Violin 2 (0.0.0.0 - 0.1.0.0 - perc(3) - ratchet rattle.nightingale.cuckoo .quail - str(without va))

SKU: BR.OB-4905-16

Berchtolsgaden. Composed by Leopold Mozart. Edited by Gustave Sandre. Arranged by Gustave Sandre. Stapled. Orchester-Bibliothek (Orchestral Library). The piano versions of the Children's Symphony have been part of Breitkopf's orchestral materials for over a hundred years now. They are not merely piano parts, however, but full-blooded reductions for piano twohands or four-hands. Symphony; Early classical. Part. 4 pages. Duration 11'. Breitkopf and Haertel #OB 4905-16. Published by Breitkopf and Haertel (BR.OB-4905-16).

ISBN 9790004324455. 9 x 12 inches.

The work, originally titled Berchtolsgader-Musik, goes back to the Cassatio ex G by Leopold Mozart, whose movements 3, 4 and 7 are identical to the Kinder-Symphonie [Children's Symphony]. For a long time, the authorship of the work was uncertain. It was attributed to Joseph Haydn and his brother Michael, at times also to Edmund Angerer and Leopold Mozart's pupil Johann Rainprechter. The work probably first received the designation Kinder-Symphonie in 1813 through an edition by the music publisher Hofmeister.In the Children's Symphony, a cuckoo, a quail and other unusual instruments are used in addition to the usual orchestral scoring. These belong to the Berchtesgaden instruments: flutes, whistles and rattles carved from wood, manufactured in the Berchtesgaden region and widely used as children's toys throughout the country. Today, these instruments can also be replaced by flutes, whistles as well as ratchets, rattles or bell trees.

The piano versions of the Children's Symphony have been part of Breitkopf's orchestral materials for over a hundred years now. They are not merely piano parts, however, but full-blooded reductions for piano twohands or four-hands.

Violin 1 (0.0.0.0 - 0.1.0.0 - perc(3) - ratchet rattle.nightingale.cuckoo .quail - str(without va))

SKU: BR.OB-4905-15

Berchtolsgaden. Composed by Leopold Mozart. Edited by Gustave Sandre. Arranged by Gustave Sandre. Stapled. Orchester-Bibliothek (Orchestral Library). The piano versions of the Children's Symphony have been part of Breitkopf's orchestral materials for over a hundred years now. They are not merely piano parts, however, but full-blooded reductions for piano twohands or four-hands. Symphony; Early classical. Part. 4 pages. Duration 11'. Breitkopf and Haertel #OB 4905-15. Published by Breitkopf and Haertel (BR.OB-4905-15).

ISBN 9790004324448. 9 x 12 inches.

The work, originally titled Berchtolsgader-Musik, goes back to the Cassatio ex G by Leopold Mozart, whose movements 3, 4 and 7 are identical to the Kinder-Symphonie [Children's Symphony]. For a long time, the authorship of the work was uncertain. It was attributed to Joseph Haydn and his brother Michael, at times also to Edmund Angerer and Leopold Mozart's pupil Johann Rainprechter. The work probably first received the designation Kinder-Symphonie in 1813 through an edition by the music publisher Hofmeister.In the Children's Symphony, a cuckoo, a quail and other unusual instruments are used in addition to the usual orchestral scoring. These belong to the Berchtesgaden instruments: flutes, whistles and rattles carved from wood, manufactured in the Berchtesgaden region and widely used as children's toys throughout the country. Today, these instruments can also be replaced by flutes, whistles as well as ratchets, rattles or bell trees.

The piano versions of the Children's Symphony have been part of Breitkopf's orchestral materials for over a hundred years now. They are not merely piano parts, however, but full-blooded reductions for piano twohands or four-hands.

Horn and orchestra (0.0.0.0 - 0.1.0.0 - perc(3) - ratchet rattle.nightingale.cuckoo .quail - str(without va))

SKU: BR.PB-4905

Berchtolsgaden. Composed by Leopold Mozart. Edited by Georg Sandre. Arranged by Gustave Sandre. Orchestra; stapled. Partitur-Bibliothek (Score Library).

The piano versions of the Children's Symphony have been part of Breitkopf's orchestral materials for over a hundred years now. They are not merely piano parts, however, but full-blooded reductions for piano twohands or four-hands.

Symphony; Early classical. Full score. 8 pages. Duration 11'. Breitkopf and Haertel #PB 4905. Published by Breitkopf and Haertel (BR.PB-4905).

ISBN 9790004207017. 9 x 12 inches.

The work, originally titled Berchtolsgader-Musik, goes back to the Cassatio ex G by Leopold Mozart, whose movements 3, 4 and 7 are identical to the Kinder-Symphonie [Children's Symphony]. For a long time, the authorship of the work was uncertain. It was attributed to Joseph Haydn and his brother Michael, at times also to Edmund Angerer and Leopold Mozart's pupil Johann Rainprechter. The work probably first received the designation Kinder-Symphonie in 1813 through an edition by the music publisher Hofmeister.In the Children's Symphony, a cuckoo, a quail and other unusual instruments are used in addition to the usual orchestral scoring. These belong to the Berchtesgaden instruments: flutes, whistles and rattles carved from wood, manufactured in the Berchtesgaden region and widely used as children's toys throughout the country. Today, these instruments can also be replaced by flutes, whistles as well as ratchets, rattles or bell trees.

Woodwinds (0.0.0.0 - 0.1.0.0 - perc(3) - ratchet rattle.nightingale.cuckoo .quail - str(without va))

SKU: BR.OB-4905-30

Berchtolsgaden. Composed by Leopold Mozart. Edited by Georg Sandre. Arranged by Gustave Sandre. Folder. Orchester-Bibliothek (Orchestral Library). The piano versions of the Children's Symphony have been part of Breitkopf's orchestral materials for over a hundred years now. They are not merely piano parts, however, but full-blooded reductions for piano twohands or four-hands. Symphony; Early classical. Set of parts. 14 pages. Duration 11'. Breitkopf and Haertel #OB 4905-30. Published by Breitkopf and Haertel (BR.OB-4905-30).

ISBN 9790004324479. 9 x 12 inches.

The work, originally titled Berchtolsgader-Musik, goes back to the Cassatio ex G by Leopold Mozart, whose movements 3, 4 and 7 are identical to the Kinder-Symphonie [Children's Symphony]. For a long time, the authorship of the work was uncertain. It was attributed to Joseph Haydn and his brother Michael, at times also to Edmund Angerer and Leopold Mozart's pupil Johann Rainprechter. The work probably first received the designation Kinder-Symphonie in 1813 through an edition by the music publisher Hofmeister.In the Children's Symphony, a cuckoo, a quail and other unusual instruments are used in addition to the usual orchestral scoring. These belong to the Berchtesgaden instruments: flutes, whistles and rattles carved from wood, manufactured in the Berchtesgaden region and widely used as children's toys throughout the country. Today, these instruments can also be replaced by flutes, whistles as well as ratchets, rattles or bell trees.

The piano versions of the Children's Symphony have been part of Breitkopf's orchestral materials for over a hundred years now. They are not merely piano parts, however, but full-blooded reductions for piano twohands or four-hands.

Basso (cello/double bass) (0.0.0.0 - 0.1.0.0 - perc(3) - ratchet rattle.nightingale.cuckoo .quail - str(without va))

SKU: BR.OB-4905-26

Berchtolsgaden. Composed by Leopold Mozart. Edited by Georg Sandre. Arranged by Gustave Sandre. Stapled. Orchester-Bibliothek (Orchestral Library). The piano versions of the Children's Symphony have been part of Breitkopf's orchestral materials for over a hundred years now. They are not merely piano parts, however, but full-blooded reductions for piano twohands or four-hands. Symphony; Early classical. Part. 4 pages. Duration 11'. Breitkopf and Haertel #OB 4905-26. Published by Breitkopf and Haertel (BR.OB-4905-26).

ISBN 9790004324462. 9 x 12 inches.

The work, originally titled Berchtolsgader-Musik, goes back to the Cassatio ex G by Leopold Mozart, whose movements 3, 4 and 7 are identical to the Kinder-Symphonie [Children's Symphony]. For a long time, the authorship of the work was uncertain. It was attributed to Joseph Haydn and his brother Michael, at times also to Edmund Angerer and Leopold Mozart's pupil Johann Rainprechter. The work probably first received the designation Kinder-Symphonie in 1813 through an edition by the music publisher Hofmeister.In the Children's Symphony, a cuckoo, a quail and other unusual instruments are used in addition to the usual orchestral scoring. These belong to the Berchtesgaden instruments: flutes, whistles and rattles carved from wood, manufactured in the Berchtesgaden region and widely used as children's toys throughout the country. Today, these instruments can also be replaced by flutes, whistles as well as ratchets, rattles or bell trees.

The piano versions of the Children's Symphony have been part of Breitkopf's orchestral materials for over a hundred years now. They are not merely piano parts, however, but full-blooded reductions for piano twohands or four-hands.

Basso (cello/double bass) (choir: TB - 0.2.1.3bassethn.0.dble bsn - 2.0.0.0 - str)

SKU: BR.OB-5148-26

Attempted Reconstruction of the Original Version of the 'Masonic Funeral Music' K. 477 (479a). Composed by Wolfgang Amadeus Mozart. Edited by Philippe A. Autexier. Arranged by Gustave Sandre. Softcover. Orchester-Bibliothek (Orchestral Library). In 1785, Mozart repeatedly visited the Viennese Freemasons' Lodge Zur wahren Eintracht, where on 12 August Carl von Konig was elevated to the rank of a Master. It was fort his ceremony that Mozart composed the ,,Meistermusik. Classical period. Part. 2 pages. Breitkopf and Haertel #OB 5148-26. Published by Breitkopf and Haertel (BR.OB-5148-26).

ISBN 9790004329702. 9 x 12 inches.

In 1785, Mozart repeatedly visited the Viennese Freemasons Lodge Zur wahren Eintracht, where on 12 August Carl von Konig was elevated to the rank of a Master. It was fort his ceremony that Mozart composed the Meistermusik (Master Music) for mens chorus and orchestra. The score does not contain the choral parts, perhaps because they were doubled by the oboe I and clarinet parts, a pecularity undoubtedly suited to the singing capacity of the Lodge members. From a detailed analyses of the work and of the Freemasons practices, on can infer that the text was drawn from the third Lamentation of Jeremiah. Mozart at least entered the correct date of composition of the Master Music in his own work catalogue, namely Jully (1785).For a performance without chorus which most probably took place on 9 December 1785, Mozart added three new, low wind parts which emphasize the gloomy mood of the work. It is with these added parts that the work has come down to us as the Maurerische Trauermusik (Masonic Funeral Music).

In 1785, Mozart repeatedly visited the Viennese Freemasons' Lodge Zur wahren Eintracht, where on 12 August Carl von Konig was elevated to the rank of a Master. It was fort his ceremony that Mozart composed the Meistermusik.

Woodwinds (choir: TB - 0.2.1.3bassethn.0.dble bsn - 2.0.0.0 - str)

SKU: BR.OB-5148-30

Attempted Reconstruction of the Original Version of the 'Masonic Funeral Music' K. 477 (479a). Composed by Wolfgang Amadeus Mozart. Edited by Philippe A. Autexier. Arranged by Gustave Sandre. Folder. Orchester-Bibliothek (Orchestral Library). In 1785, Mozart repeatedly visited the Viennese Freemasons' Lodge Zur wahren Eintracht, where on 12 August Carl von Konig was elevated to the rank of a Master. It was fort his ceremony that Mozart composed the ,,Meistermusik. Classical period. Set of parts. 18 pages. Breitkopf and Haertel #OB 5148-30. Published by Breitkopf and Haertel (BR.OB-5148-30).

ISBN 9790004329719. 9 x 12 inches.

In 1785, Mozart repeatedly visited the Viennese Freemasons Lodge Zur wahren Eintracht, where on 12 August Carl von Konig was elevated to the rank of a Master. It was fort his ceremony that Mozart composed the Meistermusik (Master Music) for mens chorus and orchestra. The score does not contain the choral parts, perhaps because they were doubled by the oboe I and clarinet parts, a pecularity undoubtedly suited to the singing capacity of the Lodge members. From a detailed analyses of the work and of the Freemasons practices, on can infer that the text was drawn from the third Lamentation of Jeremiah. Mozart at least entered the correct date of composition of the Master Music in his own work catalogue, namely Jully (1785).For a performance without chorus which most probably took place on 9 December 1785, Mozart added three new, low wind parts which emphasize the gloomy mood of the work. It is with these added parts that the work has come down to us as the Maurerische Trauermusik (Masonic Funeral Music).

In 1785, Mozart repeatedly visited the Viennese Freemasons' Lodge Zur wahren Eintracht, where on 12 August Carl von Konig was elevated to the rank of a Master. It was fort his ceremony that Mozart composed the Meistermusik.

Violin 1 (choir: TB - 0.2.1.3bassethn.0.dble bsn - 2.0.0.0 - str)

SKU: BR.OB-5148-15

Attempted Reconstruction of the Original Version of the 'Masonic Funeral Music' K. 477 (479a). Composed by Wolfgang Amadeus Mozart. Edited by Philippe A. Autexier. Arranged by Gustave Sandre. Softcover. Orchester-Bibliothek (Orchestral Library). In 1785, Mozart repeatedly visited the Viennese Freemasons' Lodge Zur wahren Eintracht, where on 12 August Carl von Konig was elevated to the rank of a Master. It was fort his ceremony that Mozart composed the ,,Meistermusik. Classical period. Part. 2 pages. Breitkopf and Haertel #OB 5148-15. Published by Breitkopf and Haertel (BR.OB-5148-15).

ISBN 9790004329672. 9 x 12 inches.

In 1785, Mozart repeatedly visited the Viennese Freemasons Lodge Zur wahren Eintracht, where on 12 August Carl von Konig was elevated to the rank of a Master. It was fort his ceremony that Mozart composed the Meistermusik (Master Music) for mens chorus and orchestra. The score does not contain the choral parts, perhaps because they were doubled by the oboe I and clarinet parts, a pecularity undoubtedly suited to the singing capacity of the Lodge members. From a detailed analyses of the work and of the Freemasons practices, on can infer that the text was drawn from the third Lamentation of Jeremiah. Mozart at least entered the correct date of composition of the Master Music in his own work catalogue, namely Jully (1785).For a performance without chorus which most probably took place on 9 December 1785, Mozart added three new, low wind parts which emphasize the gloomy mood of the work. It is with these added parts that the work has come down to us as the Maurerische Trauermusik (Masonic Funeral Music).

In 1785, Mozart repeatedly visited the Viennese Freemasons' Lodge Zur wahren Eintracht, where on 12 August Carl von Konig was elevated to the rank of a Master. It was fort his ceremony that Mozart composed the Meistermusik.

Viola (choir: TB - 0.2.1.3bassethn.0.dble bsn - 2.0.0.0 - str)

SKU: BR.OB-5148-19

Attempted Reconstruction of the Original Version of the 'Masonic Funeral Music' K. 477 (479a). Composed by Wolfgang Amadeus Mozart. Edited by Philippe A. Autexier. Arranged by Gustave Sandre. Softcover. Orchester-Bibliothek (Orchestral Library). In 1785, Mozart repeatedly visited the Viennese Freemasons' Lodge Zur wahren Eintracht, where on 12 August Carl von Konig was elevated to the rank of a Master. It was fort his ceremony that Mozart composed the ,,Meistermusik. Classical period. Part. 2 pages. Breitkopf and Haertel #OB 5148-19. Published by Breitkopf and Haertel (BR.OB-5148-19).

ISBN 9790004329696. 9 x 12 inches.

In 1785, Mozart repeatedly visited the Viennese Freemasons Lodge Zur wahren Eintracht, where on 12 August Carl von Konig was elevated to the rank of a Master. It was fort his ceremony that Mozart composed the Meistermusik (Master Music) for mens chorus and orchestra. The score does not contain the choral parts, perhaps because they were doubled by the oboe I and clarinet parts, a pecularity undoubtedly suited to the singing capacity of the Lodge members. From a detailed analyses of the work and of the Freemasons practices, on can infer that the text was drawn from the third Lamentation of Jeremiah. Mozart at least entered the correct date of composition of the Master Music in his own work catalogue, namely Jully (1785).For a performance without chorus which most probably took place on 9 December 1785, Mozart added three new, low wind parts which emphasize the gloomy mood of the work. It is with these added parts that the work has come down to us as the Maurerische Trauermusik (Masonic Funeral Music).

In 1785, Mozart repeatedly visited the Viennese Freemasons' Lodge Zur wahren Eintracht, where on 12 August Carl von Konig was elevated to the rank of a Master. It was fort his ceremony that Mozart composed the Meistermusik.

Violin 2 (choir: TB - 0.2.1.3bassethn.0.dble bsn - 2.0.0.0 - str)

SKU: BR.OB-5148-16

Attempted Reconstruction of the Original Version of the 'Masonic Funeral Music' K. 477 (479a). Composed by Wolfgang Amadeus Mozart. Edited by Philippe A. Autexier. Arranged by Gustave Sandre. Softcover. Orchester-Bibliothek (Orchestral Library). In 1785, Mozart repeatedly visited the Viennese Freemasons' Lodge Zur wahren Eintracht, where on 12 August Carl von Konig was elevated to the rank of a Master. It was fort his ceremony that Mozart composed the ,,Meistermusik. Classical period. Part. 2 pages. Breitkopf and Haertel #OB 5148-16. Published by Breitkopf and Haertel (BR.OB-5148-16).

ISBN 9790004329689. 9 x 12 inches.

In 1785, Mozart repeatedly visited the Viennese Freemasons Lodge Zur wahren Eintracht, where on 12 August Carl von Konig was elevated to the rank of a Master. It was fort his ceremony that Mozart composed the Meistermusik (Master Music) for mens chorus and orchestra. The score does not contain the choral parts, perhaps because they were doubled by the oboe I and clarinet parts, a pecularity undoubtedly suited to the singing capacity of the Lodge members. From a detailed analyses of the work and of the Freemasons practices, on can infer that the text was drawn from the third Lamentation of Jeremiah. Mozart at least entered the correct date of composition of the Master Music in his own work catalogue, namely Jully (1785).For a performance without chorus which most probably took place on 9 December 1785, Mozart added three new, low wind parts which emphasize the gloomy mood of the work. It is with these added parts that the work has come down to us as the Maurerische Trauermusik (Masonic Funeral Music).

In 1785, Mozart repeatedly visited the Viennese Freemasons' Lodge Zur wahren Eintracht, where on 12 August Carl von Konig was elevated to the rank of a Master. It was fort his ceremony that Mozart composed the Meistermusik.