Méthode de violon. Composed by Wim Meuris. Speel viool! Method. Book with Onl...(+)
Méthode de violon.
Composed by
Wim Meuris. Speel viool!
Method. Book with Online
Audio. Composed 2022. 60
pages. De Haske
Publications
#DHP 1104949-404.
Published by
De Haske Publications
Violin - Grade 3 SKU: RM.BOUT04726 Composed by Roger Boutry. Violon. Inst...(+)
Violin - Grade 3
SKU:
RM.BOUT04726
Composed
by Roger Boutry. Violon.
Instrumental music.
Duration 10 minutes.
Editions Robert Martin
#BOUT04726. Published by
Editions Robert Martin
(RM.BOUT04726).
Violin SKU: RM.RUBIN6478 Composed by Dominique Lemaitre. Violon. Instrume...(+)
Violin
SKU:
RM.RUBIN6478
Composed
by Dominique Lemaitre.
Violon. Instrumental
music. Duration 12
minutes. Editions Robert
Martin #RUBIN6478.
Published by Editions
Robert Martin
(RM.RUBIN6478).
(Rome, 1700). By Arcangelo Corelli (1653-1713). Edited by Nicolas Fromageot. Vio...(+)
(Rome, 1700). By
Arcangelo Corelli
(1653-1713). Edited by
Nicolas Fromageot. Violon
et basse continue. For
Violin. Facsimiles.
Collection Dominantes.
Grade 0. 228 pages
Violin SKU: HL.48180532 For Violon and Piano. Composed by Laszlo L...(+)
Violin
SKU:
HL.48180532
For
Violon and Piano.
Composed by Laszlo
Lajtha. Leduc. Classical.
Softcover. 18 pages.
Alphonse Leduc #AL18053.
Published by Alphonse
Leduc (HL.48180532).
Violin and Orchestra SKU: HL.50499086 Concerto Pour Violon Et Orchestr...(+)
Violin and Orchestra
SKU: HL.50499086
Concerto Pour Violon
Et Orchestre -
Partitura. Composed
by Malec I. MGB. Solo &
Concerto. Score Only.
Composed 2008. Ricordi
#NR137274. Published by
Ricordi (HL.50499086).
Violin (Violin) SKU: HL.50571446 Pour Violon. Composed by Henri Wi...(+)
Violin (Violin)
SKU:
HL.50571446
Pour
Violon. Composed by
Henri Wieniawski.
Editions Durand. Score
Only. Composed 2001.
Editions Durand #DC9962.
Published by Editions
Durand (HL.50571446).
Violin and Piano (Violin/Piano) SKU: HL.50571793 Transcription pour vi...(+)
Violin and Piano
(Violin/Piano)
SKU:
HL.50571793
Transcription pour
violon et piano.
Composed by Claude
Debussy. Editions Durand.
Ballet. Score Only.
Composed 2001. Editions
Durand #DD7522. Published
by Editions Durand
(HL.50571793).
String Quartet SKU: HL.50496878 Pour 2 violons, alto, violoncelle....(+)
String Quartet
SKU:
HL.50496878
Pour 2
violons, alto,
violoncelle. Composed
by Jean Cras. MGB. Set of
Parts. Composed 2002.
Editions Salabert
#SLB4874. Published by
Editions Salabert
(HL.50496878).
Violin - Concerto Orchestre, Violon SATB, Orchestre Editorial de Musica Boileau
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumen...(+)
Violin and orchestra
SKU: BO.B.3340
Composed by Jordi
Cervello. Instrumental
Sets. Duration 29:00.
Published by Editorial de
Musica Boileau
(BO.B.3340).
ISBN
9788480207591.
Engl
ish comments: My
dedication to the string
instruments has been a
constant throughout my
compositional career and
I knew that sooner or
later the time would come
to compose a concerto for
violin and orchestra.
That moment came in the
autumn of 2002 and after
ten months of
uninterrupted work I
finished it in August of
2003. It is a work
structured similarly to
the traditional
concertos. An important
impetus for the
elaboration of my
concerto was due to the
ill-fated violinist
Ginette Neveu. Her
version of Sibelius'
Concerto has always
stayed with me. For this
reason the first
movement,
Moderato-Allegro, begins
with a contemplative
atmosphere similar to
that of Sibelius'
Concerto in which the
principal thematic ideas
appear tentatively. These
ideas, two rhythmic and
two melodic, are
reaffirmed through a
broad development that
culminates in an
orchestral fullness. A
calm, mysterious passage
recalls the introduction
and after becoming
blurred, three bars burst
in leading to the rapid
section of the movement.
Soloist and orchestra
engage in a dialectic
struggle of a dramatic
nature. The agitation
subsides leaving only a
tranquil and suggestive
clarinet phrase. This
will be taken up by the
soloist who leads up to
the movement's most
dramatic moment playing
an accelerating triplet
figure supported by an
orchestral pedal in
crescendo. From here the
soloist's cadenza emerges
beginning with soft
double notes. It finishes
with an ascending
progression and the
soloist settles into the
high register to elicit
the orchestra's
intervention in a soft
and transfigured
atmosphere. Once
internalised the second
movement, Adagio poco
sostenuto e leggero
begins. It has a solemn
character and opens with
two trumpet calls
answered by the
violoncellos and the
contrabasses. The violin
soloist introduces and
plays two nostalgic
themes, the first in the
low register and the
second, more extensive,
in the middle register.
The soft and delicate
Misterioso e leggero
begins with the violin
singing on high. The
rhythm of the constant
quaver figures gradually
accelerates until the
soloist provokes a
dramatic full orchestra
as in a cadenza. Once
again, the Calmo, in
which the soloist with
less and less orchestral
attire serenely bids
farewell. A rising series
of double stops by the
soloist serves to
initiate the
Finale-Scherzo. In 6/8
rhythm and with the
character of a rondo it
carries us along in a
carefree, virtuosic
ambiance. The principal
motives, brief and
concise, emerge from the
happy, playful theme
presented by the soloist.
With an intricate
progression of rapid
sixths in double stops it
reaches a tense and
somewhat combative
moment. However this
resolves itself in a
diminuendo that the
soloist peacefully takes
up with the notes re-la
to commence the cadenza.
This culminates in a
series of tied notes to
reintroduce the principal
theme. A moment of
melodic suspension serves
as a farewell before the
brief and jovial final
coda. --The
author
Comentari
os del Espanol: A lo
largo de mi carrera
compositiva mi dedicacion
a los instrumentos de
cuerda ha sido constante
y sabia que, tarde o
temprano, llegaria el
momento de componer un
concierto para violin y
orquesta. Este llego en
otono de 2002 y, tras
diez meses de trabajo
ininterrumpido, lo
termine en agosto de
2003. Se trata de una
obra estructurada de
manera similar a los
conciertos tradicionales.
Un importante impulso a
la elaboracion de mi
concierto lo debo al
recuerdo de la malograda
violinista Ginette Neveu.
Su version del concierto
de Sibelius ha
permanecido siempre
dentro de mi. Por ese
motivo, el primer
movimiento
Moderato-Allegro se
inicia con una atmosfera
contemplativa cercana a
la del mencionado
Concierto, en la que
aparecen cautamente las
principales ideas
tematicas. Con un amplio
desarrollo se llega a un
lleno orquestal en el que
estas ideas -dos ritmicas
y dos melodicas- quedan
reafirmadas. Un pasaje
calmo y misterioso
rememora la introduccion.
Tras desdibujarse,
irrumpen tres compases
que nos llevan a la parte
rapida del movimiento.
Solista y orquesta
establecen un combate
dialectico de caracter
dramatico. La inquietud
desaparece hasta una
tranquila e insinuante
frase del clarinete. Esta
sera recogida por el
solista, quien, a base de
una figuracion de
tresillos cada vez mas
rapidos apoyada por un
pedal de la orquesta in
crescendo, conduce hacia
el momento mas dramatico
del movimiento. De aqui
nace la cadenza del
solista, que se incia con
suaves notas dobles.
Finaliza con una
progresion ascendente y
el solista se coloca en
el registro agudo para
llamar la intervencion de
la orquesta dentro de una
atmosfera suave y
transfigurada.
Interiorizado es el
segundo movimiento Adagio
poco sostenuto e leggero.
Con dos llamadas de las
trompas respondidas por
los violonchelos y
contrabajos inicia el
Adagio de caracter grave.
El violin solista
introduce y canta dos
temas nostalgicos. El
primero en el registro
grave y el segundo, mas
amplio, en el medio.
Inicia el Misterioso e
leggero, de caracter
suave y delicado. Con el
violin cantando en agudo.
La constante figuracion
de corcheas acelerara
poco a poco el ritmo
hasta que el solista a
modo de cadenza provocara
un dramatico lleno
orquestal. De nuevo el
Calmo, donde el solista,
cada vez con menos ropaje
orquestal, se despide
serenamente. Una subida
de dobles cuerdas a cargo
del solista sirve para
iniciar el
Finale-Scherzo. Este, en
ritmo de 6/8 y con
caracter de rondo, nos
transporta en un clima
virtuosistico y
despreocupado. Del tema
alegre y jugueton
presentado por el solista
nacen los principales
motivos, breves y
concisos. Con una
intrincada sucesion de
rapidas sextas en doble
cuerda se llega a un
momento crispado y algo
combativo que, sin
embargo, se resolvera en
un diminuendo que el
solista recoge
apaciblemente con las
notas re-la para inciar
la cadenza. Esta culmina
con un suave rosario de
notas en ligado para
introducir de nuevo el
tema principal. Un
momento de suspension
melodica sirve como
despido antes de la breve
y jovial coda final. La
obra fue estrenada el 23
de septiembre de 2005 en
el Teatre Monumental de
Madrid por la Orquesta
Sinfonica de RTVE con
Markus Placci de solista
y Uwe Mund de director.
Gravacion: RNE y Canal
Clasico de TVE. --El
Autor.
Composed
by Antonio Vivaldi.
Edited by Bettina
Schwemer. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Score. RV 531.
Baerenreiter Verlag
#BA10946_00. Published by
Baerenreiter Verlag
(BA.BA10946).
ISBN
9790006569748. 31 x 24.3
cm inches. Key: G minor.
Preface: Schwemer,
Bettina.
Throughout
his life, Antonio Vivaldi
wrote almost thirty
instrumental works that
use the cello as a solo
instrument. Vivaldi knew
how to tailor his music
to the cello and in doing
so, helped to establish
this still young
instrument in the music
of that time.
The
Concerto RV 531 is the
only double concerto in
Vivaldi’s uvre for
two solo violoncellos.
The two solo parts take
centre stage with
virtuosic passages but
lie on the instrument so
well that they can be
comfortably mastered by
advanced
students.
The
edition is based on the
careful evaluation of
Vivaldi’s
autograph score which is
the main source and
several inconsistencies
found in previous
editions have been
clarified. At the same
time the edition allows
for a flexible
realisation of this
concerto: it can be
performed by a full tutti
orchestra or by one
performer per part. The
cello part in the basso
continuo group can be
played by orchestral
cellists or by the
soloists.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Chamber Music for Violoncellos - Vol. 9 (4 Violoncellos Score and Parts). By Var...(+)
Chamber Music for
Violoncellos - Vol. 9 (4
Violoncellos Score and
Parts). By Various.
Edited by Arpad Pejtsik.
For Cello Ensemble. EMB.
Softcover. 32 pages.
Editio Musica Budapest
#Z14661. Published by
Editio Musica Budapest
Four violoncellos SKU: FG.55011-910-9 Suomalaisia sellopedagogeja nelj...(+)
Four violoncellos
SKU:
FG.55011-910-9
Suomalaisia
sellopedagogeja neljälle
sellolle - Partituuri and
stemmat. Composed by
Kalevi Aho. Classical,
contemporary. Score and
parts. Fennica Gehrman
#55011-910-9. Published
by Fennica Gehrman
(FG.55011-910-9).
ISBN
9790550119109.
Kale
vi Aho's virtuosic,
perceptive portraits of
four Finnish Cello
Pedagogues for four
violoncellos were
composed between 2008 and
2013. This product
consists of a full score
and a set of
parts.
Contents:1. HAHE (timo HAnHinEn)
(2008) Duration:
2’30’’ Composed
for the 60th birthday of
Timo Hanhinen 2. ARS
(Arto noRaS)
(2012) Duration:
2’30’’ Composed
for the 70th anniversary
concert of Arto
Noras 3. EAREGBERG
(lEnnARt von zwEyGBERG)
(2013) Duration
3’30’’ 4. ERA
(Erkki RAutio)
(2013) Duration
2’45’’.
4 Cellos SKU: BT.EMBZ14661P For 4 violoncellos. EMB Chamber Music ...(+)
4 Cellos
SKU:
BT.EMBZ14661P
For
4 violoncellos. EMB
Chamber Music for
Violoncellos. Educational
Tool. Set of Parts.
Composed 2009. 32 pages.
Editio Musica Budapest
#EMBZ14661P. Published by
Editio Musica Budapest
(BT.EMBZ14661P).
Chamber Music for Violoncellos, Vol. 10 (Four Violoncellos Score and Parts). By ...(+)
Chamber Music for
Violoncellos, Vol. 10
(Four Violoncellos Score
and Parts). By Various.
Edited by Pejtsik
Árpád. Score and Parts.
EMB. Softcover. 42 pages.
Editio Musica Budapest
#Z14694. Published by
Editio Musica Budapest
Score. Composed by
Charles Koechlin.
Editions Durand.
Classical. Study Score.
Composed 2001. Hal
Leonard #ME0851100.
Published by Hal Leonard
(HL.50562627).
UPC:
073999466034.
7.0x9.0x0.116
inches.
Scored for
oboe d'amore or soprano
saxophone, flute,
clarinet, 2 violins, 2
violas, 2 violoncellos,
and piano.
First violin (1. Violin) SKU: BA.BA10946-74 Composed by Antonio Vivaldi. ...(+)
First violin (1. Violin)
SKU: BA.BA10946-74
Composed by Antonio
Vivaldi. Edited by
Bettina Schwemer. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Single part. RV
531. 3 pages.
Baerenreiter Verlag
#BA10946_74. Published by
Baerenreiter Verlag
(BA.BA10946-74).
ISBN
9790006569762. 32.5 x
25.5 cm inches. Key: G
minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA10946-75 Composed by Antonio Vivaldi....(+)
Second violin (2. Violin)
SKU: BA.BA10946-75
Composed by Antonio
Vivaldi. Edited by
Bettina Schwemer. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Single part. RV
531. 3 pages.
Baerenreiter Verlag
#BA10946_75. Published by
Baerenreiter Verlag
(BA.BA10946-75).
ISBN
9790006569779. 32.5 x
25.5 cm inches. Key: G
minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Cello, piano, violin (solo and accompaniment) SKU: GH.NMS0526 For Viol...(+)
Cello, piano, violin
(solo and accompaniment)
SKU: GH.NMS0526
For Violin/Cello and
Piano. Composed by
Eduard Tubin. Arranged by
K Raid. Published by
Gehrmans Musikforlag
(GH.NMS0526).
Arrangement for
violin or cello and piano
by K Raid. Also available
in version for string
orchestra (arr. Raid), or
two violins and two
violoncellos (original
version).
Quartet for Violoncellos by Werner Egk (1901-1983). Arranged by Lutz Dreyer. For...(+)
Quartet for Violoncellos
by Werner Egk
(1901-1983). Arranged by
Lutz Dreyer. For Cello
Ensemble (String Parts).
Cello-Bibliothek (Cello
Library). Score and
Parts. 24 pages. Schott
Music #CB180. Published
by Schott Music
(Four Violoncellos). By Various. Edited by ÌrpÌÁd Pejtsik. Score and Parts....(+)
(Four Violoncellos). By
Various. Edited by
ÌrpÌÁd Pejtsik.
Score and Parts. EMB.
Book only. 50 pages.
Editio Musica Budapest
#Z14728. Published by
Editio Musica Budapest