Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Piano Sonata. Composed by Leos Janacek (1854-1928). Edited by Jiri Zahradka. ...(+)
Piano Sonata. Composed by
Leos Janacek (1854-1928).
Edited by Jiri Zahradka.
Henle Music Folios.
Classical. Softcover. 21
pages. G. Henle #HN1174.
Published by G. Henle
Piano SKU: PA.H07988 Fur Klavier. Composed by Luboš Fišer. S...(+)
Piano
SKU:
PA.H07988
Fur
Klavier. Composed by
Luboš Fišer.
Stapled. Performance
score. With Text
Language:
Czech/German/English.
Editio Baerenreiter Praha
#H07988_00. Published by
Editio Baerenreiter Praha
(PA.H07988).
ISBN
9790260104471. 31 x 23.5
cm inches.
Piano
Sonata No. 4 from the
years 1962-1964 is
dedicated to the memory
of Fiser's friend, the
pianist Antonin Jemelik,
who died tragically. As a
tribute to their
friendship the composer
incorporated into the
introduction a quotation
from their favourite
work, Piano Sonata No.
10, Op. 70, by Alexander
Scriabin. The tragedy of
the death of the
composer's friend
pervades the emotionally
intense passage of unison
octaves which follows the
three-bar quotation. From
a compositional point of
view this work is a
masterpiece of the
mid-Sixties. Written as
one movement, the piece
is divided into numerous
mutually contrasting
segments which themselves
are clearly grouped into
two sections, exposition
and development. The
individual themes are
introduced in the first
section and thematically
expanded in the second
section. The motif
treatment lies almost
exclusively in the
fragmenting or curtailing
of the theme, or in the
use of a combination of
several themes, for the
most part brief and
eloquent. This
compositional method,
together with a clear-cut
manner of execution,
mainly semitonal melody
and sharply contrastive
dynamics, lends force and
transparency to the
piece. Piano Sonata No. 4
was completed in 1964
together with Symphonic
Fresco, Concerto da
camera for piano and
orchestra and Fifteen
Prints after Durer's
Apocalypse and has earned
its rightful place
alongside them as
masterpieces of Fiser's
oeuvre.
The work
was first performed by
Pavel Stepan in Prague's
Rudolfinum in 1965. The
new setting for this
piece is based on the
single edition to date
(Panton, 1969); only with
regard to a few
inconsistencies in the
score was it necessary to
consult the composer's
manuscript (kept at the
National Museum - Czech
Museum of Music).
Piano SKU: HU.HN601 Composed by Wolfgang Amadeus Mozart. Edited by Ernst Herttr...(+)
Piano
SKU: HU.HN601
Composed by Wolfgang
Amadeus Mozart. Edited by
Ernst Herttrich. Piano
Solo, Piano and Keyboard,
Repertoire, Solos. Piano
Sonata G major K. 283
(189h). Classical.
Softcover Book. 19 pages.
G. Henle #HN601.
Published by G. Henle
(HU.HN601).
Sonata No 6 Clarinette et Piano [Conducteur] Dantalian
By Johann Sebastian Bach. Edited by Donald Martino. For Bb Clarinet, Piano. This...(+)
By Johann Sebastian Bach.
Edited by Donald Martino.
For Bb Clarinet, Piano.
This edition: Score -
Piano, Clarinet Part.
Baroque. Level: Grade
5-6. Sheet music.
Published by Dantalian,
Inc.
Piano, Speaker - Level 4 Composed by Gideon Klein (1919-1945). Edited by Ondrej...(+)
Piano, Speaker - Level 4
Composed by Gideon Klein
(1919-1945). Edited by
Ondrej
Pivoda. This edition:
urtext
edition. Paperback.
Performance score.
Baerenreiter Verlag
#BA09580_00. Published by
Baerenreiter Verlag
The Complete Resource for Every Guitar Player!. By Various. Guitar Collection. S...(+)
The Complete Resource for
Every Guitar Player!. By
Various. Guitar
Collection. Softcover.
With notes and tablature.
240 pages. Published by
Hal Leonard.
Chamber Music Cello,
Flute, Viola 1, Viola 2,
Violin
SKU:
CF.MXE219
Composed by
Wolfgang Amadeus Mozart.
Arranged by Robert
Stallman. Sws.
56+16+16+16+16+12 pages.
Carl Fischer Music
#MXE219. Published by
Carl Fischer Music
(CF.MXE219).
ISBN
9781491157794. UPC:
680160916399. 9 x 12
inches.
Composed by Arthur Gottschalk. For bass clarinet and piano. Classical; 21st cent...(+)
Composed by Arthur
Gottschalk. For bass
clarinet and piano.
Classical; 21st century.
Piano score and part.
Composed 2009. 30 pages
(score); 12 pages (part).
Published by Alea
Publishing
Edited by E. L. Lancaster and Kenon D. Renfrow. For Piano. Book; Masterworks; Pi...(+)
Edited by E. L. Lancaster
and Kenon D. Renfrow. For
Piano. Book; Masterworks;
Piano Collection.
Masterwork; Recital.
Advanced. 288 pages.
Published by Alfred Music
Publishing
Fantasia on the Rondo from the Piano Sonata in A major K. 331 Alt. Composed ...(+)
Fantasia on the Rondo
from
the Piano Sonata in A
major
K. 331 Alt. Composed by
Fazil
Say. Woodwind Solo.
Classical. Softcover. 8
pages. Schott Music
#ED23175.
Published by Schott Music
Composed by Alexander Scriabin (1872-1915). Edited by Michael Schneidt and Valen...(+)
Composed by Alexander
Scriabin (1872-1915).
Edited by Michael
Schneidt and Valentina
Rubcova. For Piano Solo.
Henle Music Folios.
Softcover. G. Henle
#HN1110. Published by G.
Henle
Piano (Piano solo) - L6 SKU: HL.51481203 Piano. Composed by Ludwig...(+)
Piano (Piano solo) - L6
SKU: HL.51481203
Piano. Composed by
Ludwig van Beethoven.
Edited by Murray Perahia
and Norbert Gertsch.
Arranged by Murray
Perahia. Sheet Music.
Paperbound. Henle Music
Folios. Revised edition
of HN 183. Classical.
Softcover. 26 pages. G.
Henle #HN1203. Published
by G. Henle
(HL.51481203).
ISBN
9790201812038. UPC:
888680749965.
9.25x12.25x0.121 inches.
Fing. Murray
Perahia.
Beethoven'
s three piano sonatas op.
2 were the first works in
this genre to which he
gave an opus number, thus
signalling to the musical
world the special
importance that he
assigned to them. He
wrote them during his
first years in Vienna
and, along with his op. 1
piano trios, they helped
to establish his
reputation as one of the
most significant
composers of his time.
These three sonatas - all
of them small
masterpieces - are
arranged in ascending
order of difficulty and
virtuosity. The
four-movement Sonata in f
minor is often called the
“Little
Appassionataâ€
because it shares with
the famous Sonata op. 57
not just its key, but
also its impassioned mood
- especially in the last
movement. Murray
Perahia's fingerings have
been tried and tested
over several decades of
performing these works,
and offer a new approach
to these milestones of
the piano repertoire.
Replaces HN183.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Piano Solo SKU: YM.GTP01100090 Very Easy Classics arranged for Adults<...(+)
Piano Solo
SKU:
YM.GTP01100090
Very Easy Classics
arranged for Adults.
Composed by Various.
Otona Piano Series.
Arranged Classical Music,
Educational, Exercise,
Lesson. Score. Yamaha
Music Media #GTP01100090.
Published by Yamaha Music
Media (YM.GTP01100090).
ISBN 9784636100655.
8.5 x 12
inches.
Easy
arrangements for adults
to start playing the
piano for the first time.
Features large,
easy-to-read music
sheets.
Composed by Camille Saint- Saens (1835-1921). Edited by Fabien Guilloux and Fra...(+)
Composed by Camille
Saint-
Saens (1835-1921). Edited
by
Fabien Guilloux and
François
de Médicis. This
edition:
Edition of selected
works,
Urtext edition. Linen.
Saint-
Saens, Camille. OEuvres
instrumentales completes
III/4. Edition of
selected
works, Performance score,
anthology. Baerenreiter
Verlag
#BA10304-01. Published by
Baerenreiter Verlag
("Das Lebewohl"). By Ludwig van Beethoven (1770-1827). Edited by Stewart Gordon...(+)
("Das Lebewohl"). By
Ludwig van Beethoven
(1770-1827). Edited by
Stewart Gordon. For
Piano. Book; Masterworks;
Piano Solo. Alfred
Masterwork Edition. Form:
Sonata. Classical;
Masterwork; Recital;
Romantic. Early Advanced.
28 pages. Published by
Alfred Music Publishing
Piano (Piano Solo) SKU: HL.51481620 Piano Solo. Composed by Sergei...(+)
Piano (Piano Solo)
SKU: HL.51481620
Piano Solo.
Composed by Sergei
Prokofiev. Edited by
Claudia Heine. Henle
Music Folios. Classical.
Softcover. 43 pages. G.
Henle #HN1620. Published
by G. Henle
(HL.51481620).
UPC:
196288209157.
9.0x12.0x0.164
inches.
Prokofiev's
Piano Sonatas 6â??8 are
often referred to as
â??war sonatasâ?,
since they were composed
in Russia during World
War II during times of
great hardship. As the
shortest of the three,
no. 7 is entirely focused
on the essentials, and is
certainly Prokofiev's
most famous piano sonata.
Anyone who has heard it
will not forget the hasty
first movement, marked
â??Allegro
inquietoâ?, the
cantabile theme of the
second movement and the
relentless pull of the
machine-like, thudding
finale. The Sonata
appeared in print in 1943
and that same year
received the Stalin Prize
(second category),
including prize-money of
50,000 rubles, which was
welcomed with great joy
in the Prokofiev
household. You can also
derive joy from
Prokofiev's Seventh
Sonata, here critically
edited on the basis of
all the sources, and
produced using Henle's
legendary music
engraving. A preface by
the world's most
prominent Prokofiev
researcher, Simon
Morrison, rounds off the
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 ? 3 languages with a
description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Piano SKU: PA.H07957 Fur Klavier. Composed by Luboš Fišer. S...(+)
Piano
SKU:
PA.H07957
Fur
Klavier. Composed by
Luboš Fišer.
Stapled. Performance
score. With Text
Language:
Czech/German/English.
Editio Baerenreiter Praha
#H07957_00. Published by
Editio Baerenreiter Praha
(PA.H07957).
ISBN
9790260104464. 31 x 23.5
cm inches.
Piano
Sonata No. 3 was written
in 1960 during the
composer's studies at
HAMU (Music Faculty of
the Academy of Performing
Arts in Prague) under
Emil Hlobil. The first
half of the 1960s was the
period during which
Fiser's musical language
underwent fundamental
change as he rapidly
cultivated his own,
distinctive style,
established in Fifteen
Prints after Durer's
Apocalypse. This sonata
thus also includes
several essential traits
which shift his
compositional development
further. The work has two
movements, however, its
internal structure
abandons traditional
form. The piece is
divided into several
short, mutually
contrasting sections,
whereby the distinctions
between the adjacent
parts are emphasised by
the thematic and chordal
treatment. These
contrasts are also
supported by the chosen
dynamics, tempo and other
expressional means. The
harmony is largely based
on traditional chords or
their condensed form
while, in certain
passages, we will
nevertheless come across
semitone clusters or
fourth chords. The melody
is still chiefly
diatonic; at times Fiser
uses chromatic sequences.
These new elements in
Sonata No. 3 indicate an
attempt to simplify his
writing and ensure
greatest transparency and
impact. This endeavour
became a basic
characteristic of Fiser's
compositions from the
mid-1960s onwards.
The sonata
originally bore the
postscript Fantasia,
which was subsequently
taken out by the
composer. It was first
performed by Ales Bilek
in 1961. The new setting
for this piece is based
on the single edition to
date (Panton, 1967); only
with regard to a few
inconsistencies in the
score was it necessary to
consult the composer's
manuscript (kept at the
National Museum - Czech
Museum of Music).
By Robert Schultz And Tina Faigen. For Piano. Robert Schultz Piano Library. Work...(+)
By Robert Schultz And
Tina Faigen. For Piano.
Robert Schultz Piano
Library. Works include:
Pachelbel's Canon in D;
Elgar's Pomp and
Circumstance, and the
Wedding March from
Mendelssohn, among
others. Level: Elementary
- Intermediate. Book.
Published by The FJH
Music Company Inc.
Horn Sonatas Cor et Piano [Conducteur] Breitkopf & Härtel
Horn and piano SKU: BR.EB-32113 Urtext. Composed by Camillo Schuma...(+)
Horn and piano
SKU:
BR.EB-32113
Urtext. Composed
by Camillo Schumann. Solo
instruments; stapled.
Edition Breitkopf.
The
first edition of a
forgotten treasure
Sonata; Late-romantic.
Score. 48 pages.
Breitkopf and Haertel #EB
32113. Published by
Breitkopf and Haertel
(BR.EB-32113).
ISBN
9790004186787. 9 x 12
inches.
Schumann's
horn sonatas were
composed in 1936/37.
Considering the slim
repertoire offered horn
players from this period,
it is more than
surprising that these two
masterpieces could have
slumbered for so long.
Both sonatas are similar
in structure, with op.
118 being one Schumann's
few three-movement
sonatas. The first
movements of the pieces
sparkle with
melancholically lyrical
melodies, whereas
passages strongly marked
rhythmically, variously
shape the two outer
movements. Virtuoso
moments can be found,
respectively, in the
final movements, bringing
the works to a brilliant
close. The horn parts
predominantly range
within the full, sonorous
middle register, where
occasional outbursts up
to the notated a flat''
are also not lacking. The
clever handling of the
balance of sounds, the
possibilities on the
early valve horn as well
as the inner interweaving
of themes differentiating
horn and piano make the
sonatas an exceedingly
vivid testimony to
Schumann's mature
compositional
art.
Schumann's
horn sonatas are a
crucial enhancement to
each horn player's
repertoire. The first
edition of a forgotten
treasure.
Trombone and Piano - Advanced SKU: CY.CC3136 Composed by John W. Ware. Cl...(+)
Trombone and Piano -
Advanced
SKU:
CY.CC3136
Composed by
John W. Ware. Classical.
Score and Parts. Cherry
Classics #CC3136.
Published by Cherry
Classics (CY.CC3136).
ISBN 9790530111055.
8.5 x 11 in
inches.
This fine
work has sat dormant for
many years and has now
come to light thanks to
the efforts of Charlie
Vernon, Bass Trombonist
of the Chicago Symphony,
who performed this
virtuoso work as a young
performer. The concerto
is in the standard three
movement form: Fast,
slow, fast. This
publication is a
reduction from the
original orchestral
version (to be released
at some point in the
future). Here is a
description of the
Concerto by the composer,
John W. Ware. I started
on the trombone concerto
in my junior year
studying composition at
Indiana University. While
working on it, I learned
of an opportunity to make
it sort of a thesis piece
(though students didn't
write a thesis in
composition while an
undergrad). The original
version was for trombone
with string orchestra,
and it was performed by
the IU String Orchestra,
conducted by Dr. Arthur
Corra, with Robert Priez,
trombone, as part of my
senior composition
recital. I thought the
performance was quite
good (Priez played
extraordinarily well),
and the piece received a
newspaper review in the
Indiana Daily Student, in
which the reviewer wrote
that the work was almost
too exciting. I thought
at the time that he had
given me and my music a
fine compliment. I made a
piano version of the
accompaniment, shortening
and tightening the first
movement, for
performances in 1966; I
made a second revision in
1967 for a performance by
E. J. Eaton, trombonist
at the University of
Tennessee at Martin,
arriving at the form in
which the work exists
now. The first movement
is in fairly normal
sonata-allegro form, in
the key of A minor. It
alternates between
assertive and more
thoughtful moods. There
is no introduction; the
soloist enters
immediately and dominates
much of the movement. The
main theme is--by some
manipulation--a source
for most of the other
themes, and all of the
themes are used in close
proximity to each other,
including contrapuntal
combinations, especially
near the end. Originally
the movement included a
lengthy fugato, now much
shortened and including a
stretto that builds and
subsides before a cadenza
leading to a coda based
on both the principal and
secondary themes. Key
relations in this
movement, as in the other
two, are quite free and
often chromatic, with
frequent third-relations;
but returns to the tonic
at the end are emphatic.
The writing is
challenging for both
soloist and accompanist;
the piece is substantial,
requiring technique and
stamina. The second
movement is in F minor
and is also built on both
contrast and close
relationships between the
main and secondary
themes. The main theme is
heard in the piano part
before the soloist
enters. The mood is more
lyric than in the first
movement, but with
dramatic episodes also.
In this movement are some
definite derivations from
themes in the first
movement. The ending is a
sort of lengthened shadow
of the opening. The
finale returns to A
minor, with themes
slightly related to
polonaise rhythms, but
with strong echoes of
first-movement themes.
Here, too, dramatic and
lyric episodes alternate,
with dotted rhythms
frequently propelling the
music forward. The
introduction is a brief
and simple preparation
for the solo entry. Later
in the movement, a very
brief, slightly slower
section is soon overtaken
by the original tempo.
Toward the end, there is
a second cadenza, again
leading to a swift and
energetic coda. The work
is about 20 minutes in
length and is appropriate
for advanced
performers.