Spaur, Piccolomini Mass. Composed by Wolfgang Amadeus Mozart (1756-1791)....(+)
Spaur, Piccolomini
Mass. Composed by
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Christian Rudolf Riedel.
Edition Breitkopf.
Classical period. Piano
reduction. Breitkopf and
Haertel #EB-8701.
Published by Breitkopf
and Haertel (BR.EB-8701).
Composed by Rory Cooney. Lent 3 A, Lent 4 A, Lent 5 A, Ordinary Time 13 C. Celeb...(+)
Composed by Rory Cooney.
Lent 3 A, Lent 4 A, Lent
5 A, Ordinary Time 13 C.
Celebration Series.
Sacred. Octavo. With
guitar chord names. 8
pages. Published by GIA
Publications (GI.G-8956).
Composed by Jeffrey Van. Advanced/Collegiate. Christmas, hope/assurance, lamen...(+)
Composed by Jeffrey Van.
Advanced/Collegiate.
Christmas,
hope/assurance,
lament/grief/sorrow,
memorial. Guitar/choral
score. Published by E.C.
Schirmer Publishing
(EC.8461).
Mixed choir SKU: FG.55011-856-0 Composed by ŽibuoklÄ— MartinaitytÄ...(+)
Mixed choir
SKU:
FG.55011-856-0
Composed by
Žibuoklė
MartinaitytÄ—.
Classical, contemporary.
Book. Fennica Gehrman
#55011-856-0. Published
by Fennica Gehrman
(FG.55011-856-0).
The Blue of
Distance for a cappella
choir (SSAATTBB) was
composed in 2010 and
premiered by Jauna Muzika
with conductor Vaclovas
Augustinas, on October
25, 2010 at the Gaida
festival in Vilnius,
Lithuania.
MartinaitytÄ— tells:
When searching for the
lyrics for my choral
piece, I encountered an
alluring phrase the blue
of distance. It remained
just a
poetical-philosophical
hint since the text
itself doesn’t get
utilized at all. Instead,
the function of the
lyrics is given to a set
of speech sounds –
mostly humming or the
sung open vowels
a–e–iâ€â
€œo–u. In one part
of the piece these
vowels/letters appear as
chords, they determine
the succession of
entrances of choral
voices and their
interrelationships. Duration: c.
13-16'
The works
of New York -based
Lithuanian composer
Žibuoklė
MartinaitytÄ— (b.
1973) have been lauded as
breathtaking and
profoundly moving. Her
stimulating music
bristles with energy and
tension and revolves
often around the subject
of beauty, which she
calls both a guiding
principle and an
aesthetic measure for
sonic quality.
Mixed choir SKU: FG.55011-857-7 Composed by ŽibuoklÄ— MartinaitytÄ...(+)
Mixed choir
SKU:
FG.55011-857-7
Composed by
Žibuoklė
MartinaitytÄ—.
Classical, contemporary.
Book. Fennica Gehrman
#55011-857-7. Published
by Fennica Gehrman
(FG.55011-857-7).
Žibuoklė
MartinaitytÄ— tells
about the background of
Aletheia (2022) for mixed
choir (SSSSAAAATTTTBBBB):
Aletheia is variously
translated from Greek as
unconcealedness,
revealing or
unclosedness. It is
uncovering of the Truth -
the one we are afraid to
face, the truth that can
only be expressed
directly through the
pre-verbal communication.
How do you find words for
the horrors of the war,
for all unimaginable
global atrocities? How do
you even allow yourself
to feel it out? Solely
through art, through
music that offer a safe
space and a formalized
framework for processing
these accumulated complex
emotions and sharing them
with others in a moment.
This piece has no verbal
text and it is based on
various combinations of
vowels and consonants,
thus connecting us on a
deeper level through the
immediate emotional
experience.
The
war in Ukraine in spring
of 2022 had an impact on
all of us and shattered
my deeply rooted
Lithuanian identity. When
the freedom is threatened
and innocent people are
dying, it is hard to make
sense out of the reality.
Yet there is poetry even
in the worst nightmares.
I was imagining that the
only instrument people
have even in situations
of destruction, in the
midst of the war, is
their VOICE. It brought
back memories of my youth
when Singing revolution
was taking place in the
Baltic countries. Human
voice was the only weapon
that people used to
express their
determination for freedom
and independence. Voice
is our first and the very
last instrument we have
in our lifetime. Thinking
in these terms brings
almost a sacred dimension
to the voice as an
expression of the life
itself - from the very
first baby's scream until
the last breath and
whisper.
Duration
c. 15'
The works
of New York -based
Lithuanian composer
Žibuoklė
MartinaitytÄ— (b.
1973) have been lauded as
breathtaking and
profoundly moving. Her
stimulating music
bristles with energy and
tension and revolves
often around the subject
of beauty, which she
calls both a guiding
principle and an
aesthetic measure for
sonic quality.
Bis hin
an des Kreuzes Stamm.
Composed by Andreas
Hammerschmidt. German
title: Vom Leiden
Christi. Sacred
concertos, Sacred vocal
music, Lent and
Passiontide, Holy Week.
Full score. Duration 3
minutes. Carus Verlag #CV
05.076/00. Published by
Carus Verlag (CA.507600).
ISBN 9790007007492.
Key: C dorian. Language:
German.
Composed
by Dietrich Buxtehude.
Edited by Friedrich
Ehrlinger. This edition:
urtext. Stuttgart Urtext
Edition: Buxtehude.
German title: Alleluja
Aus 43. Sacred vocal
music, Cantatas. Single
Part, Trumpet 2. BuxWV
43. 2 pages. Carus Verlag
#CV 36.021/32. Published
by Carus Verlag
(CA.3602132).
ISBN
9790007053253. Key: C
major. Language:
Latin.
Mixed choir SKU: KU.OCT-10302_SP Composed by Franz Joseph Haydn. Edited b...(+)
Mixed choir
SKU:
KU.OCT-10302_SP
Composed by Franz Joseph
Haydn. Edited by
Friedrich Hägele and
Mario Schwarz. DIN-A4.
Staple Bound. Choral
score. 31 pages. Edition
Kunzelmann #OCT-10302_SP.
Published by Edition
Kunzelmann
(KU.OCT-10302_SP).
Composed by J.C.D. Parker. Edited by David P. DeVenney. Gentry Publications....(+)
Composed by J.C.D.
Parker.
Edited by David P.
DeVenney.
Gentry Publications.
Concert,
Romantic. Octavo. Gentry
Publications #JG2569.
Published by Gentry
Publications
Composed by Peter C. Lutkin (1858-1931). Arranged by John Purifoy. Brookfield Ea...(+)
Composed by Peter C.
Lutkin (1858-1931).
Arranged by John Purifoy.
Brookfield Easter Choral.
Octavo. 12 pages.
Published by Brookfield
Press (HL.196024).
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