Cantata
for Palm Sunday or for
the feast of the
Annunciation.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. This
edition: paperbound. BWV
182. Sacred vocal music,
Cantatas, Lent and
Passiontide, Holy Week,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Study score.
Composed 1714. BWV 182.
Duration 30 minutes.
Carus Verlag #CV
31.182/07. Published by
Carus Verlag
(CA.3118207).
ISBN
9790007050276. Key: A
major. Language:
German/English. Text:
Franck,
Salomo.
Version in
A major (version in G
major: Carus 31.182/50)
The cantata Himmelskonig,
sei willkommen BWV 182
holds a special place in
Johann Sebastian Bach's
biography. He had been
employed as organist and
chamber musician at the
court of Weimar since
1708; on 2 March 1714, he
was appointed concert
master of the court, and
his inauguration music
for this occasion was
Himmelskonig, sei
willkommen. The cantata
was first performed on
Palm Sunday of that year,
25 March 1714. Bach
performed this cantata
several times - always
revising and amending it
- both in Weimar and in
Leipzig. Of the
altogether four versions,
the first Leipzig version
has been selected for the
present new edition.
Unlike the Weimar
versions, it can be
realized effectively
using modern performance
means. In his debut
composition of 1714, the
newly appointed concert
master demonstrated his
abilities: the eight
movements contain a
multitude of beautiful
and rewarding challenges
for choir and vocal
soloists alike, and in
addition there is the
unusual attraction of a
virtuoso solo part for
the recorder. Score
available separately -
see item CA.3118200.
Soli ATB, SATB Choir, Blfl f1, 2 Vl, 2 Va, Vc, Bc - Level 3 SKU: CA.3118249(+)
Soli ATB, SATB Choir,
Blfl f1, 2 Vl, 2 Va, Vc,
Bc - Level 3
SKU:
CA.3118249
Cantata
for Palm Sunday or for
the feast of the
Annunciation.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Organ.
Sacred vocal music,
Cantatas, Lent and
Passiontide, Holy Week,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part, Organ.
Composed 1714. BWV 182.
28 pages. Duration 30
minutes. Carus Verlag #CV
31.182/49. Published by
Carus Verlag
(CA.3118249).
Key: A
major. Language:
German/English. Text:
Franck,
Salomo.
Version in
A major (version in G
major: Carus 31.182/50)
The cantata Himmelskonig,
sei willkommen BWV 182
holds a special place in
Johann Sebastian Bach's
biography. He had been
employed as organist and
chamber musician at the
court of Weimar since
1708; on 2 March 1714, he
was appointed concert
master of the court, and
his inauguration music
for this occasion was
Himmelskonig, sei
willkommen. The cantata
was first performed on
Palm Sunday of that year,
25 March 1714. Bach
performed this cantata
several times - always
revising and amending it
- both in Weimar and in
Leipzig. Of the
altogether four versions,
the first Leipzig version
has been selected for the
present new edition.
Unlike the Weimar
versions, it can be
realized effectively
using modern performance
means. In his debut
composition of 1714, the
newly appointed concert
master demonstrated his
abilities: the eight
movements contain a
multitude of beautiful
and rewarding challenges
for choir and vocal
soloists alike, and in
addition there is the
unusual attraction of a
virtuoso solo part for
the recorder. Score and
part available separately
- see item
CA.3118200.
Orchestra 2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vn in set SKU:...(+)
Orchestra 2.2.2.2:
2.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Vn in set
SKU:
AP.36-A170648
Composed by Felix
Bartholdy Mendelssohn.
Full Orchestra, Solo
Strings with Ensemble,
Solo Violin Part. Kalmus
Orchestra Library.
Part(s). LudwigMasters
Publications #36-A170648.
Published by
LudwigMasters
Publications
(AP.36-A170648).
ISBN
9798892700887. UPC:
659359533921.
English.
Felix
Mendelssohn (1809-1847)
wrote his Violin Concerto
in E minor over a
six-year period from 1838
to 1844 for his childhood
friend, the violinist
Ferdinand David, who
contributed the cadenza
in the version of the
concerto most performed
today. The concerto
premiered on March 13,
1845 in Leipzig, but
Mendelssohn himself was
unable to conduct due to
illness. Unlike most
concerti of the time,
Mendelssohn has the
violin enter immediately
without any orchestral
introduction, and its
cadenza is unusually
placed after the
development of the first
movement instead of at
the end of the movement.
The concerto remains one
of the most ubiquitous
pieces in the violin
repertoire.
Instrumentation: 2.2.2.2:
2.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Vn in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra 2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vn in set SKU:...(+)
Orchestra 2.2.2.2:
2.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Vn in set
SKU:
AP.36-A170602
Composed by Felix
Bartholdy Mendelssohn.
Full Orchestra, Solo
Strings with Ensemble,
Conductor Score & Parts.
Kalmus Orchestra Library.
Score and Part(s).
LudwigMasters
Publications #36-A170602.
Published by
LudwigMasters
Publications
(AP.36-A170602).
UPC:
659359722448.
English.
Felix
Mendelssohn (1809-1847)
wrote his Violin Concerto
in E minor over a
six-year period from 1838
to 1844 for his childhood
friend, the violinist
Ferdinand David, who
contributed the cadenza
in the version of the
concerto most performed
today. The concerto
premiered on March 13,
1845 in Leipzig, but
Mendelssohn himself was
unable to conduct due to
illness. Unlike most
concerti of the time,
Mendelssohn has the
violin enter immediately
without any orchestral
introduction, and its
cadenza is unusually
placed after the
development of the first
movement instead of at
the end of the movement.
The concerto remains one
of the most ubiquitous
pieces in the violin
repertoire.
Instrumentation: 2.2.2.2:
2.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Vn in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Piano, orchestra SKU: SA.41762 Composed by Antonin Dvorak. Edited by Berk...(+)
Piano, orchestra
SKU:
SA.41762
Composed by
Antonin Dvorak. Edited by
Berkovec. Arranged by
Vilem Kurz. Original
Works, Concerto,
Instrumental Solo.
Reprint Source: Prague:
SNKLHU, 1956. Plate H
1790. Romantic, Czech.
Study score. Composed
1876. 260 pages. Duration
38-40 minutes. Petrucci
Library Press #41762.
Published by Petrucci
Library Press (SA.41762).
ISBN 9781608741762.
9.5 x 12.5
inches.
Composed in
the late summer of 1876,
Dvorak's first effort at
a full-blown concerto
shows signs of an unusual
amount of revision in the
composer's hand -
especially for the solo
piano part. This might
explain the delay in the
concerto's premiere,
which was given at the
Provisional Theatre in
Prague on March 24, 1878
with Karel Slavkovsky as
soloist accompanied by
the Provisional Theatre
Orchestra under the baton
of Adolf Cech. The
composer himself wrote: I
see I am unable to write
a Concerto for a
virtuoso; I must think of
other things. The
ungainly solo part no
doubt also played a role
in the work's dely in
publication, which didn't
take place until 1883.
Even after this, and
despite much beauty in
the music itself,
performances were scarce
due to the difficulty and
charchter of the solo
part. The solo part was
revised heavily by the
Czech pianist Vilem Kurz
(1872-1945), whose
version was premired by
his daughter Ilona
KurzovA! and the Czech
Philharmonic on December
9, 1919 and is the one
most often performed
today. This new study
score is a digitally
enhanced reissue of the
full score first
published in 1956 by the
Czech State Publishers as
part of the Dvorak
collected works, edited
by Jiri Berkovec and
Karel Solc, which
includes both the
composer's original solo
part and the re-arranged
one made by Kurz. Unlike
so many of the on-demand
scores now available,
this one comes with all
the pages and the images
have been thoroughly
checked to make sure it
is readable. As with all
PLP scores a percentage
of each sale is donated
to the amazing online
archive of free music
scores and recordings,
IMSLP - Petrucci Music
Library.
Cantata for the 1st
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Nun komm,
der Heiden Heiland.
German title: Nun Komm,
Der Heiden Heiland I Rev.
Sacred vocal music,
Cantatas, Advent. Study
score. Composed 1714. BWV
61. 24 pages. Duration 23
minutes. Carus Verlag #CV
31.061/07. Published by
Carus Verlag
(CA.3106107).
ISBN
9790007043490. Key: A
minor / g major.
Language: German/English.
Text: Neumeister,
Erdmann. Text: Erdmann
Neumeister.
The
opening chorus uses the
first verse of the old
plainsong hymn Veni
redemptor gentium, which
in the paraphrase by
Martin Luther has become
the most important Advent
hymn of the Protestant
Church. Bach introduces
the traditional plainsong
melody in the form of a
French overture, here
symbolizing the entry of
the King of Heaven, thus
creating an unusual and
splendid opening piece
for the beginning of the
church year. Score
available separately -
see item CA.3106100.
Cantata for the 1st
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Nun komm,
der Heiden Heiland.
German title: Nun Komm,
Der Heiden Heiland I Rev.
Sacred vocal music,
Cantatas, Advent. Choral
Score. Composed 1714. BWV
61. 4 pages. Duration 23
minutes. Carus Verlag #CV
31.061/05. Published by
Carus Verlag
(CA.3106105).
ISBN
9790007043483. Key: A
minor / g major.
Language: German/English.
Text: Neumeister,
Erdmann. Text: Erdmann
Neumeister.
The
opening chorus uses the
first verse of the old
plainsong hymn Veni
redemptor gentium, which
in the paraphrase by
Martin Luther has become
the most important Advent
hymn of the Protestant
Church. Bach introduces
the traditional plainsong
melody in the form of a
French overture, here
symbolizing the entry of
the King of Heaven, thus
creating an unusual and
splendid opening piece
for the beginning of the
church year. Score
available separately -
see item CA.3106100.
Cantata for the 1st
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Nun komm,
der Heiden Heiland.
German title: Nun Komm,
Der Heiden Heiland I Rev.
Sacred vocal music,
Cantatas, Advent. Set of
Orchestra Parts. Composed
1714. BWV 61. Duration 23
minutes. Carus Verlag #CV
31.061/19. Published by
Carus Verlag
(CA.3106119).
ISBN
9790007136222. Key: A
minor / g major.
Language: German/English.
Text: Neumeister,
Erdmann. Text: Erdmann
Neumeister.
The
opening chorus uses the
first verse of the old
plainsong hymn Veni
redemptor gentium, which
in the paraphrase by
Martin Luther has become
the most important Advent
hymn of the Protestant
Church. Bach introduces
the traditional plainsong
melody in the form of a
French overture, here
symbolizing the entry of
the King of Heaven, thus
creating an unusual and
splendid opening piece
for the beginning of the
church year. Score and
parts available
separately - see item
CA.3106100.
Piano - Early Intermediate SKU: FJ.FJH2330 3. Composed by Mary Lea...(+)
Piano - Early
Intermediate
SKU:
FJ.FJH2330
3.
Composed by Mary Leaf.
Piano Collection; Piano
Supplemental. Composers
in Focus. Space, Sky, and
Stars. Book. The FJH
Music Company Inc
#98-FJH2330. Published by
The FJH Music Company Inc
(FJ.FJH2330).
ISBN
9781619282711. UPC:
241444407136.
English.
In Book 3,
Mary Leaf provides pieces
that expand a pianist's
concepts of rhythm and
harmony. Students
experience a solar
eclipse with unusual
harmonies, express an
exotic melody at a
caravanserai in the
deserts of Africa, play a
bit of the blues followed
by a Baroque-styled
piece, and convey a
gorgeous cloudy day. Most
of the nine pieces are 3
pages, and teachers will
find this a very useful
book-good teaching
material.
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Paul Horn and Uwe Wolf.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Schauet Doch Und Sehet,
Ob Irgend Ein. Sacred
vocal music, Cantatas.
Single Part, Violin 2.
Composed 1723. BWV 46. 8
pages. Duration 20
minutes. Carus Verlag #CV
31.046/12. Published by
Carus Verlag
(CA.3104612).
ISBN
9790007042981. Key: D
minor. Language:
German/English.
The
opening chorus of the
cantata Schauet doch und
sehet (Look ye then and
see now) is one of those
movements by Bach which
are much better known in
their later guise: the
first part of it became
the Qui tollis of the
Mass in B minor. But this
movement is not the only
high point of the cantata
from Bach's earliest
Leipzig period. Both the
arias are also unusual: a
bass aria depicting God's
anger dramatically as a
thundering storm, with
strings and slide
trumpet, which gives the
movement a very special
colour through its
unexpected notes beyond
the instrument's natural
series, and an alto aria
with two recorders,
accompanied by just two
oboi da caccia in unison,
which take the role of
the continuo as little
basset instruments. Music
almost not of this world!
New revised edition.
Score and part available
separately - see item
CA.3104600.
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Paul Horn and Uwe Wolf.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Schauet Doch Und Sehet,
Ob Irgend Ein. Sacred
vocal music, Cantatas.
Single Part, Organ.
Composed 1723. BWV 46. 16
pages. Duration 20
minutes. Carus Verlag #CV
31.046/49. Published by
Carus Verlag
(CA.3104649).
ISBN
9790007043018. Key: D
minor. Language:
German/English.
The
opening chorus of the
cantata Schauet doch und
sehet (Look ye then and
see now) is one of those
movements by Bach which
are much better known in
their later guise: the
first part of it became
the Qui tollis of the
Mass in B minor. But this
movement is not the only
high point of the cantata
from Bach's earliest
Leipzig period. Both the
arias are also unusual: a
bass aria depicting God's
anger dramatically as a
thundering storm, with
strings and slide
trumpet, which gives the
movement a very special
colour through its
unexpected notes beyond
the instrument's natural
series, and an alto aria
with two recorders,
accompanied by just two
oboi da caccia in unison,
which take the role of
the continuo as little
basset instruments. Music
almost not of this world!
New revised edition.
Score and part available
separately - see item
CA.3104600.
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Paul Horn and Uwe Wolf.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Schauet Doch Und Sehet,
Ob Irgend Ein. Sacred
vocal music, Cantatas.
Choral Score. Composed
1723. BWV 46. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.046/05. Published by
Carus Verlag
(CA.3104605).
ISBN
9790007042950. Key: D
minor. Language:
German/English.
The
opening chorus of the
cantata Schauet doch und
sehet (Look ye then and
see now) is one of those
movements by Bach which
are much better known in
their later guise: the
first part of it became
the Qui tollis of the
Mass in B minor. But this
movement is not the only
high point of the cantata
from Bach's earliest
Leipzig period. Both the
arias are also unusual: a
bass aria depicting God's
anger dramatically as a
thundering storm, with
strings and slide
trumpet, which gives the
movement a very special
colour through its
unexpected notes beyond
the instrument's natural
series, and an alto aria
with two recorders,
accompanied by just two
oboi da caccia in unison,
which take the role of
the continuo as little
basset instruments. Music
almost not of this world!
New revised edition.
Score available
separately - see item
CA.3104600.
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Paul Horn and Uwe Wolf.
This edition: urtext. 1x
31.046/21 recorder 1, 1x
31.046/22 recorder 2, 1x
31.046/23 oboe 1, 1x
31.046/24 oboe 2, 1x
31.046/31 trumpet.
Stuttgart Urtext Edition:
Bach vocal. German title:
Schauet Doch Und Sehet,
Ob Irgend Ein. Sacred
vocal music, Cantatas.
Set of Orchestra Parts.
Composed 1723. BWV 46. 40
pages. Duration 20
minutes. Carus Verlag #CV
31.046/09. Published by
Carus Verlag
(CA.3104609).
ISBN
9790007042967. Key: D
minor. Language:
German/English.
The
opening chorus of the
cantata Schauet doch und
sehet (Look ye then and
see now) is one of those
movements by Bach which
are much better known in
their later guise: the
first part of it became
the Qui tollis of the
Mass in B minor. But this
movement is not the only
high point of the cantata
from Bach's earliest
Leipzig period. Both the
arias are also unusual: a
bass aria depicting God's
anger dramatically as a
thundering storm, with
strings and slide
trumpet, which gives the
movement a very special
colour through its
unexpected notes beyond
the instrument's natural
series, and an alto aria
with two recorders,
accompanied by just two
oboi da caccia in unison,
which take the role of
the continuo as little
basset instruments. Music
almost not of this world!
New revised edition.
Score and parts available
separately - see item
CA.3104600.
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Paul Horn and Uwe Wolf.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Schauet Doch Und Sehet,
Ob Irgend Ein. Sacred
vocal music, Cantatas.
Set of Orchestra Parts.
Composed 1723. BWV 46.
Duration 20 minutes.
Carus Verlag #CV
31.046/19. Published by
Carus Verlag
(CA.3104619).
ISBN
9790007136154. Key: D
minor. Language:
German/English.
The
opening chorus of the
cantata Schauet doch und
sehet (Look ye then and
see now) is one of those
movements by Bach which
are much better known in
their later guise: the
first part of it became
the Qui tollis of the
Mass in B minor. But this
movement is not the only
high point of the cantata
from Bach's earliest
Leipzig period. Both the
arias are also unusual: a
bass aria depicting God's
anger dramatically as a
thundering storm, with
strings and slide
trumpet, which gives the
movement a very special
colour through its
unexpected notes beyond
the instrument's natural
series, and an alto aria
with two recorders,
accompanied by just two
oboi da caccia in unison,
which take the role of
the continuo as little
basset instruments. Music
almost not of this world!
New revised edition.
Score and parts available
separately - see item
CA.3104600.
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Paul Horn and Uwe Wolf.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Schauet Doch Und Sehet,
Ob Irgend Ein. Sacred
vocal music, Cantatas.
Single Part, Viola.
Composed 1723. BWV 46. 8
pages. Duration 20
minutes. Carus Verlag #CV
31.046/13. Published by
Carus Verlag
(CA.3104613).
ISBN
9790007042998. Key: D
minor. Language:
German/English.
The
opening chorus of the
cantata Schauet doch und
sehet (Look ye then and
see now) is one of those
movements by Bach which
are much better known in
their later guise: the
first part of it became
the Qui tollis of the
Mass in B minor. But this
movement is not the only
high point of the cantata
from Bach's earliest
Leipzig period. Both the
arias are also unusual: a
bass aria depicting God's
anger dramatically as a
thundering storm, with
strings and slide
trumpet, which gives the
movement a very special
colour through its
unexpected notes beyond
the instrument's natural
series, and an alto aria
with two recorders,
accompanied by just two
oboi da caccia in unison,
which take the role of
the continuo as little
basset instruments. Music
almost not of this world!
New revised edition.
Score and part available
separately - see item
CA.3104600.
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Paul Horn and Uwe Wolf.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Schauet Doch Und Sehet,
Ob Irgend Ein. Sacred
vocal music, Cantatas.
Vocal score. Composed
1723. BWV 46. 32 pages.
Duration 20 minutes.
Carus Verlag #CV
31.046/03. Published by
Carus Verlag
(CA.3104603).
ISBN
9790007042943. Key: D
minor. Language:
German/English.
The
opening chorus of the
cantata Schauet doch und
sehet (Look ye then and
see now) is one of those
movements by Bach which
are much better known in
their later guise: the
first part of it became
the Qui tollis of the
Mass in B minor. But this
movement is not the only
high point of the cantata
from Bach's earliest
Leipzig period. Both the
arias are also unusual: a
bass aria depicting God's
anger dramatically as a
thundering storm, with
strings and slide
trumpet, which gives the
movement a very special
colour through its
unexpected notes beyond
the instrument's natural
series, and an alto aria
with two recorders,
accompanied by just two
oboi da caccia in unison,
which take the role of
the continuo as little
basset instruments. Music
almost not of this world!
New revised edition.
Score available
separately - see item
CA.3104600.
TTT-Bari-B Choral
Score in Italian.
Composed by Gavin Bryars.
Choral Collection.
Choral, Classical.
Softcover. 72 pages.
Schott Music #ED13303.
Published by Schott Music
(HL.49047362).
ISBN
9798350124842. UPC:
196288207597.
The
choice of 16th century
texts, by Bronzino and
Battiferri, reflects the
interests of the
dedicatee of these
sonnets - Craig Hugh
Smyth, a fine art
historian and former
director of the Villa I
Tatti, who was a
specialist in Bronzino
and Pontormo. Bronzino's
sonnet is a lament on the
death of Pontormo, his
teacher; Laura
Battiferri's poem is a
direct response to that
of Bronzino. As I was
also asked to set sonnets
by Petrarca, I chose two
of his closely linked
sonnets, numbers 229 and
230 in the Rime Sparse. I
had written a work for I
Tatti some five years
earlier setting Petrarca
(â??A qualunque
animaleâ?, the first
in my Fourth Book of
Madrigals) and was
familiar with the
context. However, through
correspondence with
Kathryn Bosi, Music
Librarian at I Tatti and,
through her, Craig
Smyth's family, I became
increasingly aware of his
unusual and quite special
character. From his
undergraduate days at
Princeton and indeed
throughout his life,
although a great scholar
and writer, he was at the
same time an aficionado
of jazz, loving above all
Louis Armstrong, being
photographed with Duke
Ellington, taking his
children to see
Thelonious Monk,
listening to Ben Webster
and playing the tenor
saxophone himself.
Indeed, he had told
Kathryn Bosi that he had
been proud to walk in
procession at the
funerals of black
musicians in New Orleans.
In some ways his life was
almost an obverse mirror
image of parts of my own
- I was a professional
jazz musician but found
myself teaching art
history for a time. As
Fiorella Superbi of I
Tatti has said: Craig was
a maestro di vita. I
raise a glass in his
memory and dedicate these
sonnets to him. Gavin
Bryars.
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Paul Horn and Uwe Wolf.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Schauet Doch Und Sehet,
Ob Irgend Ein. Sacred
vocal music, Cantatas.
Full score. Composed
1723. BWV 46. 60 pages.
Duration 20 minutes.
Carus Verlag #CV
31.046/00. Published by
Carus Verlag
(CA.3104600).
ISBN
9790007042936. Key: D
minor. Language:
German/English.
The
opening chorus of the
cantata Schauet doch und
sehet (Look ye then and
see now) is one of those
movements by Bach which
are much better known in
their later guise: the
first part of it became
the Qui tollis of the
Mass in B minor. But this
movement is not the only
high point of the cantata
from Bach's earliest
Leipzig period. Both the
arias are also unusual: a
bass aria depicting God's
anger dramatically as a
thundering storm, with
strings and slide
trumpet, which gives the
movement a very special
colour through its
unexpected notes beyond
the instrument's natural
series, and an alto aria
with two recorders,
accompanied by just two
oboi da caccia in unison,
which take the role of
the continuo as little
basset instruments. Music
almost not of this world!
New revised edition.
Orchestra Soli ATB, Coro SATB, 2 Blfl, 2 Obca, Tr da tirarsi, 2 Vl, Va, Bc SK...(+)
Orchestra Soli ATB, Coro
SATB, 2 Blfl, 2 Obca, Tr
da tirarsi, 2 Vl, Va, Bc
SKU: CA.3104607
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Paul Horn and Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas. Study
score. Composed 1723. BWV
46. 60 pages. Duration 20
minutes. Carus Verlag #CV
31.046/07. Published by
Carus Verlag
(CA.3104607).
ISBN
9790007245184. Key: D
minor. Language:
German/English.
The
opening chorus of the
cantata Schauet doch und
sehet (Look ye then and
see now) is one of those
movements by Bach which
are much better known in
their later guise: the
first part of it became
the Qui tollis of the
Mass in B minor. But this
movement is not the only
high point of the cantata
from Bach's earliest
Leipzig period. Both the
arias are also unusual: a
bass aria depicting God's
anger dramatically as a
thundering storm, with
strings and slide
trumpet, which gives the
movement a very special
colour through its
unexpected notes beyond
the instrument's natural
series, and an alto aria
with two recorders,
accompanied by just two
oboi da caccia in unison,
which take the role of
the continuo as little
basset instruments. Music
almost not of this world!
New revised edition.
Score available
separately - see item
CA.3104600.
Organ (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4.0 - timp - str - bc) SKU: B...(+)
Organ (solos: STB -
choir: SATB - 0.1.0.1 -
0.3.4.0 - timp - str -
bc)
SKU:
BR.OB-4521-11
3rd
Sunday after Trinity -
for Every Time.
Composed by Johann
Sebastian Bach. Edited by
Horst Hempel. Arranged by
Horst Hempel. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
Cantata;
Baroque. Part. 32 pages.
Duration 45'. Breitkopf
and Haertel #OB 4521-11.
Published by Breitkopf
and Haertel
(BR.OB-4521-11).
ISBN
9790004313091. 12 x 9
inches.
The cantata
I had great heaviness of
heart BWV 21 is one of
the most popular and
beloved vocal works of
Johann Sebastian Bach.
Intended for a
performance on the third
Sunday after Trinity as
well as in ogni tempo
(for any occasion), this
work occupies a special
place within Bach's
cantata oeuvre.
Particularly unusual is
not only its approx.
40-minute duration, but
also the work's wealth of
forms and sounds.
Matthias Grunert, cantor
of the Dresden
Frauenkirche, put
together an entirely new
piano-vocal score to this
main work from
Breitkopf's Bach Cantata
series. His work is
supplemented by a revised
new engraving of the
continuo
part.
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
Chorus (with soloists)
and orchestra (solos: STB
- choir: SATB - 0.1.0.1 -
0.3.4.0 - timp - str -
bc)
SKU:
BR.PB-4521
3rd
Sunday after Trinity -
for Every Time.
Composed by Johann
Sebastian Bach. Choir;
Softbound.
Partitur-Bibliothek
(Score Library).
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
Cantata;
Baroque. Full score.
Duration 45'. Breitkopf
and Haertel #PB 4521.
Published by Breitkopf
and Haertel (BR.PB-4521).
ISBN 9790004204191. 9
x 12 inches.
The
cantata I had great
heaviness of heart BWV 21
is one of the most
popular and beloved vocal
works of Johann Sebastian
Bach. Intended for a
performance on the third
Sunday after Trinity as
well as in ogni tempo
(for any occasion), this
work occupies a special
place within Bach's
cantata oeuvre.
Particularly unusual is
not only its approx.
40-minute duration, but
also the work's wealth of
forms and sounds.
Matthias Grunert, cantor
of the Dresden
Frauenkirche, put
together an entirely new
piano-vocal score to this
main work from
Breitkopf's Bach Cantata
series. His work is
supplemented by a revised
new engraving of the
continuo
part.
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
Chorus a cappella (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4.0 - timp - str - b...(+)
Chorus a cappella (solos:
STB - choir: SATB -
0.1.0.1 - 0.3.4.0 - timp
- str - bc)
SKU:
BR.CHB-4521-02
3rd
Sunday after Trinity -
for Every Time.
Composed by Johann
Sebastian Bach. Choir;
stapled. Chor-Bibliothek
(Choral Library).
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
Cantata;
Baroque. Choral score. 36
pages. Duration 45'.
Breitkopf and Haertel
#ChB 4521-02. Published
by Breitkopf and Haertel
(BR.CHB-4521-02).
ISBN
9790004406151. 7.5 x 10.5
inches. German /
English.
The
cantata I had great
heaviness of heart BWV 21
is one of the most
popular and beloved vocal
works of Johann Sebastian
Bach. Intended for a
performance on the third
Sunday after Trinity as
well as in ogni tempo
(for any occasion), this
work occupies a special
place within Bach's
cantata oeuvre.
Particularly unusual is
not only its approx.
40-minute duration, but
also the work's wealth of
forms and sounds.
Matthias Grunert, cantor
of the Dresden
Frauenkirche, put
together an entirely new
piano-vocal score to this
main work from
Breitkopf's Bach Cantata
series. His work is
supplemented by a revised
new engraving of the
continuo
part.
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
3rd
Sunday after Trinity -
for Every Time.
Composed by Johann
Sebastian Bach. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
Cantata;
Baroque. Part. 8 pages.
Duration 45'. Breitkopf
and Haertel #OB 4521-16.
Published by Breitkopf
and Haertel
(BR.OB-4521-16).
ISBN
9790004313114. 9 x 12
inches.
The cantata
I had great heaviness of
heart BWV 21 is one of
the most popular and
beloved vocal works of
Johann Sebastian Bach.
Intended for a
performance on the third
Sunday after Trinity as
well as in ogni tempo
(for any occasion), this
work occupies a special
place within Bach's
cantata oeuvre.
Particularly unusual is
not only its approx.
40-minute duration, but
also the work's wealth of
forms and sounds.
Matthias Grunert, cantor
of the Dresden
Frauenkirche, put
together an entirely new
piano-vocal score to this
main work from
Breitkopf's Bach Cantata
series. His work is
supplemented by a revised
new engraving of the
continuo
part.
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
3rd
Sunday after Trinity -
for Every Time.
Composed by Johann
Sebastian Bach. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
Cantata;
Baroque. Part. 8 pages.
Duration 45'. Breitkopf
and Haertel #OB 4521-15.
Published by Breitkopf
and Haertel
(BR.OB-4521-15).
ISBN
9790004313107. 9 x 12
inches.
The cantata
I had great heaviness of
heart BWV 21 is one of
the most popular and
beloved vocal works of
Johann Sebastian Bach.
Intended for a
performance on the third
Sunday after Trinity as
well as in ogni tempo
(for any occasion), this
work occupies a special
place within Bach's
cantata oeuvre.
Particularly unusual is
not only its approx.
40-minute duration, but
also the work's wealth of
forms and sounds.
Matthias Grunert, cantor
of the Dresden
Frauenkirche, put
together an entirely new
piano-vocal score to this
main work from
Breitkopf's Bach Cantata
series. His work is
supplemented by a revised
new engraving of the
continuo
part.
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
3rd
Sunday after Trinity -
for Every Time.
Composed by Johann
Sebastian Bach. Choir;
Folder.
Orchester-Bibliothek
(Orchestral Library).
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
Cantata;
Baroque. Set of parts. 32
pages. Duration 45'.
Breitkopf and Haertel #OB
4521-30. Published by
Breitkopf and Haertel
(BR.OB-4521-30).
ISBN
9790004313145. 9 x 12
inches.
The cantata
I had great heaviness of
heart BWV 21 is one of
the most popular and
beloved vocal works of
Johann Sebastian Bach.
Intended for a
performance on the third
Sunday after Trinity as
well as in ogni tempo
(for any occasion), this
work occupies a special
place within Bach's
cantata oeuvre.
Particularly unusual is
not only its approx.
40-minute duration, but
also the work's wealth of
forms and sounds.
Matthias Grunert, cantor
of the Dresden
Frauenkirche, put
together an entirely new
piano-vocal score to this
main work from
Breitkopf's Bach Cantata
series. His work is
supplemented by a revised
new engraving of the
continuo
part.
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
3rd
Sunday after Trinity -
for Every Time.
Composed by Johann
Sebastian Bach. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
Cantata;
Baroque. Part. 8 pages.
Duration 45'. Breitkopf
and Haertel #OB 4521-19.
Published by Breitkopf
and Haertel
(BR.OB-4521-19).
ISBN
9790004313121. 9 x 12
inches.
The cantata
I had great heaviness of
heart BWV 21 is one of
the most popular and
beloved vocal works of
Johann Sebastian Bach.
Intended for a
performance on the third
Sunday after Trinity as
well as in ogni tempo
(for any occasion), this
work occupies a special
place within Bach's
cantata oeuvre.
Particularly unusual is
not only its approx.
40-minute duration, but
also the work's wealth of
forms and sounds.
Matthias Grunert, cantor
of the Dresden
Frauenkirche, put
together an entirely new
piano-vocal score to this
main work from
Breitkopf's Bach Cantata
series. His work is
supplemented by a revised
new engraving of the
continuo
part.
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.