Chorale Setting.
Composed by Georg Philipp
Telemann. Edited by Ute
Poetzsch. Arranged by
Andreas Kohs. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. VWV
1. 6 pages. Baerenreiter
Verlag #BA05897_74.
Published by Baerenreiter
Verlag (BA.BA05897-74).
ISBN 9790006563043.
32.5 x 25.5 cm
inches.
Chorale
settings form a central
part of Telemann's
oeuvre. His 1754 setting
of the church hymn
Christus, der ist mein
Leben, based on Melchoir
Vulpius' melody from the
Hamburg Hymnal, is
especially well-suited to
display his mastery in
depicting the words of
the chorale. The
so-called Ausfullungsbass
(a vocal bass added to
the principal bass in
tutti passages) was
probably necessitated by
the acoustical properties
of Hamburg's
churches.
This
is the first Urtext
edition of this highly
successful chorale
setting which is based on
Georg Philipp Telemann
Musical Works. The score
contains a realisation of
the continuo
part.
* First
Urtext edition based on
Georg Philipp Telemann
Musical Works * An
attractive addition to
the repertoire with a
view to the Telemann Year
2017 * Bilingual
Foreword (Ger/Eng) *
Uncluttered idiomatic
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Concertos (Orchestra) SKU: HL.50512005 For the 200th anniversary of Fr...(+)
Concertos (Orchestra)
SKU: HL.50512005
For the 200th
anniversary of Franz
Liszt's birth.
Composed by Laszlo
Dubrovay. EMB.
Contemporary Hungarian
Works. Score. 63 pages.
Editio Musica Budapest
#Z14721. Published by
Editio Musica Budapest
(HL.50512005).
ISBN
9790080147214.
8.0x11.25x0.272 inches.
Laszlo
Dubrovay.
Laszlo
Dubrovay wrote the
following about Liszt and
the piece now being
published: +Liszt was for
me the most important
composer in my youth, and
as a pianist I played a
great number of his
works. I admired him as
an innovator, who
enriched the technique of
playing the instrument in
a manner unparalleled in
piano literature. Later
his creative genius
captivated me, as he
opened up new paths for
the future. His works
paved the way for
impressionism,
expressionism,
20th-century folklorism
and dodecaphonic
thinking. His innovations
were always material
realisations of spiritual
renewal. My Rapsodia
ungherese follows the
+Slow + Fast-
single-movement formal
concept of Liszt-s
rhapsodies.+ Piano Score:
14633, score and
orchestral material on
hire.
Chorale Setting.
Composed by Georg Philipp
Telemann. Edited by Ute
Poetzsch. Arranged by
Andreas Kohs. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. VWV
1. 7 pages. Baerenreiter
Verlag #BA05897_75.
Published by Baerenreiter
Verlag (BA.BA05897-75).
ISBN 9790006563067.
32.5 x 25.5 cm
inches.
Chorale
settings form a central
part of Telemann's
oeuvre. His 1754 setting
of the church hymn
Christus, der ist mein
Leben, based on Melchoir
Vulpius' melody from the
Hamburg Hymnal, is
especially well-suited to
display his mastery in
depicting the words of
the chorale. The
so-called Ausfullungsbass
(a vocal bass added to
the principal bass in
tutti passages) was
probably necessitated by
the acoustical properties
of Hamburg's
churches.
This
is the first Urtext
edition of this highly
successful chorale
setting which is based on
Georg Philipp Telemann
Musical Works. The score
contains a realisation of
the continuo
part.
* First
Urtext edition based on
Georg Philipp Telemann
Musical Works * An
attractive addition to
the repertoire with a
view to the Telemann Year
2017 * Bilingual
Foreword (Ger/Eng) *
Uncluttered idiomatic
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Cangoma Chorale 3 parties SSA, Piano [Octavo] BriLee Music
Arranged by Lon Beery / Elisa Dekaney. Traditional Brazilian Folk Song. Octavo. ...(+)
Arranged by Lon Beery /
Elisa Dekaney.
Traditional Brazilian
Folk Song. Octavo.
Duration 2 minutes.
BriLee Music #BL952.
Published by BriLee Music
(CF.BL952).
Unforgettable Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1074203-140 Composed by Irvin...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1074203-140
Composed by Irving
Gordon. Arranged by
Toshio Mashima. New
Sounds for Concert Band.
Score Only. Composed
2006. 24 pages. De Haske
Publications #DHP
1074203-140. Published by
De Haske Publications
(BT.DHP-1074203-140).
9x12 inches.
English-German-French-Dut
ch.
The phenomenal
success of the singer Nat
King Cole, eclipsed the
talent of the jazz
pianist to a legacy that
remains a jazz master and
model. For all of us,
there remains his own
unique interpretations of
such classic songs as
Sweet Lorraine, Mona
Lisa, Embraceable You,
Besame Mucho and, of
course, Unforgettable,
which was re-released
many years after his
death by his daughter,
Natalie Cole. With more
than 60 million discs
sold, Nat King Cole was
one of the first black
American artists to
attain such international
notoriety. His clear and
distinguished voice
allowed for him to become
a renowed crooner to his
legions of loyal
fans.
Unforgett
able von Irving
Gordon, der zahlreiche
Hits für große
Künstler wie Bing
Crosby, Billie Holiday,
Duke Ellington u.v.m.
schrieb, gesungen von Nat
King Cole im Jahr 1951.
Dessen Tochter Natalie
Cole wurde mit einer
Neuaufnahme, auf der ihre
Stimme und die ihres
Vaters zu hören sind,
im Jahr 1992 einen Grammy
für die Single des
Jahres verliehen. Toshio
Mashima arrangierte das
wahrlich
unvergessliche“
Lied für
Blasorchester.
Unforgettable Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1074203-010 Composed by Irvin...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1074203-010
Composed by Irving
Gordon. Arranged by
Toshio Mashima. New
Sounds for Concert Band.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1074203-010. Published by
De Haske Publications
(BT.DHP-1074203-010).
9x12 inches.
English-German-French-Dut
ch.
The phenomenal
success of the singer Nat
King Cole, eclipsed the
talent of the jazz
pianist to a legacy that
remains a jazz master and
model. For all of us,
there remains his own
unique interpretations of
such classic songs as
Sweet Lorraine, Mona
Lisa, Embraceable You,
Besame Mucho and, of
course, Unforgettable,
which was re-released
many years after his
death by his daughter,
Natalie Cole. With more
than 60 million discs
sold, Nat King Cole was
one of the first black
American artists to
attain such international
notoriety. His clear and
distinguished voice
allowed for him to become
a renowed crooner to his
legions of loyal
fans.
Unforgett
able van Irving
Gordon, die talloze hits
schreef voor grote
artiesten als Bing
Crosby, Billie Holiday en
Duke Ellington, werd in
1951 opgenomen door de
Amerikaanse jazzpianist
en zanger Nat King Cole.
In 1992 scoordeNatalie
Cole, zijn dochter, een
hit met dezelfde song. De
stem van haar in 1956
overleden vader was
eveneens te horen in deze
bijzondere versie. Toshio
Mashima arrangeerde dit
onvergetelijke nummer
voor
harmonieorkest.
Unforgettable von
Irving Gordon, der
zahlreiche Hits für
große Künstler wie
Bing Crosby, Billie
Holiday, Duke Ellington
u.v.m. schrieb, gesungen
von Nat King Cole im Jahr
1951. Dessen Tochter
Natalie Cole wurde mit
einer Neuaufnahme, auf
der ihre Stimme und die
ihres Vaters zu hören
sind, im Jahr 1992 einen
Grammy für die Single
des Jahres verliehen.
Toshio Mashima
arrangierte das wahrlich
unvergessliche“
Lied für
Blasorchester.
Piano SKU: BT.9781408193075 Composed by Karen Marshall. Get Set! Piano. S...(+)
Piano
SKU:
BT.9781408193075
Composed by Karen
Marshall. Get Set! Piano.
Studies & Exercises. Book
Only. 48 pages. Collins
Music Publishing
#9781408193075. Published
by Collins Music
Publishing
(BT.9781408193075).
ISBN 9781408193075.
English.
Get Set! Piano Tutor
Book 2 is the
second volume in an
exciting new series by
Heather Hammond and Karen
Marshall, written
specially for the
twenty-first century
child.
This tried
and tested course
guidesbeginners from
their very first lesson
through to Prep test
level. Note learning is
taught alongside aural
theory, technique and
composing skills,
providing a holistic
approach to music.
Packed with favourites
such asWhat Shall We
Do With A Drunken
Sailor?, In The Hall Of
The Mountain King,
Amazing Grace and
The Entertainer,
Get Set! Piano
Tutor Book 2 is
the perfect tutor for
getting to Grade
1.
Thisbook is
fully compatible with Get
Set! Piano Pieces Book 2
(9781408192788),
providing plenty of
material for
reinforcement, or just
pure musical
enjoyment.
By Various Composers. Piano/Vocal/Chords Songbook (Arrangements for piano and vo...(+)
By Various Composers.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords). Size 9x12
inches. 288 pages.
Published by Hal Leonard.
Composed by
Michael John Trotta. E.e.
cummings. Mjts.
Performance Score. With
Standard notation. 20
pages. Duration 5
minutes, 11 seconds. Carl
Fischer Music #CM9565.
Published by Carl Fischer
Music (CF.CM9565).
ISBN 9781491153611.
UPC: 680160911110. 6.75 x
10.5 inches. Key: E
minor. English. Text:
E.E. Cummings. E. e.
cummings. E.e.
cummings.
Trotta's
unique juxtaposition of
texts from the past
(Requiem?text in
the?Liber Usualis) with
the present (e.e.
cummings poem?i carry
your heart) results in a
compelling, lush
composition accessible to
mixed choirs of all
sizes. With optional oboe
and solo or small group,
i carry your heart?is
appropriate for concert,
festival, retirement or a
special tribute. It is
certain to be adored and
appreciated by all.
Highly
recommend!. This piece
incorporates the
Introit from the
Requiem in the
Liber Usualis in
the men's voices using
the text by E. E.
Cummings. The women's
voices have original
music that soars
gracefully about the
plainsong. The middle
section features the
Requiem text,
set simply in a
homophonic style. The
final section blends the
two styles into a prayer
of thanks and
remembrance. This beloved
E.E. Cummings text was
commissioned in honor and
loving memory of Dr.
Ferris Ohl (1914-2017) in
thanks for over four
decades of service to the
Heidelberg University
Music department.
Director of Choral
Activities Dr. Greg
Ramsdell sought to pay
tribute to the rich
legacy of Dr. Ohl by
having a setting of the
text that broadened the
scope of the message i
carry your heart to
include those who have
come before us and who
live on in our song.
INSERT GRAPHIC
HERE - I e mailed you on
5-14. This piece
incorporates theA
IntroitA from
theA RequiemA in
theA Liber UsualisA
in the men's voices
using the text by E. E.
Cummings. The women's
voices have original
music that soars
gracefully about the
plainsong. The middle
section features theA
RequiemA text,
set simply in a
homophonic style. The
final section blends the
two styles into a prayer
of thanks and
remembrance. This beloved
E.E. Cummings text was
commissioned in honor and
loving memory of Dr.
Ferris Ohl (1914-2017) in
thanks for over four
decades of service to the
Heidelberg University
Music department.
Director of Choral
Activities Dr. Greg
Ramsdell sought to pay
tribute to the rich
legacy of Dr. Ohl by
having a setting of the
text that broadened the
scope of the message i
carry your heart to
include those who have
come before us and who
live on in our song.
INSERT GRAPHIC
HERE - I e mailed you on
5-14. This piece
incorporates theA
IntroitA from
theA RequiemA in
theA Liber UsualisA
in the men's voices
using the text by E. E.
Cummings. The women's
voices have original
music that soars
gracefully about the
plainsong. The middle
section features theA
RequiemA text,
set simply in a
homophonic style. The
final section blends the
two styles into a prayer
of thanks and
remembrance. This beloved
E.E. Cummings text was
commissioned in honor and
loving memory of Dr.
Ferris Ohl (1914-2017) in
thanks for over four
decades of service to the
Heidelberg University
Music department.
Director of Choral
Activities Dr. Greg
Ramsdell sought to pay
tribute to the rich
legacy of Dr. Ohl by
having a setting of the
text that broadened the
scope of the message i
carry your heart to
include those who have
come before us and who
live on in our song.
INSERT GRAPHIC
HERE - I e mailed you on
5-14. This piece
incorporates the
Introit from the
Requiem in the
Liber Usualis in
the men's voices using
the text by E. E.
Cummings. The women's
voices have original
music that soars
gracefully about the
plainsong. The middle
section features the
Requiem text,
set simply in a
homophonic style. The
final section blends the
two styles into a prayer
of thanks and
remembrance. This beloved
E.E. Cummings text was
commissioned in honor and
loving memory of Dr.
Ferris Ohl (1914-2017) in
thanks for over four
decades of service to the
Heidelberg University
Music department.
Director of Choral
Activities Dr. Greg
Ramsdell sought to pay
tribute to the rich
legacy of Dr. Ohl by
having a setting of the
text that broadened the
scope of the message i
carry your heart to
include those who have
come before us and who
live on in our song.
INSERT GRAPHIC
HERE - I e mailed you on
5-14. This piece
incorporates the Introit
from the Requiem in the
Liber Usualis in the
men's voices using the
text by E. E. Cummings.
The women's voices have
original music that soars
gracefully about the
plainsong. The middle
section features the
Requiem text, set simply
in a homophonic style.
The final section blends
the two styles into a
prayer of thanks and
remembrance. This beloved
E.E. Cummings text was
commissioned in honor and
loving memory of Dr.
Ferris Ohl (1914-2017) in
thanks for over four
decades of service to the
Heidelberg University
Music department.
Director of Choral
Activities Dr. Greg
Ramsdell sought to pay
tribute to the rich
legacy of Dr. Ohl by
having a setting of the
text that broadened the
scope of the message i
carry your heart to
include those who have
come before us and who
live on in our song.
INSERT GRAPHIC
HERE - I e mailed you on
5-14. This piece
incorporates
the Introit from
the Requiem in
the Liber
Usualis in the men's
voices using the text by
E. E. Cummings. The
women's voices have
original music that soars
gracefully about the
plainsong. The middle
section features
the Requiem text,
set simply in a
homophonic style. The
final section blends the
two styles into a prayer
of thanks and
remembrance.This beloved
E.E. Cummings text was
commissioned in honor and
loving memory of Dr.
Ferris Ohl (1914-2017) in
thanks for over four
decades of service to the
Heidelberg University
Music department.Director
of Choral Activities Dr.
Greg Ramsdell sought to
pay tribute to the rich
legacy of Dr. Ohl by
having a setting of the
text that broadened the
scope of the message i
carry your heart to
include those who have
come before us and who
live on in our
song. INSERT GRAPHIC
HERE - I e mailed you on
5-14.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
By Jane Bastien. Edited by Lisa Bastien. (Bastien Supplementary Books). Bastien ...(+)
By Jane Bastien. Edited
by Lisa Bastien. (Bastien
Supplementary Books).
Bastien Piano. Solo
Collections. Level: Book
E,5. Music Book. Size
232. Published by Neil A.
Kjos Music Company.
SSAA a cappella SKU: SU.80200514 For SSAA a cappella. Composed by ...(+)
SSAA a cappella
SKU:
SU.80200514
For
SSAA a cappella.
Composed by Daniel E.
Gawthrop. Vocal/Choral,
Sacred Choral. A
cappella. Choral Octavo.
Subito Music Corporation
#80200514. Published by
Subito Music Corporation
(SU.80200514).
8 page octavo
Text: Jane Griner
Published by: Dunstan
House The text for this
lullaby has been quite
cleverly crafted by poet
Jane Griner so that by
the alteration of words
in two spots shown in the
score, the piece may be
sung either as a general
lullaby for any child, or
as a more specific
lullaby for the infant
Jesus. Softly, Little
Child was commissioned by
a consortium of thirteen
women's choruses
organized under the
auspices of the American
Choral Directors
Association by Dr. Lisa
Fredenburgh, National
Repertoire and Standards
Chair for Women's Choirs.
Minimum order quantity: 8
copies. Perusal copies
are available by
contacting
office@DunstanHouse.com
b> (include the
organization name with
your request). To order
quantities fewer than
8.
Edited by Kurt Adler. For voice and piano. Format: vocal/piano songbook. With vo...(+)
Edited by Kurt Adler. For
voice and piano. Format:
vocal/piano songbook.
With vocal melody, piano
accompaniment and lyrics.
Classical period and
romantic period. Text
language Italian, French,
German, English . 304
pages. 7.5x10.7 inches.
Published by Schirmer.
Easy guitar/vocal songbook for guitar and voice. With leadsheet notation (includ...(+)
Easy guitar/vocal
songbook for guitar and
voice. With leadsheet
notation (includes melody
line and chords), chord
names, guitar chord
diagrams, strum and pick
patterns and lyrics.
Series: Easy Guitar. 176
pages. Published by Hal
Leonard.
Piano SKU: BT.REWP458I Livello 4A: Nuove Scale Maggiori / Minori Con S...(+)
Piano
SKU:
BT.REWP458I
Livello 4A: Nuove
Scale Maggiori / Minori
Con Scale E Sequenze Di
Accordi. Composed by
Jane Bastien and Lisa
Bastien. Tuition. Book
with Online Audio.
Composed 2021. Rugginenti
Editore #REWP458I.
Published by Rugginenti
Editore (BT.REWP458I).