SKU: BR.BV-349

Briefe 1944-1951. Composed by Hanns Eisler. Edited by Jurgen Schebera and Maren Koster. Hardback. Buchverlag Breitkopf & Hartel (Music Books). Early modern; Music post-1945. Complete Works. 512 pages. Breitkopf and Haertel #BV 349. Published by Breitkopf and Haertel (BR.BV-349).

ISBN 9783765103490. 5.5 x 8.5 inches. German.

Editorial BoardThomas Phleps (Music), Georg Witte (Writings)Editorial MembersMusic: Oliver Dahin / Johannes C. Gall, Writings: Maren KosterEditorial CommitteeMusic: Hartmut Fladt, Werner Grunzweig, Elmar Juchem, Roland Kluttig, Giselher SchubertWritings: Albrecht Betz, Albrecht Riethmuller, Jurgen Schebera, Friederike WissmannThe editorial works are supported by the Deutsche Forschungsgemeinschaft.Sp ecial volumes are made possible with the support of the following foundations:Klockner-Stif tung, Lotto-Stiftung, Hanns und Steffy Eisler StiftungThe goal of the Hanns Eisler Complete Edition (HEGA) is to present to the public all available compositions, writings and letters in an appropriately scholarly form. It takes a historico-critical approach and seeks to document the history of the works and writings by shedding light on their transformations, thus identifying the various versions as witnesses of evolving aesthetic and historical positions. Eislers complete oeuvre (only a limited number of his works had penetrated the publics awareness up until the 1990s) first became the object of an editorial undertaking when the Eisler - Gesammelte Werke (EGW) was founded by Nathan Notowicz. It was later placed under the direction of Manfred Grabs and Eberhardt Klemm, and began issuing its publications in 1968 through the intermediary of the Deutscher Verlag fur Musik in Leipzig. However, only four volumes of music and five volumes of writings were published. The Hanns Eisler Complete Edition pursues the work begun at that time, although it has had to fundamentally revise its editorial principles. In this respect, the Hanns Eisler Complete Edition can be considered as a completely new editorial undertaking. It became necessary to reconceive the organization of the volumes and series as well as the editorial guidelines in order to adapt the standards of historico-critical editing generally applicable today to the specific and sometimes singular circumstances of Eislers works.The Critical Commentaries pertaining to the main volumes follow the music section or, whenever they are too extensive, appear in a special volume.Series I: Choral MusicSeries II: Music for Voice and Instrumental Ensemble or OrchestraSeries III: Music for Voice and PianoSeries IV: Instrumental MusicSeries V: Incidental MusicSeries VI: Film MusicSeries VII: Sketches and FragmentsSeries VIII: Arrangements of works by other composersSeries IX: Writings, Letters and InterviewsSON 501 has been awarded the German Music Edition Prize 2003.SON 502 has been awarded the German Music Edition Prize 2007.

The major upheavals that transformed society and musical aesthetics during the first half of the 20th century also profoundly affected the life of Hanns Eisler, as well as his compositions and writings. The importance and scope of Eislers oeuvre are reason enough to make his works accessible to musical scholarship and practice in a comprehensive fashion. Price reduction for a subscription.

Orchestra

SKU: BR.SON-509

Filmmusik zu Nuit et brouillard. Composed by Hanns Eisler. Edited by Knud Breyer and Oliver Dahin. Hardback. Complete Works. Early modern; Music post-1945. Complete Works. 156 pages. Breitkopf and Haertel #SON 509. Published by Breitkopf and Haertel (BR.SON-509).

ISBN 9790004803318. 10 x 12.5 inches.

Editorial BoardThomas Phleps (Music), Georg Witte (Writings)Editorial MembersMusic: Oliver Dahin / Johannes C. Gall, Writings: Maren KosterEditorial CommitteeMusic: Hartmut Fladt, Werner Grunzweig, Elmar Juchem, Roland Kluttig, Giselher SchubertWritings: Albrecht Betz, Albrecht Riethmuller, Jurgen Schebera, Friederike WissmannThe editorial works are supported by the Deutsche Forschungsgemeinschaft.Sp ecial volumes are made possible with the support of the following foundations:Klockner-Stif tung, Lotto-Stiftung, Hanns und Steffy Eisler StiftungThe goal of the Hanns Eisler Complete Edition (HEGA) is to present to the public all available compositions, writings and letters in an appropriately scholarly form. It takes a historico-critical approach and seeks to document the history of the works and writings by shedding light on their transformations, thus identifying the various versions as witnesses of evolving aesthetic and historical positions. Eislers complete oeuvre (only a limited number of his works had penetrated the publics awareness up until the 1990s) first became the object of an editorial undertaking when the Eisler - Gesammelte Werke (EGW) was founded by Nathan Notowicz. It was later placed under the direction of Manfred Grabs and Eberhardt Klemm, and began issuing its publications in 1968 through the intermediary of the Deutscher Verlag fur Musik in Leipzig. However, only four volumes of music and five volumes of writings were published. The Hanns Eisler Complete Edition pursues the work begun at that time, although it has had to fundamentally revise its editorial principles. In this respect, the Hanns Eisler Complete Edition can be considered as a completely new editorial undertaking. It became necessary to reconceive the organization of the volumes and series as well as the editorial guidelines in order to adapt the standards of historico-critical editing generally applicable today to the specific and sometimes singular circumstances of Eislers works.The Critical Commentaries pertaining to the main volumes follow the music section or, whenever they are too extensive, appear in a special volume.Series I: Choral MusicSeries II: Music for Voice and Instrumental Ensemble or OrchestraSeries III: Music for Voice and PianoSeries IV: Instrumental MusicSeries V: Incidental MusicSeries VI: Film MusicSeries VII: Sketches and FragmentsSeries VIII: Arrangements of works by other composersSeries IX: Writings, Letters and InterviewsSON 501 has been awarded the German Music Edition Prize 2003.SON 502 has been awarded the German Music Edition Prize 2007.

The major upheavals that transformed society and musical aesthetics during the first half of the 20th century also profoundly affected the life of Hanns Eisler, as well as his compositions and writings. The importance and scope of Eislers oeuvre are reason enough to make his works accessible to musical scholarship and practice in a comprehensive fashion. Price reduction for a subscription.

SKU: BR.BV-348

Briefe 1907-1943. Composed by Hanns Eisler. Edited by J. Schebera and M. Koster. Hardback. Buchverlag Breitkopf & Hartel (Music Books). Early modern; Music post-1945. Complete Works. 560 pages. Breitkopf and Haertel #BV 348. Published by Breitkopf and Haertel (BR.BV-348).

ISBN 9783765103483. 5.5 x 8.5 inches. German.

Editorial BoardThomas Phleps (Music), Georg Witte (Writings)Editorial MembersMusic: Oliver Dahin / Johannes C. Gall, Writings: Maren KosterEditorial CommitteeMusic: Hartmut Fladt, Werner Grunzweig, Elmar Juchem, Roland Kluttig, Giselher SchubertWritings: Albrecht Betz, Albrecht Riethmuller, Jurgen Schebera, Friederike WissmannThe editorial works are supported by the Deutsche Forschungsgemeinschaft.Sp ecial volumes are made possible with the support of the following foundations:Klockner-Stif tung, Lotto-Stiftung, Hanns und Steffy Eisler StiftungThe goal of the Hanns Eisler Complete Edition (HEGA) is to present to the public all available compositions, writings and letters in an appropriately scholarly form. It takes a historico-critical approach and seeks to document the history of the works and writings by shedding light on their transformations, thus identifying the various versions as witnesses of evolving aesthetic and historical positions. Eislers complete oeuvre (only a limited number of his works had penetrated the publics awareness up until the 1990s) first became the object of an editorial undertaking when the Eisler - Gesammelte Werke (EGW) was founded by Nathan Notowicz. It was later placed under the direction of Manfred Grabs and Eberhardt Klemm, and began issuing its publications in 1968 through the intermediary of the Deutscher Verlag fur Musik in Leipzig. However, only four volumes of music and five volumes of writings were published. The Hanns Eisler Complete Edition pursues the work begun at that time, although it has had to fundamentally revise its editorial principles. In this respect, the Hanns Eisler Complete Edition can be considered as a completely new editorial undertaking. It became necessary to reconceive the organization of the volumes and series as well as the editorial guidelines in order to adapt the standards of historico-critical editing generally applicable today to the specific and sometimes singular circumstances of Eislers works.The Critical Commentaries pertaining to the main volumes follow the music section or, whenever they are too extensive, appear in a special volume.Series I: Choral MusicSeries II: Music for Voice and Instrumental Ensemble or OrchestraSeries III: Music for Voice and PianoSeries IV: Instrumental MusicSeries V: Incidental MusicSeries VI: Film MusicSeries VII: Sketches and FragmentsSeries VIII: Arrangements of works by other composersSeries IX: Writings, Letters and InterviewsSON 501 has been awarded the German Music Edition Prize 2003.SON 502 has been awarded the German Music Edition Prize 2007.

The major upheavals that transformed society and musical aesthetics during the first half of the 20th century also profoundly affected the life of Hanns Eisler, as well as his compositions and writings. The importance and scope of Eislers oeuvre are reason enough to make his works accessible to musical scholarship and practice in a comprehensive fashion. Price reduction for a subscription.

SKU: BR.SON-505

Die Rundkopfe u.die Spitzkopfe. Composed by Hanns Eisler. Edited by Th. und A. Dumling Ahrend. Softbound. Complete Works.

The major upheavals that transformed society and musical aesthetics during the first half of the 20th century also profoundly affected the life of Hanns Eisler, as well as his compositions and writings. The importance and scope of Eislers oeuvre are re. Early modern; Music post-1945. Complete Works. 156 pages. Breitkopf and Haertel #SON 505. Published by Breitkopf and Haertel (BR.SON-505).

ISBN 9790004802441. 6.5 x 9.5 inches. German.

Editorial BoardThomas Phleps (Music), Georg Witte (Writings)Editorial MembersMusic: Oliver Dahin / Johannes C. Gall, Writings: Maren KosterEditorial CommitteeMusic: Hartmut Fladt, Werner Grunzweig, Elmar Juchem, Roland Kluttig, Giselher SchubertWritings: Albrecht Betz, Albrecht Riethmuller, Jurgen Schebera, Friederike WissmannThe editorial works are supported by the Deutsche Forschungsgemeinschaft.Sp ecial volumes are made possible with the support of the following foundations:Klockner-Stif tung, Lotto-Stiftung, Hanns und Steffy Eisler StiftungThe goal of the Hanns Eisler Complete Edition (HEGA) is to present to the public all available compositions, writings and letters in an appropriately scholarly form. It takes a historico-critical approach and seeks to document the history of the works and writings by shedding light on their transformations, thus identifying the various versions as witnesses of evolving aesthetic and historical positions. Eislers complete oeuvre (only a limited number of his works had penetrated the publics awareness up until the 1990s) first became the object of an editorial undertaking when the Eisler - Gesammelte Werke (EGW) was founded by Nathan Notowicz. It was later placed under the direction of Manfred Grabs and Eberhardt Klemm, and began issuing its publications in 1968 through the intermediary of the Deutscher Verlag fur Musik in Leipzig. However, only four volumes of music and five volumes of writings were published. The Hanns Eisler Complete Edition pursues the work begun at that time, although it has had to fundamentally revise its editorial principles. In this respect, the Hanns Eisler Complete Edition can be considered as a completely new editorial undertaking. It became necessary to reconceive the organization of the volumes and series as well as the editorial guidelines in order to adapt the standards of historico-critical editing generally applicable today to the specific and sometimes singular circumstances of Eislers works.The Critical Commentaries pertaining to the main volumes follow the music section or, whenever they are too extensive, appear in a special volume.Series I: Choral MusicSeries II: Music for Voice and Instrumental Ensemble or OrchestraSeries III: Music for Voice and PianoSeries IV: Instrumental MusicSeries V: Incidental MusicSeries VI: Film MusicSeries VII: Sketches and FragmentsSeries VIII: Arrangements of works by other composersSeries IX: Writings, Letters and InterviewsSON 501 has been awarded the German Music Edition Prize 2003.SON 502 has been awarded the German Music Edition Prize 2007.

The major upheavals that transformed society and musical aesthetics during the first half of the 20th century also profoundly affected the life of Hanns Eisler, as well as his compositions and writings. The importance and scope of Eislers oeuvre are reason enough to make his works accessible to musical scholarship and practice in a comprehensive fashion. Price reduction for a subscription.

Cello and piano

SKU: M7.SAE-35-01

Composed by Cesar Auguste Jean Guillaume Hubert Franck. Arranged by Lucian Moraru. Sheet music. Piano reduction with solo part. SonArt Edition #SAE 35-01. Published by SonArt Edition (M7.SAE-35-01).

ISBN 9790707665367.

This is a unique arrangement for cello and piano, a work that preserves the beauty of the original work, an master piece for sacred music, but at the same time different in essence due to the creative and innovative flavour that was introduced in orchestration on this occasion. The piece has been carefully adapted to suit the technical needs of each instrument, being a smart choice for players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.

Guitar - Level 2

SKU: LM.25360

Composed by Frederic Vitiello. Classical. Score. 39 pages. Editions Henry Lemoine #25360. Published by Editions Henry Lemoine (LM.25360).

ISBN 9790230953603.

ARRO S (d') : Le Voilier - Le Phare - BAUDOUIN : Divertissement - Compere qu'as-tu vu (adaptation) - Valse lente - BAUMANN : Rouge vif - BERNAUD : Hexacorda - BILLET Jean-Pierre : Lima-Hong - Trois petits lapins dans la lune - BOISGARD : L'Ami harmonique - BRUN : Dans les couleurs de l'Arc-en-ciel - Dans le bleu du ciel - Dans la nuit etoilee - CASTAIN : Paresse valse - CASTEREDE : Simple valse - En ecoutant tomber la pluie - COUASNON : Chanson retro - Pour faire sonner la guitare - COURTIN : Histoire ancienne - CROUSIER : Le Pinson et le loup - La Marche des pingouins - DAMASE : Chanson - DEMILLAC Y : Promenade - Jeux - DEMILLAC F.P. : La Plaintive - DUMOND : 13 syllabes, 3 mots, 4 phrases et 1 impro - FABIANI : Le Cheval de bois - Histoire a ecouter - FOURCHOTTE : Cancion primera para ninos - FRANCE : Au-dela de l'ile - Glissades - Dabo-Abac - FRANCERIES : Tristesse - GRIVEL : Deux histoires courtes - HUBERT : Deux petites pieces pour une guitare presque neuve - KLEYNJANS : Le Petit Soldat de plomb - LAJARRIGE : Impression - LANCEN : Aux debutants (piece n. 1) - Aux debutants (piece n. 2) - LARC'HANTEC : La Valse du kangourou - Barcarolle - LARGE : Blues mineur - MALDONADO : Laetitia - Indiana - MARCHAL : Ballade d'octobre - MORANCON : Deux petites arabesques - NARVAEZ : Petit poisson - Berceuse de la mere qui a perdu son enfant - PIRIS : La Chanson paresseuse - RENAULT : M'en allant promener - Le Vieux Manoir - Petite valse - VITIELLO : Danse primitive.

23 Volumes in Slipcase Study Score. Composed by Franz Joseph Haydn. Edited by Andreas Friesenhagen, Gernot Gruber, Hiroshi Nakano, Horst Walter, Hubert Unverricht, Klaus Lippe, Robert von Zahn, and Sonja Gerlach. Henle Study Scores. Classical, Orchestra. Softcover. G. Henle #HN9049. Published by G. Henle

Clarinet - Preparatory

SKU: FH.WC0

Clarinet Series, 2013 Edition. Composed by The Royal Conservatory. Clarinet Series, 2013 Edition. Book/CD. 24/8 pages. The Frederick Harris Music Company #WC0. Published by The Frederick Harris Music Company (FH.WC0).

ISBN 978-1-55440-576-3.

This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.
Technical Repertoire:
Gigue - Georg Philipp Telemann, arr. Jason Noble
Bouree anglaise - George Frideric Handel, arr. Stephen Chatman
Computer Game - Paul Harris
Wolsey's Wilde - William Byrd, arr. Jason Noble
Mairi's Wedding (Lewis Bridal Song) - Traditional Gaelic melody, arr. Christine Donkin
Polka-dot Rag - Jazz standard, arr. Paul Harris
The King's March, T 432 - Jeremiah Clarke, arr. Jason Noble
Lyrical Repertoire:
Austrian Hymn (Gott erhalte Franz den Kaiser), Hob. XXVIa: 43 - Franz Joseph Haydn, arr. Jason Noble
The Huron Carol - 16th-century French, arr. Martin van de Ven
Air, from The Double Dealer - Henry Purcell, arr. James Rae
Reverie - Claude Debussy, arr. Jason Noble
Ode to Newfoundland - Hubert Parry, arr. Christine Donkin
Londonderry Air - Irish folk song, arr. Harold Birston
Tumbalalaika - Jewish folk song, arr. Martin van de Ven and Christine Donkin.

Composed by Robert Lowry. Arranged by Hubert Bird. For SATB chorus, a cappella. Hymn. The Thomas Brooks Choral Series. General, Choral. Octavo. Text Language: English. Published by Schaffner Publishing Company

(Haydn Complete Edition, Series XIV, Vol. 2 Paperbound Score). Composed by Franz Joseph Haydn (1732-1809). Edited by Hubert Unverricht. Score. Henle Complete Edition. Softcover. 52 pages. G. Henle #HN5373. Published by G. Henle

Handbells (3-5 octaves) - Level 2

SKU: LO.HB353

Composed by Douglas E. Wagner. Chapel Bell Series. Sacred. Handbell score. Lorenz Publishing Company #HB353. Published by Lorenz Publishing Company (LO.HB353).

UPC: 000308009439.

3-5 octaves. General. Medium. Touted as Britain's second national anthem, this stately tune by C. Hubert H. Parry transcribes naturally for handbells and will be welcomed in church, concert or festival settings.

Concert Band/Harmonie - Grade 3

SKU: BT.AMP-106-010

Composed by Charles Hubert Hastings Parry. Arranged by Philip Sparke. Anglo Music Midway Series. Concert Piece. Set (Score & Parts). Composed 2004. Anglo Music Press #AMP 106-010. Published by Anglo Music Press (BT.AMP-106-010).

Everyone will instantly recognize this great patriotic hymn that is often thought of as the second English national anthem. This concert band arrangement by Philip Sparke is sure to be used over and over again at your band’s performances. Your audience will not be able to help themselves from joining in with this rousing song everytime you use it as the final item in any concert.

Bachs Anstellung im Jahr 1723 als Kantor der Thomaskirche in Leipzig brachte die Verpflichtung mit sich, für jeden Sonntagsgottesdienst eine neue Kantate zu schreiben. Der Choral Jesus bleibet meine Freude umfasst beide Teile der Kantate und ist ungewöhnlich kunstvoll ausgearbeitet, mehr wie eine der Arien denn eine Kantate. Philip Sparkes Transkription dieses beliebten Kantatensatzes ist eine wahre Bereicherung Ihres Repertoires.

Composed by Walter Kitteridge. Arranged by Hubert Bird. The Thomas Brooks Choral Series. Published by Schaffner Publishing Company (SC.001175).

Haydn Complete Edition, Series IV Clothbound Score. Composed by Franz Joseph Haydn (1732-1809). Edited by Hubert Unverricht. Henle Complete Edition. Classical. Score (clothbound). 96 pages. G. Henle #HN5212. Published by G. Henle (HL.51485212).

Fanfare Band - Grade 3

SKU: BT.AMP-106-120

Composed by Charles Hubert Hastings Parry. Arranged by Philip Sparke. Anglo Music Midway Series. Festive and Solemn Music. Score Only. Composed 2004. Anglo Music Press #AMP 106-120. Published by Anglo Music Press (BT.AMP-106-120).

Everyone will instantly recognize this great patriotic hymn that is often thought of as the second English national anthem. This fanfare band arrangement by Philip Sparke is sure to be used over and over again at your band’s performances. Your audience will not be able to help themselves from joining in with this rousing song everytime you use it as the final item in any concer

Bachs Anstellung im Jahr 1723 als Kantor der Thomaskirche in Leipzig brachte die Verpflichtung mit sich, für jeden Sonntagsgottesdienst eine neue Kantate zu schreiben. Der Choral Jesus bleibet meine Freude umfasst beide Teile der Kantate und ist ungewöhnlich kunstvoll ausgearbeitet, mehr wie eine der Arien denn eine Kantate. Philip Sparkes Transkription dieses beliebten Kantatensatzes ist eine wahre Bereicherung Ihres Repertoires.

(Haydn Complete Edition, Series XIV, Vol. 3 Paperbound Score). Composed by Franz Joseph Haydn (1732-1809). Edited by Hubert Unverricht. Score. Henle Complete Edition. Hardcover. 56 pages. G. Henle #HN5383. Published by G. Henle

Composed by Robert Lowry. Arranged by Hubert Bird. For SATB chorus, a cappella. Hymn. The Thomas Brooks Choral Series. General, Choral. Octavo. Text Language: English. Published by Schaffner Publishing Company

SATB a cappella. By Charles Hubert Hastings Parry. (SATB a cappella). Faber Program Series. 32 pages. Published by Faber.

(Haydn Complete Edition, Series IV Paperbound Score). Composed by Franz Joseph Haydn (1732-1809). Edited by Hubert Unverricht. Score. Henle Complete Edition. Hardcover. 48 pages. G. Henle #HN5213. Published by G. Henle

Guitars solo

SKU: BR.KM-2491

Composed by Nicolaus A. Huber. Solo instruments; Folder. Kammermusik-Bibliothek (Chamber Music Library).

World premiere: Stuttgart (Festival eclat), February 3, 2002

Music post-1945; New music (post-2000). Performance score. Composed 2001. 36 pages. Duration 14'. Breitkopf and Haertel #KM 2491. Published by Breitkopf and Haertel (BR.KM-2491).

ISBN 9790004502945. 11.5 x 16.5 inches.

For many years, I have been repeatedly asked by solo guitarists and guitar duos to write pieces for them. The Aleph Guitar Quartet and I have finally brought it off! The piece is called Der entkommene Orpheus (The Escaped Orpheus).In the old equal rights movement everything was treated as equally as possible, right from the beginning. The tones felt democratically happy. Only discontent found cause to complain. It ultimately hated this complex explicitness. The meaning, also in cases of definite tendencies in the piece, should never be able to lead a definite life. This piece, naturally, is just a tiny contribution!In the myth, Orpheus even enchanted stones and trees, turned around too soon to look at his beloved Eurydice (just think of the punctuality fanatic Schonberg - at least according to Richard Buhlig), refused the service of Dionysus - and he, who had plucked the strings of the lyre his whole life long, was now himself torn up by the Thracian Maenads as a punishment. But his head and his lyre floated over the sea and landed on Lesbos. A string is a string is a side!!!Like a coded word, this text is placed at the service of the varied role of the organiser of New Music. Like an equation. Shouldn't an organiser ever actually turn around towards a lover, so that the Furies of present-day responsibility do not drive him into a state of inner conflict?Nicolaus A. HuberTranslation: David Babcock (CD NEOS, 2017)

World premiere: Stuttgart (Festival eclat), February 3, 2002.