Jackson 5 Medley Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1125265-140 Composed by Micha...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1125265-140
Composed by Michael
Jackson. Arranged by
Takashi Hoshide. Pop &
Rock. Score Only.
Composed 2012. 32 pages.
De Haske Publications
#DHP 1125265-140.
Published by De Haske
Publications
(BT.DHP-1125265-140).
9x12 inches.
English-German-French-Dut
ch.
Jackson 5
Medley features the
catchiest hits from one
of the most successful
family pop groups of all
time, arranged for
concert band by Takashi
Hoshide. Includes the
songs I’ll Be
There, I Want You Back,
ABC and Never Can
Say Goodbye.
Met zijn zonen
Jackie, Tito en Jermaine
richtte vader Joe Jackson
al in 1964 de popgroep
Jacksons op. Toen ook
Marlon en de bijzonder
getalenteerde Michael er
in 1966 bij kwamen,
boekten The Jackson
5 hun grootste
successen.De Japanse
arrangeur Takashi Hoshide
koos voor zijn Jackson 5
Medley de evergreens
I’ll Be There,
I Want You Back, ABC
en Never Can Say
Goodbye.
Die
Familien-Band The
Jacksons wurde bereits
1964 vom Vater Joe
Jackson gegründet,
doch erst als zu den
Brüdern Jackie,
Tito und Jermaine auch
Marlon und das
Ausnahmetalent Michael im
Jahr 1966 dazu
stießen, feierte die
Gruppe unter dem Namen
The Jackson 5 ihre
größten Erfolge.
Der japanische Arrangeur
Takashi Hoshide wählte
für sein Jackson
5 Medley die
eingängigen Songs
I’ll Be There,
I Want You Back, ABC
und Never Can Say
Goodbye.
Fondata nel 1964
da Joe Jackson, il gruppo
The Jackson Brothers
comprendeva solo 3
fratelli: Jackie, Tito e
Jermaine. Solo più
tardi si sarebbero
aggiunti Marlon e
Michael, e con loro il
nome definitivo sarebbe
diventato The Jackson
Five. Takashi Hoshide ha
scelto di arrangiare per
banda quattro grandi
successi dei fratelli
Jackson: I’ll
Be There, I Want You
Back, ABC e Never
Can Say Goodbye.
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1115042-140 Composed by Rod T...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1115042-140
Composed by Rod
Temperton. Arranged by
Naohiro Iwai. New Sounds
for Concert Band. Pop &
Rock. Score Only.
Composed 2011. 36 pages.
De Haske Publications
#DHP 1115042-140.
Published by De Haske
Publications
(BT.DHP-1115042-140).
9x12
inches.
Over the
years much has been
written and broadcast
about Michael Jackson.
Naohiro Iwai has created
a powerful medley by
letting the music of the
undisputed ‘King of
Pop’ speak for
itself. The medley
contains the hits
Thriller, I’ll Be
There and I Want You
Back. Don’t stop
’til you get
enough!
Michael
Jackson: alles wat over
hem kan worden beweerd is
al gezegd, geschreven en
uitgezonden. Naohiro Iwai
laat liever de muziek van
deze onbetwistbare
‘King of
Pop’ voor zich
spreken. Zie hier een
overtuigende medley voor
harmonieorkestvan de
nummers
Thriller,
I’ll be There
en I Want You
Back.
Ãœber
Michael Jackson wurde
schon viel geschrieben,
gesagt und gezeigt.
Naohiro Iwai lässt die
Musik des unangefochtenen
King of Pop“
sprechen in seinem
überzeugenden
Blasorchestermedley aus
den Hits Thriller,
I’ll be
There und I Want
You Back.
Di Michael
Jackson si è parlato,
scritto e mostrato tanto,
forse troppo. In questo
coinvolgente medley che
raggruppa Thriller,
I’ll Be There e I
Want You Back, Naohiro
Iwai lascia semplicemente
parlare la musica
dell’indiscusso
“King of
popâ€.
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1115042-010 Composed by Rod T...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1115042-010
Composed by Rod
Temperton. Arranged by
Naohiro Iwai. New Sounds
for Concert Band. Pop &
Rock. Set (Score &
Parts). Composed 2011. De
Haske Publications #DHP
1115042-010. Published by
De Haske Publications
(BT.DHP-1115042-010).
9x12
inches.
Over the
years much has been
written and broadcast
about Michael Jackson.
Naohiro Iwai has created
a powerful medley by
letting the music of the
undisputed ‘King of
Pop’ speak for
itself. The medley
contains the hits
Thriller,
I’ll
BeThere and I Want
You Back.
Don’t stop
’til you get
enough!
Michael
Jackson: alles wat over
hem kan worden beweerd is
al gezegd, geschreven en
uitgezonden. Naohiro Iwai
laat liever de muziek van
deze onbetwistbare
‘King of
Pop’ voor zich
spreken. Zie hier een
overtuigende medley voor
harmonieorkestvan de
nummers
Thriller,
I’ll be There
en I Want You
Back.
Ãœber
Michael Jackson wurde
schon viel geschrieben,
gesagt und gezeigt.
Naohiro Iwai lässt die
Musik des unangefochtenen
King of Pop“
sprechen in seinem
überzeugenden
Blasorchestermedley aus
den Hits Thriller,
I’ll be
There und I Want
You Back.
Di Michael
Jackson si è parlato,
scritto e mostrato tanto,
forse troppo. In questo
coinvolgente medley che
raggruppa Thriller,
I’ll Be There e I
Want You Back, Naohiro
Iwai lascia semplicemente
parlare la musica
dell’indiscusso
“King of
popâ€.
I Just Can't Stop Loving You Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Composed by Michael Jackson. Arranged by Miho Hazama. Pop and Rock. Set (Score...(+)
Composed by Michael
Jackson.
Arranged by Miho Hazama.
Pop
and Rock. Set (Score and
Parts).
Composed 2012. De Haske
Publications #DHP
1125271-
010. Published by De
Haske
Publications
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three ...(+)
Soloists, Mixed choir,
Orchestra
SKU:
BA.BA10726-01
Oratorio in three
parts. Composed by
George Frideric Handel.
Edited by Michael
Pacholke. This edition:
Complete edition. Linen.
Complete edition, Score.
HWV 46. Baerenreiter
Verlag #BA10726-01.
Published by Baerenreiter
Verlag (BA.BA10726-01).
ISBN 9790006575596. 33
x 26 cm inches. Text
Language: Italian.
Preface: Pacholke,
Michael.
In the
brief half-year period
from August 14, 1736, to
January 27, 1737, Georg
Friedrich Handel achieved
an unprecedented level of
productivity in his opera
compositions, creating
three operas.
Additionally, in March
1737, he also composed a
largely new oratorio
titled â??Il trionfo del
Tempo e della
Verità â? (â??The
Triumph of Time and
Truthâ?) HWV 46b. The
libretto of this oratorio
closely corresponds to
that of the oratorio
â??La Bellezza ravveduta
nel trionfo del Tempo e
del Disingannoâ?
(â??Beauty Reconciled in
the Triumph of Time and
Enlightenmentâ?) HWV
46a written in 1707. With
â??La Bellezza
ravvedutaâ?, Handel
composed an allegorical
and particularly dramatic
oratorio right at the
beginning of his oratorio
compositions. In this
work, there is no chorus
inclined towards
reflection. Not only do
the four allegorical
figures, Bellezza
(Beauty), Piacere
(Pleasure), Tempo (Time),
and Disinganno
(Enlightenment), listen
to each other and react
to the ideas presented by
the others, but this
prevailing dramatic
principle of dispute is
also found in the
recitatives.
In
1737, when reworking the
oratorio material as
â??Il trionfo del Tempo
e della Verità â?,
Handel approached the
task pragmatically. He
needed a new non-dramatic
work to fulfill the
eveningâ??s program for
his audience at the
Covent Garden Theatre
during the fasting season
when theatrical
performances were
prohibited. Although he
had excellent Italian
vocal soloists, notorious
for their pronunciation
in Handelâ??s English
oratorios and who
naturally preferred
singing in Italian,
Handel found a solution.
It was evident to Handel
that, in response to the
ban on performances of
his Italian operas during
the fasting season of
1737, he should promptly
create a new oratorio in
the Italian language but
following the three-part
â??Englishâ? oratorio
form that he had
developed in
â??Estherâ? HWV 50b
in 1732. Unlike in Rome
in 1707, he had access to
a chorus in London in
1737, and the English
oratorio, with its
substantial choral
sections, a preference
for concert-like rather
than dramatic
composition, and frequent
inclusion of organ
concertos loosely related
to the narrative, was
already
established.
The
new volume of the HHA
includes the original
version of the 1737
premiere as well as all
the surviving early and
later versions (the
latter being exceptional
highlights) of individual
musical pieces from
â??Il trionfo del Tempo
e della
Verità â?.
On Eagle's Wings Chorale 3 parties SAB [Octavo] Hope Publishing Company
By Michael Joncas. Arranged by Douglas E. Wagner. For Choir. (SAB or Three-Part...(+)
By Michael Joncas.
Arranged by Douglas E.
Wagner. For Choir. (SAB
or Three-Part). Comfort,
Confidence,
Encouragement, Funeral,
Guidance, Hymntune,
Promise, Funeral,
Hymntune and Sacred.
Print Music Single (SAB).
Published by Hope
Publishing Company.
Composed by Michael Giacchino. Arranged by Philip Sparke and Jay Bocook. TV- F...(+)
Composed by Michael
Giacchino. Arranged by
Philip
Sparke and Jay Bocook.
TV-
Film-Musical-Show. Set
(Score
and Parts). Composed
2005. Hal
Leonard #1231-05-020 DHE.
Published by Hal Leonard
By Various. Edited by Meuser, Michael / Berning, Thomas / Kohlmann, Mathias / De...(+)
By Various. Edited by
Meuser, Michael /
Berning, Thomas /
Kohlmann, Mathias /
Degott, Matthias / Kolle,
Martin / Walter, Meinrad
/ Geismann, Wilm.
Occasions: Eucharist,
Communion, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Mourning,
Death; Use during church
year: Advent, Lent and
Passiontide, Easter and
Eastertide, Christmas.
Collection. 224 pages.
Published by Carus Verlag
(German import).
Chorsatz fur
gemischten Chor.
Composed by Hermann
Schroeder. This edition:
Folding. Sheet music.
Choral. Octavo. 2 pages.
Schott Music #C55541.
Published by Schott Music
(HL.49044191).
ISBN
9790001192910.
German.
The fact
that Hermann Schroeder
ranks among the most
important composers of
Catholic church music in
the 20th century shows
especially in the simple
church music form of the
choral setting, e. g. in
his setting of the sacred
song Unuberwindlich
starker Held, Sankt
Michael. With his own
typical archaic tonal
language, Schroeder
creates an a cappella
choral setting (SATB) in
which the dignity and the
admiration of the heroic
deeds of the Archangel
Michael find their
musical expression in a
very compact form. The
underlying melody (GL
924) dates from 1623. The
author of the text of the
Song of Michael is the
German hymn writer
Friedrich Spee. A very
charming choral setting
that can be easily
mastered by any church
choir; its five verses
have to be sung
alternately by the choir
and the congregation.
Organ SKU: HL.49044198 Chorale prelude and chorale setting. Compos...(+)
Organ
SKU:
HL.49044198
Chorale prelude and
chorale setting.
Composed by Hermann
Schroeder. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Softcover. 8 pages.
Schott Music #ED21624.
Published by Schott Music
(HL.49044198).
ISBN
9790001192897.
9.0x11.75x0.07 inches.
German.
The fact
that Hermann Schroeder
ranks among the most
important composers of
Catholic church music in
the 20th century shows
especially in the simple
church music form of the
choral setting, e. g. in
his setting of the sacred
song Unuberwindlich
starker Held, Sankt
Michael. With his own
typical archaic tonal
language, Schroeder
creates an a cappella
choral setting (SATB) in
which the dignity and the
admiration of the heroic
deeds of the Archangel
Michael find their
musical expression in a
very compact form. The
underlying melody (GL
924) dates from 1623. The
author of the text of the
Song of Michael is the
German hymn writer
Friedrich Spee. A very
charming choral setting
that can be easily
mastered by any church
choir; its five verses
have to be sung
alternately by the choir
and the congregation.
Apart from the a cappella
choral setting, the
practical congregational
edition also contains a
chorale prelude and the
organ chorale which can,
of course, be used as
accompaniment for the
congregation, but also
for the choral
setting.
On Eagle's Wings Chorale SATB SATB [Octavo] Hope Publishing Company
By Michael Joncas. Arranged by Douglas E. Wagner. For 2-Part Mixed Choir (2-part...(+)
By Michael Joncas.
Arranged by Douglas E.
Wagner. For 2-Part Mixed
Choir (2-part). Comfort,
Ring and Sing, Sacred,
Wedding. Print Music
Single (2-part Mixed). 12
pages
Urtext. Composed
by Johann Nepomuk Hummel.
Edited by Michael Kube.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag Here you will find
the E flat major version
of this concerto. Solo
concerto; Classical.
Part. 14 pages. Breitkopf
and Haertel #OB 15119-16.
Published by Breitkopf
and Haertel
(BR.OB-15119-16).
ISBN
9790004340318. 10 x 12.5
inches.
Just like
Joseph Haydn's E flat
major concerto Hob VIIe:1
(1796), Hummel's Trumpet
Concerto in E major of
1803 was also written for
the Viennese soloist
Anton Weidinger, who
performed on a keyed
trumpet that could
produce the chromatic
tones of an entire scale
a unique achievement at
that time. The work
features unmistakable
allusions to Mozart and
even has a literal quote
from a Cherubini opera in
the final movement.
Today, Hummel's concerto,
next to the Haydn piece,
is considered as THE
classical trumpet
concerto. It is no doubt
thanks to this unique
status that the work has
been available in a
transposition to E flat
major since 1957, a
version that better suits
the B flat trumpet widely
used today. The Urtext
edition respects this
performance-practical
aspect: The piano
reduction as well as the
study score contain both
versions. The score and
orchestral parts can be
obtained in two different
editions.While this being
one of the few urtext, it
may be the only edition
published in both the
original tonality of E
major and the
often-preferred key of
E-flat major.
Additionally, the edition
contains some interesting
insights on the concerto
and keyed trumpet. (Luis
C. Engelke, Music Reviews
Editor).
Urtext. Composed
by Johann Nepomuk Hummel.
Edited by Michael Kube.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag Here you will find
the E flat major version
of this concerto. Solo
concerto; Classical.
Part. 12 pages. Breitkopf
and Haertel #OB 15119-26.
Published by Breitkopf
and Haertel
(BR.OB-15119-26).
ISBN
9790004340332. 10 x 12.5
inches.
Just like
Joseph Haydn's E flat
major concerto Hob VIIe:1
(1796), Hummel's Trumpet
Concerto in E major of
1803 was also written for
the Viennese soloist
Anton Weidinger, who
performed on a keyed
trumpet that could
produce the chromatic
tones of an entire scale
a unique achievement at
that time. The work
features unmistakable
allusions to Mozart and
even has a literal quote
from a Cherubini opera in
the final movement.
Today, Hummel's concerto,
next to the Haydn piece,
is considered as THE
classical trumpet
concerto. It is no doubt
thanks to this unique
status that the work has
been available in a
transposition to E flat
major since 1957, a
version that better suits
the B flat trumpet widely
used today. The Urtext
edition respects this
performance-practical
aspect: The piano
reduction as well as the
study score contain both
versions. The score and
orchestral parts can be
obtained in two different
editions.While this being
one of the few urtext, it
may be the only edition
published in both the
original tonality of E
major and the
often-preferred key of
E-flat major.
Additionally, the edition
contains some interesting
insights on the concerto
and keyed trumpet. (Luis
C. Engelke, Music Reviews
Editor).
Trumpet and orchestra (solos: trp - 1.2.2.2 - 2.0.0.0 - timp - str) SKU: BR.P...(+)
Trumpet and orchestra
(solos: trp - 1.2.2.2 -
2.0.0.0 - timp - str)
SKU: BR.PB-15119
Urtext. Composed
by Johann Nepomuk Hummel.
Edited by Michael Kube.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
He
re you will find the
E flat major version of
this concerto.
Solo
concerto; Classical. Full
score. 52 pages.
Breitkopf and Haertel #PB
15119. Published by
Breitkopf and Haertel
(BR.PB-15119).
ISBN
9790004212219. 10 x 12.5
inches.
Just like
Joseph Haydn's E flat
major concerto Hob VIIe:1
(1796), Hummel's Trumpet
Concerto in E major of
1803 was also written for
the Viennese soloist
Anton Weidinger, who
performed on a keyed
trumpet that could
produce the chromatic
tones of an entire scale
a unique achievement at
that time. The work
features unmistakable
allusions to Mozart and
even has a literal quote
from a Cherubini opera in
the final movement.
Today, Hummel's concerto,
next to the Haydn piece,
is considered as THE
classical trumpet
concerto. It is no doubt
thanks to this unique
status that the work has
been available in a
transposition to E flat
major since 1957, a
version that better suits
the B flat trumpet widely
used today. The Urtext
edition respects this
performance-practical
aspect: The piano
reduction as well as the
study score contain both
versions. The score and
orchestral parts can be
obtained in two different
editions.While this being
one of the few urtext, it
may be the only edition
published in both the
original tonality of E
major and the
often-preferred key of
E-flat major.
Additionally, the edition
contains some interesting
insights on the concerto
and keyed trumpet. (Luis
C. Engelke, Music Reviews
Editor).
Urtext. Composed
by Johann Nepomuk Hummel.
Edited by Michael Kube.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag Here you will find
the E flat major version
of this concerto. Solo
concerto; Classical.
Part. 14 pages. Breitkopf
and Haertel #OB 15119-15.
Published by Breitkopf
and Haertel
(BR.OB-15119-15).
ISBN
9790004340301. 10 x 12.5
inches.
Just like
Joseph Haydn's E flat
major concerto Hob VIIe:1
(1796), Hummel's Trumpet
Concerto in E major of
1803 was also written for
the Viennese soloist
Anton Weidinger, who
performed on a keyed
trumpet that could
produce the chromatic
tones of an entire scale
a unique achievement at
that time. The work
features unmistakable
allusions to Mozart and
even has a literal quote
from a Cherubini opera in
the final movement.
Today, Hummel's concerto,
next to the Haydn piece,
is considered as THE
classical trumpet
concerto. It is no doubt
thanks to this unique
status that the work has
been available in a
transposition to E flat
major since 1957, a
version that better suits
the B flat trumpet widely
used today. The Urtext
edition respects this
performance-practical
aspect: The piano
reduction as well as the
study score contain both
versions. The score and
orchestral parts can be
obtained in two different
editions.While this being
one of the few urtext, it
may be the only edition
published in both the
original tonality of E
major and the
often-preferred key of
E-flat major.
Additionally, the edition
contains some interesting
insights on the concerto
and keyed trumpet. (Luis
C. Engelke, Music Reviews
Editor).
Urtext. Composed
by Johann Nepomuk Hummel.
Edited by Michael Kube.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
He
re you will find the
E flat major version of
this concerto.
Solo
concerto; Classical. Set
of parts. 48 pages.
Breitkopf and Haertel #OB
15119-30. Published by
Breitkopf and Haertel
(BR.OB-15119-30).
ISBN
9790004340349. 10 x 12.5
inches.
Just like
Joseph Haydn's E flat
major concerto Hob VIIe:1
(1796), Hummel's Trumpet
Concerto in E major of
1803 was also written for
the Viennese soloist
Anton Weidinger, who
performed on a keyed
trumpet that could
produce the chromatic
tones of an entire scale
a unique achievement at
that time. The work
features unmistakable
allusions to Mozart and
even has a literal quote
from a Cherubini opera in
the final movement.
Today, Hummel's concerto,
next to the Haydn piece,
is considered as THE
classical trumpet
concerto. It is no doubt
thanks to this unique
status that the work has
been available in a
transposition to E flat
major since 1957, a
version that better suits
the B flat trumpet widely
used today. The Urtext
edition respects this
performance-practical
aspect: The piano
reduction as well as the
study score contain both
versions. The score and
orchestral parts can be
obtained in two different
editions.While this being
one of the few urtext, it
may be the only edition
published in both the
original tonality of E
major and the
often-preferred key of
E-flat major.
Additionally, the edition
contains some interesting
insights on the concerto
and keyed trumpet. (Luis
C. Engelke, Music Reviews
Editor).
Urtext. Composed
by Johann Nepomuk Hummel.
Edited by Michael Kube.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag Here you will find
the E flat major version
of this concerto. Solo
concerto; Classical.
Part. 14 pages. Breitkopf
and Haertel #OB 15119-19.
Published by Breitkopf
and Haertel
(BR.OB-15119-19).
ISBN
9790004340325. 10 x 12.5
inches.
Just like
Joseph Haydn's E flat
major concerto Hob VIIe:1
(1796), Hummel's Trumpet
Concerto in E major of
1803 was also written for
the Viennese soloist
Anton Weidinger, who
performed on a keyed
trumpet that could
produce the chromatic
tones of an entire scale
a unique achievement at
that time. The work
features unmistakable
allusions to Mozart and
even has a literal quote
from a Cherubini opera in
the final movement.
Today, Hummel's concerto,
next to the Haydn piece,
is considered as THE
classical trumpet
concerto. It is no doubt
thanks to this unique
status that the work has
been available in a
transposition to E flat
major since 1957, a
version that better suits
the B flat trumpet widely
used today. The Urtext
edition respects this
performance-practical
aspect: The piano
reduction as well as the
study score contain both
versions. The score and
orchestral parts can be
obtained in two different
editions.While this being
one of the few urtext, it
may be the only edition
published in both the
original tonality of E
major and the
often-preferred key of
E-flat major.
Additionally, the edition
contains some interesting
insights on the concerto
and keyed trumpet. (Luis
C. Engelke, Music Reviews
Editor).
(For Bassoon and String quartet). By Carl Maria von Weber (1786-1826) and Carl M...(+)
(For Bassoon and String
quartet). By Carl Maria
von Weber (1786-1826) and
Carl Maria von Weber
(1786-1826). Arranged by
Michael Rot. For bassoon,
2 violins, viola, cello.
Chamber music. Score and
set of parts. Op. 35.
Published by Doblinger
Music Publishers
(clarinet in A - Henle). By Johann Nepomuk Hummel (1778-1837). Edited by Michael...(+)
(clarinet in A - Henle).
By Johann Nepomuk Hummel
(1778-1837). Edited by
Michael Kube. Arranged by
Michael Kube (reduction).
For Trumpet-solo, flute,
2 oboes, 2 clarinets, 2
bassoons, 2 horns,
timpani, strings. This
edition: Urtext. Piano
reduction. 116 pages.
Published by Breitkopf
and Haertel
By Michael F. Moody. Text: James E. Faust, adaptation by Jan Pinborough. For Voc...(+)
By Michael F. Moody.
Text: James E. Faust,
adaptation by Jan
Pinborough. For Vocal
Solo. Duration 2:30.
Published by Jackman
Music Corporation.
Level: Medium.