Composed by Gottlieb Muffat. Editio princeps based on sources of the Berlin Si...(+)
Composed by Gottlieb
Muffat.
Editio princeps based on
sources of the Berlin
Sing-
Akademie and the
Osterreichische
Nationalbibliothek.
Breitkopf
and Haertel #EB 9325.
Published by Breitkopf
and
Haertel
ISBN 9790006505623. 31
x 24.3 cm inches.
Preface: Denis
Herlin.
‘Once
again the French
musicologist Denis
Herlin, who mastered the
harpsichord under the
tutelage of such keyboard
legends as Kenneth
Gilbert and Huguette
Dreyfus, has presented an
exemplary edition of a
classic from the
harpsichord
repertoire.’ (Jury
of the German Music
Edition Prize on BA
10844)
Bärenrei
ter presents Book II of
Couperin’s
“Pièces de
clavecinâ€, first
published in 1717, In
addition the eight
preludes and one
allemande from his
treatise
“L’Art de
toucher le
clavecin†are
included in the appendix.
For the first time Denis
Herlin has evaluated the
many later impressions of
the original print, most
of which he unearthed
himself in international
libraries. By preserving
the essential features of
the original print while
largely dispensing with
disruptive page-turns
within the pieces, the
volume brings modern
performers close to the
special sound of this
music. Rounding off this
pioneering new edition
are an extensive
Foreword, notes on
historical performance
practice, a comprehensive
glossary, facsimile pages
and a detailed Critical
Commentary.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Piano or Harpsichord SKU: BT.EMBZ20018 France 1. By Szilvia Elek_A...(+)
Piano or Harpsichord
SKU: BT.EMBZ20018
France 1. By
Szilvia Elek_Anikó
Horváth. By Szilvia
Elek. Classical. Book
Only. Composed 2020. 108
pages. Editio Musica
Budapest #EMBZ20018.
Published by Editio
Musica Budapest
(BT.EMBZ20018).
Hungarian-English-Germ
an-French.
This
brand-new series is
intended as a guide to
the keyboard music of the
16th to 19th centuries
for pupils of the piano
and the harpsichord, as
well as of other early
keyboard instruments.
Each volume contains
pieces by well-known and
lesser-known composers
from one country or
region. The main purpose
of the series is to
extend the repertoire and
stylistic knowledge of
both pianists and
harpsichordists while
also presenting fine
pieces and typical genres
based on original
sources. Our edition
retains the performance
indications of the
composers' manuscripts
and contemporary
editions. Each volume
includes:- suggestions
for stylistically
appropriate performance
bothon the piano and on
period instruments-
suggested elaborated
versions of some pieces
and excerpts- a fold-out
list of ornamentation
signs and the composers'
own tables of
ornamentation signs-
biographies of the
composers and the sources
of the pieces-
translations of
foreign-language
performance indications.
The two volumes devoted
to French keyboard music
includes close to 50
showy and relatively easy
works - preludes, dances,
suites, rondeaux, and
character pieces - from
the early 16th until the
late 18th century
(ordered
chronologically).This
publication is printed on
high-quality,
age-resistant paper that
is produced in an
environmentally-friendly,
climate-neutral manner
using renewable raw
materials.
Una nuova collana
ideata per offrire una
guida alla scoperta della
musica per pianoforte e
clavicembalo dal
sedicesimo al
diciannovesimo secolo.
Ogni volume include brani
di compositori di una
specifica nazione o area
geografica. L'intento
è amplicare la
conoscenza e il
repertorio di ogni
musicista. Inoltre in
ogni edizione sono
riportati fedelmente i
suggerimenti per
l'interpretazione e le
indicazioni presenti sui
manoscritti originali. I
due volumi dedicati alla
musica francese includono
circa 50 brani
significativi - preludi,
danze, suites, rondò e
altri - che risalgono
all'inizio del sedicesimo
secolo fino alla fine del
diciottesimo secolo,
rigorosamente inordine
cronologico.
Organ, harpsichord SKU: BA.DV04206-12 Composed by George Frideric Handel....(+)
Organ, harpsichord
SKU: BA.DV04206-12
Composed by George
Frideric Handel. Edited
by Frederik Hudson. This
edition: urtext edition.
Stapled. Single part.
Opus 3/6, HWV 317. 11
pages. Baerenreiter
Verlag #DV04206_12.
Published by Baerenreiter
Verlag (BA.DV04206-12).
24.4 x 32.6 cm inches.
Key: D major.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Harpsichord SKU: FG.55011-764-8 Composed by Esa Pietilä. Classical, co...(+)
Harpsichord
SKU:
FG.55011-764-8
Composed by Esa
Pietilä. Classical,
contemporary. Book.
Fennica Gehrman
#55011-764-8. Published
by Fennica Gehrman
(FG.55011-764-8).
ISBN
9790550117648.
The
title of Esa
Pietilä’s solo
harpsichord work Fata
morgana (2019) refers to
a special weather
con-dition, which creates
illusory effect of
mirage-like fairy
castle-like monuments in
the horizon of the sea.
The piece brings forth
the frightening bass
sonority on double
manual, full size
harpsichord and the
brightness on the treble
and makes a dialogue out
of them. “I got
fasci-nated by the
sonority, character and
power of the low register
sound on the instrument,
es-pecially when used in
non-traditional way and
found some kind of
especially delightful and
outlandish cluster-mud
and airy glimmering
things which seem to play
together, the com-poser
describes. The challenges
of the piece lie in
rhythmical ideas, which
are surprisingly
multi-faceted and in the
short, improvised
section.
Duration: c.
6’
Esa
Pietilän
soolo-cembalolle tehdyn
sävellyksen otsikko
Fata morgana (2019)
viittaa erityisen
sääil-miön
aiheuttamaan
illusatoriseen
kangastuksen tapaiseen
efektiin, joka tuo esiin
satulinnojen kaltaisten
rakennelmien
ilmaantumisen meren
horisonttiin. Sävellys
tuo esiin cembalon
bas-sorekisterin
pelottavuuden sekä
diskantin kirkkauden ja
käy niillä
vuoropuhelua. Haltioiduin
cembalon alarekisterin
erityisestä soinnista,
karakteerista ja
voimasta, jos sitä
käyttää hyvinkin
ei-perinteisesti.
Löysin myös
erityisen hauskasti
soivaa klusteri-mutaa ja
ilmavaa kimallusta, jotka
sointuvat yhteen,
Pietilä kuvaa
sävellystään.
Kappaleen haasteena ovat
rytmisesti
yllät-tävät ja
monitahoiset ideat
sekä lyhyt
improvisaatiojakso.
Harpsichord; Early Music SKU: UT.HS-307 Composed by Antonio Valente. Edit...(+)
Harpsichord; Early Music
SKU: UT.HS-307
Composed by Antonio
Valente. Edited by Maria
Luisa Baldassari.
Paperback (Soft Cover).
Classical. Ut Orpheus #HS
307. Published by Ut
Orpheus (UT.HS-307).
ISBN 9790215327146. 9
x 12
inches.
Antonio
Valente blind,
Neapolitan since a
long time according
to the list of Neapolitan
musicians by Scipione
Cerreto and organist in
S. Angelo a Nilo in
Naples, is known in
modern times for his two
volumes of keyboard
music: Versi
spirituali published
in 1580 and, some years
before, the volume here
in transcription,
Intavolatura de
cimbalo, printed by
Giuseppe Cacchio in
1576. This volume has
many original features:
first keyboard tablature
ever printed in Naples,
itâ??s not written in
musical characters but in
a number-based system
never met, according to
the current studies, in
any other print or
manuscript both in and
outside Italy. The
dedication letter,
written by Fraâ??
Alberto Mazza, praises
Valente as the inventor
of this writing method,
so easy and effective
that everybody, even
uncouth youths that did
not know music and
keyboard, could attain
the result of playing
from it in two
months. The
Intavolatura presents
different genres of
music: a fantasia, six
ricercatas, a Salve
Regina on a cantus
firmus, four vocal
chansons
intabulated for keyboard
with more or less
diminutions,and nine
dances, variations and
dance/variations on
long-living tenors like
Romanesca or
Zefiro. There are
no liturgical
compositions, both
because unsuitable in a
collection for amateurs
and because Valente will
publish a new book of
sacred music in a few
years. The book is a
sort of compendium of the
keyboard genres of the
period, similar to some
older Spanish
publications and to the
later Neapolitan ones by
Trabaci and Majone. Other
contemporary volumes on
the contrary choose to
present a single type of
composition: this is the
case of the
Versetti by
Valente and the
Ricercate by Rocco
Rodio.
Harpsichord SKU: FG.55011-499-9 Composed by Jyrki Linjama. Fennica Gehrma...(+)
Harpsichord
SKU:
FG.55011-499-9
Composed by Jyrki
Linjama. Fennica Gehrman
#55011-499-9. Published
by Fennica Gehrman
(FG.55011-499-9).
ISBN
9790550114999.
Sona
ta da chiesa III was
commissioned by Petteri
Pitko, who played the
first perfor-mance in
Kemionsaaren
Musiikkijuhlat in the
summer of 2016. The
sonata has three
movements, each of which
has a definite liturgical
character and a choral
tune as a can-tus firmus.
Hence the music can be
performed either in a
concert or as a part of
liturgy.
From
the composer's foreword:
The first movement,
Kyrie, has got an
introvert mood. The
choral melody is veiled,
an indirect part of
arpeggiated texture. The
Gloria is open, even
brilliant: the cantus
firmus is worked out to a
virtuosic, dance-like
texture. The third
movement closes the music
by means of polyphony and
bird singing. Concerning
the harpsichord, for me
it is essen-tial not to
use equal temperament:
the possibility to play
with pure or almost pure
in-tervals is crucial to
the sound, having very
high and strong
overtones.
(for Cembalo or Harpsichord). By Hermann Schroeder (1904-1984). For Harpsichord,...(+)
(for Cembalo or
Harpsichord). By Hermann
Schroeder (1904-1984).
For Harpsichord, Cembalo.
Schott. Softcover. 12
pages. Schott Music
#ED20936. Published by
Schott Music
Harpsichord SKU: BA.BA04211-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord
SKU:
BA.BA04211-68
Composed by George
Frideric Handel. Edited
by Adolf Hoffmann and
Hans Ferdinand Redlich.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. Opus 6/3,
HWV 321. 10 pages.
Baerenreiter Verlag
#BA04211_68. Published by
Baerenreiter Verlag
(BA.BA04211-68).
ISBN
9790006445561. 24 x 29.5
cm inches. Key: E minor.
Language: German/English.
Preface: Adolf
Hoffmann.
About
Barenreiter Urtext
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Bärenreiter Urtext
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editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Organ, harpsichord SKU: BA.BA05852-67 Sacred cantata. Composed by ...(+)
Organ, harpsichord
SKU: BA.BA05852-67
Sacred cantata.
Composed by Georg Philipp
Telemann. Edited by
Martin Focke. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. TWV
1. Baerenreiter Verlag
#BA05852_67. Published by
Baerenreiter Verlag
(BA.BA05852-67).
ISBN
9790006521630. 32.6 x
25.6 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Harpsichord SKU: BA.BA08348-68 Fourth movement with choir. Compose...(+)
Harpsichord
SKU:
BA.BA08348-68
Fourth movement with
choir. Composed by
George Frideric Handel.
Edited by Terence Best
and William D. Gudger.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Fourth movement with
choir. Single part. Opus
4/4, HWV 292. 4 pages.
Baerenreiter Verlag
#BA08348_68. Published by
Baerenreiter Verlag
(BA.BA08348-68).
ISBN
9790006525294. 32.5 x
25.5 cm inches. Key: F
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Harpsichord SKU: BA.BA08533-68 Urtext based on newly found source....(+)
Harpsichord
SKU:
BA.BA08533-68
Urtext based on newly
found source.
Composed by George
Frideric Handel. Edited
by Terence Best. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. HWV
287. Duration 8 minutes.
Baerenreiter Verlag
#BA08533_68. Published by
Baerenreiter Verlag
(BA.BA08533-68).
ISBN
9790006521487. 32.5 x
25.5 cm inches. Key: G
minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Harpsichord SKU: BA.BA08346-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord
SKU:
BA.BA08346-68
Composed by George
Frideric Handel. Edited
by Terence Best and
William D. Gudger. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
4/6, HWV 294. 3 pages.
Baerenreiter Verlag
#BA08346_68. Published by
Baerenreiter Verlag
(BA.BA08346-68).
ISBN
9790006522422. 32.5 x
25.5 cm inches. Key:
B-flat major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Harpsichord SKU: BA.BA04203-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord
SKU:
BA.BA04203-68
Composed by George
Frideric Handel. Edited
by Frederik Hudson. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
3/3, HWV 314. 8 pages.
Baerenreiter Verlag
#BA04203_68. Published by
Baerenreiter Verlag
(BA.BA04203-68).
ISBN
9790006445004. 23 x 29.7
cm inches. Key: G
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by Johann
Sebastian Bach. Edited by
Dietrich Kilian. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. BWV
1044. 24 pages.
Baerenreiter Verlag
#BA05259-68. Published by
Baerenreiter Verlag
(BA.BA05259-68).
ISBN
9790006568468. 32.5 x
25.5 cm inches. Key: A
minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerââ¬â¢s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Harpsichord SKU: BA.BA04212-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord
SKU:
BA.BA04212-68
Composed by George
Frideric Handel. Edited
by Adolf Hoffmann and
Hans Ferdinand Redlich.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. Opus 6/4,
HWV 322. 10 pages.
Baerenreiter Verlag
#BA04212_68. Published by
Baerenreiter Verlag
(BA.BA04212-68).
ISBN
9790006445622. 23 x 29.6
cm inches. Key: A
minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Harpsichord SKU: BA.BA04213-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord
SKU:
BA.BA04213-68
Composed by George
Frideric Handel. Edited
by Adolf Hoffmann and
Hans Ferdinand Redlich.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. Opus 6/5,
HWV 323. 12 pages.
Baerenreiter Verlag
#BA04213_68. Published by
Baerenreiter Verlag
(BA.BA04213-68).
ISBN
9790006445707. 23 x 29.5
cm inches. Key: D
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Harpsichord SKU: BA.BA04210-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord
SKU:
BA.BA04210-68
Composed by George
Frideric Handel. Edited
by Adolf Hoffmann and
Hans Ferdinand Redlich.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. Opus 6/2,
HWV 320. 10 pages.
Baerenreiter Verlag
#BA04210_68. Published by
Baerenreiter Verlag
(BA.BA04210-68).
ISBN
9790006445509. 23 x 29.2
cm inches. Key: F
major.
About
Barenreiter Urtext
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Bärenreiter Urtext
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Parts
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editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Harpsichord SKU: BA.BA04216-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord
SKU:
BA.BA04216-68
Composed by George
Frideric Handel. Edited
by Adolf Hoffmann and
Hans Ferdinand Redlich.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. Opus 6/8,
HWV 326. 10 pages.
Baerenreiter Verlag
#BA04216_68. Published by
Baerenreiter Verlag
(BA.BA04216-68).
ISBN
9790006445929. 23 x 29.5
cm inches. Key: C minor.
Preface: Adolf
Hoffmann.
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Barenreiter Urtext
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editions as close as
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composerâ€â„
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enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
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Clearly presented divisi
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Harpsichord SKU: BA.BA10208-68 Congratulatory Cantata for the Birthday...(+)
Harpsichord
SKU:
BA.BA10208-68
Congratulatory Cantata
for the Birthday of Duke
Christian of
Saxony-Weißenfels and
of Duke Ernst August of
Saxony-Weimar.
Composed by Johann
Sebastian Bach. Edited by
Alfred Durr. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. BWV
208. Duration 38 minutes.
Baerenreiter Verlag
#BA10208_68. Published by
Baerenreiter Verlag
(BA.BA10208-68).
ISBN
9790006491797. 32.5 x
25.5 cm
inches.
Congratulat
ory Cantata for the
Birthday of Duke
Christian of
Saxony-Weissenfels and of
Duke Ernst August of
Saxony-Weimar.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through