Par MOZART WOLFGANG AMADEUS. Since their publication in the New Mozart Edition, Mozart's sonatas K. 10–15 count as piano trios. Furthermore, the title of the first edition, published by father and son Mozart in 1765 reads 'Six Sonates pour le Clavecin qui puevent se jouer avec l'accompagnement de Violon ou Flaute Traversiere”. In other words, these pieces are harpsichord sonatas that may be accompanied at will by a violin or a transverse flute. In a partial press run of the first edition a cello part was included. Our new edition is the first to take these conflicting formats into account by presenting two separate versions, one being the unaltered harpsichord part, the other a full score with separateinstrumental parts for violin/flute and cello. The harpsichord part [CV 51. 010/10] is indeed capable of standing by itself and requires no instrumental expansion. The melody instrument, in contrast, merely function as an accompaniment or contribute brief interjections, or, in the case of the cello, reinforce the left hand of the keyboard. In other words, K. 10–15 are not only Mozart's earliest piano trios, they are also his earliest keyboard sonatas to survive intact./ Répertoire / Violon, Violoncelle et Piano

Keyboard & Drum Set optional. Par STRAUSS JOHANN. / Niveau : Intermédiaire / Répertoire / Quatuor à Cordes (2 Violons, Alto et Violoncelle)

Par KRAUS JOSEPH MARTIN. The first volume of the new scholarly edition contains the complete chamber music without a keyboard instrument. The most important group of works comprises the string quartets, 10 of which have survived. They were composed during the 1770s, whenHaydn was developing this class of music. The differing balance between such contrasting musical elements as entries in imitation, courtly melody, swift changes of tempo and unexpected modulations gives each of the quartets its special charm. Thefact that six of them were published in 1784 as Krauss 'Opus 1' by the publisher J. J. Hummel shows that the composer himself was convinced by his quartets. With the Flute quintet this volume alsocontains another key work in Kraus’s chamber music. Composed in Vienna about 1783 and also issued in manuscript copies, this work was printed by Ignaz Pleyel in Paris in 1799./ Répertoire / Ensemble de Chambre

Piano / Keyboard optional + Play Back / Play Along CD. Par MORTIMER JOHN G.. / Niveau : Facile / Répertoire / Clarinette, Saxophone Alto et Saxophone Ténor

Piano / Keyboard / Organ optional. Par NAULAIS JEROME. / Niveau : Elémentaire / Répertoire / Violon et Violoncelle

Piano / Keyboard optional + Play Back / Play Along CD. Par MORTIMER JOHN G.. / Niveau : Facile / Répertoire / 2 Flûtes Traversières, Clarinette et Piano ou Clav

Piano [Keyboard / Organ], Percussions optional. Par HAENDEL GEORG FRIEDRICH. / Niveau : Elémentaire / Répertoire / Orchestre à Cordes

Keyboard & Drum Set optional. Par STRAUSS JOHANN. / Niveau : Intermédiaire / Répertoire / Quintette à Cordes

Piano [Keyboard / Organ], Percussions optional. Par BACH JOHANN SEBASTIAN. / Niveau : Elémentaire / Répertoire / Orchestre à Cordes

Piano [Keyboard / Organ] + Play Back / Play Along CD optional. Par PERGOLESI GIOVANNI BATTISTA. / Niveau : Elémentaire / Répertoire / Trompette ou Cornet, Trombone et Piano ou Orgue

Piano [Keyboard / Organ] + Play Back / Play Along CD optional. Par NAULAIS JEROME. / Niveau : Elémentaire / Répertoire / Flûte Traversière, Clarinette et Piano ou Orgue

Piano [Keyboard / Organ], Percussions optional. Par CHARPENTIER MARC-ANTOINE. / Niveau : Elémentaire / Répertoire / Orchestre à Cordes

Keyboard & Drum Set optional. Par STRAUSS JOHANN. / Niveau : Elémentaire / Répertoire / Orchestre à Cordes

Piano [Keyboard / Organ], Percussions optional. Par NAULAIS JEROME. / Niveau : Elémentaire / Répertoire / Orchestre à Cordes

Piano / Keyboard / Organ optional. Par NAULAIS JEROME. / Niveau : Elémentaire / Répertoire / Violon et Violoncelle