Composed by Franz Joseph Haydn (1732-1809). Arranged by Ed Zunic. Masterworks; P...(+)
Composed by Franz Joseph
Haydn (1732-1809).
Arranged by Ed Zunic.
Masterworks; Part(s);
Score; SmartMusic; String
Orchestra. Belwin Concert
String Orchestra.
Classical; Graduation;
Masterwork Arrangement.
124 pages. Published by
Belwin Music (AP.35936).
Score Only.
Composed by Katie O'Hara
LaBrie. Series; String
Orchestra. FJH String
Orchestra. Score. The FJH
Music Company Inc
#98-ST6552S. Published by
The FJH Music Company Inc
(FJ.ST6552S).
English.
From
the first note of this
thrilling piece, a sense
of suspense feeds an
intense desire to protect
and avenge, leaving
listeners to wonder what
is looming around the
corner. Let students
imagine a world of
possibilities in this
cinematic work, while
developing their skills
with independent rhythms,
shifting, and interlaced
syncopations that propel
this journey through the
shadows.
Orchestra String Orchestra - Grade 2 SKU: FJ.ST6548 Composed by Johann Se...(+)
Orchestra String
Orchestra - Grade 2
SKU: FJ.ST6548
Composed by Johann
Sebastian Bach. Arranged
by Carrie Lane Gruselle.
Series; String Orchestra.
FJH Developing Strings.
Masterwork Arrangement.
Score and Part(s). The
FJH Music Company Inc
#98-ST6548. Published by
The FJH Music Company Inc
(FJ.ST6548).
English.
Let
your students experience
some of Bach's most
famous melodies as they
explore themes from
Brandenburg Concerti 2, 3
and 5 in this single
movement arrangement. The
scoring retains the thick
polyphonic texture of the
originals while making
the music accessible to
young string players.
About FJH
Developing
Strings
Sl
ightly more advanced than
Beginning Strings, this
series begins to involve
more position work and a
slightly more complex
rhythmic figures.
Rehearsal piano is often
provided. Ideal for
middle school and smaller
high school programs.
Grade 2 - 2.5
Bow-town Blues Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
By Mark Williams. Music by Mark Williams. For string orchestra. String Orchestra...(+)
By Mark Williams. Music
by Mark Williams. For
string orchestra. String
Orchestra. Strictly
Strings. 0. Level: 2
(grade 2). Conductor
Score & Parts. 1 pages.
Published by Alfred
Publishing.
Bats 'n Bones Orchestre à Cordes - Débutant Alfred Publishing
By Susan H. Day. Orchestra. For string w/ perc (castanets). Part(s); Score; Stri...(+)
By Susan H. Day.
Orchestra. For string w/
perc (castanets).
Part(s); Score; String
Orchestra. Highland
String Orchestra. Fall;
Halloween; Novelty. Grade
1.5. 126 pages. Published
by Alfred Music
Publishing
A Capital Ship Orchestre à Cordes [Conducteur et Parties séparées] - Facile FJH
By Charles E. Carryl. Arranged by Carrie Lane Gruselle. Intermediate String Orch...(+)
By Charles E. Carryl.
Arranged by Carrie Lane
Gruselle. Intermediate
String Orchestra. FJH
Developing Strings. The
homophonic texture and
straightforward rhythms
and harmonies let
students focus on style
and musicianship.
Students will also
develop various
articulations (staccato,
accent, pizzicato) and
watching skills (fermata,
ritardando, tempo
changes, and a caesura).
Excellent writing by an
excellent teacher! Score
for this title: ST6048S.
Extra part for this
title: ST6048P. String
Orchestra. Level: 2.
Score and Set of Parts.
Published by The FJH
Music Company Inc.
Score Only.
Composed by Johann
Sebastian Bach. Arranged
by Carrie Lane Gruselle.
Series; String Orchestra.
FJH Developing Strings.
Masterwork Arrangement.
Score. The FJH Music
Company Inc #98-ST6548S.
Published by The FJH
Music Company Inc
(FJ.ST6548S).
English.
Let
your students experience
some of Bach's most
famous melodies as they
explore themes from
Brandenburg Concerti 2, 3
and 5 in this single
movement arrangement. The
scoring retains the thick
polyphonic texture of the
originals while making
the music accessible to
young string players.
About FJH
Developing
Strings
Sl
ightly more advanced than
Beginning Strings, this
series begins to involve
more position work and a
slightly more complex
rhythmic figures.
Rehearsal piano is often
provided. Ideal for
middle school and smaller
high school programs.
Grade 2 - 2.5
Score and Parts String Orchestra (Score and Parts) - Grade 1 SKU: HL.4493045<...(+)
Score and Parts String
Orchestra (Score and
Parts) - Grade 1
SKU:
HL.4493045
Composed
by John Williams.
Arranged by Robert
Longfield. Easy Music For
Strings. Movies.
Softcover. Published by
Hal Leonard (HL.4493045).
UPC:
196288156482.
Eleva
te your orchestra's
performance to new
heights with the
â??Flying Theme from
E.T.â? by John
Williams, brilliantly
arranged for string
orchestra by Robert
Longfield. Let the
enchanting melody and
soaring strings take your
audience through the
skies, capturing the
magic and wonder of this
iconic Spielberg
masterpiece. Perfect for
young orchestras seeking
to create a memorable
musical experience. Bring
the magic of E.T. to your
stage with this exquisite
arrangement, where the
music truly takes
flight!
(More Fun Folk Dances for Beginners). Composed by Pat Legg. Performance Music En...(+)
(More Fun Folk Dances for
Beginners). Composed by
Pat Legg. Performance
Music Ensemble; Single
Titles; String Orchestra.
Faber Edition:
Stringsets. Part(s);
Score. Faber Music
#12-0571511783. Published
by Faber Music
Personet Hodie.
Arranged by Morgan
Denney. Series; String
Orchestra. FJH Developing
Strings. Holiday Pops.
Score. The FJH Music
Company Inc #98-ST6511S.
Published by The FJH
Music Company Inc
(FJ.ST6511S).
English.
Expand
the reach of your holiday
program with this
wonderful arrangement of
the medieval carol
Personet Hodie (Let
resound today in Latin).
Often relegated to choir,
this version for strings
and percussion showcases
bold, powerful lines and
a strong rhythmic
backdrop. An excellent
addition to any winter
program.
About FJH
Developing
Strings
Sl
ightly more advanced than
Beginning Strings, this
series begins to involve
more position work and a
slightly more complex
rhythmic figures.
Rehearsal piano is often
provided. Ideal for
middle school and smaller
high school programs.
Grade 2 - 2.5
Composed by Traditional. Arranged by Robert W. Smith. Orchestra. String Orchestr...(+)
Composed by Traditional.
Arranged by Robert W.
Smith. Orchestra. String
Orchestra. Belwin Concert
String Orchestra.
Christmas; Winter. Grade
3.5. Conductor Score and
Parts. 164 pages.
Duration 5:56. Published
by Belwin Music
Arranged by Victor Lopez. Traditional. For String Orchestra. String Orchestra. B...(+)
Arranged by Victor Lopez.
Traditional. For String
Orchestra. String
Orchestra. Belwin
Beginning String
Orchestra. Novelty;
Secular. Level: 2 (grade
2). Conductor Score. 8
pages. Published by
Alfred Publishing.
Score Only.
Composed by Brian
Balmages. Series; String
Orchestra. FJH Beginning
Strings. Score. The FJH
Music Company Inc
#98-ST6532S. Published by
The FJH Music Company Inc
(FJ.ST6532S).
English.
Persist
ence, dedication,
intention and drive.
Exploring the dynamics of
human resiliency, this
aggressive work relies on
driving rhythmic
elements, stately melodic
lines and intense
harmonic moments. Heroic
and powerful from start
to finish!
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Composed by Katie O'Hara
LaBrie. MakeMusic Cloud;
String Orchestra. FJH
String Orchestra. Score
and Part(s). Duration
2:30. The FJH Music
Company Inc #98-ST6552.
Published by The FJH
Music Company Inc
(FJ.ST6552).
English.
From
the first note of this
thrilling piece, a sense
of suspense feeds an
intense desire to protect
and avenge, leaving
listeners to wonder what
is looming around the
corner. Let students
imagine a world of
possibilities in this
cinematic work, while
developing their skills
with independent rhythms,
shifting, and interlaced
syncopations that propel
this journey through the
shadows. (2:30).
Bonita Dia Orchestre à Cordes - Facile Alfred Publishing
By Edmund J. Siennicki. Music by Edmund Siennicki. For string orchestra. String ...(+)
By Edmund J. Siennicki.
Music by Edmund
Siennicki. For string
orchestra. String
Orchestra. Strictly
Strings. 0. Level: 2
(grade 2). Conductor
Score and Parts. 1 pages.
Published by Alfred
Publishing.
The Red Lion - Score Orchestre à Cordes [Conducteur] - Débutant Kjos Music Company
Orchestra string orchestra - Level 1 SKU: KJ.SO327F Composed by Jeremy Wo...(+)
Orchestra string
orchestra - Level 1
SKU: KJ.SO327F
Composed by Jeremy
Woolstenhulme. Score
only. Neil A. Kjos Music
Company #SO327F.
Published by Neil A. Kjos
Music Company
(KJ.SO327F).
UPC:
084027041451.
Anoth
er winner from Jeremy
Woolstenhulme. With a
stirring melody, driving
rhythms, and an energetic
pulse that just won't
quit, this action-packed
selection is sure to fire
up students and audiences
alike. Let the adventure
begin! 1:30.
Orchestra String Orchestra - Grade 3.5 SKU: FJ.ST6526 From Ancient Air...(+)
Orchestra String
Orchestra - Grade 3.5
SKU: FJ.ST6526
From Ancient Airs and
Dances, Suite No. 1.
Composed by Ottorino
Respighi. Arranged by
Robert D McCashin.
Series; String Orchestra.
FJH String Orchestra.
Masterwork Arrangement.
Score and Part(s). The
FJH Music Company Inc
#98-ST6526. Published by
The FJH Music Company Inc
(FJ.ST6526).
UPC:
241444434000.
English.
The
sprightly final movement
of Respighi's Ancient
Airs and Dances, Suite
No. 1 is the perfect
change of pace for any
concert. Packing a ton of
musicality in a short
time, this arrangement is
quite achievable yet
incredible authentic. A
wonderful way to let your
principal section players
shine while also engaging
the entire orchestra.
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Featuring: Toccata and Fugue in D Minor / A Night on Bald Mountain / Thriller...(+)
Featuring: Toccata and
Fugue in D Minor / A
Night on Bald Mountain /
Thriller. Composed by
Rod Temperton, Johann
Sebastian Bach, and
Modest Mussorgsky.
Arranged by Ralph Ford.
Masterworks; Score;
String Orchestra. Pop
Concert String Orchestra.
Form: Medley. Fall;
Halloween; Masterwork
Arrangement; Pop. 24
pages. Published by
Alfred Music (AP.45851S).
Composed by Ottorino Respighi (1879-1936), arranged by Alshin. Set of performanc...(+)
Composed by Ottorino
Respighi (1879-1936),
arranged by Alshin. Set
of performance parts and
full score for string
orchestra. With standard
notation. Published by
Kendor Music Inc..
(For String Orchestra and Solo Violin). By Susan H. Day. Orchestra. Part(s); Sco...(+)
(For String Orchestra and
Solo Violin). By Susan H.
Day. Orchestra. Part(s);
Score; SmartMusic; String
Orchestra. Highland
String Orchestra. Form:
Variations. Grade 3. 128
pages. Published by
Alfred Music
Composed by Doris Gazda.
Edited by Amy Rosen.
FS-SWs. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
20+24+24+6+15+15+15
pages. Carl Fischer Music
#CAS7. Published by Carl
Fischer Music (CF.CAS7).
ISBN 9780825847578.
UPC: 798408047573. 8.5 X
11 inches. Key: D
major.
When you
have the good fortune to
visit Red Rock country in
the southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag
is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody.A Red Rock
RagA is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody.A Red Rock
RagA is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag
is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag is
challenging stylistically
and rhythmically. It
would be appropriate to
study both the ragtime
and swing styles while
working on it. When
you have the good fortune
to visit Red Rock country
in the southwestern
United States, you will
all at once feel that
majesty and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista.The Red
Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red
color.Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock
Rag is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it.
String orchestra SKU: M2.MOS-40033 Mit Adagio und Fuge c-Moll. Com...(+)
String orchestra
SKU:
M2.MOS-40033
Mit
Adagio und Fuge
c-Moll. Composed by
Wolfgang Amadeus Mozart.
Corona - Werkreihe fur
Kammerorchester. Score.
30 pages. Möseler
Verlag #MOS 40033.
Published by Möseler
Verlag (M2.MOS-40033).
ISBN
9790203740339.
Durc
h die Verbindung mit dem
Baron van Swieten kam
Mozart in intensiven
Kontakt mit den Werken
von Johann Sebastian Bach
und Georg Friedrich
Handel und dadurch zur
Auseinandersetzung mit
der Fugenkomposition als
musikalische Form und
stilistisches
Ausdrucksmittel. Die Fuge
KV 401 (der Schluss ist
von Maximilian Stadler
erganzt) ist original fur
Klavier zu zwei Handen
(wegen seiner enormen
Schwierigkeit spater fur
Klavier zu vier Handen
eingerichtet). Adolf
Hoffmann hat sie, analog
Mozarts eigenem Beispiel
(s.u.), fur
Streichorchester
instrumentiert. Ein
strenges Werk, das
Anklange an den
Contrapunctus I in Bachs
Kunst der Fuge aufweist.
1788 hat Mozart seine fur
zwei Klaviere komponierte
Fuge KV 426 fur
Streichorchester
eingerichtet (KV 546) und
ihr ein Adagio
vorangestellt, das zu
seinen erschutterndsten
Kompositionen zahlt. Die
franzosische Punktierung
der Anfangstakte deutet
bereits die grosse
seelische Spannung des
Satzes an. Aus Mozarts
letzten Lebensjahren
stammt die Fantasie KV
606, ein Stuck fur ein
Orgelwerk in einer Uhr,
die strengen Satz und
Sonatenform verschmilzt.
Sie ist ebenfalls von
Adolf Hoffmann fur
Streicher
instrumentiert.
String orchestra SKU: M2.MOS-40033-70 Mit Adagio und Fuge c-Moll. ...(+)
String orchestra
SKU:
M2.MOS-40033-70
Mit Adagio und Fuge
c-Moll. Composed by
Wolfgang Amadeus Mozart.
Corona - Werkreihe fur
Kammerorchester. Set of
string parts. Möseler
Verlag #MOS 40033-70.
Published by Möseler
Verlag (M2.MOS-40033-70).
ISBN
9790203742333.
Durc
h die Verbindung mit dem
Baron van Swieten kam
Mozart in intensiven
Kontakt mit den Werken
von Johann Sebastian Bach
und Georg Friedrich
Handel und dadurch zur
Auseinandersetzung mit
der Fugenkomposition als
musikalische Form und
stilistisches
Ausdrucksmittel. Die Fuge
KV 401 (der Schluss ist
von Maximilian Stadler
erganzt) ist original fur
Klavier zu zwei Handen
(wegen seiner enormen
Schwierigkeit spater fur
Klavier zu vier Handen
eingerichtet). Adolf
Hoffmann hat sie, analog
Mozarts eigenem Beispiel
(s.u.), fur
Streichorchester
instrumentiert. Ein
strenges Werk, das
Anklange an den
Contrapunctus I in Bachs
Kunst der Fuge aufweist.
1788 hat Mozart seine fur
zwei Klaviere komponierte
Fuge KV 426 fur
Streichorchester
eingerichtet (KV 546) und
ihr ein Adagio
vorangestellt, das zu
seinen erschutterndsten
Kompositionen zahlt. Die
franzosische Punktierung
der Anfangstakte deutet
bereits die grosse
seelische Spannung des
Satzes an. Aus Mozarts
letzten Lebensjahren
stammt die Fantasie KV
606, ein Stuck fur ein
Orgelwerk in einer Uhr,
die strengen Satz und
Sonatenform verschmilzt.
Sie ist ebenfalls von
Adolf Hoffmann fur
Streicher
instrumentiert.
By Lauren Bernofsky (1967-). For narrator and string orchestra. FJH Beginning St...(+)
By Lauren Bernofsky
(1967-). For narrator and
string orchestra. FJH
Beginning Strings. Score
only. Full set (score and
parts) also available:
ST6192. Halloween. Grade
1. Score. Composed 2009
Fernwood Orchestre à Cordes [Conducteur et Parties séparées] - Facile Excelcia Music Publishing
String Orchestra - early intermediate SKU: XC.ISO2107 Composed by George ...(+)
String Orchestra - early
intermediate
SKU:
XC.ISO2107
Composed
by George Sweet. Excelcia
Music Publishing String
Orchestra. Concert and
Contest. Concert &
Contest. Score and set of
parts. Excelcia Music
Publishing #ISO2107.
Published by Excelcia
Music Publishing
(XC.ISO2107).
UPC:
812598037616. 9 x 12
inches.
George
Sweet has such a
wonderful harmonic
palette you just can't
help but enjoy his music.
Full of hope, and a
little sadness, it has
everything in a piece
that we get from life.
Inspired by the woods
surrounding the
composer's home, Fernwood
is a magical and personal
piece.
Bring A Torch Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - medium easy SKU: CF.CAS36 Composed by Tradit...(+)
Orchestra String
Orchestra - medium easy
SKU: CF.CAS36
Composed by Traditional.
Arranged by Roy
Phillippe. Carl Fischer
Concert String Orchestra
Series. Classical. Score
and Parts. With Standard
notation. 12 pages. Carl
Fischer Music #CAS36.
Published by Carl Fischer
Music (CF.CAS36).
ISBN
9780825863646. UPC:
798408063641. 8.5 X 11
inches. Key: F
major.
A warm and
richly scored setting of
the popular Christmas
carol Bring a Torch
Jeanette, Isabella, this
full sounding arrangement
will greatly enrich
seasonal programming. Roy
Phillippe has employed a
broad palette of harmonic
and instrumental colors
to craft a memorable
holiday
selection. Bring a
Torch is a lovely
Christmas carol. Using
techniques such as
suspensions,
re-harmonization and
modulations, my goal is
to provide an interesting
showcase for this
familiar melody. the
introduction in F major
features sustained
violins with a pattern of
moving eighth notes in
the violas and cellos.
This pattern recurs
throughout the piece. The
first statement of the
melody is in the first
violins. The second
violins supply harmonic
support along with the
viola/cello pattern.
Measures 13-29 feature a
section of tutti chordal
playing. Measure 30
crescendos into the
modulation to D major at
m. 32. Here, the dynamic
is forte, and the
viola/cello pattern
returns. At m. 40, the
violas and cellos have
the melody with violin
accompaniment. A
crescendo begins at m. 44
and builds
to fortissimo at m.
48, featuring a
modulation to G major. At
this point the melody
should soar. A
descrescendo at m. 60 is
followed by a ritard
at m. 64. The final four
measures are in the
original tempo ending on
a tutti chord.Careful
attention to dynamics,
especially in the
accompanying parts, will
result in a fine
performance.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians