(Sleep Peacefully). Composed by Northeast Brazilian Lullaby. Arranged by Ken Litton. For Choral, Violin (SATB W/ VIOLIN). Harold Flammer. 16 pages. Published by Shawnee Press

3-5 octave handbells - Grade 3

SKU: MN.30-125

Composed by Sondra K. Tucker. Christmas. Handbell score. MorningStar Music Publishers #30-125. Published by MorningStar Music Publishers (MN.30-125).

UPC: 688670301254.

Sondr a Tucker enhances the Latin rhythms of a traditional South American Christmas Carol via gentle martellatos and ornamental lines in thirds, reminding us of a bright but quiet trumpet duet in a Mariachi band. A lullaby in a minor key has a joyous shift to major for the refrain. This shift is a characteristic of Spanish and Cuban folksongs (guajira.) Fresh, accessible, and fun to ring.

Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tam-tam, Timpani and more. - Grade 2

SKU: CF.YPS208F

Shlof, Mayn Kind. Composed by Larry Clark. Young Band (YPS). Full score. With Standard notation. 12 pages. Carl Fischer Music #YPS208F. Published by Carl Fischer Music (CF.YPS208F).

ISBN 9781491152966. UPC: 680160910465.

A stunning and heart-wrenching composition based on the Jewish folk son Shlof, Mayn Kind. You can hear the emotional content pour out of this piece written in memory of an outstanding orchestra director. The piece beginnings with original material to set the tone, followed by a clarinet solo on the song. It then develops through a variety of different harmonic presentation before building to a nice key change and climatic moment. The piece ends as it began, but with a more hopeful tone. An amazing piece.
Sleep, My Child was commissioned by the Madison Middle School Band and Orchestra in Tampa, Florida, and is dedicated to the memory of their Director of Orchestras Kevin Frye. Director of Bands Chris Shultz championed the commissioning of this piece to honor Kevin after he passed away in December 2016. Mr. Frye was a beloved member of the staff at Madison Middle as well as the music community of Tampa and the state of Florida. I was a personal friend of Kevin’s. We were in several musical groups together when we were young that were formative to both of our musical careers. I also guest conducted his Madison Middle School Orchestra several times over the past four years. His musicianship, teaching skills and love for his students were exemplary.When taking on the challenge of writing a piece to honor Kevin’s legacy, Mr. Shultz and I decided to try and include several important aspects of Kevin’s life into the piece. Kevin was proudly Jewish, a fantastic trumpet player and loved Jazz. With that in mind, and after a lot of research, a Jewish folk song Shlof, Mayn Kind was selected as the basis for the piece, not to be religious, but to honor his faith and heritage. Plus it is a beautiful song, and I felt the title reflected the sentiment I was looking to express, which is of someone taking rest after a long battle with illness. Thus, a lullaby seemed appropriate.I also wanted to incorporate Jazz into the piece, but in a concert setting, so you will hear as the piece develops, the harmonies of the folk song expand into ones found more commonly in Jazz compositions. Not in a far out way, but in a subtle way to again honor this part of his life. For example the climactic moment of the piece at the fermata in m. 57 is a Dbmaj9#11 chord. It appropriately give the piece the angst that I was looking for at this moment in the piece, while honoring the importance of Jazz in Kevin’s musical life.The piece was also conceived to include both the Madison band and orchestra in the performance at the premiere. I wanted the pieces to work separately by the band and separately by the orchestra, but I also wanted them to be able to play the piece together to honor Kevin.The piece begins with original material designed to set the mood of the piece with a tempo/style marking of pensive, but also as material that I used as connective musical tissue between statements of the folk song.  After this introduction, the folk song is presented by a solo violin (or clarinet) with orchestral accompaniment in a simple straight forward presentation of the song. This is followed by a woodwind section statement of the folk song accompanied by muted trumpets. During this presentation the harmony starts to expand with more color notes in the chords. The low brass are added half way through this statement to add depth and lushness.The introductory material returns, but with some angry hits in the lower voices. This leads to a full ensemble state of new material that is used to transition to the climax of the piece, and to build tension. After the build, the piece modulates to a shortened statement of the folk song with more advanced harmonies and an active counter line in the violas, horns, saxes and first clarinets to further build the tension.  This tension is released at the fermata in m. 57, as mentioned above. After a thoughtful pause, the piece concludes with a completion of the folk song again with a solo violin (or clarinet) followed by a return of the introductory material to tie the piece together. The piece ends hopeful, with a solo trumpet (Kevin’s instrument) that is dissonant at first, but then resolves as if to say - everything will be OK! It has been my distinct honor to have been asked to write this piece in Kevin’s memory! I hope that in some small way the piece helps to bring comfort to his family, students, colleagues and to all those that knew him!–Larry ClarkLakeland, FL  2017.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet 1, Trumpet 2, Tuba, alto Saxophone and more. - Grade 2

SKU: CF.YPS208

Shlof, Mayn Kind. Composed by Larry Clark. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+2+5+2+2+4+4+4+6 +3+2+3+1+1+2+6+12 pages. Duration 4 minutes, 31 seconds. Carl Fischer Music #YPS208. Published by Carl Fischer Music (CF.YPS208).

ISBN 9781491152287. UPC: 680160909780. Key: D minor.

A stunning and heart-wrenching composition based on the Jewish folk son Shlof, Mayn Kind. You can hear the emotional content pour out of this piece written in memory of an outstanding orchestra director. The piece beginnings with original material to set the tone, followed by a clarinet solo on the song. It then develops through a variety of different harmonic presentation before building to a nice key change and climatic moment. The piece ends as it began, but with a more hopeful tone. An amazing piece.
Sleep, My Child was commissioned by the Madison Middle School Band and Orchestra in Tampa, Florida, and is dedicated to the memory of their Director of Orchestras Kevin Frye. Director of Bands Chris Shultz championed the commissioning of this piece to honor Kevin after he passed away in December 2016. Mr. Frye was a beloved member of the staff at Madison Middle as well as the music community of Tampa and the state of Florida. I was a personal friend of Kevin’s. We were in several musical groups together when we were young that were formative to both of our musical careers. I also guest conducted his Madison Middle School Orchestra several times over the past four years. His musicianship, teaching skills and love for his students were exemplary.When taking on the challenge of writing a piece to honor Kevin’s legacy, Mr. Shultz and I decided to try and include several important aspects of Kevin’s life into the piece. Kevin was proudly Jewish, a fantastic trumpet player and loved Jazz. With that in mind, and after a lot of research, a Jewish folk song Shlof, Mayn Kind was selected as the basis for the piece, not to be religious, but to honor his faith and heritage. Plus it is a beautiful song, and I felt the title reflected the sentiment I was looking to express, which is of someone taking rest after a long battle with illness. Thus, a lullaby seemed appropriate.I also wanted to incorporate Jazz into the piece, but in a concert setting, so you will hear as the piece develops, the harmonies of the folk song expand into ones found more commonly in Jazz compositions. Not in a far out way, but in a subtle way to again honor this part of his life. For example the climactic moment of the piece at the fermata in m. 57 is a Dbmaj9#11 chord. It appropriately give the piece the angst that I was looking for at this moment in the piece, while honoring the importance of Jazz in Kevin’s musical life.The piece was also conceived to include both the Madison band and orchestra in the performance at the premiere. I wanted the pieces to work separately by the band and separately by the orchestra, but I also wanted them to be able to play the piece together to honor Kevin.The piece begins with original material designed to set the mood of the piece with a tempo/style marking of pensive, but also as material that I used as connective musical tissue between statements of the folk song.  After this introduction, the folk song is presented by a solo violin (or clarinet) with orchestral accompaniment in a simple straight forward presentation of the song. This is followed by a woodwind section statement of the folk song accompanied by muted trumpets. During this presentation the harmony starts to expand with more color notes in the chords. The low brass are added half way through this statement to add depth and lushness.The introductory material returns, but with some angry hits in the lower voices. This leads to a full ensemble state of new material that is used to transition to the climax of the piece, and to build tension. After the build, the piece modulates to a shortened statement of the folk song with more advanced harmonies and an active counter line in the violas, horns, saxes and first clarinets to further build the tension.  This tension is released at the fermata in m. 57, as mentioned above. After a thoughtful pause, the piece concludes with a completion of the folk song again with a solo violin (or clarinet) followed by a return of the introductory material to tie the piece together. The piece ends hopeful, with a solo trumpet (Kevin’s instrument) that is dissonant at first, but then resolves as if to say - everything will be OK! It has been my distinct honor to have been asked to write this piece in Kevin’s memory! I hope that in some small way the piece helps to bring comfort to his family, students, colleagues and to all those that knew him!–Larry ClarkLakeland, FL  2017.

Composed by Ryan Meeboer. Concert Band; Performance Music Ensemble; Single Titles. Eighth Note Publications. Part(s); Score. Duration 2:40. Eighth Note Publications #81-CB14249. Published by Eighth Note Publications (AP.81-CB14249).

By Jester Hairston. Arranged by Joel Raney. For SATB choir. Scripture Reference: Luke 2:8-14. Christmas, Devotion, Sacred. Choral octavo. 12 pages

(Lullaby (I do not want to sleep) / Schlaflied (Ich will noch nicht einschlafen)). By Heino Jurisalu (1930-1991). Edited by Valdo Preema / Boris Bjorn Bagger. For Guitar (Score). Score

Composed by Alice Jean Cleator, music by Donald Moore. Choir Sacred. Women's Choir. Choral Octavo. Choral Designs. Christmas; Sacred; Winter. 8 pages. Published by Alfred Music

(Lullaby (I do not want to sleep) / Schlaflied (Ich will noch nicht einschlafen)). By Heino Jurisalu (1930-1991). Edited by Valdo Preema / Boris Bjorn Bagger. For 2 guitars, two guitars or melody instrument and guitar (Score and set of parts). Score And Parts

Arranged by Earlene Rentz. For SATB choir. Spanish Carol. Choral. Octavo. Published by Shawnee Press.

Band concert band - Grade 3.5

SKU: KJ.JB58

Composed by John Lorge. Bandworks. Jazz. Score and set of parts. Neil A. Kjos Music Company #JB58. Published by Neil A. Kjos Music Company (KJ.JB58).

UPC: 8402701189.

Compose r John Lorge celebrates his heritage with Ojibwa Lullaby. Based on authentic Native American melodies from the north central United States, the themes are transformed and presented to sound like a whole community of parents is soothing their children to sleep.

Choir Sacred

SKU: AP.41761

Composed by Donald Moore. This edition: SoundTrax CD. CD. Alfred Choral Designs. Christmas; Sacred. CD. Alfred Music #00-41761. Published by Alfred Music (AP.41761).

UPC: 038081468419. English. Words by Alice Jean Cleator.

This gentle lullaby is equally appropriate for school and church, offering a nativity text and a light choral texture. Lush harmonies reflect a faint jazz influence, while ethereal words softly sing the baby to sleep. Angels are watching over thee.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

Arranged by Earlene Rentz. For SSA choir (SSA). Shawnee Press. Spanish Carol. Choral. 12 pages

By Jester Hairston. Arranged by Joel Raney. For 2-part choir. Scripture Reference: Luke 2:8-14. Christmas, Devotion, Sacred. Choral octavo. 12 pages

By Jester Hairston. Arranged by Joel Raney. For Flute, Guitar, Handbells, Percussion. Scripture Reference: Luke 2:8-14. Christmas, Devotion, Sacred. Instrumental Parts

Composed by Alice Jean Cleator, music by Donald Moore. Choir Sacred. 3-Part Mixed Choir (SAB). Choral Octavo. Choral Designs. Christmas; Sacred; Winter. 8 pages. Published by Alfred Music

Sleep My Child Judith Clurman Rejoice: Honoring the Jewish Spirit Choral Series. Arranged by Ryan Nowlin. Choral. Lullaby, Concert. Octavo. 12 pages. Published by Hal Leonard

By Jester Hairston. Arranged by Joel Raney. For SAB choir or 3-part choir. Choral music. Christmas, Devotion, Sacred. Choral octavo. 12 pages. Published by Hope Publishing Company

Band concert band - Grade 3.5

SKU: KJ.JB58F

Composed by John Lorge. Bandworks. Jazz. Score. Neil A. Kjos Music Company #JB58F. Published by Neil A. Kjos Music Company (KJ.JB58F).

Composer John Lorge celebrates his heritage with Ojibwa Lullaby. Based on authentic Native American melodies from the north central United States, the themes are transformed and presented to sound like a whole community of parents is soothing their children to sleep.

Composed by Alice Jean Cleator, music by Donald Moore. Choir Sacred. SATB choir. Choral Octavo. Choral Designs. Christmas; Sacred; Winter. 8 pages. Published by Alfred Music

The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Published by Hal Leonard.

Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.

C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 256 pages. Published by Hal Leonard.

Voice and Piano. By Richard Johnston. (resource book). Vocal Collection. Size 8.5x11 inches. 400 pages. Published by E.c. Kerby.