Double bass, orchestra (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib...(+)
Double bass, orchestra
(solo: db - 0.2.2.2.(bsn
ad lib.) - 2.2.0.0 -
timp(ad lib.) - hps -
str(vl obl))
SKU:
BR.OB-15114-03
With violino obbligato
- Urtext. Composed by
Franz Anton Hoffmeister.
Edited by Tobias
Glockler. Solo concerto.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical. Solo
part. 4 pages. Duration
18'. Breitkopf and
Haertel #OB 15114-03.
Published by Breitkopf
and Haertel
(BR.OB-15114-03).
ISBN
9790004339763. 10 x 12.5
inches.
Thanks to
its imaginative richness
and sterling writing,
Hoffmeister's Double Bass
Concerto No. 1 has
advanced to the rank of a
popular audition
concerto. But when
compared with the
transmitted sources, the
previously available
first edition of 1966
proved to be filled with
errors. Tobias Glockler,
double-bass player of the
Dresdner Philharmonie,
now presents a reliable
Urtext in this edition.
Through his competence as
an instrumentalist, he
even goes considerably
further and offers
various performance
possibilities: the solo
part can be played not
only in solo and
orchestral tuning, but
also in the historical
Viennese tuning. The
C-major version, which is
offered on hire, allows
performances in
orchestral tuning. The
orchestral material in D
major (sales material) is
suited to the other two
tunings. A beautiful and
easy to read score,
elegantly laid-out and
with illuminating and
informative preface
notes. This concerto is
among our most beautiful
classical concerti,
lyrical and inventive. It
is a great pleasure to
see our classical
repertoire appear in such
critical editions. (Rob
Nairn in Bass World).
Deep Field Chorale, Orchestre [Conducteur] - Intermédiaire Hal Leonard
For Wind Ensemble, Choir, and Smartphone App Complete Score. Composed by Eric ...(+)
For Wind Ensemble, Choir,
and
Smartphone App Complete
Score.
Composed by Eric Whitacre
(1970-). Eric Whitacre
Concert
Band. Classical.
Softcover.
Duration 269 seconds.
Published by Hal Leonard
Orchestra Solo soprano voice, solo tenor voice, SATB chorus (div.), 2 Fl, 2 Ob, ...(+)
Orchestra Solo soprano
voice, solo tenor voice,
SATB chorus (div.), 2 Fl,
2 Ob, 2 Clt, 2 Fg, 4 Cor,
2 Tr, 3 Trb, Oficleide
(Tb), Timp, Arpa, 2 Vl,
Va, Vc, Cb - Grade 3
SKU: CA.2718727
Composed by Georges
Bizet. Edited by Marc
Rigaudière. Single
Part, bassoon 1. Composed
1858. 8 pages. Duration
20 minutes. Carus Verlag
#2718727. Published by
Carus Verlag
(CA.2718727).
Latin.
As an
acclaimed opera composer,
Georges Bizet admitted
that he had no real
sensibility for sacred
music. His Te Deum is
nonetheless a truly
fascinating and highly
expressive work. From the
majestic “Te Deum
laudamusâ€, to the
skillful choral fugue of
“Fiat misericordia
tuaâ€, and the
opening's powerful
recapitulation, the
composition shows no
trace of the difficulties
that beset the young
Bizet by his own
admission before he
finally completed the
work in 1858.
In
the extensive trilingual
preface to this Urtext
edition, editor Marc
Rigaudière illuminates
the circumstances
surrounding the
composition of the Te
Deum, a work which
occupies a singular
position in
Bizet’s œuvre.
The edition is based on
the composer’s
autograph score —
the work's only surviving
source. For the first
time, this work is
available with all
performance parts.
Composed by Stanford E. Scriven. For SATB choir divisi (a cappella). American Co...(+)
Composed by Stanford E.
Scriven. For SATB choir
divisi (a cappella).
American Colleges and
Universities Choral
Series. Catholic Year C
Baptism of Our Lord; Year
C Baptism of Our Lord.
Baptism of Our Lord,
Christmas. Medium.
Octavo. Published by
MorningStar Music
Publishers
Voice and piano SKU: BR.EB-8869 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8869
Repertoire
Collection. Composed
by Peter Anton Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf. Aria;
Opera; Classical;
Late-romantic.
Piano/Vocal Score. 168
pages. Breitkopf and
Haertel #EB 8869.
Published by Breitkopf
and Haertel (BR.EB-8869).
ISBN 9790004184592. 9
x 12 inches. German /
English.
Our goal
is to give the user a
modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton Ling
and Marina Sandel,
editors) OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance) with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available on CD with
volume 1 and 2, for
download under more
information to volume 3
and 4.
Wonderful
that these soprano
volumes from the OperAria
project are now available
to provide just the right
sort of assistance we
need. (Juliane Banse,
Patron Soprano).
TTBB choir and piano SKU: OU.9780193566958 Bendith Bendigeidfran. ...(+)
TTBB choir and piano
SKU:
OU.9780193566958
Bendith
Bendigeidfran.
Composed by Edward-Rhys
Harry. In the deep. Vocal
score. 12 pages. Duration
4.5'. Oxford University
Press #9780193566958.
Published by Oxford
University Press
(OU.9780193566958).
ISBN 9780193566958. 10
x 7 inches.
For
TTBB and piano A Blessing
for Bendigeidfran' is the
third movement of Four
Welsh Psalms. It was
recorded by the London
Welsh Male Voice Choir,
and this was chosen as
one of Classic FM's
'Platinum Performances'
in 2022. The stirring
melody illuminates the
inspiring lyrics in both
English and Welsh by
Grahame Davies.
Voice and piano SKU: BR.EB-8871 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8871
Repertoire
Collection. Composed
by Marina Sandel and
Peter Anton Ling. Edited
by Peter Anton Ling.
Voice; Softbound. Edition
Breitkopf.
Publication of
Vol. 1 is scheduled for
the first half of 2020,
Vol. 2 for the first half
of 2021.
Aria; Opera; Classical;
Late-romantic.
Piano/Vocal Score. 132
pages. Breitkopf and
Haertel #EB 8871.
Published by Breitkopf
and Haertel (BR.EB-8871).
ISBN 9790004184615. 9
x 12 inches. German /
English.
Una voce
poco profonda: Curtain up
for Trouser Roles and
HeroinesWhether the voice
is lyric light or heavy,
whether it can master
coloratura, perhaps even
has dramatic potential -
in the OperAria
mezzo-soprano and alto
volumes, singers with a
deeper voice and a
special talent for the
trouser role through to
the heroine find
everything they need for
their performance.
Throbbing of the heart?
Yes, that's simply part
of the game! Feeling
nervous? No, because
actually nothing can go
wrong with OperAria. The
best vocal coach for
auditions and current
theatre practice. Only
the voice needs to do its
bit. Toi, toi, toi!Our
goal is to give the user
a modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton Ling
and Marina Sandel,
editors)OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
One of
the most difficult
decisions for singers
(and their teachers!) is
finding the right
repertoire for the
present state of vocal
development. These three
volumes for mezzo-soprano
and alto provide a
magnificent orientation,
and are a great gift!
(Marilyn Schmiege, Patron
mezzosoprano, alto).
Paper Lanterns Orchestre d'harmonie - Débutant Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.49096S Composed by Peter Sciaino. Concer...(+)
Concert Band - Grade 1.5
SKU: AP.49096S
Composed by Peter
Sciaino. Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble. Alfred Debut
Series. Score. 20 pages.
Duration 2:15. Alfred
Music #00-49096S.
Published by Alfred Music
(AP.49096S).
ISBN
9781470646035. UPC:
038081564418.
English.
Conjuring
breathtaking images of
illuminated lanterns
floating through the
night sky, Peter
Sciaino's Paper Lanterns
is a delightful selection
that will capture the
imagination. Celebrated
on the 15th day of the
first Chinese lunar
month, the Lantern
Festival traditionally
marks the end of the
Chinese New Year. As the
sun goes down, families
will often go outside and
pay homage to the moon by
launching paper sky
lanterns (also called
Congaing lanterns) which
function like tiny hot
air balloons. Take your
audience to a place of
wonder and beauty with
this unique selection for
young band. (2:15) This
title available in
MakeMusic Cloud.
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola 1.
Sacred vocal music,
Cantatas, Holy Week.
Single Part, Viola 1.
Composed 1715(?). BWV 18.
8 pages. Duration 21
minutes. Carus Verlag #CV
31.018/11. Published by
Carus Verlag
(CA.3101811).
ISBN
9790007204846. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and part
available separately -
see item CA.3101800.
Choral (Score) SKU: HL.49019937 Mixed Choir and Organ. Composed by...(+)
Choral (Score)
SKU:
HL.49019937
Mixed
Choir and Organ.
Composed by John Casken.
This edition: Saddle
stitching. Sheet music.
Choral. General Worship,
Sacred. Softcover.
Composed 2012-2013. 30
pages. Duration 15'.
Schott Music #ED13536.
Published by Schott Music
(HL.49019937).
ISBN
9790220134159. UPC:
888680029135.
8.25x12.0x0.135 inches.
English. Choral Music of
Our Time.
John
Casken's Magnificat and
Nunc Dimittis was
commissioned to mark the
return of the Lindisfarne
Gospels to the North East
of England, where Casken
lives. The book, dating
from the 7th century, is
one of the finest
examples of Anglo-Saxon
Northumbrian illuminated
manuscript, containing
the oldest surviving
translation of the
Gospels into English. The
manuscript was produced
at a monastery on the
island of Lindisfarne but
is normally housed at the
British Library in
London, and its special
exhibition in the Palace
Green Library at Durham
was marked by a
summer-long celebration
of the arts. Casken's
Magnificat and Nunc
Dimittis is set in
English.
Voice and piano SKU: BR.EB-8872 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8872
Repertoire
Collection. Composed
by Marina Sandel and
Peter Anton Ling. Edited
by Peter Anton Ling.
Voice; Softbound. Edition
Breitkopf. Aria; Opera;
Classical; Late-romantic.
Piano/Vocal Score. 152
pages. Breitkopf and
Haertel #EB 8872.
Published by Breitkopf
and Haertel (BR.EB-8872).
ISBN 9790004184622. 9
x 12 inches. German /
English.
Una voce
poco profonda: Curtain up
for Trouser Roles and
HeroinesWhether the voice
is lyric light or heavy,
whether it can master
coloratura, perhaps even
has dramatic potential -
in the OperAria
mezzo-soprano and alto
volumes, singers with a
deeper voice and a
special talent for the
trouser role through to
the heroine find
everything they need for
their performance.
Throbbing of the heart?
Yes, that's simply part
of the game! Feeling
nervous? No, because
actually nothing can go
wrong with OperAria. The
best vocal coach for
auditions and current
theatre practice. Only
the voice needs to do its
bit. Toi, toi, toi!Our
goal is to give the user
a modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton Ling
and Marina Sandel,
editors)OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
One of
the most difficult
decisions for singers
(and their teachers!) is
finding the right
repertoire for the
present state of vocal
development. These three
volumes for mezzo-soprano
and alto provide a
magnificent orientation,
and are a great gift!
(Marilyn Schmiege, Patron
mezzosoprano, alto).
Flute and Orchestra SKU: HL.14021039 Composed by Sir Peter Maxwell Davies...(+)
Flute and Orchestra
SKU: HL.14021039
Composed by Sir Peter
Maxwell Davies. Music
Sales America. Classical.
Book [Softcover].
Composed 2005. 52 pages.
Chester Music #CH61596.
Published by Chester
Music (HL.14021039).
ISBN 9781844493425.
5.5x7.5x0.214
inches.
A dreamlike
and evocative work from
Peter Maxwell Davies for
flute and orchestra. The
piece captures the wonder
and sanctuary of the
composer's home,
surrounded by seabirds
and seals that fire the
imagination in childlike
ways, evoking images of
mermaids and angels.
Descriptive and inventive
orchestral colours
support and illuminate
the flute solo material
that is both tranquil and
highly virtuosic. The
piece was first performed
in May 1999 at the Royal
Concert Hall, Dublin.
Orchestra Solo soprano voice, solo tenor voice, SATB chorus (div.), 2 Fl, 2 Ob, ...(+)
Orchestra Solo soprano
voice, solo tenor voice,
SATB chorus (div.), 2 Fl,
2 Ob, 2 Clt, 2 Fg, 4 Cor,
2 Tr, 3 Trb, Oficleide
(Tb), Timp, Arpa, 2 Vl,
Va, Vc, Cb - Grade 3
SKU: CA.2718722
Composed by Georges
Bizet. Edited by Marc
Rigaudière. Single
Part, flute 2. Composed
1858. 8 pages. Duration
20 minutes. Carus Verlag
#2718722. Published by
Carus Verlag
(CA.2718722).
Latin.
As an
acclaimed opera composer,
Georges Bizet admitted
that he had no real
sensibility for sacred
music. His Te Deum is
nonetheless a truly
fascinating and highly
expressive work. From the
majestic “Te Deum
laudamusâ€, to the
skillful choral fugue of
“Fiat misericordia
tuaâ€, and the
opening's powerful
recapitulation, the
composition shows no
trace of the difficulties
that beset the young
Bizet by his own
admission before he
finally completed the
work in 1858.
In
the extensive trilingual
preface to this Urtext
edition, editor Marc
Rigaudière illuminates
the circumstances
surrounding the
composition of the Te
Deum, a work which
occupies a singular
position in
Bizet’s œuvre.
The edition is based on
the composer’s
autograph score —
the work's only surviving
source. For the first
time, this work is
available with all
performance parts.
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Holy Week. Set of
Orchestra Parts. Composed
1715(?). BWV 18. Duration
21 minutes. Carus Verlag
#CV 31.018/19. Published
by Carus Verlag
(CA.3101819).
ISBN
9790007204891. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and parts
available separately -
see item CA.3101800.
Voice and piano SKU: BR.EB-8874 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8874
Repertoire
Collection. Composed
by Peter Anton Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf. Aria;
Opera; Classical;
Late-romantic.
Piano/Vocal Score.
Breitkopf and Haertel #EB
8874. Published by
Breitkopf and Haertel
(BR.EB-8874).
ISBN
9790004184646. 9 x 12
inches. German /
English.
The Three
Tenors Are ComingOn the
opera stage, the tenor is
often the most eminent
protagonist. Whether as
ardent lover or tragic
hero, he is in the
limelight to show lyrical
sensitivity, sonorous
euphony and smoothness, a
maximum of nuances. The
vocal range creates high
expectations and provides
an extraordinary aura.The
three volumes for tenor
represent the grand
finale of the most
comprehensive collection
of repertoire for all
vocal genres, with 16
volumes.Our goal is to
give the user a
modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton
Ling, editors) OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance) with comments
on the arias information
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of view
with phonetic assistant
and text assistant aria
texts in the original
language spoken by native
speakers as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download.
For trombones and
band. Composed by
Harm Evers. Solo
Spectrum. March. Set
(Score & Parts). Composed
2005. De Haske
Publications #DHP
1053784-010. Published by
De Haske Publications
(BT.DHP-1053784-010).
English-German-French-
Dutch.
Halloween is
celebrated in many
countries around the
world on October 31.
Traditionally, children
go door-to-door dressed
up in costumes and
collect sweets and
treats. A hollowed out
pumpkin with a face
carved into it, called a
jack-o-lantern, is a
traditional symbol of
Halloween. Some
jack-o-lanterns have
scary faces, while others
have fun, whimsical
faces. The trombones in
this piece represent the
jack-o-lanterns with
their whimsical
faces—hence the
title The Funny Pumpkins.
Your trombone section
will have immense fun
with this new solo
feature.
In diesem
lustigen Stück von
Harm Evers stellen die
Posaunen die halb
gruseligen, halb
komischen Gesichter dar,
die zu Halloween aus
Kürbissen (englisch
'pumpkins') geschnitzt
werden. Ein leichter,
lebhafter Marsch 'mit
einem Augenzwinkern', der
nicht nur zu Halloween
für gute Stimmung
sorgt!
Band Concert Band - Grade 2 SKU: CF.YPS187 Composed by Peter Terry. SWS F...(+)
Band Concert Band - Grade
2
SKU: CF.YPS187
Composed by Peter Terry.
SWS FS. Carl Fischer
Young Performance Series.
Set of Score and Parts.
With Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+4+6+2+2+4+10+20
pages. Duration 3
minutes. Carl Fischer
Music #YPS187. Published
by Carl Fischer Music
(CF.YPS187).
ISBN
9781491147399. UPC:
680160904891. 9 x 12
inches. Key: D
minor.
In the
Odyssey, dreams come into
the world through one of
two gates. If they come
through the gates of
ivory they are false
dreams. However, if they
come into the world
through the gates of horn
they are true dreams that
tell the user of things
to be, or illuminate
truth. The Gates of Horn
is a dramatic piece for
band that alternates a
syncopated fanfare with a
bold, yet lyrical theme.
These contrasting ideas
chase each other
throughout the piece.
Composed
by Peteris Vasks. This
edition: Saddle
stitching. Sheet music.
Edition Schott. Score and
Parts. Composed 2004. 56
pages. Duration 25'.
Schott Music #ED9809.
Published by Schott Music
(HL.49033305).
ISBN
9790001137911. UPC:
884088408053.
9.0x12.0x0.202
inches.
String
Quartet No. 5 consists of
two contrasting
movements. The first
movement, being present,
immediately leads to an
atmosphere of high
emotional tension. The
prevailing atmospheric
elements of the music are
dramatic and passionate,
alternating with each
other like a
kaleidoscope. In contrast
to that, a second theme
is intoned three times -
an invitation, a memory
of the existence of
another world, a
light-house which
illuminates the twilight
in which we live so
often. But this
invitation remains
unheard. The first
movement concludes with
dissonances in the upper
register - a cry of utter
desperation.The second
movement, so distant ...
yet so near, is the calm,
unhurried vocal section
of the quartet. A
forgiving, loving look at
a world tortured by grief
and contradictions.
Gradually, the singing
becomes more personal,
more emotional and more
dramatic. The rhythmic
figure of a funeral march
in the recapitulation of
the second movement is a
gesture of loss.
Eventually, the quartet
loses itself in an
atmosphere of
light-filled grief.
Peteris Vask.
Orchestra Solo soprano voice, solo tenor voice, SATB chorus (div.), 2 Fl, 2 Ob, ...(+)
Orchestra Solo soprano
voice, solo tenor voice,
SATB chorus (div.), 2 Fl,
2 Ob, 2 Clt, 2 Fg, 4 Cor,
2 Tr, 3 Trb, Oficleide
(Tb), Timp, Arpa, 2 Vl,
Va, Vc, Cb - Grade 3
SKU: CA.2718732
Composed by Georges
Bizet. Edited by Marc
Rigaudière. Single
Part, horn 1. Composed
1858. 8 pages. Duration
20 minutes. Carus Verlag
#2718732. Published by
Carus Verlag
(CA.2718732).
Latin.
As an
acclaimed opera composer,
Georges Bizet admitted
that he had no real
sensibility for sacred
music. His Te Deum is
nonetheless a truly
fascinating and highly
expressive work. From the
majestic “Te Deum
laudamusâ€, to the
skillful choral fugue of
“Fiat misericordia
tuaâ€, and the
opening's powerful
recapitulation, the
composition shows no
trace of the difficulties
that beset the young
Bizet by his own
admission before he
finally completed the
work in 1858.
In
the extensive trilingual
preface to this Urtext
edition, editor Marc
Rigaudière illuminates
the circumstances
surrounding the
composition of the Te
Deum, a work which
occupies a singular
position in
Bizet’s œuvre.
The edition is based on
the composer’s
autograph score —
the work's only surviving
source. For the first
time, this work is
available with all
performance parts.
Oratorium.
Composed by Franz Joseph
Haydn. Edited by Wolfgang
Gersthofer. This edition:
urtext. Stuttgart Urtext
Edition: Joseph Haydn,
Sacred vocal music.
German title: Die
Schopfung. Innovative
practice aids, Sacred
vocal music, Oratorios,
Praise and thanks.
Individual part. Composed
1798. Hob. XXI:2. 44
pages. Duration 105
minutes. Carus Verlag #CV
51.990/14. Published by
Carus Verlag
(CA.5199014).
ISBN
9790007225490. Language:
German/English. Text: von
Swieten, Gottfried. Text:
Baron von
Swieten.
The
primary source on which
the new Carus Urtext
edition is based is the
first edition of the
score from 1800. Contrary
to normal custom, Haydn
published the score
himself in order to avoid
unauthorized publications
and to present an
optimally designed
edition from an authentic
hand. With this original
document, which has been
compared with additional
relevant sources, Carus
now offers a musical text
based on the latest
musicological findings.
The critical report
provides all of the
important data concerning
the edition in a compact
form suitable for
practical use [practical
performance]. A detailed
foreword offers insight
into the genesis of the
work, its construction
and reception and
illuminates compositional
and theological and
spiritual-historical
aspects. In addition to
the score, with singing
texts in two languages
(G. van Swieten's
original German and
English text), in the
interest of legibility,
vocal and choral scores
will be offered in two
separate editions (German
or English). This work is
now available in carus
music, the choir app.
Score and part available
separately - see item
CA.5199000.
SKU: GI.001105 Composed by G. E. Mullan. Children. Sacred. GIA Publicatio...(+)
SKU: GI.001105
Composed by G. E. Mullan.
Children. Sacred. GIA
Publications #001105.
Published by GIA
Publications (GI.001105).
English.
The
unique watercolor style
of San Antonio artist G.
E. Mullan is noted for
its lyrical line set
against an ordered and
complex geometry of
interdependent shapes.
His technique creates a
visual excitement that
involves the viewer and
invites close study of
the excellence of the
work. His religious
subjects incorporate the
historical traditions of
the Santos figures of
Mexico and the Southwest,
the illuminated
manuscripts of Western
Europe, and the icons and
mosaics of the Byzantine
style. 4in. x 9in.
Notecard.
Voice and piano SKU: BR.EB-8876 Repertoire Collection. Edited by P...(+)
Voice and piano
SKU:
BR.EB-8876
Repertoire
Collection. Edited by
Peter Anton Ling. Voice.
Edition Breitkopf. Aria;
Opera; Classical;
Late-romantic.
Piano/Vocal Score.
Breitkopf and Haertel #EB
8876. Published by
Breitkopf and Haertel
(BR.EB-8876).
ISBN
9790004184660. 0 x 0
inches. German /
English.
The Three
Tenors Are ComingOn the
opera stage, the tenor is
often the most eminent
protagonist. Whether as
ardent lover or tragic
hero, he is in the
limelight to show lyrical
sensitivity, sonorous
euphony and smoothness, a
maximum of nuances. The
vocal range creates high
expectations and provides
an extraordinary aura.The
three volumes for tenor
represent the grand
finale of the most
comprehensive collection
of repertoire for all
vocal genres, with 16
volumes.Our goal is to
give the user a
modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton
Ling, editors) OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance) with comments
on the arias information
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of view
with phonetic assistant
and text assistant aria
texts in the original
language spoken by native
speakers as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download.