Composed by Bartolome Calatuyud, edited by John Zaradin. Guitar solo book for gu...(+)
Composed by Bartolome
Calatuyud, edited by John
Zaradin. Guitar solo book
for guitar. With standard
notation (no tablature).
96 pages. Published by
Music Sales.
Guitar SKU: HL.14005952 Composed by Bartolome Calatayud. Music Sales Amer...(+)
Guitar
SKU:
HL.14005952
Composed
by Bartolome Calatayud.
Music Sales America.
Classical. Book
[Softcover]. 4 pages.
Music Sales #UMG19675.
Published by Music Sales
(HL.14005952).
8.0x12.0x0.026
inches.
Cuatro
Piezas Faciles Para
Guitarra by B.
Calatayud.
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Engaging guitar solos and duos for young guitarists. Composed by Lilly Kas...(+)
Engaging guitar solos and
duos for young
guitarists.
Composed by Lilly
Kassapoglou. With
Standard
notation. 24 pages.
Chanterelle #ZECH 1770.
Published by Chanterelle
Shanghai Guitare Guitare classique - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4304 Composed by Ken Murray. Score. Les...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4304
Composed by Ken Murray.
Score. Les Productions
d'OZ #DZ 4304. Published
by Les Productions d'OZ
(DZ.DZ-4304).
ISBN
9782898522215.
A
tribute to the
inspirational Brazilian
guitarist Yamandu Costa,
Shanghai is Australian
slang for a slingshot.
This is a term I remember
from my childhood in
north Queensland where a
shanghai made from sticks
and rubber was a prized
possession for a young
boy up to mischief. When
pulled back the rubber
stretches, and as it
snaps back into shape, a
stone or other form of
ammunition is projected
into the distance. This
action reminds me of the
dynamic and joyful
qualities of Yamandu
Costaâs
performances. Shanghai
aims to capture some of
the energy, playfulness
and musical expression
Yamandu brings to
everything he
plays.
Guitar - Intermediate SKU: OT.26114 Composed by Ariel Lazarus. A short su...(+)
Guitar - Intermediate
SKU: OT.26114
Composed by Ariel
Lazarus. A short suite
for classical guitar
based on themes from the
Spanish and Portuguese
tradition. Classical.
Score. OR-TAV Music
Publications #26114.
Published by OR-TAV Music
Publications (OT.26114).
ISBN 9789655051049.
8.27 x 11.69
inches.
Ariel
Lazarus Guitarra
Liturgia Two pieces
based on music from the
Spanish and Portuguese
tradition.
Contents: Jerusalem
de Sefarad - Suite for
Guitar Contrapunto
Sefardi The composer
writes: For many
years I wanted to compose
a piece for guitar which
would inspire interested
students to expand their
repertoire in the
direction of Jewish
music. The most natural
thing for me was to write
a suite based on themes
from the synagogue in
which I grew up –
the Spanish and
Portuguese synagogue of
Gibraltar. My beloved
grandfather served all
his life as hazzan
(cantor) of this
synagogue, and I always
felt as a composer and
educator that I had a
special obligation to
continue his tradition
and pass it on to a new
generation. In this
composition, I let the
guitar echo the piyyutim
(semi-liturgical poems)
that were part of my
childhood: Adon Olam,
Sh'charchoret, Achot
K'tana, Yigdal, Borei ad
Ana, all of which are
sung in the Spanish and
Portuguese tradition from
Gibraltar to London, and
from New York to
Jerusalem. I let myself
dream the piyyutim, take
them apart and
reconstruct them as a
short suite for guitar,
the results of which you
are invited to hear here.
As a conceptual idea for
the suite, I choose to
suggest about the
cultural continuation
between the Diaspora and
the land of Israel by way
of referencing the
well-known melody of
Naomi Shemer, which is
also popular among the
hazzanim. Dr. Ariel
Lazarus is a unique voice
among Israeli
composer-performers
today. Brought up in a
family with Jewish
musical roots both in
Gibraltar and Westphalia,
he began composing and
playing the guitar in his
teens, and has been
committed to developing
his own compositional
language ever since,
always maintaining an
open dialogue with his
traditions. Lazarus
received his BMus and
MMus degrees from
Oklahoma City University
in classical guitar
performance and
composition where he
studied with American
composer Dr. Edward
Knight. He earned his PhD
from Bar Ilan University,
studying composition with
Prof. Betty Olivero and
Prof. Gideon Lewensohn
and conducting research
under the supervision of
Prof. Edwin Seroussi from
the Hebrew University.
His symphonic works have
been premiered by the
Raanana Symphonette
Orchestra, and his
chamber works have been
performed by various
ensembles in the United
States, Central Europe,
Portugal, Gibraltar,
Scandinavia and Israel.
Lazarus performs
regularly as Art
Ambassador on behalf of
the Israeli Ministry of
Diaspora affairs Amiel
BaKehila program. His
solo album A Hebrew
Capriccio was released by
the German boutique label
SmoothFactor and was
awarded critical acclaim,
among others, in Haaretz,
and Neue Westfalishe.
Dr. Lazarus is the
musical director and
co-founder of the Israeli
Ladino Orchestra. His
work with the orchestra
has been recognized by
the official Carta de
España. He teaches at
the Academic College for
Education Givat
Washington, and the Rimon
School of Music.
Lazarus’s work has
been awarded by the
Israeli Pais Art council
and ACUM.
Composed
by Pascal Dubost.
Classical, Educational.
Guitar Part. FLEX
Editions #FX071019.
Published by FLEX
Editions (FL.FX071019).
Suite
Europeenne is a series of
Pieces inspired by a
journey, a trip, a
meeting or an event in an
european region. A
melancholic piece as are
childhood relics of games
with sand.
(Guitar Part). By Seth Himmelhoch and Andrew LaFreniere. For Guitar. This editio...(+)
(Guitar Part). By Seth
Himmelhoch and Andrew
LaFreniere. For Guitar.
This edition: Revised.
Book; CD; Guitar
(Suzuki);
Method/Instruction;
Suzuki. Suzuki Guitar
School. 16 pages.
Published by Alfred Music
Fingerstyle and Plectrum Pieces for Trinity College London Exams 2020-2023. Cl...(+)
Fingerstyle and Plectrum
Pieces
for Trinity College
London
Exams 2020-2023.
Classical.
Textbook. Trinity College
London #TCL019943.
Published
by Trinity College London
Guitar - very easy to easy SKU: HL.49044752 Mein erstes Konzart: 44 le...(+)
Guitar - very easy to
easy
SKU:
HL.49044752
Mein
erstes Konzart: 44
leichte Gitarrenstucke
aus 5 Jahrhunderten.
Edited by Bruno
Szordikowski and Peter
Ansorge. This edition:
Saddle stitching. Sheet
music. Guitar. Die
Auswahl der uberwiegend
originalen Werke ist nach
Epochen gegliedert und
bietet so auch ein
kleines Panorama der
Geschichte der Gitarren-
und Lautenmusik von John
Dowland uber Gaspar Sanz
bis zu Leo Brouwer.
Children, Classical,
German Edition.
Softcover. 32 pages.
Schott Music #ED 22050.
Published by Schott Music
(HL.49044752).
ISBN
9783795749576. UPC:
841886023826.
9.0x12.0x0.14
inches.
Giving your
first concert is a
special occasion for any
young musician,
motivating players to
keep working at their
instrument and music
making. Making this a
positive experience
involves choosing pieces
that are technically and
musically manageable, so
we have chosen 44 easy
and well-known solo
pieces, all tried and
tested in lessons and
youth music competitions.
This selection of works
mainly written for the
guitar is arranged in
periods of composition,
providing a little window
on the history of guitar
and lute music. TEXT IN
GERMAN AND ENGLISH.
44 Easy Guitar Pieces from 5 Centuries. Edited by Peter Ansorge and Bruno Szordi...(+)
44 Easy Guitar Pieces
from 5 Centuries. Edited
by Peter Ansorge and
Bruno Szordikowski. This
edition: Saddle
stitching. Sheet music
with CD. Guitar. Die
Auswahl der uberwiegend
originalen Werke ist nach
Epochen gegliedert und
bietet so auch ein
kleines Panorama der
Geschichte der Gitarren-
und Lautenmusik von John
Dowland uber Gaspar Sanz
bis zu Leo Brouwer.
Edition with CD. 32
pages. Schott Music #ED
20601. Published by
Schott Music
Guitar - Grade 3-5 SKU: TL.TCL015266 Repertoire. Trinity College London #...(+)
Guitar - Grade 3-5
SKU: TL.TCL015266
Repertoire. Trinity
College London #TCL
015266. Published by
Trinity College London
(TL.TCL015266).
ISBN
9780857364845.
Sele
cted pieces featured on
Trinity College London's
plectrum guitar syllabus,
Grades 3-5, valid from
2016. Expertly graded and
edited by leading music
educators.