SATB vocal soli, SATB/SATB choir, 4 trombones, 2 violins, viola, cello/contrabass, organ - Level 2

SKU: CA.4012414

Chorale. Composed by Felix Bartholdy Mendelssohn. Edited by Roe-Min Kok. This edition: urtext. Hymns by Martin Luther: Herr Gott, dich loben wir; Stuttgart Urtext Edition: Mendelssohn. German title: Herr Gott, Dich Loben Wir. Choral. Sacred vocal music, Praise and thanks. Single Part, Cello/Double Bass. Composed 1843. MWV A 20. 2 pages. Duration 8 minutes. Carus Verlag #CV 40.124/14. Published by Carus Verlag (CA.4012414).

ISBN 9790007217655. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

The German setting of the Te Deum was comissioned for the celebration of the 1000th aniversary of the German Reich in the Berlin cathedral. In the entirely homorhythmic choral arrangement, Mendelssohn seeks variety of sound through colorful harmonies and contrast between the different groups (choir, organ, brass and strings). Score and part available separately - see item CA.4012400.

Orchestra Soli SSATTB, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, double bass

SKU: CA.2730119

Composed by Franz Lachner. Requiem In F-Moll. Sacred vocal music, Requiem. Set of Orchestra Parts. Composed 1856. Op. 146. Duration 60 minutes. Carus Verlag #CV 27.301/19. Published by Carus Verlag (CA.2730119).

ISBN 9790007201333. Key: F minor. Language: Latin.

In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formal structure, to the similar treatment of individual sections, themes and motives. Score and parts available separately - see item CA.2730100.

Orchestra SSATTB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, double bass

SKU: CA.2730105

Composed by Franz Lachner. Requiem In F-Moll. Sacred vocal music, Requiem. Choral Score. Composed 1856. Op. 146. Duration 60 minutes. Carus Verlag #CV 27.301/05. Published by Carus Verlag (CA.2730105).

ISBN 9790007115210. Key: F minor. Language: Latin.

In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formal structure, to the similar treatment of individual sections, themes and motives. Score available separately - see item CA.2730100.

Orchestra SSATTB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, double bass

SKU: CA.2730100

Composed by Franz Lachner. This edition: Paperbound. Sacred vocal music, Requiem. German title: Requiem In F-Moll. Sacred vocal music, Requiem. Full score. Composed 1856. Op. 146. Duration 60 minutes. Carus Verlag #CV 27.301/00. Published by Carus Verlag (CA.2730100).

ISBN 9790007091149. Key: F minor. Language: Latin.

In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formal structure, to the similar treatment of individual sections, themes and motives.

Orchestra SSATTB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, double bass

SKU: CA.2730103

Composed by Franz Lachner. This edition: Paperbound. Requiem In F-Moll. Sacred vocal music, Requiem. Vocal score. Composed 1856. Op. 146. Duration 60 minutes. Carus Verlag #CV 27.301/03. Published by Carus Verlag (CA.2730103).

ISBN 9790007080853. Key: F minor. Language: Latin.

In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formal structure, to the similar treatment of individual sections, themes and motives. Score available separately - see item CA.2730100.

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, organ, [3 trombones] - Level 2

SKU: CA.4062313

Missa pastoralis in G. Composed by Wolfgang Amadeus Mozart. Arranged by Willi Schulze. This edition: urtext. Stuttgart Urtext Edition: Mozart. Missa Pastoralis In G Kv 140 Rev.2001. Innovative practice aids, Sacred vocal music, Masses, Latin, Missa brevis in Latin. Single Part, Cello/Double Bass. Composed circa 1773. KV 140 (235d). 12 pages. Duration 17 minutes. Carus Verlag #CV 40.623/13. Published by Carus Verlag (CA.4062313).

ISBN 9790007084400. Key: G major. Language: Latin.

The G major mass of Mozart followed a very special type of mass pattern, namely, that of the Missa pastoralis. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. This work is now available in carus music, the choir app! Score and part available separately - see item CA.4062300.

SATB choir, 2 trumpets, 2 trombones, 2 violins, viola, cello, contrabass, organ - Level 4

SKU: CA.7007215

Aus: Biblische Lieder. Composed by Antonin Dvorak. Arranged by Jarmil Burghauser. German title: Herr, Mein Gott, Erhor Gnadig Mein Flehn. Sacred vocal music, Psalms, German. Single Part, Double Bass. Op. 99, No. 3. 2 pages. Duration 3 minutes. Carus Verlag #CV 70.072/15. Published by Carus Verlag (CA.7007215).

ISBN 9790007082864. Language: Czech/German.

Score available separately - see item CA.7007200.

SATB choir, 2 trumpets, 2 trombones, 2 violins, viola, cello, contrabass, organ - Level 2

SKU: CA.7007415

Aus: Biblische Lieder. Composed by Antonin Dvorak. German title: Gott, Ich Sing Dir Neue Lieder. Sacred vocal music, Psalms, German, Praise and thanks, Psalms. Single Part, Double Bass. Composed 1894. Op. 99,5. 2 pages. Duration 2 minutes. Carus Verlag #CV 70.074/15. Published by Carus Verlag (CA.7007415).

ISBN 9790007083021. Key: A flat major. Language: Czech/German.

Score available separately - see item CA.7007400.

SATB choir, 2 trumpets, 2 trombones, timpani, 2 violins, viola, cello, contrabass, organ - Level 4

SKU: CA.7007715

Aus: Biblische Lieder. Composed by Antonin Dvorak. Arranged by Jarmil Burghauser. German title: Singet dem Herrn ein neues Lied. Sacred vocal music, Psalms, German, Easter and Eastertide, Praise and thanks. Single Part, Double Bass. Op. 99, No. 10. 2 pages. Duration 2 minutes. Carus Verlag #CV 70.077/15. Published by Carus Verlag (CA.7007715).

ISBN 9790007083250. Language: Czech/German.

Score available separately - see item CA.7007700.

SATB Favorit-Chor (Antiphonal/Chamber Choir), 2 Violins, 3 Trombones, Contrabass, Organ, [SATB/SATB Capell-Chor], 8 Instruments - Level 3

SKU: CA.2046816

Sacred concert. Composed by Heinrich Schutz. Edited by Gunter Graulich. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Schutz. German title: Uppsala-Magnificat (Lat./Dt.). Sacred concertos, Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, Double Bass. Composed circa 1665 (terminus ante quem). SWV 468. 4 pages. Duration 13 minutes. Carus Verlag #CV 20.468/16. Published by Carus Verlag (CA.2046816).

ISBN 9790007196578. Key: G mixolydian. Language: Latin/German.

Score available separately - see item CA.2046800.

SSAATTBB choir, 2 horns, 3 trombones, 6 trumpets, timpani, 2 violins, 3 violas, violin, organ, theorbe

SKU: CA.4067916

A 26 in concerto. Composed by Heinrich Ignaz Franz von Biber. Edited by Werner Jaksch. Sacred Music from Salzburg. Missa Alleluja A 26 In Concerto. Sacred vocal music, Masses, Latin. Single Part, Double Bass. 8 pages. Duration 30 minutes. Carus Verlag #CV 40.679/16. Published by Carus Verlag (CA.4067916).

ISBN 9790007076610. Language: Latin.

This first edition of a mass by Biber offers a new glimpse of the colourful and contrastful world of the Baroque. Since the publication of his Missa Salisburgensis in 1903, no mass with this kind of many-voice scoring has appeared in print. This edition not only enriches the multi-choir repertoire, but also is an important contribution to study of an Austrian composer, who has long been known chiefly for his violin compositions. Score and part available separately - see item CA.4067900.

SATB choir, 2 trumpets, 2 trombones, 2 violins, viola, cello, contrabass, organ - Level 3

SKU: CA.7007615

Aus: Biblische Lieder. Composed by Antonin Dvorak. Arranged by Jarmil Burghauser. German title: Die Blicke richte auf mich. Sacred vocal music, Psalms, German. Single Part, Double Bass. Composed 1894. Op. 99, No. 8. 2 pages. Duration 2 minutes. Carus Verlag #CV 70.076/15. Published by Carus Verlag (CA.7007615).

ISBN 9790007083175. Key: D flat major. Language: Czech/German.

Score available separately - see item CA.7007600.

Concert Band/Harmonie/Fanfare Band/Brass Band and opt. Choir - Grade 2

SKU: BT.DHP-1033337-170

Composed by Jacob De Haan. Musica Sacra. Hymns and Chorals. Score Only. Composed 2003. 28 pages. De Haske Publications #DHP 1033337-170. Published by De Haske Publications (BT.DHP-1033337-170).

A4 (210X297) inches.

Missa Brevis is a major work for choir and brass band for performance in church or in the concert hall. For this mass, there are many performance possibilities depending on the musicians available. In addition to the standard orchestration ofchoir and band a brass quartet can also play the choral parts. For this it is desirable for the brass quartet to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is heard. It is alsopossible to perform the work with brass band and organ. A truly flexible religious masterpiece. Choral parts available separately.

Mis sa Brevis, geschreven voor koor en blaasorkest, werd gecomponeerd in opdracht van de Conseil Départemental pour la Musique et la Culture de Haute-Alsace (dir. Philippe Pfisterer) in Guebwiller (Frankrijk), ter gelegenheid van het duizendstegeboortejaar van paus Leo IX. In zijn geboorteplaats, Éguisheim (Elzas, Frankrijk), vond op 23 juni 2002 de première van deze mis plaats onder leiding van de componist. Het betrof een live-registratie voor de Franse televisiezender France 2. Demisdelen Kyrie, Gloria, Credo, Sanctus, Benedictus en Agnus Dei lenen zich uitstekend voor zowel de katholieke als de protestantse liturgie. Er zijn voor deze mis diverse uitvoeringsmogelijkheden mogelijk, aangezien er sprake is van eenvariabele bezetting. Een instrumentale uitvoering behoort uitdrukkelijk tot de mogelijkheden, indien het scherp koper de koorpartijen vertegenwoordigt. In deze optie is het wenselijk dat het scherp koper zich separaat opstelt van de rest van hetorkest (bijvoorbeeld op een galerij), zodat het idee van dubbelkorigheid wordt benaderd. Bij een uitvoering voor groot koor werkt het scherp koper zeer goed als ondersteuning. In dat geval kan de dynamiek van het koper iets worden aangepast,aangezien deze in eerste instantie bedoeld is voor een instrumentale versie. Ook kan men ervoor kiezen het scherp koper helemaal weg te laten ten gunste van het koor. Bij begeleiding van kleinere koren kan men kiezen voor een klein ensemble uit hetorkest. Dit kan ook een naar wens samengesteld kwartet zijn. Voor de uitvoering van deze mis ligt het voor de hand een van deze opties te kiezen. Als alternatief is echter ook een uitvoering mogelijk met een combinatie van deze opties (vocaal/instrumentaal) - niet slechts vanuit een artistiek motief (afwisseling), maar ook vanuit een praktisch motief, voor het geval dat het koor bijvoorbeeld slechts twee delen heeft ingestudeerd. Bij een volledige bezetting kan de dirigent deinstrumentatie naar believen afwisselen. Hierbij kan ook het scherp koper in de begeleiding een rol krijgen (in plaats van ondersteuning van het koor). Zo zijn de volgende combinaties mogelijk:

1. clarinet choir (van Es-klarinet tot basklarinet)

2. clarinet choir saxofoons

3. zacht koper (bugels, hoorns, euphoniums, bassen)

4. scherp koper (2 trompetten / 2 trombones)

5. dubbelrieten (eventueel fluit, eventueel contrabas)

6. tutti

7. alle hout

8. alle koper

In een uitvoering voor brassband en koor is het in de meeste gevallen aan te bevelen de optie voor scherp koper weg te laten. Het koor zingt zelfstandig, begeleid door een volledige brassband. In een instrumentale uitvoering kunt u denken aan eencombinatiekwartet (twee cornetten en twee trombones) brassband.Koorpartijen apart verkrijgbaar.

M issa Brevis, eine Messe für Brass Band und Chor ad libitum, kann in diversen variablen Spielstärken aufgeführt werden. Zahlreiche mögliche Instrumentenkombinationen diverse mögliche Kombinationen mit großen oder kleineren Chören, lassen eineVielzahl von verschiedenen Aufführungen dieser Messe zu. So kann z. B. ein Blechbläserquartet t, von der Kirchenempore herab spielend, die Chorpartien übernehmen. Darüber hinaus ergeben sich durch die Orgelbegleitung weitere Aufführungsvariant en. EineAufstellung der Wahlmöglichkeiten wird vom Komponisten mitgeliefert. Die wunderschöne Musik aus der Feder von Jacob de Haan garantiert in jedem Fall einen gelungenen Auftritt!Chorstimmen separat erhältlich.

Missa Brevis est une messe pour Orchestre d’Harmonie et Choeur composée la demande du Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir. : Philippe Pfisterer) de Guebwiller en France, l’occasion des célébration s dumillénaire de la naissance du Pape Léon IX Éguisheim. La création mondiale a eu lieu le 23 juin 2002 sous la direction du compositeur, et a été diffusée en direct sur la chaîne de télévision nationale France 2. Les différentes parties de cettemesse (Kyrie, Gloria, Credo, Sanctus, Benedictus et Agnus Dei) conviennent autant la liturgie catholique qu’ la liturgie protestante. Missa Brevis peut être interprétée dans différentes combinaisons instrumentales. Ellepeut être jouée dans une version purement instrumentale, où les cuivres prennent en charge la partie vocale. En tel cas, il est conseillé de placer les cuivres l’é cart de la formation (sur une estrade, par exemple) de façon reproduire l’idà©e dedeux groupes indépendants. Dans le cadre d’une interprétation avec un grand Choeur, les cuivres jouent un rôle de soutien. Leurs nuances doivent alors être adaptées dans la mesure où elles ont été écrites, l’origine, pour une version instrumentale.Il est également possible de ne pas faire intervenir les cuivres et de privilégier le Choeur. Pour accompagner de petits ensembles vocaux, il faut opter pour une formation instrumentale réduite voire même un Quatuor (instrumentation au choix). Pourl’inte rprétation de cette messe l’un des choix proposés ci-dessus s’impose. Il existe néanmoins une alternative qui consiste interpréter cette oeuvre en combinant ces options (vocales / instrumentales). Cela peut être bénéfique tant d’un point devue artistique (variante) que pratique dans le cas où le Choeur n’a travaillé que deux mouvements de la messe. Si le chef dispose de deux formations complètes (Choeur et Orchestre d’Harmonie ), il peut varier l’instrume ntation selon ses préférences . ce moment-l , il peut confier un rôle d’accompag nement et non de soutien aux cuivres de sa formation. Les combinaisons suivantes peuvent être formées :

1. Choeur de Clarinettes (de la Clarinette Mib la Clarinette Basse)

2. Choeur de Clarinettes Saxophones

3. Cuivres (Bugles, Cors, Barytons / Euphoniums, Basses)

4. Cuivres (2 Trompettes / 2 Trombones)

5. Instruments anches doubles (Fl te et Contrebasse cordes optionnelles)

6. Tutti

7. Tous les Bois

8. Tous les Cuivres

Dans le cadre d’une interprétation par un Brass Band accompagné d’un Choeur, il est préférable de supprimer l’option 1 (Choeur Cuivres Orchestre d’Harmonie ) car le Choeur étant autonome. Dans une version instrumentale pour Cuivres, il estpossible de former la combinaison suivante : Quatuor (2 Cornets / 2 Trombones) et Brass Band.Partitions pour chœur disponibles séparément.

Parti per coro disponibili a parte.

Concert band (Flute 1/Piccolo, Flute 2, Oboe, Eb Clarinet, Solo Bb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon 1/2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Cornet 1, Bb Cornet 2, Horn in F 1/2, Trombone 1/2, Bass) - grade 5

SKU: CN.R10299

Composed by Johann Sebastian Bach. Edited by Michael Brand. Score and parts. Duration 5:10. Published by G & M Brand Music Publishers (CN.R10299).

Holst's masterful military band orchestration of J.S. Bach's Organ Fugue in G Major BWV 577. Michael Brand's new edition expands/doubles some of Holst's original parts to make the piece playable by today's modern concert band.

When Holst was commissioned to write 'Hammersmith' for the BBC Wireless Military Band in 1928 he felt rather out of practice in orchestrating for the medium. For some years he had had the idea of arranging some Bach fugues for brass and military band so he set himself the task of scoring the Organ Fugue in G Major BWV 577 (from Preludes, Fugues and Fantasias). He, rather than Bach, called it 'Fugue a la Gigue.' The piece made an ideal exercise and Holst's brilliant dovetailing of the counterpoint between different instruments shows his mastery. The piece is technically demanding and the characteristic unison clarinet writing suggests the orchestral conception of a large wind ensemble rather than a band. It was this conception which the composer carried forward into 'Hammersmith.' 'Fugue a la Gigue' was published for military band in 1928 by Boosey & Hawkes and shortly afterwards for orchestra, but with only short scores, as was customary at the time. This edition has the full score of Holst's original orchestration with optional added parts for full concert band.

Edited by Dylan Canterbury. Arranged by Duke Pearson. Jazz, Swing. Score and parts. Published by Jazz Lines Publications (JL.JLP-7330).

SSATB vocal soli, SSATB choir, 2 clarinos, 3 trumpets, 3 trombones, timpani, 2 violins, 3 violas, basso continuo (cello/bassoon/contrabass , organ)

SKU: CA.4067649

Composed by Heinrich Ignaz Franz von Biber. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Missa Sti Henrici. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1696. 24 pages. Carus Verlag #CV 40.676/49. Published by Carus Verlag (CA.4067649).

ISBN 9790007220167. Text language: Latin.

The Missa Sancti Henrici is a work of Biber's later years. It is one of his largest and most mature pieces of church music. With the skillful alternation of the stile antico and the stile moderno, as well as the contrast between Solo and Tutti, Biber attained a structure within the individual movements rich in variety. In its original architectural conception, Salzburg Cathedral had four galleries, each with its own organ, on the piers supporting the dome at the crossing. This conception created the spatial prerequisite for double- and polychoral performance tradition on the Venetian model. Biber's magnificent sacred music brought this tradition to a point of culmination in a ,,colossal style that was unique in transalpine Europe. Score and part available separately - see item CA.4067600.

SSATB vocal soli, SSATB choir, 2 clarinos/trumpets, 3 trumpets, 3 trombones, timpani, 2 violins, 3 viola, basso continuo (cello/bassoon/contrabass , organ)

SKU: CA.4067613

Composed by Heinrich Ignaz Franz von Biber. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Missa Sti Henrici. Sacred vocal music, Masses, Latin. Single Part, Viola 1. Composed 1696. 8 pages. Carus Verlag #CV 40.676/13. Published by Carus Verlag (CA.4067613).

ISBN 9790007220112. Language: Latin.

The Missa Sancti Henrici is a work of Biber's later years. It is one of his largest and most mature pieces of church music. With the skillful alternation of the stile antico and the stile moderno, as well as the contrast between Solo and Tutti, Biber attained a structure within the individual movements rich in variety. In its original architectural conception, Salzburg Cathedral had four galleries, each with its own organ, on the piers supporting the dome at the crossing. This conception created the spatial prerequisite for double- and polychoral performance tradition on the Venetian model. Biber's magnificent sacred music brought this tradition to a point of culmination in a ,,colossal style that was unique in transalpine Europe. Score and part available separately - see item CA.4067600.

SSATB vocal soli, SSATB choir, 2 clarinos/trumpets, 3 trumpets, 3 trombones, timpani, 2 violins, 3 viola, basso continuo (cello/bassoon/contrabass , organ)

SKU: CA.4067611

Composed by Heinrich Ignaz Franz von Biber. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Missa Sti Henrici. Sacred vocal music, Masses, Latin. Single Part, Violin 1. Composed 1696. 12 pages. Carus Verlag #CV 40.676/11. Published by Carus Verlag (CA.4067611).

ISBN 9790007220099. Language: Latin.

The Missa Sancti Henrici is a work of Biber's later years. It is one of his largest and most mature pieces of church music. With the skillful alternation of the stile antico and the stile moderno, as well as the contrast between Solo and Tutti, Biber attained a structure within the individual movements rich in variety. In its original architectural conception, Salzburg Cathedral had four galleries, each with its own organ, on the piers supporting the dome at the crossing. This conception created the spatial prerequisite for double- and polychoral performance tradition on the Venetian model. Biber's magnificent sacred music brought this tradition to a point of culmination in a ,,colossal style that was unique in transalpine Europe. Score and part available separately - see item CA.4067600.

SSATB vocal soli, SSATB choir, 2 clarinos/trumpets, 3 trumpets, 3 trombones, timpani, 2 violins, 3 viola, basso continuo (cello/bassoon/contrabass , organ)

SKU: CA.4067609

Composed by Heinrich Ignaz Franz von Biber. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Missa Sti Henrici. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1696. 48 pages. Carus Verlag #CV 40.676/09. Published by Carus Verlag (CA.4067609).

ISBN 9790007220082. Language: Latin.

The Missa Sancti Henrici is a work of Biber's later years. It is one of his largest and most mature pieces of church music. With the skillful alternation of the stile antico and the stile moderno, as well as the contrast between Solo and Tutti, Biber attained a structure within the individual movements rich in variety. In its original architectural conception, Salzburg Cathedral had four galleries, each with its own organ, on the piers supporting the dome at the crossing. This conception created the spatial prerequisite for double- and polychoral performance tradition on the Venetian model. Biber's magnificent sacred music brought this tradition to a point of culmination in a ,,colossal style that was unique in transalpine Europe. Score and parts available separately - see item CA.4067600.

SSATB vocal soli, SSATB choir, 2 clarinos/trumpets, 3 trumpets, 3 trombones, timpani, 2 violins, 3 viola, basso continuo (cello/bassoon/contrabass , organ)

SKU: CA.4067612

Composed by Heinrich Ignaz Franz von Biber. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Missa Sti Henrici. Sacred vocal music, Masses, Latin. Single Part, Violin 2. Composed 1696. 12 pages. Carus Verlag #CV 40.676/12. Published by Carus Verlag (CA.4067612).

ISBN 9790007220105. Language: Latin.

The Missa Sancti Henrici is a work of Biber's later years. It is one of his largest and most mature pieces of church music. With the skillful alternation of the stile antico and the stile moderno, as well as the contrast between Solo and Tutti, Biber attained a structure within the individual movements rich in variety. In its original architectural conception, Salzburg Cathedral had four galleries, each with its own organ, on the piers supporting the dome at the crossing. This conception created the spatial prerequisite for double- and polychoral performance tradition on the Venetian model. Biber's magnificent sacred music brought this tradition to a point of culmination in a ,,colossal style that was unique in transalpine Europe. Score and part available separately - see item CA.4067600.

SSATB vocal soli, SSATB choir, 2 clarinos/trumpets, 3 trumpets, 3 trombones, timpani, 2 violins, 3 viola, basso continuo (cello/bassoon/contrabass , organ)

SKU: CA.4067615

Composed by Heinrich Ignaz Franz von Biber. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Missa Sti Henrici. Sacred vocal music, Masses, Latin. Single Part, Viola 3. Composed 1696. 16 pages. Carus Verlag #CV 40.676/15. Published by Carus Verlag (CA.4067615).

ISBN 9790007220136. Language: Latin.

The Missa Sancti Henrici is a work of Biber's later years. It is one of his largest and most mature pieces of church music. With the skillful alternation of the stile antico and the stile moderno, as well as the contrast between Solo and Tutti, Biber attained a structure within the individual movements rich in variety. In its original architectural conception, Salzburg Cathedral had four galleries, each with its own organ, on the piers supporting the dome at the crossing. This conception created the spatial prerequisite for double- and polychoral performance tradition on the Venetian model. Biber's magnificent sacred music brought this tradition to a point of culmination in a ,,colossal style that was unique in transalpine Europe. Score and part available separately - see item CA.4067600.

SSATB vocal soli, SSATB choir, 2 clarinets/trumpets, 3 trumpets, 3 trombones, timpani, 2 violins, 3 viola, basso continuo (cello/bassoon/contrabass , organ)

SKU: CA.4067619

Composed by Heinrich Ignaz Franz von Biber. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Missa Sti Henrici. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1696. Carus Verlag #CV 40.676/19. Published by Carus Verlag (CA.4067619).

ISBN 9790007220150. Language: Latin.

The Missa Sancti Henrici is a work of Biber's later years. It is one of his largest and most mature pieces of church music. With the skillful alternation of the stile antico and the stile moderno, as well as the contrast between Solo and Tutti, Biber attained a structure within the individual movements rich in variety. In its original architectural conception, Salzburg Cathedral had four galleries, each with its own organ, on the piers supporting the dome at the crossing. This conception created the spatial prerequisite for double- and polychoral performance tradition on the Venetian model. Biber's magnificent sacred music brought this tradition to a point of culmination in a ,,colossal style that was unique in transalpine Europe. Score and parts available separately - see item CA.4067600.

SSATB vocal soli, SSATB choir, 2 clarinos/trumpets, 3 trumpets, 3 trombones, timpani, 2 violins, 3 viola, basso continuo (cello/bassoon/contrabass , organ)

SKU: CA.4067614

Composed by Heinrich Ignaz Franz von Biber. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Missa Sti Henrici. Sacred vocal music, Masses, Latin. Single Part, Viola 2. Composed 1696. 8 pages. Carus Verlag #CV 40.676/14. Published by Carus Verlag (CA.4067614).

ISBN 9790007220129. Language: Latin.

The Missa Sancti Henrici is a work of Biber's later years. It is one of his largest and most mature pieces of church music. With the skillful alternation of the stile antico and the stile moderno, as well as the contrast between Solo and Tutti, Biber attained a structure within the individual movements rich in variety. In its original architectural conception, Salzburg Cathedral had four galleries, each with its own organ, on the piers supporting the dome at the crossing. This conception created the spatial prerequisite for double- and polychoral performance tradition on the Venetian model. Biber's magnificent sacred music brought this tradition to a point of culmination in a ,,colossal style that was unique in transalpine Europe. Score and part available separately - see item CA.4067600.

Orchestra voices SATB/SATB, 3 Fl, 2 oboes, Eh, 2 clarinets, basso continuolt, 4 bassoons, 4 horns, 3 trumpets, 4 trombones, timpani, cassa, 2 violins, viola, cello, contrabassoon

SKU: CA.2719409

Composed by Giuseppe Verdi. Edited by Michele Girardi. 1x 27.194/21 flute 1, 1x 27.194/22 flute 2, 1x 27.194/23 flute 3, 1x 27.194/24 oboe 1, 1x 27.194/25 oboe 2, 1x 27.194/26 English horn, 1x 27.194/27 clarinet 1, 1x 27.194/28 clarinet 2, 1x 27.194/29 clarinet 3, 1x 27.194/31 bassoon 1, 1x 27.194/32 bassoon . Harmony parts. Sacred vocal music, Praise and thanks. Set of Orchestra Parts. Composed 1895/96. Carus Verlag #CV 27.194/09. Published by Carus Verlag (CA.2719409).

ISBN 9790007200879. Language: Latin.

Giuseppe Verdi's Te Deum for double choir and large orchestra is the most frequently performed work of his Quattro pezzi sacri; composed in 1895/96, the Te Deum was his next to last work. Verdi came to terms intensively and in a very personal manner with the text of the Ambrosian hymn of praise. In a compact formal structure a broad range of styles unfolds, from the monodic beginning in Gregorian chant via large dramatic effects to the soft, doubtful dying away of the conclusion. The work is now published for the first time in a critical edition. Also available in the series Choir & organ. Score and parts available separately - see item CA.2719400.

Orchestra voices SATB/SATB, 3 Fl, 2 oboes, Eh, 2 clarinets, basso continuolt, 4 bassoons, 4 horns, 3 trumpets, 4 trombones, timpani, cassa, 2 violins, viola, cello, contrabassoon

SKU: CA.2719413

Composed by Giuseppe Verdi. Edited by Michele Girardi. Viola. Sacred vocal music, Praise and thanks. Single Part, Viola. Composed 1895/96. 4 pages. Carus Verlag #CV 27.194/13. Published by Carus Verlag (CA.2719413).

ISBN 9790007200909. Language: Latin.

Giuseppe Verdi's Te Deum for double choir and large orchestra is the most frequently performed work of his Quattro pezzi sacri; composed in 1895/96, the Te Deum was his next to last work. Verdi came to terms intensively and in a very personal manner with the text of the Ambrosian hymn of praise. In a compact formal structure a broad range of styles unfolds, from the monodic beginning in Gregorian chant via large dramatic effects to the soft, doubtful dying away of the conclusion. The work is now published for the first time in a critical edition. Also available in the series Choir & organ. Score and part available separately - see item CA.2719400.

Orchestra voices SATB/SATB, 3 Fl, 2 oboes, Eh, 2 clarinets, basso continuolt, 4 bassoons, 4 horns, 3 trumpets, 4 trombones, timpani, cassa, 2 violins, viola, cello, contrabassoon

SKU: CA.2719419

Composed by Giuseppe Verdi. Edited by Michele Girardi. Complete orchestral parts. Sacred vocal music, Praise and thanks. Set of Orchestra Parts. Composed 1895/96. Carus Verlag #CV 27.194/19. Published by Carus Verlag (CA.2719419).

ISBN 9790007137144. Language: Latin.

Giuseppe Verdi's Te Deum for double choir and large orchestra is the most frequently performed work of his Quattro pezzi sacri; composed in 1895/96, the Te Deum was his next to last work. Verdi came to terms intensively and in a very personal manner with the text of the Ambrosian hymn of praise. In a compact formal structure a broad range of styles unfolds, from the monodic beginning in Gregorian chant via large dramatic effects to the soft, doubtful dying away of the conclusion. The work is now published for the first time in a critical edition. Also available in the series Choir & organ. Score and parts available separately - see item CA.2719400.

(Rhapsody for Orchestra). Composed by Leos Janacek (1854-1928). Edited by Jan Hanus; Jarmil Burghauser. For orchestra (tenor voice (choral) / 3 flutes (flute III doubles on piccolo)/2 oboes english horn/2 clarinets Eb clarinet/3 bassoons (bassoon III doubles on contrabassoon)/4 horns/3 trumpets/3 trombones/timpani/triangl e/snare drum/bells/cymbal/harp/or gan/strings). This edition: Urtext edition. Paperback. Study score. Published by Baerenreiter Verlag