2010
Edition. Composed by
The Royal Conservatory.
Overtones: A
Comprehensive Flute
Series. Book/CD. The
Frederick Harris Music
Company #FLS01. Published
by The Frederick Harris
Music Company (FH.FLS01).
ISBN
978-1-55440-297-7.
Unparalleled in scope,
Overtones offers all the
music flutists want in
one complete series! This
progressive collection
includes fundamental
repertoire and supporting
materials such as
Studies, Compact Discs,
Orchestral Excerpts, and
Technique. The richness
of music carefully
selected for this
compilation will resonate
with teachers and
students at every level
of study.This compilation
of standard orchestral
passages for flute is an
indispensable resource
for the developing years
and beyond. Teachers and
students will find this
unrivalled volume
essential for examination
or audition
preparation. Study in
F Major Robert
Winn Learning to Skate
Dianne Aitken Study in
C Major Giuseppe
Gariboldi The Yeti
Waltz Jamie
Thompson Siren Kathryn
Cernauskas Many and
Few Wil
Offermans Study in C
Major Giuseppe
Gariboldi Study in C
Major Robert
Winn Study in F Major
Wilhelm Popp Study in
G Major Christian Cheret
Itchy Feet Oliver
Ledbury Study in G
Major Russell
Stokes Study in C
Major Hans
Koehler Study in G
Major Ernesto
Koehler Study in F
Major Giuseppe
Gariboldi Study in C
Major Charles
Nicholson Romany Song
Philip Sparke Flute
Salad Oliver
Ledbury Cloud Nine
James Rae Study in C
Minor Hans
Koehler Study in D
Minor Heinrich
Soussmann Study in F
sharp Minor Francois
Devienne Hungarian
Dance Philip
Sparke Waltzer Oliver
Ledbury One-Line Story
Wil Offermans Groove
It! James Rae Study in
E Minor Hans
Koehler Study in B
Minor Wilhelm
Popp Study in F Minor
Johann Georg
Tromliltz Party Piece
Philip Sparke The
Wrong Button! James
Rae Interlude Allen
Vizzutti.
About
Overtones
Unparalleled in scope,
Overtones offers all the
music flutists want in
one complete series! This
progressive collection
includes fundamental
Repertoire and supporting
materials such as Etudes,
Compact Discs, Orchestral
Excerpts, and Technique.
The richness of music
carefully selected for
this compilation will
resonate with teachers
and students at every
level of study and is the
official series for those
using The Royal
Conservatory Music
Development program.
By Johnny Marks. Arranged by Chris Sharp. Jazz Ensemble. FJH Advanced Jazz Ensem...(+)
By Johnny Marks. Arranged
by Chris Sharp. Jazz
Ensemble. FJH Advanced
Jazz Ensemble. Full set
(score and parts). Score
only also available: S.
Jazz Band. Level: Grade
5. Score and Set of
Parts. Composed 2002.
Published by The FJH
Music Company Inc.
Composed by Sergei Rachmaninoff (1873-1943). Arranged by Ralph Sauer. Russian 20...(+)
Composed by Sergei
Rachmaninoff (1873-1943).
Arranged by Ralph Sauer.
Russian 20th century.
Solo part and piano
accompaniment. Published
by Cherry Classics
(CY.CC2617).
Piano - Advanced SKU: FJ.JS2001 Composed by Timothy Brown. Piano Solo; Pi...(+)
Piano - Advanced
SKU:
FJ.JS2001
Composed by
Timothy Brown. Piano
Solo; Piano Supplemental.
The FJH Contemporary
Keyboard Sheets.
Contemporary. Score. The
FJH Music Company Inc
#98-JS2001. Published by
The FJH Music Company Inc
(FJ.JS2001).
UPC:
241444394724.
English.
In the
opening section Presto
sostenuto, the toccata
utilizes a sharp and
piercing harmonic
vocabulary. The middle
Larghetto section is a
moment of reflection. The
final Risoluto section
provides a closing to the
toccata using the same
dissonant devices found
earlier in the work. The
entire piece lasts about
4 minutes.
Clarinet Etudes 5-8 Clarinette - Intermédiaire The Frederick Harris Music Company
Clarinet - Intermediate to Late Intermediate SKU: FH.WCS2 Clarinet Ser...(+)
Clarinet - Intermediate
to Late Intermediate
SKU: FH.WCS2
Clarinet Series, 2013
Edition. Composed by
The Royal Conservatory.
Clarinet Series, 2013
Edition. Book. 64 pages.
The Frederick Harris
Music Company #WCS2.
Published by The
Frederick Harris Music
Company (FH.WCS2).
ISBN
978-1-55440-586-2.
This new series offers a
sequenced approach to the
study of clarinet from
the beginner to advanced
levels. With a
progressive collection of
Repertoire, Etudes,
Recordings, Orchestral
Excerpts, and Technique,
the Clarinet Series, 2014
Edition provides complete
support for teachers and
students at every level
of study. Nine
progressive volumes of
Repertoire expose
students to a wealth of
music from the earliest
works for clarinet to
accompanied and
unaccompanied
contemporary
compositions. Students
will explore some of the
most definitive solo
pieces written for
clarinet, along with
popular folk tunes,
Klezmer melodies,
Classical solos, and
contemporary compositions
that incorporate
traditional and extended
techniques. Level
5: Etude in A Major -
Friedrich
Demnitz Exercise XIV -
Reginald Kell Etude in
C Major - Chris
Allen Etude in F Major
- Randall
Cunningham Etude in C
Major, op. 63, division
2, no. 10 - Carl
Baermann Shifting
Winds - James Rae The
Unexpected - James
Rae Dai's Surprise -
James Rae Level
6: Etude in E Major -
Friedrich Demnitz Rag
- Randall
Cunningham Etude in F
Major - Friedrich
Demnitz Gigue - Johann
Sebastian Bach Black
Puddin' Jig - James
Rae Elegie - James
Rae Etude in F sharp
Minor - Ivan
Mueller Romance, op.
63, division 2, no. 14 -
Carl Baermann Etude
No. 1 - Alfred
Uhl Cello Suite No. 1
in G Major, BWV 1007,
Menuet I and Menuet II -
Johann Sebastian
Bach Journeys - James
Rae A Sad Loss - James
Rae Serenade - Leon
Lester Level 7: Odd
Meter Etude No. 5 -
Everett Gates Etude in
A Minor - Ernst Sachse,
arr. Leon Lester Text
Book Prelude - James
Rae Bald lacheln mir
seelige Tage: Theme and
Variation I - Anton
Stadler Etude in C
Major, op. 31, no. 6 -
Franz Wilhelm Ferling,
arr. Cyrille
Rose Etude in A Minor
- Hyacinthe Klose, arr.
Leon Lester Etude in A
Minor, op. 3, no. 22 -
Federigo Fiorillio, arr.
Cyrille Rose Courante
- Johann Sebastian
Bach Etude in C Major,
op. 31, no. 5 - Franz
Wilhelm Ferling, arr.
Cyrille Rose Etude in
F Major - Alfred
Uhl Boo! - James
Rae Etude in D Minor -
Friedrich Demnitz, arr.
Leon Lester Level
8: Courante - Johann
Sebastian Bach Etude
in A Minor, op. 31, no. 8
- Franz Wilhelm Ferling,
arr. Cyrille
Rose Etude in A Minor
- Alfred Uhl Mr.
Pritchard's Bad Hair Day
- James Rae Etude in G
Major, op. 63, division
2, no. 43 - Carl
Baermann Questions and
Answers - James
Rae Etude in A Minor,
op. 31, no. 7 - Franz
Wilhelm Ferling, arr.
Cyrille Rose Romance
-Ludwig
Wiedemann Allemande -
Johann Sebastian
Bach Etude in E Minor,
op. 31, no. 3 - Franz
Wilhelm Ferling, arr.
Cyrille Rose Odd Meter
Etude No. 9 - Everett
Gates Etude No. 60 -
Paul Harris.
Choral; Women's Choir
(SSAA a cappella) -
advanced
SKU:
HL.49045615
Composed
by Pascal Martiné.
This edition: Saddle
stitching. Sheet music.
Choral. Anyone who likes
refined rhythms,
razor-sharp articulation,
lively melismata, and
high soprano notes will
certainly be in for a
treat with the sacred
choral composition
Cantate Domino by Pascal
Martine. The Latin choral
work for four-part a
cappella women. General
Worship, Sacred. Octavo.
12 pages. Duration 3'
30''. Schott Music
#C59109. Published by
Schott Music
(HL.49045615).
ISBN
9790001167086. UPC:
841886033238.
7.5x10.75x0.03 inches.
Latin.
Prelude in C-Sharp minor, Op. 3 No. 2 by Sergei Rachmaninoff (1873-1943). Edited...(+)
Prelude in C-Sharp minor,
Op. 3 No. 2 by Sergei
Rachmaninoff (1873-1943).
Edited by Murray Baylor.
For Piano. Masterworks;
Piano Solo; Solo. Alfred
Masterwork Edition. Form:
Prelude. 20th Century;
Masterwork; Romantic. SMP
Level 10 (Advanced).
Sheet. 8 pages. Published
by Alfred Music
Publishing
By Johnny Marks. Arranged by Chris Sharp. Jazz Ensemble. FJH Advanced Jazz Ensem...(+)
By Johnny Marks. Arranged
by Chris Sharp. Jazz
Ensemble. FJH Advanced
Jazz Ensemble. Score
only. Full set (score and
parts) for this title:
JE4061. Jazz Ensemble.
Score. Composed 2002.
Published by The FJH
Music Company Inc.
Level: Grade 5.
Piano SKU: SP.ME1033 Composed by Scott Joplin. Solo; Ragtime. Score. Sant...(+)
Piano
SKU:
SP.ME1033
Composed by
Scott Joplin. Solo;
Ragtime. Score.
Santorella Publications
#ME1033. Published by
Santorella Publications
(SP.ME1033).
ISBN
9781585607457.
The
Masterpiece Edition
series, published
exclusively by Santorella
Publications, is a
collection of original
piano works, as well as
challenging arrangements
and transcriptions
designed for the
experienced to advanced
pianist. The series is
meticulously engraved and
printed on heavy cover
stock and quality paper
to last for generations.
With original works from
the great masters, Bach,
Beethoven, Mozart, and
alike, as well as
arrangements and
transcriptions from some
of the greatest works of
all time, these
Masterpiece Editions are
sure to be popular
favorites while enhancing
the repertoire of most
any serious pianist. In
this case, we are
extremely proud to
release the original,
unedited, Masterpiece
Edition of Joplin's
Solace, Entertainer and
Maple Leaf Rag as a 3 in
1 sheet in its purest
form. Our ultimate goal
is to emphasize the
necessity of exceptional
quality in printed sheet
music. Time has heard the
strains of a myriad of
musical styles. Some
styles liven with age
while others fade. The
same is true of the
composers themselves;
some are regarded as
brilliant masters from
the beginning of their
lives while others are
praised only
posthumously. Endurance
is the ultimate test.
Scott Joplin endured
great injustices and
criticism, yet he remains
the King of Ragtime. We
remember the genius of
Scott Joplin by
publishing Solace, The
Entertainer, and Maple
Leaf Rag in a remarkable
3 in 1 original edition.
Joplin's most popular
rag, The Entertainer
reached high acclaim in
1973 as a recognizable
theme from the film
classic, The Sting. This
Academy Award-Winning
film was solely
responsible for the
resurgence of ragtime in
general, but more
specifically brought
renewed interest in the
works of Scott Joplin.
Solace was frequently
heard in the background
of many scenes in which
the character was deep in
thought. Subtitled, A
Mexican Serenade, Solace
has a serene Latin feel,
unlike no other samba
written and is the
favorite of many Joplin
enthusiasts. While the
Maple Leaf Rag, actually
became quite popular
during Joplin's lifetime,
so much so that it was
the first printed sheet
of music to sell over one
million copies. We are
pleased to combine these
three original rags in
one sheet as a special
part of our Masterpiece
Ragtime Selections. These
newly engraved editions
are clean, sharp,
distinct, and accurate.
An absolute pleasure to
read as each crisp note
seems to pop off the
page.
Jazz Ensemble Jazz Ensemble - 5 (Advanced / Difficult) (grade 5) SKU: AP.3065...(+)
Jazz Ensemble Jazz
Ensemble - 5 (Advanced /
Difficult) (grade 5)
SKU: AP.30651S
Composed by Cole Porter.
Arranged by Chris Sharp.
Jazz Ensemble. Premier
Jazz Series. Rock. Score.
24 pages. Belwin Music
#00-30651S. Published by
Belwin Music (AP.30651S).
UPC: 038081343433.
English.
This
up-tempo samba on this
wonderful Cole Porter
standard is a great
vehicle for your
band---not difficult yet
very effective. The
melody and solo space
(written-out solos)
feature alto and trumpet
and a nice interlude band
shout chorus. Lead
trumpet range is to
written B, above the
staff. (3:11) This title
is available in MakeMusic
Cloud.
Piano seul - Intermédiaire/avancé Alfred Publishing
By Dennis Alexander. For Piano. Piano Solo. SMP Level 7 (Late Intermediate); NFM...(+)
By Dennis Alexander. For
Piano. Piano Solo. SMP
Level 7 (Late
Intermediate); NFMC
Level: Moderately
Difficult Class 3. Sheet.
4 pages. Published by
Alfred Music Publishing
Easiest Piano Pieces by Frederic Chopin. Composed by Frederic Chopin (181...(+)
Easiest Piano Pieces
by Frederic Chopin.
Composed by Frederic
Chopin (1810-1849).
Edited by Wilhelm Ohmen.
Piano. Softcover. 52
pages. Schott Music
#ED22459-1. Published by
Schott Music
(HL.49045374).
Trumpet, Trombone and Piano - advanced SKU: CY.CC2528 Composed by John Fr...(+)
Trumpet, Trombone and
Piano - advanced
SKU:
CY.CC2528
Composed by
John Frith. Arranged by
John Frith. Contemporary.
Solo parts and piano
score. Published by
Cherry Classics
(CY.CC2528).
British
composer John Frith has
written an exiting new
work; Hot Pursuit for
Trumpet (parts in C and
B-flat), Trombone and
Piano for virtuoso
performers. The work of
about 5 minutes in length
is dedicated to Professor
John Marcellus of the
Eastman School of Music
and was premiered at the
school in 2010 during a
visit by the
composer.
Hot Pursuit
is composed in an A-B-A
format with a lyrical
middle section flanked by
a fast section marked
with giant leaps,
supersonic scales and
sharp attacks.
This
work can add a big boost
to your next recital.
From Terra Nostra.
Composed by Stacy Garrop.
Full score. Duration
3:15. Theodore Presser
Company #312-41902S.
Published by Theodore
Presser Company
(PR.31241902S).
UPC:
680160690589.
English.
Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
Composed
by Chen Yi. Premiere:
Paul Tobias, Cello, The
Women's Philharmonic,
conducted by Apo Hsu, San
Francisco, CA. Full
score. With Standard
notation. Composed 1998.
Duration 15 minutes.
Theodore Presser Company
#416-41203. Published by
Theodore Presser Company
(PR.416412030).
UPC:
680160091775. 8.5x11
inches.
El
eanor’s Gift
honors Eleanor
Roosevelt’s
tireless efforts in
advancing recognition of
individuals’rights
and freedoms,
commissioned for the 50th
anniversary of the
acceptance by the 48
nations of theUniversal
Declaration of Human
Rights. The composer was
written: In the concerto,
I express my deepsympathy
for the people,
especially for the women
who have suffered or are
suffering from violence
and illtreatment, who
don’t have the
rights and.
From Terra Nostra.
Composed by Stacy Garrop.
Set of Score and Parts.
Duration 3:15. Theodore
Presser Company
#312-41902A. Published by
Theodore Presser Company
(PR.31241902A).
UPC:
680160690510.
English.
Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
Piano SKU: HL.49046444 50 Little Piano Pieces from Baroque to Modern M...(+)
Piano
SKU:
HL.49046444
50
Little Piano Pieces from
Baroque to Modern Music
Easy. Edited by
Hans-Gü and nter
Heumann. Piano
Collection. Classical.
Softcover. 72 pages.
Schott Music #ED23199.
Published by Schott Music
(HL.49046444).
UPC:
840126925142.
The
three-volume collection
Mini Maestro presents
little piano pieces
advancing progressively
from very easy to
intermediate level,
presented in
chronological order
across five centuries
from the Baroque,
Classical, Romantic and
Modern eras through to
jazz, pop and minimal
music. At the end of each
volume - under the
heading More fun to play
together - there are
three additional pieces
for piano duet. All the
pieces are easy to learn
and offer varied
repertoire as an ideal
supplement to any piano
tutorial method with
music suitable for
concert performance,
tuition purposes,
examinations and
competitions. Book 2
contains pieces with an
extended range of two
octaves and chord
sequences with three or
four parts, including
inversions. Other
features include using
the pedal, simple
ornaments, basic
polyphony,
differentiating melody
and accompaniment, pieces
in majorand minor keys
with key signatures of up
to two sharps or
flats.
Piano SKU: BR.EB-8937 Urtext. Composed by Christoph Graupner. Solo...(+)
Piano
SKU:
BR.EB-8937
Urtext. Composed
by Christoph Graupner.
Solo instruments. Edition
Breitkopf. Suite;
Baroque. Score. Breitkopf
and Haertel #EB 8937.
Published by Breitkopf
and Haertel (BR.EB-8937).
ISBN 9790004186046. 0
x 0 inches.
Given
that hardly any printed
collections of new
keyboard music were
offered in Germany in the
first decades of the 18th
century, Christoph
Graupner's eight Partien
auf das Clavier ,
published in 1718, marked
a new beginning. The
suites are arranged
according to an ascending
sequence of notes and
generally follow the
scheme Allemande -
Courante - Sarabande -
Gigue, but this order is
repeatedly broken, also
by movements that are
rather unusual for a
suite. The focus is on
the characteristics of
the individual movements
and the joy of playing
with figures typical for
the movement or
instrument, as well as on
challenging playing
techniques, such as hand
changes in runs
(passaggi), wide-ranging
chord breaks and the use
of the thumb, which was
not very common at the
time. In this respect,
Graupner's suites offer
not so much a formal
advancement, but rather
an expansion of the
demands of playing
technique. Although
several CD recordings of
these suites already
exist, this volume
constitutes the first
modern Urtext edition.
Complementing her
scholarly activities, the
editor Genevieve Soly
provides important
impulses on performance
practice in the preface,
especially on the
execution of the passaggi
and the ornamentation,
thus opening up the view
on her activity as a
harpsichordist.
Ministry of Winds Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band (Score & Parts) - Grade 3 SKU: HL.44011055 Composed by Jacob...(+)
Concert Band (Score &
Parts) - Grade 3
SKU:
HL.44011055
Composed
by Jacob De Haan. De
Haske Concert Band.
Concert Piece. Set (Score
& Parts). Composed 2010.
De Haske Publications
#1104939010. Published by
De Haske Publications
(HL.44011055).
Ministry of
Winds provides some
interesting food for
thought that Jacob de
Haan translates into
music. What if there was
a Ministry of Winds? It
would be in charge of the
advancement and
dissemination of music
throughout the nation, as
well as strengthening the
state through music and
providing its citizens
with entertainment,
support, comfort and joy.
All these aspects are
mirrored in Jacob de
Haan's composition,
culminating in all the
joy and happiness the
creation of this ministry
has provided to the
people.
Ministr
y of Winds is een
interessant hersenspinsel
van Jacob de Haan dat hij
omzette in muziek: hoe
zou het zijn, als we een
ministerie van
blaasmuziek hadden? Met
als taak de promotie en
de verspreiding van
muziek in het land?Zo'n
ministerie zou het land
een echt groepsgevoel
kunnen geven en de
burgers amusement,
kracht, trots en geluk
brengen. Al deze aspecten
komen terug in deze
compositie van Jacob de
Haan. Een compositie
waarin het volk
jubeltover het geluk dat
hen ten deel is gevallen
door de inspanningen van
het
ministerie!
Minist
ry of Winds ist ein
interessantes
Gedankenspiel, das Jacob
de Haan in Musik
umsetzte: Was ware, wenn
es ein Ministerium
für Blasmusik gabe?
Dessen Aufgabe ware die
Forderung und Verbreitung
der Musik im Staat, aber
auch durch die Musik den
Staat zu festigen und den
Bürgern
Unterhaltung, Kraft,
Trost und Glück zu
bringen. All diese
Aspekte spiegeln sich in
Jacob de Haans
Komposition wider, an
deren Ende das Volk
über das
Glück, das ihnen
durch das Schaff en des
Ministeriums zuteil
geworden ist,
jubelt!
The
Ministry of Winds est
une œuvre puissante
et solidement charpentee.
Elle alterne des passages
intenses et lyriques, et
un charmant theme baroque
qui se glisse avec
legerete a travers la
texture musicale.
L'œuvre contient
plusieurs motifs
recurrents. Peu a peu, la
trame prend la forme
d'une melodie
pentatonique
partiellement celtique.
Le tableau final est
eclatant.
Ministry of Winds
e un brano potente che
alterna passaggi intensi
e lirici a un piacevole
tema barocco che scivola
con leggerezza attraverso
la tessitura musicale. Il
brano contiene alcuni
motivi ricorrenti.
Procedendo
nell'esecuzione, la trama
assume la forma di una
melodia pentatonica dagli
accenti celtici, fino al
sorprendente finale.
Piano SKU: HL.49046443 50 Little Piano Pieces from Baroque to Modern M...(+)
Piano
SKU:
HL.49046443
50
Little Piano Pieces from
Baroque to Modern Music
Very Easy. Edited by
Hans-Gü and nter
Heumann. Piano
Collection. Classical.
Softcover. 64 pages.
Schott Music #ED23198.
Published by Schott Music
(HL.49046443).
ISBN
9783795719067. UPC:
840126925128.
The
three-volume collection
Mini Maestro presents
little piano pieces
advancing progressively
from very easy to
intermediate level,
presented in
chronological order
across five centuries
from the Baroque,
Classical, Romantic and
Modern eras through to
jazz, pop and minimal
music. At the end of each
volume - under the
heading More fun to play
together - there are
three additional pieces
for piano duet. All the
pieces are easy to learn
and offer varied
repertoire as an ideal
supplement to any piano
tutorial method with
music suitable for
concert performance,
tuition purposes,
examinations and
competitions. Book 1
contains pieces in the
five-finger range at
various pitches, followed
by pieces spanning an
octave range with simple
rhythms and easy chord
sequences. Also featured
are differing styles of
articulation, melody in
the left hand, octave or
ottava signs, pieces in
major and minor keys with
key signatures of up to
one sharp or flat.