinatra.
Arranged by Teresa
Ledford. Educational
Piano Library. 4 pages.
Published by Hal Leonard.
$3.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sabbath Song - low voice [Livre + CD] Jackman Music Corporation
By Marcus Smith, H. R. Palmer, Murray Boren, David A. Zabriskie, Royce Isham, Ro...(+)
By Marcus Smith, H. R.
Palmer, Murray Boren,
David A. Zabriskie, Royce
Isham, Robert P.
Manookin, Reid Nibley,
Robert Galbraith, Tracy
Y. Cannon, Robert
Cundick, Charles H.
Gabriel, Harrison
Millard, Lorin F.
Wheelwright And Philip
Paul Bliss. Arranged by
Compiled By Clayne W.
Robison - Settings By
Marcus Smith, Robert Lee
Rowberry, Murray Boren,
David Zabriskie, Royce
Isham, Robert P.
Manookin, Reid Nibley,
Robert Galbraith, Robert
Cundick, Daniel Bradwhaw,
Murray Boren, Ronald
Staheli. Text: John
Jacques, Robert Morris,
Robert Keen, Virginia
Maughan, Marcus Smith,
John 15:1, 2, 4-6, Orson
Hyde, attributed to
Bernard of Clairvaux,
Robert Galbraith,
Revelation 7:13-17, Frank
I. Kooyman, Job
14:14;19:25,26, Charles
H. Gabriel, Anne Steele,
Laurie M. Hofford, Lorin
F. Wheelwright and Philip
Paul Bliss. For Vocal
Songbook. Published by
Jackman Music
Corporation. Level:
Varied.
(2)$19.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Early American Banjo Banjo [Partition + Accès audio] - Intermédiaire Mel Bay
Transcriptions from Buckley's Banjo Guide of 1868. Composed by Tim Twis...(+)
Transcriptions from
Buckley's
Banjo Guide of 1868.
Composed
by Tim Twiss. Squareback
saddle stitch, Solos and
Duets, Banjo: 5-String.
Book
and online audio. 120
pages.
Mel Bay Publications, Inc
#30718M. Published by Mel
Bay
Publications, Inc
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Trinal Contrasts - Score Orchestre à Cordes - Intermédiaire Kjos Music Company
Orchestra string orchestra - Grade 3 SKU: KJ.SO62F Composed by Harold W. ...(+)
Orchestra string
orchestra - Grade 3
SKU: KJ.SO62F
Composed by Harold W.
Rusch. Edited by Frank
Spinosa. Score. Neil A.
Kjos Music Company
#SO62F. Published by Neil
A. Kjos Music Company
(KJ.SO62F).
$3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Composers on Composing for Band GIA Publications
Authors: James Barnes, Timothy Broege, Mark Camphouse, David Gillingham, David R...(+)
Authors: James Barnes,
Timothy Broege, Mark
Camphouse, David
Gillingham, David R.
Holsinger, Karel Jusa,
Timothy Mahr, W. Francis
McBeth, Robert Sheldon,
Jack Stmap, Frank Ticheli
Published sometime after
9-26-2001, likely spring
or summer 2002?. Book;
Educ Sacred. 384 pages.
Published by GIA
Publications.
$27.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Caber Feidh Collection Cornemuse Paterson Ltd
By Queens Own. For Bagpipes. Traditional. Sheet Music. 294 pages. Published by P...(+)
By Queens Own. For
Bagpipes. Traditional.
Sheet Music. 294 pages.
Published by Paterson
Ltd.
$79.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Singable Songs Voix haute [Vocal Score] Theodore Presser Co.
For Studio and Recital, Thirty Songs for High Voice. By Alexander Gretchaninoff;...(+)
For Studio and Recital,
Thirty Songs for High
Voice. By Alexander
Gretchaninoff; Anton
Rubinstein; Charles
Huerter; Charles W.
Cadman; Clara Edwards;
Earl Cranston Sharp;
Edvard Grieg; Frank
Laforge; Gustav Klemm;
Harvey B. Gaul; Jacques
Offenbach; James H.
Rogers; Johannes Brahms;
John A. Carpenter. Edited
by Heinrich Kiehl; Martin
Mason. Text: Charles O.
Roos; Dorothy Dickinson;
H.J. Pearl; Hans
Christian Andersen;
Heinrich Heine; Helen
Oushman Mitchell; Helge
Rode; Hermann Hagedorn;
Jessica Hawley Lowell;
Karl Simrock; Katherine
Howard; Lermontoff; Paul
Verlaine; Pearl G.
Curran; Shega Obata. For
high voice, piano.
Piano/Vocal Score. 94
pages. Published by
Theodore Presser Company.
$20.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Volksmusik Vm U Sh Paket (bd 1-7)hage Schott
Keyboard (7ALBEN+DIS) SKU: HL.49034913 Inkl. MIDI-Disketten. Compo...(+)
Keyboard (7ALBEN+DIS)
SKU: HL.49034913
Inkl.
MIDI-Disketten.
Composed by Volksmusik.
Sheet music with
MIDI-floppy disk. Edition
Schott. Edition with
MIDI-Diskette. Schott
Music #MF 3008-01.
Published by Schott Music
(HL.49034913). ISBN
9790001153201. $11.99 - Voir plus => Acheter | | |
| Classiques Du Chant Choral N 2 Chorale SATB SATB A Cappella A Coeur Joie
Composed by Henry Purcell (1659-1695). Collection. Secular. Choir part. 80 pages...(+)
Composed by Henry Purcell
(1659-1695). Collection.
Secular. Choir part. 80
pages. Published by
Editions a Coeur Joie
(CJ.A135300802).
$21.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Songs of Our Time [Vocal Score] Carl Fischer
14 Songs Set to Poems by Contempory Poets - for Medium High Voice and Piano. By ...(+)
14 Songs Set to Poems by
Contempory Poets - for
Medium High Voice and
Piano. By Ricky Ian
Gordon. Text: Audra
Mcdonald; Frank OHara;
Gwendolyn Brooks; Howard
Moss; James Schuyler;
Jean Valentine; John
Ashbery; Kathleen Raine;
Langston Hughes; Paul
Celan; Stanley Kunitz;
Sylvia Plath; W.S.
Merwin; X.J. Kennedy. For
Piano, Mezzo-Soprano.
Piano/Vocal Score. 78
pages. Published by Carl
Fischer.
$31.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Oxford Book Of Flexible Anthems
Chorale SATB [Vocal Score] Hildegard
A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction
Composed by John Rutter
A Prayer Of St Richard Of
Chichester Composed by L.
J. White
Alleluia Composed by
William Boyce
Author Of Life Divine
Composed by Cecilia
Mcdowall
Be Still For The Presence
Of The Lord Composed by
David Evans; Arranged by
Richard Shephard
Bread Of The World
Composed by Scottish
Traditional; Arranged by
Alan Bullard
Brightest And Best
Composed by Malcolm
Archer
Christ Is The World's
True Light Composed by W.
K. Stanton
Christ The Lord Is Risen
Again Composed by Richard
Shephard
Christians Shout For Joy
And Gladness Composed by
Johann Sebastian Bach
Come Down, O Love Divine
Composed by Hilary
Tadman-robins
Plainsong: Creator Of The
Stars Arranged by John
Scott
Drop, Drop Slow Tears
Composed by Kerry Andrew
Evening Service In C
Composed by Frank Henry
Shera
Fairest Lord Jesus
Composed by Martin How
Gabriel To Mary Came
Composed by 14th Century
Irish; Arranged by Alan
Bullard
Give Thanks To God
Composed by Botswanan
Traditional; Arranged by
Alan Bullard
God Be In My Head
Composed by Armstrong
Gibbs
God In Mine Eternity
Composed by Alan Bullard
God So Loved The World
Composed by Alan Bullard
God That Madest Earth And
Heaven Composed by Welsh
Traditional; Arranged by
David Thorne
Hail, Virgin Mary (Ave
Maria) Composed by Franz
Liszt
Hark, The Glad Sound
Composed by David Thorne
Harvest Carol Composed by
Ian Ray
He Is Risen Composed by
Cecil Cope
Hide Not Thy Face
Composed by Richard
Farrant
see all...
Holy, Holy, Holy, Holy Is
The Lord Composed by
Franz Schubert; Arranged
by Alan Bullard
Holy, Holy, Holy! Lord
God Almighty Composed by
Alan Smith
Hosanna To The Son Of
David Composed by Georg
Philipp Telemann
Irish Blessing Composed
by Bob Chilcott
Jesu, Lamb Of God,
Redeemer (Ave Verum
Corpus) Composed by
Edward Elgar
Jesus Christ The Apple
Tree Composed by English
Traditional; Arranged by
Alan Bullard
Jubilate (Let Us Praise
You) Composed by Wolfgang
Amadeus Mozart
Lamb Of God (Agnus Dei)
Composed by Samuel Webbe
Let All Mortal Flesh Keep
Silence Composed by
Stephen Cleobury
Like The Murmur Of The
Dove's Song Composed by
Alan Smith
Lord, In Thy Mercy
Composed by Felix
Bartholdy Mendelssohn
Magnificat And Nunc
Dimittis In C Composed by
F. H. Shera
Never Weather-beaten Sail
Composed by Thomas
Campion; Arranged by Alan
Bullard
Now The Green Blade
Riseth Composed by French
Traditional; Arranged by
Alan Bullard
O Breath Of Life Composed
by English Traditional;
Arranged by Alan Bullard
O For A Closer Walk With
God Composed by Charles
Villiers Stanford
O God Of Mercy Composed
by Simon Lole
O God, Your Goodness
Composed by Ludwig Van
Beethoven
O Praise God In His
Holiness Composed by John
Weldon
Panis Angelicus Composed
by Cesar Auguste Franck
Peace Between Nations
Composed by Christopher
Wiggins
Pie Jesu Composed by
Gabriel Faure
Praise To The Trinity
Composed by Hildegard Of
Bingen
Psalm 150 Composed by Bob
Chilcott
Rejoice In The Lord
Always Composed by
Christopher Wiggins
Shout For Joy Composed by
African Traditional;
Arranged by Alan Bullard
Star Of Wonder Composed
by Alan Bullard
The Eternal Gifts Of
Christ The King Composed
by Guidetti/henry G. Ley
The Heavens Sing Praises
To God Composed by Ludwig
Van Beethoven
The Lord Ascendeth
Composed by Michael
Praetorius
The Lord Bless You And
Keep You Composed by John
Rutter
The Lord's My Shepherd
Composed by Bob Chilcott
The Peace Of God Composed
by Alan Bullard
The True And Living Bread
Composed by David
Blackwell
There Is No Rose Composed
by Andrew Smith
Thou Visitest The Earth
Composed by Maurice
Greene
To Be A Pilgrim Composed
by Nick Burt
Were You There? Composed
by American Spiritual;
Arranged by Peter Hunt
Where All Charity And
Love Are (Ubi Caritas)
Arranged by Alan Bullard
Wondrous Cross Composed
by Philip Wilby
The Oxford Book of
Flexible Anthems by Alan
Bullard (1947-). For
flexible instrumentation.
Mixed Voices. Sacred.
Paperback. 296 pages.
Published by Oxford
University Press
(2)$28.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Saxophone Repertoire 3 Saxophone - Facile The Frederick Harris Music Company
Saxophone - Early Intermediate SKU: FH.WS3 Saxophone Series, 2013 Edit...(+)
Saxophone - Early
Intermediate SKU:
FH.WS3 Saxophone
Series, 2013 Edition.
Composed by The Royal
Conservatory. Saxophone
Series, 2013 Edition.
Book/CD. 48/20 pages. The
Frederick Harris Music
Company #WS3. Published
by The Frederick Harris
Music Company (FH.WS3).
ISBN
978-1-55440-552-7.
Unparalleled in scope,
this groundbreaking
series for E_Alto and
B_Tenor offers a single
collection of Repertoire
and supporting materials
written or arranged
specifically for
saxophone. With
Repertoire spanning from
the Baroque to
contemporary eras,
Recordings, Etudes,
Technique, and Orchestral
Excerpts, this
comprehensive series
serves as a balanced and
organized pedagogical
resource from the
beginner to advanced
levels of study. Nine
progressive volumes of
Repertoire expose
students to original
works and arrangements of
diverse styles from W.A.
Mozart to Violet Archer,
with selected works by
notable jazz artist Paul
Desmon (Take Five), and
living composer Phil
Woods. Each level
provides opportunities to
explore Baroque,
Classical, Romantic, and
contemporary works, with
original, unaccompanied
selections from Levels 5
through 8 that use
extended techniques such
as multiphonics, key
clicks, and bisbigliando.
Earlier works pre-dating
the origin of the
saxophone have been
carefully arranged with
consideration of the
unique quality of the
instrument. Exposure to
these works help to
develop musicianship and
an understanding of
tonality, creating
well-rounded and
versatile performers.
Selections written for
both E_Alto and B_Tenor
include piano
accompaniments that
function with both
instruments. Eb
Saxophone:
Mainly
Transcriptions: Sonata
, op. 2, no. 1 -
Benedetto Marcello, arr.
Jason Noble - Third
Movement - Fourth
Movement Mazurka, op.
67, no. 2 - Frederic
Chopin Sonata, BWV
1033 - attr. Johann
Sebastian Bach, arr.
Stephen Chatman -
Menuet I - Menuet
II Tambourin (from
Iphigenie en Aulide) -
Christoph Willibald
Gluck, arr. Christine
Donkin Anglois con
Variationi - Johann
Gottlieb Nicolai, arr.
Stephen Chatman Mainly
Original Repertoire for
Saxophone: Song -
Walter S. Hartley It's
a Raggy Waltz - Dave
Brubeck, arr. Paul Harris
and Beverley
Calland Dancing Under
the Afghan Sky -
Christiaan
Venter Flight - Noel
Gallon
Bb
Saxophone:
Mainly
Transcriptions: Serena
de - attr. Roman
Hoffstetter, arr. John
Harle Sonata, K 13 -
Wolfgang Amadeus
Mozart - Menuetto
I - Menuetto
II Intermezzo (from
Cavalleria Rusticana) -
Pietro Mascagni, arr.
Eugene
Rousseau Sinfonia
(Arioso) - Johann
Sebastian Bach, arr. Mark
Mrozinski Mainly
Original Repertoire for
Saxophone: Dancing
Under the Afghan Sky -
Christiaan
Venter Grand Ole Duke
- James Rae The Blue
Fox - Frank J.
Halferty. $35.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fine Tuning - Score [Partition] - Intermédiaire Kjos Music Company
By Frank Spinosa. Edited by Harold W. Rusch. Orchestral Collection/Ensemble. Fin...(+)
By Frank Spinosa. Edited
by Harold W. Rusch.
Orchestral
Collection/Ensemble. Fine
Tuning. Intermediate.
Score
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sabbath Song - med. high voice [Livre + CD] Jackman Music Corporation
By Marcus Smith, H. R. Palmer, Murray Boren, David A. Zabriskie, Royce Isham, Ro...(+)
By Marcus Smith, H. R.
Palmer, Murray Boren,
David A. Zabriskie, Royce
Isham, Robert P.
Manookin, Reid Nibley,
Robert Galbraith, Tracy
Y. Cannon, Robert
Cundick, Charles H.
Gabriel, Harrison
Millard, Lorin F.
Wheelwright And Philip
Paul Bliss. Arranged by
Compiled By Clayne W.
Robison - Settings By
Marcus Smith, Robert Lee
Rowberry, Murray Boren,
David Zabriskie, Royce
Isham, Robert P.
Manookin, Reid Nibley,
Robert Galbraith, Robert
Cundick, Daniel Bradwhaw,
Murray Boren, Ronald
Staheli. Text: John
Jacques, Robert Morris,
Robert Keen, Virginia
Maughan, Marcus Smith,
John 15:1, 2, 4-6, Orson
Hyde, attributed to
Bernard of Clairvaux,
Robert Galbraith,
Revelation 7:13-17, Frank
I. Kooyman, Job
14:14;19:25,26, Charles
H. Gabriel, Anne Steele,
Laurie M. Hofford, Lorin
F. Wheelwright and Philip
Paul Bliss. For Vocal
Solo Book. Published by
Jackman Music
Corporation. Level:
Varied.
$19.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Moonscape Awakening Orchestre d'harmonie - Intermédiaire/avancé Manhattan Beach Music
Concert band - Grade 4 SKU: MH.188146-SCORE Composed by Joni Greene. Scor...(+)
Concert band - Grade 4
SKU:
MH.188146-SCORE
Composed by Joni Greene.
Score. Duration 8.5
minutes. Published by
Manhattan Beach Music
(MH.188146-SCORE).
Third Prize
Winner (tie), 2nd
International Frank
Ticheli Composition
Contest
Performa
nce on audio sample by
Joni Greene Master's
Recital Ad. Hoc. Indiana
University Band, Paul W.
Popiel, Conductor. $22.50 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| 28 Variations on the Aria "Ich schlief, da traumte mir" Flûte traversière et Piano Breitkopf & Härtel
Flute, piano SKU: BR.EB-6723 Composed by Johann Joachim Quantz. Edited by...(+)
Flute, piano SKU:
BR.EB-6723 Composed
by Johann Joachim Quantz.
Edited by F. Nagel and W
Radeke. Solo instruments;
Softcover. Edition
Breitkopf. Variations;
Baroque. Score. 52 pages.
Breitkopf and Haertel #EB
6723. Published by
Breitkopf and Haertel
(BR.EB-6723). ISBN
9790004169254. 9 x 12
inches. This
edition of the 28
variations on the aria
Ich schlief, da traumte
mir for flute and bassa
continuo by Johann
Joachim Quantz, published
here for the first time,
is based on a manuscript
in the Preussischen
Staatsbibliothek in
Berlin, whose title
reads: Solo Traverso cole
Basso Achtundzwantzig
Variation es uber die
Arie Ich schlief da
traumte mir del Sigr:
Qvanz The high degree
which the art of flute
playing had reached at
that time is very clearly
displayed in this set of
variations, a form
unusual in Quantz's
output. For this reason,
this work is very
suitable as a study as
weil as for performance.
The realization of the
figured bass and the
indications of phrasing
merely represent one of
many possibilities, and
are only intended as
suggestions. The source
is in places full of
errors, and these have
been tacitly corrected.
Frank Nagel, Basel, June
1974. $35.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Klingende Melodien Vol. 3 Piano seul - Facile Schott
Piano (Vol 3) - easy SKU: HL.49015098 Eine Sammlung von beliebten Tanz...(+)
Piano (Vol 3) - easy
SKU: HL.49015098
Eine Sammlung von
beliebten Tanzen,
Marschen, Liedern und
Stucken, leicht
gesetzt. Edited by
Richard Krentzlin. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 48 pages.
Schott Music #ED 4350.
Published by Schott Music
(HL.49015098). ISBN
9790001051316.
9.0x12.0x0.21
inches. $20.99 - Voir plus => Acheter | | |
| Songs America Sings Piano, Voix [Partition] Schirmer
(121 Easy Arrangements ) Arranged by Claire Gordon, Melvin Stecher, Norman Horow...(+)
(121 Easy Arrangements )
Arranged by Claire
Gordon, Melvin Stecher,
Norman Horowitz. Songbook
for voice and piano. 315
pages. Published by G.
Schirmer, Inc.
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Phillips Collection of Traditional American Fiddle Tunes Vol 1 Violon [Partition] Mel Bay
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
(1)$39.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fake Book Of The World's Favorite Songs - C Instruments - 4th Edition
Instruments en Do [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.
(14)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Kraftwerk Fanfare - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1064019-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-1064019-120
Composed by Jacob De
Haan. Inspiration Series.
Concert Piece. Score
Only. Composed 2006. 44
pages. De Haske
Publications #DHP
1064019-120. Published by
De Haske Publications
(BT.DHP-1064019-120).
9x12 inches.
English-German-French-Dut
ch. The theme of
this work is the history
of the town of
Grafenrheinfeld (Bavaria,
Germany) in the twentieth
century, a town that is
now mainly associated
with its nuclear plant.
The German word for this
is Kraftwerk, which can
be divided into the words
Kraft (power) and Werk
(work). In this
composition, it is a
metaphor for the ?work?
that can be realised
through ?power? in a
negative way (war) and in
a positive way
(reconstruction).
Musically speaking, power
also plays an important
role in this work, as
opposed to vulnerability,
the sense of loss and the
insecurity about the lost
identity. Based on the
text of Lied der Franke
?Kraftwerk? is a
powerfully descriptive
work thatwill add energy
to any concert.
De geschiedenis
van Grafenrheinfeld
(Beieren, Duitsland) in
de twintigste eeuw vormt
het thema van dit werk.
Deze plaats wordt nu
voornamelijk geassocieerd
met zijn kerncentrale.
Het Duitse woord hiervoor
is Kraftwerk,
datje kunt onderverdelen
in de woorden Kraft
(kracht) en Werk (werk).
In deze compositie is het
dan ook een metafoor voor
het ‘werk’
dat door
‘kracht’
wordt gerealiseerd, in
negatieve zin (oorlog) en
in positieve zin
(wederopbouw).
Krachtspeelt ook in
muzikaal opzicht een
belangrijke rol in dit
werk, geplaatst tegenover
kwetsbaarheid.
Der
Titel Kraftwerk
steht zunächst für
ein Kraftwerk im
wörtlichen Sinn,
beschreibt aber zugleich
die Bedeutung der
einzelnen Begriffe Kraft
und Werk im positiven und
negativen Sinn. Krieg,
Zerstörung,
Verzweiflung und Trauer,
aber andererseits auch
Frieden, Hoffnung,
Wiederaufbau, Zuversicht
und Sorglosigkeit sind
die Bilder und
Gefühle, die Jacob de
Haan in seiner
Komposition
heraufbeschwört. Ein
kontrastreiches Werk, das
bleibenden Eindruck
hinterlässt!
Le
nom de la ville de
Grafenrheinfeld en
Bavière est
étroitement associé
la centrale nucléaire
qu’elle abrite. Le
terme Kraftwerk
est constitué des mots
Kraft (la
puissance, la force) et
Werk (centrale,
travail, oeuvre). Jacob
de Haan s’appuye
sur la polysémie du
mot Werk pour
créer deux
atmosphères musicales
antagonistes : la
puissance d’une
centrale nucléaire qui
peut se révéler
négative pour
l’homme et la
puissance d’une
oeuvre ou d’un
travail constructif dans
un environnement positif.
Une oeuvre
surprenante.
La
citt tedesca di
Grafenrheinfeld in
Baviera è strettamente
legata alla centrale
nucleare che essa ospita.
Il termine Kraftwerk è
costituito dalle parole
Kraft (forza, potenza) e
Werk (centrale, lavoro).
Jacob de Haan si appoggia
sulla polisemia della
parola Werk per creare
due atmosfere musicali
antagoniste: la potenza
di una centrale nucleare
che può rivelarsi
negativa per
l’uomo e la
potenza di
un’opera o di un
lavoro costruttivo in
ambiente positivo. Un
brano sorprendente. $31.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ostinati Fanfare De Haske Publications
Fanfare Band - Grade 6 SKU: BT.DHP-1115084-020 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 6
SKU:
BT.DHP-1115084-020
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Set (Score & Parts). De
Haske Publications #DHP
1115084-020. Published by
De Haske Publications
(BT.DHP-1115084-020).
9x12 inches.
English-German-French-Dut
ch. It may be
surprising to see a
fanfare piece
commissioned by a
Japanese ensemble, since
fanfare orchestras are
typically found in
Belgium, Holland and
Luxembourg, and also
France and Switzerland.
Senzoku Gakuen is one of
the largest and
mostprestigious music
universities in Japan,
and home to a wide
variety of ensembles and
orchestras. Since 2006
they have had a fanfare
orchestra, which was
started by Sotaru
Fukaishi, a euphonium
teacher who felt further
performance opportunity
wasneeded for saxhorn
instruments. Fukaishi had
loved the sound of
fanfare orchestras ever
since visiting the World
Music Contest in Kerkrade
(Holland) several years
earlier. Jan Van der
Roost was involved with
this new initiative from
the beginning,and they
were also joined by Manu
Mellaerts for certain
projects. The Dean of the
music department,
Professor Kazuo Tomioka,
fully supports the
ensemble and commissioned
Ostinati. The
première took place on
June 11th at Maeda Hall
inMizonokuchi (Kawasaki)
where Senzoku Gakuen is
based. The piece opens
with an impressive
timpani solo, followed by
brass and saxophone. The
rhythmical pulse remains
constant and the music is
fiery and assertive in
character. A pentatonic
melodygradually emerges
and the music loses its
vehemency and softens.
The initial percussion
ostinati subsequently
recurs and the first
section of the piece
concludes in a similar
mood to the opening. The
second movement is sweet
and melodic, opening
witha long passage for
the saxophone family in a
minor key. The same theme
then appears in the major
and is developed upon;
the music builds to a
majestic orchestral
forte, reminiscent of a
pipe organ in its
sonority. The theme
returns in the
originalminor key with a
change in instrumentation
leading the movement to a
quiet and peaceful end on
a soft E minor chord. The
finale starts with
percussion: a four-bar
pattern is repeated
several times over which
the movement’s
melodic themes
areintroduced. These
melodic elements are
varied and used in
different versions and
the ostinato idea, which
characterizes the entire
piece, is highlighted.
The theme travels through
the orchestra, appearing
on various instruments
and in variousregisters.
It captures the
listener’s
attention and displays
the full range of sound
and colour within the
fanfare
orchestra.
Het is
misschien verrassend dat
dit fanfarewerk is
geschreven in opdracht
van een Japans ensemble,
aangezien fanfareorkesten
vooral te vinden zijn in
België, Nederland en
Luxemburg, en ook wel in
Frankrijk en Zwitserland.
SenzokuGakuen is een van
de grootste en meest
prestigieuze
muziekopleidingen van
Japan, en de thuisbasis
van een grote
verscheidenheid van
ensembles en orkesten. In
2006 is er een
fanfareorkest opgericht,
en wel door Sotaru
Fukaishi,
eeneuphoniumdocent die
vond dat er meer
mogelijkheden moesten
komen voor optredens met
saxhoorninstrumenten.
Fukaishi had enkele jaren
daarvoor genoten van de
fanfareklank toen hij het
Wereld Muziek Concours in
Kerkrade bezocht.
DeBelgische componist Jan
Van der Roost was van het
begin af aan betrokken
bij dit nieuwe
initiatief, en ook Manu
Mellaerts werd voor een
aantal projecten
aangetrokken. Het hoofd
van de muziekfaculteit,
professor Kazuo Tomioka,
staatgeheel achter het
ensemble en gaf de
opdracht tot het
schrijven van
Ostinati. De
première vond plaats
op 11 juni in de Maeda
Hall in Mizonokuchi
(Kawasaki), waar Senzoku
Gakuen is gevestigd. Het
werk begint met een
indrukwekkendepaukensolo,
gevolgd door koper en
saxofoon. De ritmische
puls blijft constant, en
de aard van de muziek is
vurig en krachtig.
Geleidelijk komt er een
pentatonische melodie
naar voren en wordt de
muziek minder heftig, ze
wordtzachter van
karakter. De
aanvankelijke ostinati in
het slagwerk verschijnen
dan opnieuw, waarna het
eerste deel van het werk
eindigt in dezelfde sfeer
als waarmee het begon.
Het tweede deel is
lieflijk en melodisch.
Het opentmet een lange
passage voor de saxofoons
in een mineurtoonsoort.
Dan klinkt hetzelfde
thema in majeur en daar
wordt op voortgeborduurd:
de muziek ontwikkelt zich
tot een majestueus
orkestraal forte, dat qua
sonoriteit doet
denken
Es mag
überraschen, dass
dieses
Fanfareorchesterwerk
ausgerechnet von einem
japanischen Ensemble in
Auftrag gegeben wurde, da
Fanfareorchester doch
eher in Belgien, den
Niederlanden oder
Luxemburg oder auch in
Frankreich oder Schweiz
zu finden sind. Senzoku
Gakuen ist eine der
größten und
renommiertesten
Musikschulen Japans und
Heimstätte einer
Vielfalt an Ensembles und
Orchestern. Im Jahr 2006
wurde ein
Fanfareorchester
gegründet. Den
Anstoß gab Sotaru
Fukaishi, ein
Euphoniumlehrer, der den
Instrumenten der
Saxhorn-Familie mehr
Spielmöglichkeiten
bieten wollte. Fukaishi
hatte sich einige Jahre
zuvor bei der
Weltmeisterschaft in
Kerkrade (Holland) in den
Klang
vonFanfareorchestern
verliebt. Jan Van der
Roost war von Beginn an
in die Entwicklung dieser
Idee involviert und,
einige Projekte
betreffend, ebenso Manu
Mellaerts. Der Dekan des
Musik-Colleges, Professor
Kazuo Tomioka, steht voll
und ganz hinter dem
Ensemble und gab
Ostinati in
Auftrag. Die Premiere
fand am 11. Juni 2011 in
der Maeda Hall in
Mizonokuchi statt, dem
Heimatort der Schule
Senzoku Gakuen. Das
Stück beginnt mit
einem eindrucksvollen
Paukensolo, bevor
Blechbläser und
Saxophon einsetzen. Der
rhythmische Puls bleibt
konstant unter einer
feurigen,
nachdrücklichen Musik.
Eine pentatonische
Melodie bildet sich nach
und nach heraus,
während die Musik an
Heftigkeit verliert und
sanfter wird. Die
anfänglichen Ostinati
im Schlagwerk kehren
zurück und so endet
der erste Satz des Werkes
in einer der Eröffnung
ähnlichen Stimmung.
Der zweite Satz ist
lieblich und melodiös.
Er beginnt mit einem
langen Abschnitt für
die Saxophone in Moll.
Dann erscheint das
gleiche Thema in Dur und
durchläuft eine
Entwicklung; die Musik
baut sich zu einem
majestätischen
orchestralen Forte auf,
das in seiner
Klangfülle an eine
Orgel erinnert. Dann
kehrt das Thema in seiner
ursprünglichen
Moll-Tonart und in
veränderter
Instrumentierung
zurück, um den Satz
ruhig und friedvoll in
einem e-Moll-Akkord enden
zu lassen.
Il
pourrait paraître
surprenant qu’un
ensemble japonais puisse
commander une pièce
pour orchestre de
fanfare, puisque
l’on rencontre
surtout ce type de
formation en Belgique,
aux Pays-Bas et au
Luxembourg, ainsi
qu’en France et en
Suisse. Senzoku Gakuen,
l’une des plus
grandes et plus
prestigieuses
académies de musique
du Japon, compte une
grande variété
d’ensembles et
d’orchestres. En
2006 s’y est
ajouté un orchestre de
fanfare fondé par
Sotaru Fukaishi, un
professeur
d’euphonium qui
pensait qu’il
était nécessaire
d’offrir de plus
larges possibilités
aux cuivres de la
région. Depuis
qu’il avait
assisté au World Music
Contest de Kerkrade
(Pays-Bas), plusieurs
années
auparavant,Fukaishi se
prit de passion pour le
son chaud et
généreux de
l’orchestre de
fanfare, une formation
atypique au Japon. Jan
Van der Roost a
favorablement
adhéré cette
nouvelle initiative,
tandis que Manu Mellaerts
collabora avec les deux
hommes afin de
concrétiser certains
projets. Le professeur
Kazuo Tomioka, doyen du
collège de musique,
soutint vigoureusement
l’orchestre et
commanda Ostinati.
La création de
l’oeuvre fut
donnée le 11 juin 2011
au Maeda Hall de
Mizonokuchi (Kawasaki),
où se trouve Senzoku
Gakuen. La pièce
débute avec un
impressionnant solo de
timbales précédant
l’entrée des
cuivres et des
saxophones. La pulsion
rythmique est constante,
la musique est
énergique et de
caractère affirmé.
Une mélodie
pentatonique émerge
graduellement, alors que
la trame musicale diminue
d’intensité et
s’adoucit.
L’ostinato la
percussion revient
fréquemment et la
première partie de
l’oeuvre se
termine dans un climat
semblable celui du
début. Le deuxième
mouvement, doux et
romancé, débute
avec un long passage en
mode mineur joué par
les saxophones. Le
même thème
apparaît alors en mode
majeur et se développe
peu peu ; la musique
s’intensifie pour
arriver un majestueux et
orchestral forte dont les
sonorités rappellent
celles d’un orgue
d’église. Puis
le thème revient sa
tonalité mineure
d’origine avec un
changement
d’instrumentation
qui mène. $478.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ostinati Fanfare De Haske Publications
Fanfare Band - Grade 6 SKU: BT.DHP-1115084-120 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 6
SKU:
BT.DHP-1115084-120
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Score Only. Composed
2012. 99 pages. De Haske
Publications #DHP
1115084-120. Published by
De Haske Publications
(BT.DHP-1115084-120).
9x12 inches.
English-German-French-Dut
ch. It may be
surprising to see a
fanfare piece
commissioned by a
Japanese ensemble, since
fanfare orchestras are
typically found in
Belgium, Holland and
Luxembourg, and also
France and Switzerland.
Senzoku Gakuen is one of
the largest and
mostprestigious music
universities in Japan,
and home to a wide
variety of ensembles and
orchestras. Since 2006
they have had a fanfare
orchestra, which was
started by Sotaru
Fukaishi, a euphonium
teacher who felt further
performance opportunity
wasneeded for saxhorn
instruments. Fukaishi had
loved the sound of
fanfare orchestras ever
since visiting the World
Music Contest in Kerkrade
(Holland) several years
earlier. Jan Van der
Roost was involved with
this new initiative from
the beginning,and they
were also joined by Manu
Mellaerts for certain
projects. The Dean of the
music department,
Professor Kazuo Tomioka,
fully supports the
ensemble and commissioned
Ostinati. The
première took place on
June 11th at Maeda Hall
inMizonokuchi (Kawasaki)
where Senzoku Gakuen is
based. The piece opens
with an impressive
timpani solo, followed by
brass and saxophone. The
rhythmical pulse remains
constant and the music is
fiery and assertive in
character. A pentatonic
melodygradually emerges
and the music loses its
vehemency and softens.
The initial percussion
ostinati subsequently
recurs and the first
section of the piece
concludes in a similar
mood to the opening. The
second movement is sweet
and melodic, opening
witha long passage for
the saxophone family in a
minor key. The same theme
then appears in the major
and is developed upon;
the music builds to a
majestic orchestral
forte, reminiscent of a
pipe organ in its
sonority. The theme
returns in the
originalminor key with a
change in instrumentation
leading the movement to a
quiet and peaceful end on
a soft E minor chord. The
finale starts with
percussion: a four-bar
pattern is repeated
several times over which
the movement’s
melodic themes
areintroduced. These
melodic elements are
varied and used in
different versions and
the ostinato idea, which
characterizes the entire
piece, is highlighted.
The theme travels through
the orchestra, appearing
on various instruments
and in variousregisters.
It captures the
listener’s
attention and displays
the full range of sound
and colour within the
fanfare
orchestra.
Het is
misschien verrassend dat
dit fanfarewerk is
geschreven in opdracht
van een Japans ensemble,
aangezien fanfareorkesten
vooral te vinden zijn in
België, Nederland en
Luxemburg, en ook wel in
Frankrijk en Zwitserland.
SenzokuGakuen is een van
de grootste en meest
prestigieuze
muziekopleidingen van
Japan, en de thuisbasis
van een grote
verscheidenheid van
ensembles en orkesten. In
2006 is er een
fanfareorkest opgericht,
en wel door Sotaru
Fukaishi,
eeneuphoniumdocent die
vond dat er meer
mogelijkheden moesten
komen voor optredens met
saxhoorninstrumenten.
Fukaishi had enkele jaren
daarvoor genoten van de
fanfareklank toen hij het
Wereld Muziek Concours in
Kerkrade bezocht.
DeBelgische componist Jan
Van der Roost was van het
begin af aan betrokken
bij dit nieuwe
initiatief, en ook Manu
Mellaerts werd voor een
aantal projecten
aangetrokken. Het hoofd
van de muziekfaculteit,
professor Kazuo Tomioka,
staatgeheel achter het
ensemble en gaf de
opdracht tot het
schrijven van
Ostinati. De
première vond plaats
op 11 juni in de Maeda
Hall in Mizonokuchi
(Kawasaki), waar Senzoku
Gakuen is gevestigd. Het
werk begint met een
indrukwekkendepaukensolo,
gevolgd door koper en
saxofoon. De ritmische
puls blijft constant, en
de aard van de muziek is
vurig en krachtig.
Geleidelijk komt er een
pentatonische melodie
naar voren en wordt de
muziek minder heftig, ze
wordtzachter van
karakter. De
aanvankelijke ostinati in
het slagwerk verschijnen
dan opnieuw, waarna het
eerste deel van het werk
eindigt in dezelfde sfeer
als waarmee het begon.
Het tweede deel is
lieflijk en melodisch.
Het opentmet een lange
passage voor de saxofoons
in een mineurtoonsoort.
Dan klinkt hetzelfde
thema in majeur en daar
wordt op voortgeborduurd:
de muziek ontwikkelt zich
tot een majestueus
orkestraal forte, dat qua
sonoriteit doet
denken
Es mag
überraschen, dass
dieses
Fanfareorchesterwerk
ausgerechnet von einem
japanischen Ensemble in
Auftrag gegeben wurde, da
Fanfareorchester doch
eher in Belgien, den
Niederlanden oder
Luxemburg oder auch in
Frankreich oder Schweiz
zu finden sind. Senzoku
Gakuen ist eine der
größten und
renommiertesten
Musikschulen Japans und
Heimstätte einer
Vielfalt an Ensembles und
Orchestern. Im Jahr 2006
wurde ein
Fanfareorchester
gegründet. Den
Anstoß gab Sotaru
Fukaishi, ein
Euphoniumlehrer, der den
Instrumenten der
Saxhorn-Familie mehr
Spielmöglichkeiten
bieten wollte. Fukaishi
hatte sich einige Jahre
zuvor bei der
Weltmeisterschaft in
Kerkrade (Holland) in den
Klang
vonFanfareorchestern
verliebt. Jan Van der
Roost war von Beginn an
in die Entwicklung dieser
Idee involviert und,
einige Projekte
betreffend, ebenso Manu
Mellaerts. Der Dekan des
Musik-Colleges, Professor
Kazuo Tomioka, steht voll
und ganz hinter dem
Ensemble und gab
Ostinati in
Auftrag. Die Premiere
fand am 11. Juni 2011 in
der Maeda Hall in
Mizonokuchi statt, dem
Heimatort der Schule
Senzoku Gakuen. Das
Stück beginnt mit
einem eindrucksvollen
Paukensolo, bevor
Blechbläser und
Saxophon einsetzen. Der
rhythmische Puls bleibt
konstant unter einer
feurigen,
nachdrücklichen Musik.
Eine pentatonische
Melodie bildet sich nach
und nach heraus,
während die Musik an
Heftigkeit verliert und
sanfter wird. Die
anfänglichen Ostinati
im Schlagwerk kehren
zurück und so endet
der erste Satz des Werkes
in einer der Eröffnung
ähnlichen Stimmung.
Der zweite Satz ist
lieblich und melodiös.
Er beginnt mit einem
langen Abschnitt für
die Saxophone in Moll.
Dann erscheint das
gleiche Thema in Dur und
durchläuft eine
Entwicklung; die Musik
baut sich zu einem
majestätischen
orchestralen Forte auf,
das in seiner
Klangfülle an eine
Orgel erinnert. Dann
kehrt das Thema in seiner
ursprünglichen
Moll-Tonart und in
veränderter
Instrumentierung
zurück, um den Satz
ruhig und friedvoll in
einem e-Moll-Akkord enden
zu lassen.
Il
pourrait paraître
surprenant qu’un
ensemble japonais puisse
commander une pièce
pour orchestre de
fanfare, puisque
l’on rencontre
surtout ce type de
formation en Belgique,
aux Pays-Bas et au
Luxembourg, ainsi
qu’en France et en
Suisse. Senzoku Gakuen,
l’une des plus
grandes et plus
prestigieuses
académies de musique
du Japon, compte une
grande variété
d’ensembles et
d’orchestres. En
2006 s’y est
ajouté un orchestre de
fanfare fondé par
Sotaru Fukaishi, un
professeur
d’euphonium qui
pensait qu’il
était nécessaire
d’offrir de plus
larges possibilités
aux cuivres de la
région. Depuis
qu’il avait
assisté au World Music
Contest de Kerkrade
(Pays-Bas), plusieurs
années
auparavant,Fukaishi se
prit de passion pour le
son chaud et
généreux de
l’orchestre de
fanfare, une formation
atypique au Japon. Jan
Van der Roost a
favorablement
adhéré cette
nouvelle initiative,
tandis que Manu Mellaerts
collabora avec les deux
hommes afin de
concrétiser certains
projets. Le professeur
Kazuo Tomioka, doyen du
collège de musique,
soutint vigoureusement
l’orchestre et
commanda Ostinati.
La création de
l’oeuvre fut
donnée le 11 juin 2011
au Maeda Hall de
Mizonokuchi (Kawasaki),
où se trouve Senzoku
Gakuen. La pièce
débute avec un
impressionnant solo de
timbales précédant
l’entrée des
cuivres et des
saxophones. La pulsion
rythmique est constante,
la musique est
énergique et de
caractère affirmé.
Une mélodie
pentatonique émerge
graduellement, alors que
la trame musicale diminue
d’intensité et
s’adoucit.
L’ostinato la
percussion revient
fréquemment et la
première partie de
l’oeuvre se
termine dans un climat
semblable celui du
début. Le deuxième
mouvement, doux et
romancé, débute
avec un long passage en
mode mineur joué par
les saxophones. Le
même thème
apparaît alors en mode
majeur et se développe
peu peu ; la musique
s’intensifie pour
arriver un majestueux et
orchestral forte dont les
sonorités rappellent
celles d’un orgue
d’église. Puis
le thème revient sa
tonalité mineure
d’origine avec un
changement
d’instrumentation
qui mène. $115.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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