Piano seul [Partition] - Intermédiaire/avancé Alfred Publishing
Encore!, Book 3 edited by Jane Magrath. For Piano. Graded Standard Repertoire; M...(+)
Encore!, Book 3 edited by
Jane Magrath. For Piano.
Graded Standard
Repertoire; Masterworks;
Piano Collection.
Encore!. Masterwork.
Early Advanced; Late
Intermediate. Book. 88
pages. Published by
Alfred Music Publishing
33 Pieces by 10 Composers in Progressive Order. Composed by Various. Edited by R...(+)
33 Pieces by 10 Composers
in Progressive Order.
Composed by Various.
Edited by Richard
Walters. Schirmer
Performance Editions.
Baroque, Classical,
Modern. Softcover. 40
pages. Published by G.
Schirmer
(Serie IV - Italie 1600-1800). Edited by Alessandro Moccia. For Violin. Facsimil...(+)
(Serie IV - Italie
1600-1800). Edited by
Alessandro Moccia. For
Violin. Facsimiles.
Methodes and Traites.
Grade 0. 904 pages.
Published by Anne Fuzeau
Productions - France
Violin SKU: FZ.5827 Serie IV - Italy 1600-1800. Edited by Alessand...(+)
Violin
SKU:
FZ.5827
Serie IV -
Italy 1600-1800.
Edited by Alessandro
Moccia. This edition:
Facsimile. Methodes &
Traites. Score. Published
by Anne Fuzeau
Productions - France
(FZ.5827).
ISBN
9790230658270. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in three books.
Anonyme - Bartolomeo
CAMPAGNOLI (1) -
Francesco GALEAZZI -
Pietro LEONE- Antonio
LOLLI - Vicenzo PANERAI-
Giovanni Batista RANGONI
- Pietro SIGNORETTI -
Giuseppe TARTINI (2-3) -
Carlo TESSARINI (2-3) -
Carlo ZUCCARI. Table of
contents: Tessarini
Carlo: Nouvelle methode
pour apprendre par
theorie - c. 1760.
Zuccari Carlo: The tru
method of playing - 1762.
Tessarini Carlo: An
accurate method - 1765.
Leone Pietro: Methode
raisonnee - 1768. Tartini
Giuseppe: Lettera del
defonto signor Giuseppe
Tartini - 1770. Tartini
Giuseppe: Traite des
agremens - 1771.
Signoretti Pietro:
Methode contenant les
principes - 1777. Panerai
Vicenzo: Principi di
musica - c. 1780.
Anonyme: Riflessioni d'un
professore - 1780. Lolli
Antonio: L'ecole du
violon en quatuor - c.
1784. Rangoni Giovanni
Batista: Saggio sul gusto
della musica - 1790.
Campagnoli Batolomeo:
L'art d'inventer a
l'improviste - c. 1790.
Galeazzi Francesco:
Elementi teorico-pratici
- 1796. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - National
Library of Paris
(France). - British
Library of London
(England). - Civico Museo
Bibliografico Musicale of
Bologna (Italy). -
Conservatory Library of
Music Benedetto Marcello
of Venice (Italy). -
Staatlische Hochschule
fur Musik und
darstellende Kunst of
Berlin (Germany). -
Conservatory Library of
Music Giuseppe Verdi of
Milan (Italy). Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the violin.
Mandolin Play-Along Volume 4. Composed by Johann Sebastian Bach (1685-1750). Man...(+)
Mandolin Play-Along
Volume 4. Composed by
Johann Sebastian Bach
(1685-1750). Mandolin
Play-Along. Classical.
Softcover Audio Online.
16 pages. Published by
Hal Leonard
Woodwinds (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - hps - st...(+)
Woodwinds (solo: db -
0.2.2.2.(bsn ad lib.) -
2.2.0.0 - timp(ad lib.) -
hps - str(vl obl))
SKU:
BR.OB-15114-30
With violino obbligato
- Urtext. Composed by
Franz Anton Hoffmeister.
Edited by Tobias
Glockler. Folder.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical. Set
of parts. 22 pages.
Duration 18'. Breitkopf
and Haertel #OB 15114-30.
Published by Breitkopf
and Haertel
(BR.OB-15114-30).
ISBN
9790004339824. 10 x 12.5
inches.
Thanks to
its imaginative richness
and sterling writing,
Hoffmeister's Double Bass
Concerto No. 1 has
advanced to the rank of a
popular audition
concerto. But when
compared with the
transmitted sources, the
previously available
first edition of 1966
proved to be filled with
errors. Tobias Glockler,
double-bass player of the
Dresdner Philharmonie,
now presents a reliable
Urtext in this edition.
Through his competence as
an instrumentalist, he
even goes considerably
further and offers
various performance
possibilities: the solo
part can be played not
only in solo and
orchestral tuning, but
also in the historical
Viennese tuning. The
C-major version, which is
offered on hire, allows
performances in
orchestral tuning. The
orchestral material in D
major (sales material) is
suited to the other two
tunings. A beautiful and
easy to read score,
elegantly laid-out and
with illuminating and
informative preface
notes. This concerto is
among our most beautiful
classical concerti,
lyrical and inventive. It
is a great pleasure to
see our classical
repertoire appear in such
critical editions. (Rob
Nairn in Bass World).
Violin 1 (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - hps - str...(+)
Violin 1 (solo: db -
0.2.2.2.(bsn ad lib.) -
2.2.0.0 - timp(ad lib.) -
hps - str(vl obl))
SKU:
BR.OB-15114-15
With violino obbligato
- Urtext. Composed by
Franz Anton Hoffmeister.
Edited by Tobias
Glockler. Stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical.
Part. 8 pages. Duration
18'. Breitkopf and
Haertel #OB 15114-15.
Published by Breitkopf
and Haertel
(BR.OB-15114-15).
ISBN
9790004339787. 10 x 12.5
inches.
Thanks to
its imaginative richness
and sterling writing,
Hoffmeister's Double Bass
Concerto No. 1 has
advanced to the rank of a
popular audition
concerto. But when
compared with the
transmitted sources, the
previously available
first edition of 1966
proved to be filled with
errors. Tobias Glockler,
double-bass player of the
Dresdner Philharmonie,
now presents a reliable
Urtext in this edition.
Through his competence as
an instrumentalist, he
even goes considerably
further and offers
various performance
possibilities: the solo
part can be played not
only in solo and
orchestral tuning, but
also in the historical
Viennese tuning. The
C-major version, which is
offered on hire, allows
performances in
orchestral tuning. The
orchestral material in D
major (sales material) is
suited to the other two
tunings. A beautiful and
easy to read score,
elegantly laid-out and
with illuminating and
informative preface
notes. This concerto is
among our most beautiful
classical concerti,
lyrical and inventive. It
is a great pleasure to
see our classical
repertoire appear in such
critical editions. (Rob
Nairn in Bass World).
Double Bass, Violin, Orchestra (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - tim...(+)
Double Bass, Violin,
Orchestra (solo: db -
0.2.2.2.(bsn ad lib.) -
2.2.0.0 - timp(ad lib.) -
hps - str(vl obl))
SKU:
BR.PB-15156-07
With violino obbligato
- Urtext. Composed by
Franz Anton Hoffmeister.
Edited by Tobias
Glockler. Stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Classical. Study Score.
40 pages. Duration 18'.
Breitkopf and Haertel #PB
15156-07. Published by
Breitkopf and Haertel
(BR.PB-15156-07).
ISBN
9790004215616. 6.5 x 9
inches.
Thanks to
its imaginative richness
and sterling writing,
Hoffmeister's Double Bass
Concerto No. 1 has
advanced to the rank of a
popular audition
concerto. But when
compared with the
transmitted sources, the
previously available
first edition of 1966
proved to be filled with
errors. Tobias Glockler,
double-bass player of the
Dresdner Philharmonie,
now presents a reliable
Urtext in this edition.
Through his competence as
an instrumentalist, he
even goes considerably
further and offers
various performance
possibilities: the solo
part can be played not
only in solo and
orchestral tuning, but
also in the historical
Viennese tuning. The
C-major version, which is
offered on hire, allows
performances in
orchestral tuning. The
orchestral material in D
major (sales material) is
suited to the other two
tunings. A beautiful and
easy to read score,
elegantly laid-out and
with illuminating and
informative preface
notes. This concerto is
among our most beautiful
classical concerti,
lyrical and inventive. It
is a great pleasure to
see our classical
repertoire appear in such
critical editions. (Rob
Nairn in Bass World).
Violin 2 (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - hps - str...(+)
Violin 2 (solo: db -
0.2.2.2.(bsn ad lib.) -
2.2.0.0 - timp(ad lib.) -
hps - str(vl obl))
SKU:
BR.OB-15114-16
With violino obbligato
- Urtext. Composed by
Franz Anton Hoffmeister.
Edited by Tobias
Glockler. Stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical.
Part. 8 pages. Duration
18'. Breitkopf and
Haertel #OB 15114-16.
Published by Breitkopf
and Haertel
(BR.OB-15114-16).
ISBN
9790004339794. 10 x 12.5
inches.
Thanks to
its imaginative richness
and sterling writing,
Hoffmeister's Double Bass
Concerto No. 1 has
advanced to the rank of a
popular audition
concerto. But when
compared with the
transmitted sources, the
previously available
first edition of 1966
proved to be filled with
errors. Tobias Glockler,
double-bass player of the
Dresdner Philharmonie,
now presents a reliable
Urtext in this edition.
Through his competence as
an instrumentalist, he
even goes considerably
further and offers
various performance
possibilities: the solo
part can be played not
only in solo and
orchestral tuning, but
also in the historical
Viennese tuning. The
C-major version, which is
offered on hire, allows
performances in
orchestral tuning. The
orchestral material in D
major (sales material) is
suited to the other two
tunings. A beautiful and
easy to read score,
elegantly laid-out and
with illuminating and
informative preface
notes. This concerto is
among our most beautiful
classical concerti,
lyrical and inventive. It
is a great pleasure to
see our classical
repertoire appear in such
critical editions. (Rob
Nairn in Bass World).
Piano Trio (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - hps - s...(+)
Piano Trio (solo: db -
0.2.2.2.(bsn ad lib.) -
2.2.0.0 - timp(ad lib.) -
hps - str(vl obl))
SKU: BR.EB-10721
With violino obbligato
- Urtext. Composed by
Franz Anton Hoffmeister.
Edited by Tobias
Glockler. Arranged by
Christoph Sobanski.
Chamber music; Softbound.
Edition Breitkopf.
In
Cooperation with G. Henle
Verlag
Solo concerto;
Classical. Piano
reduction. 80 pages.
Duration 18'. Breitkopf
and Haertel #EB 10721.
Published by Breitkopf
and Haertel
(BR.EB-10721).
ISBN
9790201807218. 9.5 x 12
inches.
Thanks to
its imaginative richness
and sterling writing,
Hoffmeister's Double Bass
Concerto No. 1 has
advanced to the rank of a
popular audition
concerto. But when
compared with the
transmitted sources, the
previously available
first edition of 1966
proved to be filled with
errors. Tobias Glockler,
double-bass player of the
Dresdner Philharmonie,
now presents a reliable
Urtext in this edition.
Through his competence as
an instrumentalist, he
even goes considerably
further and offers
various performance
possibilities: the solo
part can be played not
only in solo and
orchestral tuning, but
also in the historical
Viennese tuning. The
C-major version, which is
offered on hire, allows
performances in
orchestral tuning. The
orchestral material in D
major (sales material) is
suited to the other two
tunings. A beautiful and
easy to read score,
elegantly laid-out and
with illuminating and
informative preface
notes. This concerto is
among our most beautiful
classical concerti,
lyrical and inventive. It
is a great pleasure to
see our classical
repertoire appear in such
critical editions. (Rob
Nairn in Bass World).
Harpsichord/piano (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - ...(+)
Harpsichord/piano (solo:
db - 0.2.2.2.(bsn ad
lib.) - 2.2.0.0 - timp(ad
lib.) - hps - str(vl
obl))
SKU:
BR.OB-15114-12
With violino obbligato
- Urtext. Composed by
Franz Anton Hoffmeister.
Edited by Tobias
Glockler. Arranged by
Matthias Grunert.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical.
Part. 16 pages. Duration
18'. Breitkopf and
Haertel #OB 15114-12.
Published by Breitkopf
and Haertel
(BR.OB-15114-12).
ISBN
9790004339770. 10 x 12.5
inches.
Thanks to
its imaginative richness
and sterling writing,
Hoffmeister's Double Bass
Concerto No. 1 has
advanced to the rank of a
popular audition
concerto. But when
compared with the
transmitted sources, the
previously available
first edition of 1966
proved to be filled with
errors. Tobias Glockler,
double-bass player of the
Dresdner Philharmonie,
now presents a reliable
Urtext in this edition.
Through his competence as
an instrumentalist, he
even goes considerably
further and offers
various performance
possibilities: the solo
part can be played not
only in solo and
orchestral tuning, but
also in the historical
Viennese tuning. The
C-major version, which is
offered on hire, allows
performances in
orchestral tuning. The
orchestral material in D
major (sales material) is
suited to the other two
tunings. A beautiful and
easy to read score,
elegantly laid-out and
with illuminating and
informative preface
notes. This concerto is
among our most beautiful
classical concerti,
lyrical and inventive. It
is a great pleasure to
see our classical
repertoire appear in such
critical editions. (Rob
Nairn in Bass World).
Viola (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - hps - str(vl...(+)
Viola (solo: db -
0.2.2.2.(bsn ad lib.) -
2.2.0.0 - timp(ad lib.) -
hps - str(vl obl))
SKU:
BR.OB-15114-19
With violino obbligato
- Urtext. Composed by
Franz Anton Hoffmeister.
Edited by Tobias
Glockler. Stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical.
Part. 8 pages. Duration
18'. Breitkopf and
Haertel #OB 15114-19.
Published by Breitkopf
and Haertel
(BR.OB-15114-19).
ISBN
9790004339800. 10 x 12.5
inches.
Thanks to
its imaginative richness
and sterling writing,
Hoffmeister's Double Bass
Concerto No. 1 has
advanced to the rank of a
popular audition
concerto. But when
compared with the
transmitted sources, the
previously available
first edition of 1966
proved to be filled with
errors. Tobias Glockler,
double-bass player of the
Dresdner Philharmonie,
now presents a reliable
Urtext in this edition.
Through his competence as
an instrumentalist, he
even goes considerably
further and offers
various performance
possibilities: the solo
part can be played not
only in solo and
orchestral tuning, but
also in the historical
Viennese tuning. The
C-major version, which is
offered on hire, allows
performances in
orchestral tuning. The
orchestral material in D
major (sales material) is
suited to the other two
tunings. A beautiful and
easy to read score,
elegantly laid-out and
with illuminating and
informative preface
notes. This concerto is
among our most beautiful
classical concerti,
lyrical and inventive. It
is a great pleasure to
see our classical
repertoire appear in such
critical editions. (Rob
Nairn in Bass World).
Double concerto (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - hp...(+)
Double concerto (solo: db
- 0.2.2.2.(bsn ad lib.) -
2.2.0.0 - timp(ad lib.) -
hps - str(vl obl))
SKU: BR.PB-15114
With violino obbligato
- Urtext. Composed by
Franz Anton Hoffmeister.
Edited by Tobias
Glockler. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Classical. Full score. 40
pages. Duration 18'.
Breitkopf and Haertel #PB
15114. Published by
Breitkopf and Haertel
(BR.PB-15114).
ISBN
9790004212066. 10 x 12.5
inches.
Thanks to
its imaginative richness
and sterling writing,
Hoffmeister's Double Bass
Concerto No. 1 has
advanced to the rank of a
popular audition
concerto. But when
compared with the
transmitted sources, the
previously available
first edition of 1966
proved to be filled with
errors. Tobias Glockler,
double-bass player of the
Dresdner Philharmonie,
now presents a reliable
Urtext in this edition.
Through his competence as
an instrumentalist, he
even goes considerably
further and offers
various performance
possibilities: the solo
part can be played not
only in solo and
orchestral tuning, but
also in the historical
Viennese tuning. The
C-major version, which is
offered on hire, allows
performances in
orchestral tuning. The
orchestral material in D
major (sales material) is
suited to the other two
tunings. A beautiful and
easy to read score,
elegantly laid-out and
with illuminating and
informative preface
notes. This concerto is
among our most beautiful
classical concerti,
lyrical and inventive. It
is a great pleasure to
see our classical
repertoire appear in such
critical editions. (Rob
Nairn in Bass World).
Basso (cello/double bass) (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad ...(+)
Basso (cello/double bass)
(solo: db - 0.2.2.2.(bsn
ad lib.) - 2.2.0.0 -
timp(ad lib.) - hps -
str(vl obl))
SKU:
BR.OB-15114-26
With violino obbligato
- Urtext. Composed by
Franz Anton Hoffmeister.
Edited by Tobias
Glockler. Stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical.
Part. 8 pages. Duration
18'. Breitkopf and
Haertel #OB 15114-26.
Published by Breitkopf
and Haertel
(BR.OB-15114-26).
ISBN
9790004339817. 10 x 12.5
inches.
Thanks to
its imaginative richness
and sterling writing,
Hoffmeister's Double Bass
Concerto No. 1 has
advanced to the rank of a
popular audition
concerto. But when
compared with the
transmitted sources, the
previously available
first edition of 1966
proved to be filled with
errors. Tobias Glockler,
double-bass player of the
Dresdner Philharmonie,
now presents a reliable
Urtext in this edition.
Through his competence as
an instrumentalist, he
even goes considerably
further and offers
various performance
possibilities: the solo
part can be played not
only in solo and
orchestral tuning, but
also in the historical
Viennese tuning. The
C-major version, which is
offered on hire, allows
performances in
orchestral tuning. The
orchestral material in D
major (sales material) is
suited to the other two
tunings. A beautiful and
easy to read score,
elegantly laid-out and
with illuminating and
informative preface
notes. This concerto is
among our most beautiful
classical concerti,
lyrical and inventive. It
is a great pleasure to
see our classical
repertoire appear in such
critical editions. (Rob
Nairn in Bass World).
Double bass, orchestra (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib...(+)
Double bass, orchestra
(solo: db - 0.2.2.2.(bsn
ad lib.) - 2.2.0.0 -
timp(ad lib.) - hps -
str(vl obl))
SKU:
BR.OB-15114-03
With violino obbligato
- Urtext. Composed by
Franz Anton Hoffmeister.
Edited by Tobias
Glockler. Solo concerto.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical. Solo
part. 4 pages. Duration
18'. Breitkopf and
Haertel #OB 15114-03.
Published by Breitkopf
and Haertel
(BR.OB-15114-03).
ISBN
9790004339763. 10 x 12.5
inches.
Thanks to
its imaginative richness
and sterling writing,
Hoffmeister's Double Bass
Concerto No. 1 has
advanced to the rank of a
popular audition
concerto. But when
compared with the
transmitted sources, the
previously available
first edition of 1966
proved to be filled with
errors. Tobias Glockler,
double-bass player of the
Dresdner Philharmonie,
now presents a reliable
Urtext in this edition.
Through his competence as
an instrumentalist, he
even goes considerably
further and offers
various performance
possibilities: the solo
part can be played not
only in solo and
orchestral tuning, but
also in the historical
Viennese tuning. The
C-major version, which is
offered on hire, allows
performances in
orchestral tuning. The
orchestral material in D
major (sales material) is
suited to the other two
tunings. A beautiful and
easy to read score,
elegantly laid-out and
with illuminating and
informative preface
notes. This concerto is
among our most beautiful
classical concerti,
lyrical and inventive. It
is a great pleasure to
see our classical
repertoire appear in such
critical editions. (Rob
Nairn in Bass World).
Composed by Johann Sebastian Bach (1685-1750). Edited by David Dutkanicz. Arrang...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
David Dutkanicz. Arranged
by David Dutkanicz. For
piano. Masterworks; Piano
Collection; Piano
Supplemental. Dover
Edition: My First Book.
Baroque. Easy.
Collection. Standard
notation and fingerings.
48 pages. Published by
Dover Publications
(Serie II - France 1800-1860). Edited by Arlette Biget, Michel Giboureau. For Fl...(+)
(Serie II - France
1800-1860). Edited by
Arlette Biget, Michel
Giboureau. For Flute.
This edition: Facsimile.
Methodes and Traites.
Score. 2264 pages.
Published by Anne Fuzeau
Productions - France