Czardas (For String Orchestra or 2 to 3 Violins with Piano Acc.). By Vittorio Monti (1868-1922). Arranged by William Starr. Orchestra. For String Orchestra or 2 to 3 Violins with Piano Acc.. String Orchestra. Grade 4. Conductor Score and Parts. 48 pages. Published by Alfred Music

By English Folk Song. Arranged by Virginia Croft. For Full Score, Violin I, Violin II, Violin III (Viola Tc), Viola, Cello, Bass, Piano. Carl Fischer Young String Orchestra Series. Grade 2-2.5. Score and parts. Published by Carl Fischer

By Johann Sebastian Bach (1685-1750). Arranged by Richard Meyer. Orchestra. Masterworks; Part(s); Score; String Orchestra. Highland String Explorer. Form: Transcription. Baroque; Masterwork Arrangement. Grade 2. 88 pages. Published by Alfred Music Publishing

By Johann Sebastian Bach (1685-1750). Arranged by Richard Meyer. Orchestra. Masterworks; Score; String Orchestra. HighlandåÊString Explorer. Form: Transcription. Baroque; Masterwork Arrangement. Grade 2. 8 pages. Published by Alfred Music Publishing

Composed by Loreta Fin. Orchestra. String Orchestra. Wilfin String Orchestra: Young String Ensemble Series. Grade 2. Conductor Score and Parts. 66 pages. Published by Alfred Music

String Orchestra string orchestra (88555) with opt. 3rd Violin/Viola TC 3 and piano - Grade 2.5

SKU: KN.9742

Composed by Timothy J. Isham. Solo or Ensemble. Voyager String Orchestra. Score and parts. Duration 3 minutes, 25 seconds. Kendor Music Inc #9742. Published by Kendor Music Inc (KN.9742).

UPC: 822795097429.

The violas seize the spotlight and demand to be heard in this dramatic grade 2 piece! The conflict rages as the violas' aggressive B minor main theme contrast with the soaring D major theme played by the violins. Who will emerge victorious in this epic battle for orchestral dominance? Each set includes three copies of the 3rd Violin/Viola T.C. part and an optional part for piano. Duration 3:25. Available in SmartMusic.

Orchestra String Orchestra - Grade 1.5-2

SKU: CF.FAS38

Composed by Franz Xaver Gruber. Arranged by Roy Phillippe. Carl Fischer First Plus String Orchestra Series. Sacred, Christmas. Score and Parts. With Standard notation. 8 pages. Carl Fischer Music #FAS38. Published by Carl Fischer Music (CF.FAS38).

ISBN 9780825861130. UPC: 798408061135. 8.5 X 11 inches. Key: D major.

One of the most beloved of all Christmas carols is presented in an easy, yet beautiful arrangement by Roy Phillippe. Every sections is given a chance to play the melody in the very playable setting. The optional piano part adds interest and colorful lines to this already very special piece.
I am of the opinion that a piece of music is not judged by how difficult it is to play, but by how good it sounds. While my arrangement of Silent Night is written for beginning string players, I have tried to keep it interesting for all players. It should be played warmly with expression to create a full sound.The piece begins with an introduction based on the three-note Silent Night motive. The main melody is introduced in m. 5 by the first Violins, and is harmonized by the second Violins and Violas. The Cellos reiterate the motive in mm. 6,8,10 and 11. Beginning at m.12 the motive alternates between the Violin II and the Cellos. The melody is played tutti until the key change at m.29, at which point when the Cellos and Basses take the melody with light accompaniment in the Violins and Violas. The final statement of the melody is played by the first violins beginning in m. 37. The Silent Night motive from the beginning alternates between Violin II and the Cellos to the end.

Orchestra String Orchestra - Grade 1.5

SKU: FJ.ST6317S

Score Only. Composed by Leopold Mozart. Arranged by Carrie Lane Gruselle. Series; String Orchestra. FJH Beginning Strings. Masterwork Arrangement. Score. Duration 1:30. The FJH Music Company Inc #98-ST6317S. Published by The FJH Music Company Inc (FJ.ST6317S).

English.

Whoops and hollers are optional in this festive work (and yes, they are also in the composer's original score!). Your ensemble works as a team to celebrate the happy couple with strong homophonic rhythms and predictable harmonies. At the same time, the first violins have the opportunity to significantly explore their E string tone and pitches in the familiar key of D Major. And since violin 2 doubles the viola, you may wish to have ALL of your violins work on their E strings!

About FJH Beginning Strings

Ap propriate for first year string students. All instruments stay in first position, and optional third violin (viola) parts and piano are included to aid in rehearsal and performance situations. Grade 1 - 1.5

Orchestra String Orchestra - Grade 2

SKU: FJ.ST6011

Gum Tree Canoe. Arranged by Robert L. Simon. Series; String Orchestra. FJH Developing Strings. Folk. Score and Part(s). Duration 3:35. The FJH Music Company Inc #98-ST6011. Published by The FJH Music Company Inc (FJ.ST6011).

UPC: 674398206933. English.

This lovely setting of the lesser-known folk song Gum Tree Canoe is easy to perform with young musicians. A simple countermelody begins in the violins and moves to the cellos to create momentum. A very playable work.

About FJH Developing Strings

Sl ightly more advanced than Beginning Strings, this series begins to involve more position work and a slightly more complex rhythmic figures. Rehearsal piano is often provided. Ideal for middle school and smaller high school programs. Grade 2 - 2.5

Cantata #140. By Johann Sebastian Bach. Arranged by John Caponegro. Cadet String Orchestra. Level: Grade 2 . Published by Kendor Music Inc.

Orchestra string orchestra - Grade 3

SKU: KJ.SO354C

Composed by Robert Sieving. Score and parts. Neil A. Kjos Music Company #SO354C. Published by Neil A. Kjos Music Company (KJ.SO354C).

UPC: 084027043912.

Origi nally composed by Franz Schubert for four voices (SATB) and piano in 1892, this arrangement honors the tuneful phrases he was best known for. Set in the key of G Major, all parts can be played in 1st position except for a few passages found in the 1st violins.

Duration: 2:30.

Orchestra string orchestra - Grade 3

SKU: KJ.SO354F

Composed by Robert Sieving. Score only. Neil A. Kjos Music Company #SO354F. Published by Neil A. Kjos Music Company (KJ.SO354F).

UPC: 084027043936.

Origi nally composed by Franz Schubert for four voices (SATB) and piano in 1892, this arrangement honors the tuneful phrases he was best known for. Set in the key of G Major, all parts can be played in 1st position except for a few passages found in the 1st violins.

Duration: 2:30.

Orchestra String Orchestra - Grade 2.5

SKU: FJ.ST6419

Composed by Gary Fagan. Series; String Orchestra. FJH Developing Strings. Light Concert; Novelty. Score and Part(s). Duration 2:15. The FJH Music Company Inc #98-ST6419. Published by The FJH Music Company Inc (FJ.ST6419).

UPC: 241444375532. English.

Show your great sense of humor with this novelty piece that winds up creating near chaos in your ensemble! When the first violins join a local branch of the String Players Union, the other musicians and director soon learn that the union members must adhere to some hilarious performance guidelines. Accommodations include playing only some notes, giving the left hand a rest and even left hand free time! Staging possibilities are endless - this piece is easy to put together and is guaranteed to bring a smile to everyone in the hall!

About FJH Developing Strings

Sl ightly more advanced than Beginning Strings, this series begins to involve more position work and a slightly more complex rhythmic figures. Rehearsal piano is often provided. Ideal for middle school and smaller high school programs. Grade 2 - 2.5

Orchestra String Orchestra - Grade 2.5

SKU: FJ.ST6419S

Score Only. Composed by Gary Fagan. Series; String Orchestra. FJH Developing Strings. Light Concert; Novelty. Score. Duration 2:15. The FJH Music Company Inc #98-ST6419S. Published by The FJH Music Company Inc (FJ.ST6419S).

English.

Show your great sense of humor with this novelty piece that winds up creating near chaos in your ensemble! When the first violins join a local branch of the String Players Union, the other musicians and director soon learn that the union members must adhere to some hilarious performance guidelines. Accommodations include playing only some notes, giving the left hand a rest and even left hand free time! Staging possibilities are endless - this piece is easy to put together and is guaranteed to bring a smile to everyone in the hall!

About FJH Developing Strings

Sl ightly more advanced than Beginning Strings, this series begins to involve more position work and a slightly more complex rhythmic figures. Rehearsal piano is often provided. Ideal for middle school and smaller high school programs. Grade 2 - 2.5

Orchestra String Orchestra - Grade 1

SKU: CF.BAS5

Composed by Joseph Compello. SWS - FS. Carl Fischer Beginning String Orchestra Series. Classical. Score and Parts. With Standard notation. 12+8+8+5+5+5+3+2 pages. Duration 2:30. Carl Fischer Music #BAS5. Published by Carl Fischer Music (CF.BAS5).

ISBN 9780825845086. UPC: 798408045081. 8.5 X 11 inches. Key: D major.

The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible.Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score.The divisi no tes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes.Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead.The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54.Performance time with the repeat is two and a half minutes.

About Carl Fischer Beginning String Orchestra Series

Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

By Anonymous. Arranged by Michel Trux. Chamber orchestra. For Chamber orchestra (violins 1 (6 parts), violins 2 (6 parts), violas (4 parts), cellos (3 parts), double basses (2 parts), piano (optional), (1 part)). Classical. Grade 3. Score and Set of Parts

Orchestra String Orchestra - Grade 2.5

SKU: FJ.ST6472

Composed by Neridah Oostenbroek. Series; String Orchestra. FJH Developing Strings. Form: Dance. Fiddle; Light Concert; Novelty. Score and Part(s). Duration 2:40. The FJH Music Company Inc #98-ST6472. Published by The FJH Music Company Inc (FJ.ST6472).

UPC: 241444398616. English.

This lively, energetic piece is based on two original reels that incorporate a lot of fun techniques for all instruments. A drone in the middle section is reminiscent of Scottish bagpipes and utilizes colorful harmonics in the violins. Sure to become a favorite for students and audiences alike!

About FJH Developing Strings

Sl ightly more advanced than Beginning Strings, this series begins to involve more position work and a slightly more complex rhythmic figures. Rehearsal piano is often provided. Ideal for middle school and smaller high school programs. Grade 2 - 2.5

Orchestra String Orchestra - Grade 2.5

SKU: FJ.ST6472S

Score Only. Composed by Neridah Oostenbroek. Series; String Orchestra. FJH Developing Strings. Light Concert; Novelty. Score. Duration 2:40. The FJH Music Company Inc #98-ST6472S. Published by The FJH Music Company Inc (FJ.ST6472S).

English.

This lively, energetic piece is based on two original reels that incorporate a lot of fun techniques for all instruments. A drone in the middle section is reminiscent of Scottish bagpipes and utilizes colorful harmonics in the violins. Sure to become a favorite for students and audiences alike!

About FJH Developing Strings

Sl ightly more advanced than Beginning Strings, this series begins to involve more position work and a slightly more complex rhythmic figures. Rehearsal piano is often provided. Ideal for middle school and smaller high school programs. Grade 2 - 2.5