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Bonis Mel - Soir Et Matin (1907) - Piano, Violon and Violoncelle
11.70
Bonis Mel - Soir Et Matin (1907) - Piano, Violon and Violoncelle
Piano Trio: piano, violon, violoncelle
Furore Verlag
Instrumentation: piano trio (violin, violoncello and piano) Edition: score and p...
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Instrumentation: piano trio (violin, violoncello and piano) Edition: score and parts editor: Eberhard Mayer Item no.: fue 4160 Difficulty: medium ISMN: 979-0-50012-916-5 Mel Bonis's music became more and more influenced by a highly refined impressionism over the years. Her work was enriched by new rhythmic innovations and willingly turned towards humour. Surely they belong to the most important chamber music compositions in French Post Romanticism and can greatly enrich today's concert programmes.
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X'Three for violoncello (KOSKELIN OLLI) (KOSKELIN OLLI)
16.20
X'Three for violoncello (KOSKELIN OLLI) (KOSKELIN OLLI)
Violoncelle
[Partition]
Fennica Gehrman
Par KOSKELIN OLLI. X'Three (2003/2021) by Olli Koskelin is the third piece of a ...
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Par KOSKELIN OLLI. X'Three (2003/2021) by Olli Koskelin is the third piece of a solo cello suite consisting of seven compositions. Each of the seven pieces can be performed individually or detached with other X'-compositions. Different works are yet to be performed chronologically. The X'-works are composed by using the same material viewed from many different angles. Their structure can be seen as a film starting several times from the beginning and from the same settings always looked from a new perspective. In some compositions of the X'-suite seemingly random fragments are joined together organically in other works of the suite. The story, tale, or plot of the music and the gestures and figures of it trans-form in a new context but remain identifiable. Olli Koskelin's (born 16 April 1955) compositional output reflects a wide range of interests. The vast area covered by his style encompasses the neo-impressionism of the piano work Courbures (1989) to the post-expressionist echoes of his Music for String Quartet (1981) as well as the breakneck virtuosity of his clarinet piece Exalte (1985/1991) and the rich romantic textures of his orchestral piece ... like a planet silently breathing... (1993). He often uses the overtone series like the French spectral composers and avoids dramatic culmination. Soft harmonics, tranquil arching melodies, a leisurely rhythmical pulse and a coherence of mood are in evidence in his later works as in Uurre (1997) for chamber ensemble, Miniatures (1997) for string quartet and Circles within for 19 solo strings. / Date parution : 2023-01-24/ Recueil / Violoncelle
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