Piano SKU: HL.50607005 Composed by Peter Wolf. EMB. Children, Classical. ...(+)
Piano
SKU:
HL.50607005
Composed
by Peter Wolf. EMB.
Children, Classical.
Softcover. Editio Musica
Budapest #Z15248.
Published by Editio
Musica Budapest
(HL.50607005).
UPC:
196288217381.
Pï¿
½TER WOLF (1947) studied
classical piano and jazz
piano at the B�la
Bart�k Secondary
School under Korn�l
Zempl�ni, Ferenc
Rados and J�nos
Gonda. In 2015 he
obtained his DLA degree
from the Franz Liszt
Academy of Music with his
thesis on jazz
arrangements. In 1969 he
became the
keyboard-player of the
band Ex Antiquis. He
composed many hits of the
1970s and 1980s as well
as scores for popular
films and musicals. His
virtuosity as an
orchestrator was shown in
concerts and albums of
the Franz Liszt Chamber
Orchestra; he also
orchestrated violin
pieces for Isaac Stern's
''Kreisler'' CD. In 1995
he was awarded the
F�nyes Szabolcs
Prize, in 2005 the Erkel
Prize, and in 2018
Artisjus's Life Prize. In
recent years he has had
numerous large-scale
compositions premiered by
excellent performers: his
two piano concertos and
his concertos for oboe,
clarinet, and violin
respectively. About
Inventions for Young
Pianists, piano teacher
Rita Znamen�k
writes: ''This volume
expressly aims at
extending the repertoire
of 3rd- and 4th-grade
primary music students
(and, of course, that of
the older ones, too).
Each of the 23 inventions
expands and revolves
around a musical idea.
The short pieces inspire
the children's
imagination already with
their titles. Teachers
and student scan freely
choose among pieces which
require crossing hands,
arpeggios, clusters,
polyphony, syncopated
rhythm, chromaticism, and
pedalling. There are
melodies with
accompaniment, playing
with alternate hands,
playing legato and
staccato, notes with
appoggiaturas and
acciaccaturas, jazz
accents, and glissandi,
too. The composer wrote
unusual sound effects
into a few pieces for the
brave. It's my most
sincere wish for young
pianists that they find
joy in studying Peter
Wolf's works, and I
encourage my colleagues
to include pieces from
this volume into their
material: maybe students
will also become more
open to contemporary
music through
them.''.
Scores Orchestra SKU: PR.416416250 Composed by Adolphus Hailstork. This e...(+)
Scores Orchestra
SKU:
PR.416416250
Composed
by Adolphus Hailstork.
This edition: Study
Score. Contemporary. Full
score. With Standard
notation. Composed 1996.
72 pages. Duration 21
minutes. Theodore Presser
Company #416-41625.
Published by Theodore
Presser Company
(PR.416416250).
UPC:
680160643271. 9 x 12
inches.
The Sonata
for Trumpet and Piano was
written in 1996 for the
husband and wife team of
Rodney Mack, trumpet and
Karen Walwyn, piano. To
encourage more
performances, I
transcribed it for
trumpet with string
quartet, and trumpet with
string orchestra. Then I
substituted a clarinet
part for the trumpet part
in all three versions.
The first movement is in
sonata form. The thematic
material and the rhythms
are influenced by blues
and jazz. The snappy
beginnins is followed by
a muted theme two. The
development begins with
repeated dark chords in
the piano, and gradualy
builds up to a climax
before theme one returns.
A descending series of
arpeggios in the trumpet
bring the movement to a
bitonal ending. The
second movement begins
with a quiet figuration
in the piano, which
repeats freely, under
short statements in the
trumpet. These mournful
fragments are notated to
allow the soloist to vary
the number of times they
are repeated. Gradually
the piece unfolds in a
through-composed song.
The middle section begins
with clusters in the
piano and builds to a
climax with the
introduction of sixteenth
notes. The tranquility of
the opening returns, and
brings the movement to a
quiet close. The third
movment is in sonata
form. Theme one is a high
energy idea based on
asymmetrical meters (ex.
seven-eight, and
eleven-eight), and a
couple of motives from
Puccini operas. Theme two
is a slower treatment of
the piano idea that
opened the movement. The
development tosses all
the material around
vigorously. After a
short, quiet return of
theme two, the coda
begins. This includes a
cadenza, and a final dash
to the end.
Clarinet and Trumpet SKU: SU.80101454 For Clarinet and Trumpet. Co...(+)
Clarinet and Trumpet
SKU: SU.80101454
For Clarinet and
Trumpet. Composed by
Carson Cooman. Chamber
Music, Mixed Ensemble.
Performance Score. Zimbel
Press #80101454.
Published by Zimbel Press
(SU.80101454).
Set includes 2
performance scoresMoon
Marked (2016) was written
for trumpeter Chris
Gekker. A figure
(acciaccatura-like) is
heard at the very start
of the work. It forms the
basis of the piece's
musical material. The
loose poetic image behind
the music is one of
internal transformation
after passing through a
shared experience. Some
astronauts have commented
on how they are forever
changed by their
interstellar voyages and
that their life back on
earth is not quite the
same. After the largely
energetic opening
section, two slower inner
sections explore
different landscapes; in
the second of these
sections, the two
instruments are
uncoordinated metrically
(freely floating in their
own space). The opening
music returns, but with
differences this time.
Instrumentation: Clarinet
and Trumpet Duration: 6'
Composed: 2016 Published
by: Zimbel Press.
Orchestra 2 Solo percussion - 2(piccolo), English horn, B-clarinet, contrabassoo...(+)
Orchestra 2 Solo
percussion - 2(piccolo),
English horn, B-clarinet,
contrabassoon, timpani,
strings
SKU:
PE.EP68671
Composed
by Christian Wolff. Full
Scores. Edition Peters.
Book. 70 pages. Duration
00:30:00. Edition Peters
#98-EP68671. Published by
Edition Peters
(PE.EP68671).
ISBN
9790300761909. 297 x 420
mm inches.
English.
Drawing
inspiration from a
large-scale canvas by
painter Philip Guston,
this two-movement,
half-hour concerto for
two percussionists and
orchestra uses strict
notation, passages in
which certain details of
the score are left up to
the performers, and even
- for the soloists -
moments of total freedom.
Commissioned by BBC Radio
3, Old Shoe, New
Shoe was
premiered on 19 May 2019
by the BBC Scottish
Symphony Orchestra under
Ilan Volkov, with
percussionists Joey Baron
and Robyn Schulkowsky
performing the solo
parts.
Concert
o for two percussion and
orchestra
A3 Full
Score
Duration:
30
minutes
Optional
improvisation for
soloists, no
improvisation for
orchestra, but they are
asked to make decisions
regarding durations and
sequencing of
notes
Performance
notes in
English
This product is Printed
on Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer.
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025296 Violin and...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025296
Violin and Piano.
Composed by Elena
Kats-Chernin. Boosey &
Hawkes Chamber Music.
Classical. Softcover.
Duration 1800 seconds.
Bote & Bock #M202533635.
Published by Bote & Bock
(HL.48025296).
UPC:
196288174325.
â€
œBeing Russian born I
have a strong connection
to the ballet scores of
Tchaikovsky, Prokofiev
and Stravinsky, and as a
result in theWild Swans,
more than in any other
work of mine, I allowed
myself the freedom to
roam through 200 years of
musical genres, ranging
from Hungarian Operetta
through folk music and
even including the
influences of jazz and
popular music,â€
says Elena Kats-Chernin.
The full-length work,
which premiered in Sydney
in 2003, was written for
choreographer Meryl
Tankard after the two
artists had already
worked together for the
opening ceremony of the
2000 Olympic Games, and
became one of the
composer's greatest
successes. Many excerpts
in various arrangements
have a concert life of
their own today -
including the
world-renowned Eliza
Aria. Arranged by the
composer in 2004 for
violin and piano after
the original orchestral
version, the half-hour
suite comprises ten
characteristic movements:
Green Leaf Prelude, Eliza
Aria, Brothers, Wicked
Witch (piano solo), Magic
Spell Tango, Glow Worms,
Darkness of the Forest,
Eliza and the Prince,
Mute Princess,
Transformation.
a2 (b) Violon, Violoncelle (duo) [Conducteur] University Of York Music Press
Violin and Cello SKU: BT.MUSM570360130 Composed by Thomas Simaku. Score O...(+)
Violin and Cello
SKU:
BT.MUSM570360130
Composed by Thomas
Simaku. Score Only. 9
pages. University of York
Music Press
#MUSM570360130. Published
by University of York
Music Press
(BT.MUSM570360130).
English.
For
Violin and Cello.
Published 2008. Dedicated
to Peter Sheppard
Skaerved and Neil Heyde.
This music was composed
during my DAAD residency
in Berlin in October —
November 2007. If I were
to describe it in one
sentence, I would say
that it is based on the
idea of 'two things
seen/heard as one'. a2 (a
due) is a well-known term
to musicians; it is often
found in orchestral
scores indicating a given
passage that is to be
played by two instruments
of the same family.
Although violin and cello
could well be regarded as
'first cousins' of the
string family, the
literal implementation of
the term a2 as a
'compositional strategy'
would have been too much
(!) for a piece of
chamber music consisting
of no more than two
players. Not
surprisingly, this never
happens in this work; in
fact, the opposite is
true: regardless of how
it appears on paper (i.e.
on one or two staves),
the music for each
instrument is constantly
based on two layers. This
musical 'interpretation'
of the title gives an
indication as to how the
textural format of the
piece operates. However,
this was by no means the
only thought that
'preoccupied' my mind
whilst composing this
music. Berlin made a
profound impression on
me. The remnants of the
wall in Bernauer
Straße and the cobbled
two-stone line tracing
the wall across where it
once stood — a clear
reminder of what not so
long ago there were two
different worlds in one
city — provoked a
strikingly dramatic
effect. Border,
death-strip, killing, and
escape to freedom had a
particularly evocative
resonance, especially of
the time when I lived for
three years in a remote
town in Southern Albania
right at the border with
Greece. There, there was
a nameless road whose
destination the
authorities did not want
you to know, but the
locals called it the
'death-road'. In no way
programmatic, in this
context, the
extra-musical dimension
of the principal idea is
very much part of the
piece. Here, the musical
and extra-musical
interpretations cannot
easily be separated, for
they are two parts of the
same thing: a2. As if to
add another dimension to
this idea, there are two
versions of this piece:
for viola & cello and
violin & cello. The
first version was
premiéred by Garth Knox
and Rohan de Saram at the
2008 Intrasonus Festival
in Venice..
SKU: GI.G-10607 An Advanced Orchestral Conducting Workshop. Compos...(+)
SKU: GI.G-10607
An Advanced Orchestral
Conducting Workshop.
Composed by David Itkin.
Music Education. 92
pages. GIA Publications
#10607. Published by GIA
Publications
(GI.G-10607).
ISBN
9781622776184.
This
advanced orchestral
conducting resource
features concise
discussions of advanced
technical and
interpretive issues for
44 major orchestral works
that all conductors will
perform during their
careers. The brief
discussions that precede
each score cover the full
range of issues
encountered in real
conducting situations,
and the accompanying
online videos show
Maestro Itkin
demonstrating the
techniques for each
excerpt. All music
examples have been
faithfully reproduced
from original scores, and
Maestro Itkin has also
arranged each excerpt for
string quintet, ideal for
the conducting class
setting. With nearly a
thousand performances to
his credit, acclaimed
conductor David Itkin
shares the knowledge he
has acquired over his
decades in the
profession. The
Conductor’s Craft
is for both up-and-coming
conductors and seasoned
professionals alike,
equally beneficial for
personal study or for use
in a classroom or
ensemble setting. Â
This volume is a real
breakthrough aid for
anyone studying or
teaching conducting at
any level. Written by
David Itkin, a most
distinguished and
experienced conductor and
teacher, it concentrates
on all the vital
techniques in the
teaching of the craft.
The accompanying video
recordings also make this
volume unique. This
addition to the material
for teaching conducting
is truly revolutionary,
and the selection of
examples gets
successfully to the point
of each subject
discussed. —Samuel
Adler   Composer,
conductor, author Â
 Professor Emeritus,
The Juilliard School,
Eastman School of Music
The Conductor’s
Craft outlines a detailed
plan and method for
executing conductor
training in advanced
conducting studios.
Itkin’s book is
also an excellent
reference for any teacher
who instructs advanced
students in a collegiate
orchestral conducting
program, as well as for
up-and-coming
professionals who are
studying for a career in
the field. Perhaps most
important, an individual
conductor can manage
their own self-study with
Maestro Itkin’s
clear statements and
explanations of the
technical issues
presented with each
excerpt. This book gives
individual
conductor’s
freedom to explore
choices and alternatives
to fix tricky passages in
the provided musical
examples. I love the book
and will be using it in
my studio. —Julius
P. Williams  Â
Artistic director and
conductor, Berklee
Contemporary Symphony
Orchestra  Â
President of the
International Conductors
Guild How refreshing to
review a conducting book
that deals with
specificity of gesture as
it relates to the music
rather than mere
concepts. Bravo to
Maestro David Itkin for
holding the aspiring
conductor to task on
issues of score study,
execution, and style!
—Mark Gibson Â
 Director of
Orchestral Studies,
College-Conservatory of
Music, University of
Cincinnati  Â
Author of The Beat Stops
Here.
SKU: GI.G-10605 An Advanced Orchestral Conducting Workshop. Compos...(+)
SKU: GI.G-10605
An Advanced Orchestral
Conducting Workshop.
Composed by David Itkin.
Music Education. 62
pages. GIA Publications
#10605. Published by GIA
Publications
(GI.G-10605).
ISBN
9781622776160.
This
advanced orchestral
conducting resource
features concise
discussions of advanced
technical and
interpretive issues for
44 major orchestral works
that all conductors will
perform during their
careers. The brief
discussions that precede
each score cover the full
range of issues
encountered in real
conducting situations,
and the accompanying
online videos show
Maestro Itkin
demonstrating the
techniques for each
excerpt. All music
examples have been
faithfully reproduced
from original scores, and
Maestro Itkin has also
arranged each excerpt for
string quintet, ideal for
the conducting class
setting. With nearly a
thousand performances to
his credit, acclaimed
conductor David Itkin
shares the knowledge he
has acquired over his
decades in the
profession. The
Conductorââ¬â¢
s Craft is for both
up-and-coming conductors
and seasoned
professionals alike,
equally beneficial for
personal study or for use
in a classroom or
ensemble setting.
ÃÂ This volume is a
real breakthrough aid for
anyone studying or
teaching conducting at
any level. Written by
David Itkin, a most
distinguished and
experienced conductor and
teacher, it concentrates
on all the vital
techniques in the
teaching of the craft.
The accompanying video
recordings also make this
volume unique. This
addition to the material
for teaching conducting
is truly revolutionary,
and the selection of
examples gets
successfully to the point
of each subject
discussed.
ââ¬âSamuel
Adler ÃÂ ÃÂ
Composer, conductor,
author ÃÂ ÃÂ
Professor Emeritus, The
Juilliard School, Eastman
School of Music The
Conductorââ¬â¢
s Craft outlines a
detailed plan and method
for executing conductor
training in advanced
conducting studios.
Itkinââ¬â¢s
book is also an excellent
reference for any teacher
who instructs advanced
students in a collegiate
orchestral conducting
program, as well as for
up-and-coming
professionals who are
studying for a career in
the field. Perhaps most
important, an individual
conductor can manage
their own self-study with
Maestro
Itkinââ¬â¢s
clear statements and
explanations of the
technical issues
presented with each
excerpt. This book gives
individual
conductorââ¬â¢
s freedom to explore
choices and alternatives
to fix tricky passages in
the provided musical
examples. I love the book
and will be using it in
my studio.
ââ¬âJulius P.
Williams ÃÂ
ÃÂ Artistic
director and conductor,
Berklee Contemporary
Symphony Orchestra
ÃÂ ÃÂ
President of the
International Conductors
Guild How refreshing to
review a conducting book
that deals with
specificity of gesture as
it relates to the music
rather than mere
concepts. Bravo to
Maestro David Itkin for
holding the aspiring
conductor to task on
issues of score study,
execution, and style!
ââ¬âMark
Gibson ÃÂ ÃÂ
Director of Orchestral
Studies,
College-Conservatory of
Music, University of
Cincinnati ÃÂ
ÃÂ Author of The
Beat Stops Here.
Arranged by Greg Gilpin.
Harold Flammer
WorshipSongs Jr.
Children, Children'S
Choir, Concert, Festival,
General Worship, Sacred,
Spiritual, Youth Choir.
Octavo. 12 pages.
Duration 135 seconds.
Published by Shawnee
Press (HL.527056).
ISBN 9781705166277.
UPC: 196288074991.
6.75x10.5x0.029 inches.
Revelation
7:9-10.
Equally
suited for both church
and school settings, this
popular spiritual was
originally sung as a
protest song denouncing
slavery and hypocrisy.
The song's energetic
melody underscores an
uncompromising drive for
equality, justice, and
freedom. Repeated phrases
in the melody and text
make the piece an ideal
choice for any unison or
two-part choir.