Urtext. Composed
by Johann Sebastian Bach.
Edited by Joshua Rifkin.
This edition: wind parts.
Folder.
Orchester-Bibliothek
(Orchestral Library).
150 years of
publication history had
to elapse until a music
text of the Mass in B
minor was published that
truly goes back to Johann
Sebastian Bach's
definitive version,
inasmuch as it can be
determined.
Mass;
Baroque. Set of parts.
136 pages. Duration 110'.
Breitkopf and Haertel #OB
5363-30. Published by
Breitkopf and Haertel
(BR.OB-5363-30).
ISBN
9790004338568. 10 x 12.5
inches.
The new
Breitkopf Urtext edition
by Joshua Rifkin draws on
all relevant sources to
restore the Mass to the
state in which Bach left
it for posterity. This
means, first, a clear
separation of the Kyrie
and Gloria from the
earlier Missa of 1733.
Moreover, in the Credo
the Symbolum Nicenum
Rifkin has faced the
challenge of sweeping
away the overlay of
additions by C.P.E. Bach
and eliminating his
alterations more
thoroughly than Friedrich
Smend had in the Neue
Bach Ausgabe of 1954 and
in later editions as
well.The NBA edition of
this work has long been
thought to be
unsatisfactory, so in
this case Breitkopf study
score is better as well
as a few euros cheaper.
(Early Music
Review)
150 years
of publication history
had to elapse until a
music text of the Mass in
B minor was published
that truly goes back to
Johann Sebastian Bach's
definitive version,
inasmuch as it can be
determined.
Urtext. Composed
by Johann Sebastian Bach.
Edited by Joshua Rifkin.
Softbound.
Chor-Bibliothek (Choral
Library).
150 years of
publication history had
to elapse until a music
text of the Mass in B
minor was published that
truly goes back to Johann
Sebastian Bach's
definitive version,
inasmuch as it can be
determined.
Mass;
Baroque. Choral score.
104 pages. Duration 110'.
Breitkopf and Haertel
#ChB 5300-02. Published
by Breitkopf and Haertel
(BR.CHB-5300-02).
ISBN
9790004412367. 7.5 x 10.5
inches.
The new
Breitkopf Urtext edition
by Joshua Rifkin draws on
all relevant sources to
restore the Mass to the
state in which Bach left
it for posterity. This
means, first, a clear
separation of the Kyrie
and Gloria from the
earlier Missa of 1733.
Moreover, in the Credo
the Symbolum Nicenum
Rifkin has faced the
challenge of sweeping
away the overlay of
additions by C.P.E. Bach
and eliminating his
alterations more
thoroughly than Friedrich
Smend had in the Neue
Bach Ausgabe of 1954 and
in later editions as
well.The NBA edition of
this work has long been
thought to be
unsatisfactory, so in
this case Breitkopf study
score is better as well
as a few euros cheaper.
(Early Music
Review)
150 years
of publication history
had to elapse until a
music text of the Mass in
B minor was published
that truly goes back to
Johann Sebastian Bach's
definitive version,
inasmuch as it can be
determined.
Study Score Orchestra (3 (3. auch Picc.) * 2 * Engl. Hr. * 2 * Bassklar. * 2 - 4...(+)
Study Score Orchestra (3
(3. auch Picc.) * 2 *
Engl. Hr. * 2 * Bassklar.
* 2 - 4 * 3 * 3 * 1 - P.
S. (Vibr. * Trgl. * 3 hg.
Beck. * Sizzle-Beck. *
Gong * Tamt.) (2 Spieler)
- Hfe. - Str.)
SKU:
HL.49017992
Orchestra Study
Score. Composed by
Bertold Hummel. This
edition: Saddle
stitching. Sheet music.
Study Score. Classical.
Softcover. Composed 1977.
Op. 65. 32 pages.
Duration 8'. Schott Music
#ED20694. Published by
Schott Music
(HL.49017992).
ISBN
9790001168977. UPC:
884088601867.
8.25x11.75x0.123
inches.
The brief
Fantasia gregoriana,
op.65, is based on the
Gregorian Easter
Hallelujah. Like a
mosaic, the individual
heterogenic episodes,
lyrical, dance-like,
hymnal and dramatic in
turn, are combined
through the permanent
presence of the theme
into a unified whole.The
Gregorian Hallelujah is
present as a type of mode
in every bar of the work.
The subdued introduction,
characterised by the
tritonically transposed
structure of the original
material, is followed by
a sharply accentuated
presentation of the theme
in the bass. Over the
partially engarlanded
resolved variants, a
first bitonal climax is
reached (F minor and D
major simultaneously).
The dramatic development
is repeated, interspersed
with arioso
interruptions, until the
main idea is brought to
culmination in brilliant
instrumentation. The
final chord consists of
all notes of the
theme.
SATB choir (div) SKU: CA.965900 Composed by Giacomo Mezzalira. Edited by ...(+)
SATB choir (div)
SKU:
CA.965900
Composed by
Giacomo Mezzalira. Edited
by Stefan Schuck.
Contemporary Choir Music.
Sacred vocal music,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Full score. 8
pages. Duration 8
minutes. Carus Verlag #CV
09.659/00. Published by
Carus Verlag (CA.965900).
ISBN 9790007165901.
Text language:
Latin.
Mezzalira
places his worked
entirely in the tradition
of Catholic church music:
Gregorian elements are
associated likewise with
Palestrina's counterpoint
and Bruckner's sonorous
expansin. Thoroughly in
the tradition of the
motet, the Memorare is
structured in four
sections, each in
accordance with their
respective texts. This
large structured
composition begins in C
minor from the depths of
the men's voices,
building to a song of
lamentation which
increases to an
harmonically enriched E
flat major passage on the
words virgo maria. In the
second section,
harmonically in A flat
major, Mezzalira places
the upper and lower
voices in a double choir
opposed to each other in
block-like manner in
order to develop
resonating cantilenas in
the third part, which is
in F major. After a very
simple, tender four-part
setting of a hymn the
composition ends with an
Amen with large modally
enriched chords in D
major.
Piano SKU: SA.10128 1er arabesque in E major. Composed by Claude D...(+)
Piano
SKU:
SA.10128
1er
arabesque in E major.
Composed by Claude
Debussy. Original Works.
Reprint Source: Paris:
Durand & Fils, 1912.
Plate D. & F. 4395.
Impressionist, French.
Piano score. Composed
1891. 8 pages. Duration 4
minutes. Petrucci Library
Press #10128. Published
by Petrucci Library Press
(SA.10128).
8.25 x 11
inches.
This is a
beautifully digitized
reprint of Debussy's
early gem first published
in 1891, from the 1912
revised and re-engraved
score. In contrast so
many on-demand scores now
available, this one comes
complete with all the
pages and the images have
been checked to make sure
it is highly readable.
The score is beautifully
printed on large size (9
x 12) off-white stock
with a quality cover, all
saddle-stitched in the
traditional sheet music
binding. As with all PLP
scores a percentage of
each sale is donated to
the amazing online
archive of free music
scores and recordings,
IMSLP - Petrucci Music
Library.
Bass Guitar SKU: BT.MUSMI0373 Composed by Sergio Fabrini. Play Music Ital...(+)
Bass Guitar
SKU:
BT.MUSMI0373
Composed
by Sergio Fabrini. Play
Music Italia. Tuition.
Book with CD. Play Music
Italy #MUSMI0373.
Published by Play Music
Italy (BT.MUSMI0373).
Italian.
Con
non meno di 50 linee di
basso Metal, alla maniera
dei più grandi
artisti di questo stile
(Slayer, Megadeth,
Pantera, Exodus, Cannibal
Corpse, Black Sabbath,
Slipknot, Children of
Bodom, Manowar, Anthrax,
NapalmDeath, ecc.),
questo metodo vi
divertirà per un
bel po’ di tempo!
Ma non solo… In
effetti queste linee di
basso, oltre al piacere
di suonarle, vi
permetteranno di scoprire
e far pratica con tutte
le
tecnichecaratteristiche
dello stile metal (uso
del plettro, corde a
vuoto, velocità,
accordature speciali,
esecuzione lineare,
ecc.). Un capitolo
preliminare, più
didattico, vi
aiuterà
d’altronde
adaffrontareserenamente
le principali
difficoltà di
queste linee di basso.
Sul disco dati allegato
al metodo, troverete
numerosi file audio e
video. I video (mp4)
presentano tramite
l’immagine le 50
linee di bassocosì
come devono essere
suonate, a
velocità normale
poi ridotta. Le
registrazioni audio (mp3)
invece propongono le basi
musicali corrispondenti,
anch’esse a due
velocità diverse.
Potrete in questo
modosuonare le 50 linee
proposte sulle basi
musicali oppure
approfittarne per
sviluppare liberamente i
vostri propri
accompagnamenti in stile
metal.
Te Deum Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier Carus Verlag
Soli SATB, Coro SATB, 2 Pfte, Timp ad lib SKU: CA.2719044 Arrangement ...(+)
Soli SATB, Coro SATB, 2
Pfte, Timp ad lib
SKU:
CA.2719044
Arrangement for soli,
choir, 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Gattungen
vokal: Sacred vocal
music. Full Score. WAB
45. Duration 25 minutes.
Carus Verlag #2719044.
Published by Carus Verlag
(CA.2719044).
ISBN
9790007303327.
Latin.
In the 19th
and early 20th centuries,
transcriptions of large
(choral) symphonic works
for two pianos were
extremely popular: They
enabled a large audience
to get to know classical
compositions in an age
before recorded music. In
many cases, world-famous
works were first
performed in such a
version –
including
Bruckner’s Te
Deum. Unfortunately, only
a few bars of this
transcription have
survived.The
Stuttgart composer,
pianist and experienced
piano-duo performer
Sebastian Bartmann was
commissioned by the
Landesakademie für die
musizierende Jugend in
Baden-Württemberg
Ochsenhausen to newly
arrange Bruckner’s
Te Deum and the Mass in D
minor for soloists, choir
and two pianos. A timpani
part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.Today the Te
Deum is Bruckner’s
most frequently performed
vocal work. The greatest
challenges for any choir
are the high register and
the enormous
orchestration of this
extremely effective
piece: The singers are
often required to declaim
against a large orchestra
performing forte
fortissimo! This problem
is resolved in the
arrangement for two
pianos; moreover, the
scaling back of the sonic
forces helps reveal
compositional structures
that otherwise can all
too easily get lost in
the intoxicating
orchestral sound..
Score available
separately - see item
CA.2719000.
Double Bass SKU: BT.YE0030 Composed by F. Keyper. Exam Material. Book Onl...(+)
Double Bass
SKU:
BT.YE0030
Composed by
F. Keyper. Exam Material.
Book Only. Yorke Edition
#YE0030. Published by
Yorke Edition
(BT.YE0030).
An easy
virtuoso work published
here for the first time
and now much performed.
Recorded Slatford/Academy
of St
Martin-in-the-Fields
(EMI). AMEB (Australian
Syllabus) 2004.
Orchestral material on
hire from Yorke Edition
(notSpartan).
Pr
ogramme Note:
As
a young professional
player in the 1960s, my
work as a double bassist
with chamber ensembles
and small orchestras took
me all over the world.
This presented an
unparalleledopportunity
to scour libraries and
archives wherever I went.
Long before the advent of
the photocopier and
e-mail, research was far
more challenging than it
is today. Eastern Europe
was particularly
difficult to access,
withmanycollections kept
under lock and key for
all but a few hours a
week. One quickly found
colleagues who were keen
to share information
gleaned in passing, even
though they had no
specific interest in
one's own
particularspecialism (it
is so often the
peripheral topics that
fascinate as much as the
main subject under
investigation, and one
can quickly be
side-tracked into
political and social
issues that have only
slender bearing on the
job inhand!).
In
the early 1970s James
Brown, the then
sub-principal oboist of
the English Chamber
Orchestra with whom I was
working at the time,
stumbled across a small
collection of double bass
manuscripts at the
RoyalDanish State Library
in Copenhagen. They were
by Franz Anton Leopold
Keÿper (b. c.1756, d.
Copenhagen 7 June 1815),
a double bassist of Dutch
origin who worked as
principal of the Royal
Chapel Orchestra in
Copenhagen.Keÿper's son
was the bassoonist Franz
Jacob August Keÿper
(1792-1859). The
collection included a
number of concertos, some
chamber music, and
various naïve fragments.
Although hardly the work
of a Mozart or Haydn,the
style is characteristic
of the period. For an
instrument such as the
double bass, whose 18th
century solo repertoire
is largely written for
tunings that are no
longer in everyday use,
Keÿper's music is easily
approachablein its.
Full Score SKU: HL.350177 For SATB Choir and Ensemble Full Score. ...(+)
Full Score
SKU:
HL.350177
For SATB
Choir and Ensemble Full
Score. Composed by
James Whitbourn. Choral.
Octavo. Chester Music
#CH87582. Published by
Chester Music
(HL.350177).
ISBN
9781705104095. UPC:
840126933147.
9.0x12.0x0.098
inches.
Commissione
d by the Pennsbury High
School Concert Choir,
James D. Moyer, director
in celebration of the
tenth annual Big Sing
concert in Princeton
University Chapel, April
25 2018 and to mark the
fiftieth anniversary of
the assassination of
Martin Luther King, April
4 1968 and his preaching
in Princeton University
Chapel in March 1960.
Scored for mixed voices,
soprano saxophone,
percussion, piano and
organ. Parts available:
CH87604 Vocal Score
available: CH87593.
SATB choir, basso continuo SKU: CA.5032705 Composed by Michael Haydn. Edi...(+)
SATB choir, basso
continuo
SKU:
CA.5032705
Composed
by Michael Haydn. Edited
by Charles H. Sherman.
This edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Tempore
Quadragesimae Mh 553.
Sacred vocal music,
Masses, Latin, Lent and
Passiontide. Choral
Score. Composed 1794. MH
553. 16 pages. Duration
17 minutes. Carus Verlag
#CV 50.327/05. Published
by Carus Verlag
(CA.5032705).
ISBN
9790007107284. Key: D
minor. Language:
Latin.
The Missa
Tempore Quadragesimae was
completed on March 31,
1794. Although the work
incorporates but a single
quotation of plainsong,
in the Et incarnatus est,
it exhibits in its
economy of means and
essentially homophonic
style the chief
characteristics of music
written in response to
the demands of liturgical
reform at Salzburg during
the 1790s. May also be
used, without the Gloria,
during Advent. Score
available separately -
see item CA.5032700.
Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. Arranged by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Singet dem Herrn
ein neues Lied. Sacred
vocal music, Cantatas,
Psalms, German, Easter
and Eastertide, Psalms.
Set of Orchestra Parts.
TVWV 7:30. Duration 20
minutes. Carus Verlag #CV
39.124/19. Published by
Carus Verlag
(CA.3912419).
ISBN
9790007139322. Key: D
major. Language:
German/English.
Thi
s nine-movement psalm
composition allows all
the participants to
shine, in some cases with
rich virtuosity: the
string ensemble in the
opening Sonata; the solo
singers and choir in the
chaconne-like first vocal
movement, Singet dem
Herrn; also the solo
singers in two duets
(alto + tenor, soprano +
alto), an alto solo and
an extensive bass solo;
the choir in two further
movements - a fugue on
the 6th verse of the
psalm Es stehet herrlich
und prachtig fur ihm and
the concluding movement
in two sections, Betet an
den Herrn, which ends
with a brilliant fugue on
Es furchte ihn alle Welt.
This is a festive sacred
work suitable for many
occasions (including
weekday Epiphany psalm
services and for services
on the 4th Sunday after
Easter). The present
edition presents the
source material in
revides form, transcribed
into current editorial
and performance usage.
Score and parts available
separately - see item
CA.3912400.
Singet
dem Herrn ein neues
Lied. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
Arranged by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
Violoncello/double bass.
Sacred vocal music,
Cantatas, Psalms, German,
Easter and Eastertide,
Psalms. Single Part,
Cello/Double Bass. TVWV
7:30. 12 pages. Duration
20 minutes. Carus Verlag
#CV 39.124/14. Published
by Carus Verlag
(CA.3912414).
ISBN
9790007055813. Key: D
major. Language:
German/English.
Thi
s nine-movement psalm
composition allows all
the participants to
shine, in some cases with
rich virtuosity: the
string ensemble in the
opening Sonata; the solo
singers and choir in the
chaconne-like first vocal
movement, Singet dem
Herrn; also the solo
singers in two duets
(alto + tenor, soprano +
alto), an alto solo and
an extensive bass solo;
the choir in two further
movements - a fugue on
the 6th verse of the
psalm Es stehet herrlich
und prachtig fur ihm and
the concluding movement
in two sections, Betet an
den Herrn, which ends
with a brilliant fugue on
Es furchte ihn alle Welt.
This is a festive sacred
work suitable for many
occasions (including
weekday Epiphany psalm
services and for services
on the 4th Sunday after
Easter). The present
edition presents the
source material in
revides form, transcribed
into current editorial
and performance usage.
Score and part available
separately - see item
CA.3912400.
Singet
dem Herrn ein neues
Lied. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
Arranged by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
Sacred vocal music,
Cantatas, Psalms, German,
Easter and Eastertide,
Psalms. Choral Score.
TVWV 7:30. Duration 20
minutes. Carus Verlag #CV
39.124/05. Published by
Carus Verlag
(CA.3912405).
ISBN
9790007055776. Key: D
major. Language:
German/English.
Thi
s nine-movement psalm
composition allows all
the participants to
shine, in some cases with
rich virtuosity: the
string ensemble in the
opening Sonata; the solo
singers and choir in the
chaconne-like first vocal
movement, Singet dem
Herrn; also the solo
singers in two duets
(alto + tenor, soprano +
alto), an alto solo and
an extensive bass solo;
the choir in two further
movements - a fugue on
the 6th verse of the
psalm Es stehet herrlich
und prachtig fur ihm and
the concluding movement
in two sections, Betet an
den Herrn, which ends
with a brilliant fugue on
Es furchte ihn alle Welt.
This is a festive sacred
work suitable for many
occasions (including
weekday Epiphany psalm
services and for services
on the 4th Sunday after
Easter). The present
edition presents the
source material in
revides form, transcribed
into current editorial
and performance usage.
Score available
separately - see item
CA.3912400.
Singet
dem Herrn ein neues
Lied. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
Arranged by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
Violin 1. Sacred vocal
music, Cantatas, Psalms,
German, Easter and
Eastertide, Psalms.
Single Part, Violin 1.
TVWV 7:30. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
39.124/11. Published by
Carus Verlag
(CA.3912411).
ISBN
9790007055783. Key: D
major. Language:
German/English.
Thi
s nine-movement psalm
composition allows all
the participants to
shine, in some cases with
rich virtuosity: the
string ensemble in the
opening Sonata; the solo
singers and choir in the
chaconne-like first vocal
movement, Singet dem
Herrn; also the solo
singers in two duets
(alto + tenor, soprano +
alto), an alto solo and
an extensive bass solo;
the choir in two further
movements - a fugue on
the 6th verse of the
psalm Es stehet herrlich
und prachtig fur ihm and
the concluding movement
in two sections, Betet an
den Herrn, which ends
with a brilliant fugue on
Es furchte ihn alle Welt.
This is a festive sacred
work suitable for many
occasions (including
weekday Epiphany psalm
services and for services
on the 4th Sunday after
Easter). The present
edition presents the
source material in
revides form, transcribed
into current editorial
and performance usage.
Score and part available
separately - see item
CA.3912400.
Singet
dem Herrn ein neues
Lied. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
Arranged by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
Violin 2. Sacred vocal
music, Cantatas, Psalms,
German, Easter and
Eastertide, Psalms.
Single Part, Violin 2.
TVWV 7:30. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
39.124/12. Published by
Carus Verlag
(CA.3912412).
ISBN
9790007055790. Key: D
major. Language:
German/English.
Thi
s nine-movement psalm
composition allows all
the participants to
shine, in some cases with
rich virtuosity: the
string ensemble in the
opening Sonata; the solo
singers and choir in the
chaconne-like first vocal
movement, Singet dem
Herrn; also the solo
singers in two duets
(alto + tenor, soprano +
alto), an alto solo and
an extensive bass solo;
the choir in two further
movements - a fugue on
the 6th verse of the
psalm Es stehet herrlich
und prachtig fur ihm and
the concluding movement
in two sections, Betet an
den Herrn, which ends
with a brilliant fugue on
Es furchte ihn alle Welt.
This is a festive sacred
work suitable for many
occasions (including
weekday Epiphany psalm
services and for services
on the 4th Sunday after
Easter). The present
edition presents the
source material in
revides form, transcribed
into current editorial
and performance usage.
Score and part available
separately - see item
CA.3912400.
Orchestra (Study Score) SKU: HL.48024642 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.48024642
Orchestra Study
Score. Composed by
Sergei Prokofiev. Boosey
& Hawkes Scores/Books.
Classical, Russian.
Softcover. 68 pages.
Duration 780 seconds.
Boosey & Hawkes
#M060133053. Published by
Boosey & Hawkes
(HL.48024642).
ISBN
9781784542658. UPC:
888680949068.
7.25x10.25x0.241
inches.
New edition
of this enigmatic,
single-movement work for
full orchestra lasting 13
minutes and dating from
the early-1930s. In his
preface, Gerard McBurney
comments that, Despite
the music's modernist
surface, the Chant
symphonique's 'three
closely integrated
movements' correspond
rather neatly to a
traditional sonata-form
exposition, development
and recapitulation. There
is even an overall
tonality of sorts - D
major. But 'parts',
'moods', keys and
cadences are all
subjected in this unusual
work to tremendous
pressure and distortion,
so that we quickly begin
to suspect that something
other, different and more
mysterious, is really
going on here..
Recorder and Piano - Advanced SKU: FP.FDD02 Composed by David Dubery. She...(+)
Recorder and Piano -
Advanced
SKU:
FP.FDD02
Composed by
David Dubery. Sheet Music
and Books. An evocative
piece for treble recorder
or oboe and piano
inspired by two historic
Stockport landmarks.
Classical. Collection.
Forsyths Publications
#FDD02. Published by
Forsyths Publications
(FP.FDD02).
ISBN
9790570503834.
Vern
on Park,
Stockport’s oldest
park, was created on land
donated by Lord Vernon
(George John Warren). It
was built by poor mill
workers who called it
pinch-belly park and
opened on 20th September
1858. Comprising
twenty-one acres, it
houses a museum, a
bandstand, ornamental
fountains, a fernery,
rockery, borders and
sunken rose garden as
well terraced walkways
that overlook the river
and weir. The piece
depicts a solitary walker
engrossed in his own
thoughts on a
winter’s day, the
landscape, and the
park’s Victorian
past.
At the very
end of the piece a
reminder of the
park’s Victorian
origins can be detected
in a quote from
Elgar’s Salut
d’amour of 1899,
which may well have been
played by a band in the
bandstand. Stockport
market celebrated its
750th anniversary in
2010. It dated back to
September 1260 when a
Royal Charter allowed
Robert de Stokeport, the
Mayor, to hold a weekly
market within the
defensive walls of the
Norman Castle on the
present site of Castle
Yard.
The Glass
Umbrella was a popular
name given to the 1861
covered market built of
timber, glass and iron -
nine bays with open sides
and a glass canopy. In
1912, one bay was removed
to enable electric trams
and trolley buses to turn
a sharp
corner.
The piece
depicts a lively market
day, the multiculturalism
of the present day and
the old cries of pick and
pay without delay. The
bells of St Mary’s
Church are depicted by a
cascading peel tuned to
the ten bells of the
church tower, and a
fleeting reference to
John Wainwright’s
famous Christmas hymn
Christians Awake, and the
Westminster chimes
striking the hour from St
Mary’s, bring to
piece to a conclusion.
Separate parts are
provided for recorder and
oboe.
Moonlight Serenade Quatuor de Flûtes à bec - Facile De Haske Publications
Recorder Quartet - early intermediate SKU: BT.DHP-1084504-070 Composed by...(+)
Recorder Quartet - early
intermediate
SKU:
BT.DHP-1084504-070
Composed by Glenn Miller.
Arranged by Paul Van
Loey. De Haske Recorder
Series. Set (Score &
Parts). Composed 2008. 12
pages. De Haske
Publications #DHP
1084504-070. Published by
De Haske Publications
(BT.DHP-1084504-070).
ISBN 9789043130035.
9x12 inches.
English-German-French-Dut
ch.
Moonlight
Serenade was composed
in 1939, by Glenn Miller
in his typically American
big-band style. It was an
immediate success and it
even became the signature
tune of Glenn Miller. The
catchy melody has since
been used in various
films and television
series. It has been
performed in many styles,
from romantic to
swinging. The Flanders
Recorder Quartet likes to
play this work with a low
recorder consort: tenor,
F bass, C bass, great
bass (each instrument
then plays an octave
lower). This gives the
work a slightly
“close
harmony†feel. Of
course the more usual
line-up also does the
music
justice.
Moonli
ght Serenade is in
1939 gecomponeerd door
Glenn Miller in zijn
typisch Amerikaanse
Bigbandstijl. De
aanstekelijke melodie is
in verschillende films en
televisieseries gebruikt.
In Frankrijk is de song
populair gewordenonder de
titel Dansez maintenant
(1975) - in een
uitvoering van Dave. Het
Flanders Recorder Quartet
speelt dii werk graag in
laag blokfluitconsort:
tenor, F-bas, C-bas,
grootbas (elk instrument
speelt dan een octaaf
lager). Zo ontstaateen
lichte
close-harmonystijl. De
muziek komt in de
gebruikelijke bezetting
natuurlijk ook uitstekend
tot haar
recht.
Moonligh
t Serenade wurde 1939
von Glenn Miller in dem
ihm eigenen, typisch
amerikanischen
Big-Band-Stil komponiert.
Es wurde schon in vielen
Stilen - von romantisch
bis Swing -
interpretiert. Das
Flanders Recorder Quartet
aus Belgien, dessen
Mitglied und Arrangeur
Paul van Loey diese
Bearbeitung schrieb,
spielt das Stück gerne
mit einem tiefen
Blockflötenensemble:
Tenor-, F-Bass-, C-Bass-
und
Großbassblockflöte
(wobei jedes Instrument
eine Oktave tiefer
spielt). Dies verleiht
dem Werk eine Art Close
Harmony“-Gefühl.
Aber auch die übliche
Besetzung wird der Musik
vollkommen
gerecht.
Nel 1939, Glenn
Miller compose
Moonlight
Serenade, un brano
dal linguaggio sonoro
tipico dello stile big
band americano. Esistono
oggi numerose varianti
stilistiche di questo
brano. Il quartetto di
flauto dolce delle
Fiandre privilegia
suonarlo con strumenti
che si sviluppano nei
registri gravi: flauti
dolci tenori, basso in
Fa, basso in Do e un
grande basso. Il brano
rivela così una
struttura in close
harmony. E' anche
possibile eseguire il
brano con un ensemble
strutturato in maniera
più tradizionale.
Te Deum Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier Carus Verlag
Soli SATB, Coro SATB, 2 Pfte, Timp ad lib SKU: CA.2719046 Arrangement ...(+)
Soli SATB, Coro SATB, 2
Pfte, Timp ad lib
SKU:
CA.2719046
Arrangement for soli,
choir, 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Set of
Orchestra Parts. WAB 45.
Duration 25 minutes.
Carus Verlag #2719046.
Published by Carus Verlag
(CA.2719046).
ISBN
9790007310875.
Latin.
In the 19th
and early 20th centuries,
transcriptions of large
(choral) symphonic works
for two pianos were
extremely popular: They
enabled a large audience
to get to know classical
compositions in an age
before recorded music. In
many cases, world-famous
works were first
performed in such a
version â?? including
Brucknerâ??s Te Deum.
Unfortunately, only a few
bars of this
transcription have
survived.The
Stuttgart composer,
pianist and experienced
piano-duo performer
Sebastian Bartmann was
commissioned by the
Landesakademie für die
musizierende Jugend in
Baden-Württemberg
Ochsenhausen to newly
arrange Brucknerâ??s Te
Deum and the Mass in D
minor for soloists, choir
and two pianos. A timpani
part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.Today the Te
Deum is Brucknerâ??s
most frequently performed
vocal work. The greatest
challenges for any choir
are the high register and
the enormous
orchestration of this
extremely effective
piece: The singers are
often required to declaim
against a large orchestra
performing forte
fortissimo! This problem
is resolved in the
arrangement for two
pianos; moreover, the
scaling back of the sonic
forces helps reveal
compositional structures
that otherwise can all
too easily get lost in
the intoxicating
orchestral sound..
Score and parts available
separately - see item
CA.2719000.