By Franz Liszt (1811-1886). Arranged by Franz Liszt. For concert band. Gems of t...(+)
By Franz Liszt
(1811-1886). Arranged by
Franz Liszt. For concert
band. Gems of the Concert
Band series. Grade 4.
Score and set of parts.
Duration 5 minutes, 51
seconds. Published by
C.L. Barnhouse
Concert Band; Orchestra
3(3rd dPicc).2.2.2:
2.2.3.1: Timp.Perc(1-2):
Str (9-8-7-6-5 in set):
Solo Piano
SKU:
AP.36-S014201
Composed by Franz Liszt.
Full Orchestra, Solo
Keyboard with Ensemble,
SS. Kalmus Study Score
Series. Score.
LudwigMasters
Publications #36-S014201.
Published by
LudwigMasters
Publications
(AP.36-S014201).
ISBN
9781608740055. UPC:
659359973819.
English.
Franz
Liszt (1811-1886) started
work on his Concerto for
Piano and Orchestra No. 2
in A major, S. 125, in
1839 and 1840. Putting it
through a series of
revisions, he dedicated
the concerto to his
student Hans von Bronsart
von Schellendorf. The
composer conducted the
first performance in
Weimar on January 7, 1857
with Bronsart as soloist.
Liszt completed a 4th
revision in 1861. Less
virtuosic than his first
piano concerto, it is
played without break and
serves as a masterful
example of thematic
transformation.
Instrumentation: 3(3rd
dPicc).2.2.2: 2.2.3.1:
Timp.Perc(1-2): Str
(9-8-7-6-5 in set): Solo
Piano. Reprint edition.
Study score.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
3(3rd dPicc).2.2.2:
2.2.3.1: Timp.Perc(1-2):
Str (9-8-7-6-5 in set):
Solo Piano
SKU:
AP.36-A164001
Composed by Franz Liszt.
Full Orchestra, Solo
Keyboard with Ensemble,
Conductor Score. Kalmus
Orchestra Library. Score.
LudwigMasters
Publications #36-A164001.
Published by
LudwigMasters
Publications
(AP.36-A164001).
ISBN
9798892703208. UPC:
659359825644.
English.
Franz
Liszt (1811-1886) started
work on his CONCERTO FOR
PIANO AND ORCHESTRA No. 2
in A major, S. 125, in
1839 and 1840. Putting it
through a series of
revisions, he dedicated
the concerto to his
student Hans von Bronsart
von Schellendorf. The
composer conducted the
first performance in
Weimar on January 7, 1857
with Bronsart as soloist.
Liszt completed a 4th
revision in 1861. Less
virtuosic than his first
piano concerto, it is
played without break and
serves as a masterful
example of thematic
transformation.
Instrumentation: 3(3rd
dPicc).2.2.2: 2.2.3.1:
Timp.Perc(1-2): Str
(9-8-7-6-5 in set): Solo
Piano. Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
3(3rd dPicc).2.2.2:
2.2.3.1: Timp.Perc(1-2):
Str (9-8-7-6-5 in set):
Solo Piano
SKU:
AP.36-A164002
Composed by Franz Liszt.
Full Orchestra, Solo
Keyboard with Ensemble,
Conductor Score & Parts.
Kalmus Orchestra Library.
Score and Part(s).
LudwigMasters
Publications #36-A164002.
Published by
LudwigMasters
Publications
(AP.36-A164002).
UPC:
659359515002.
English.
Franz
Liszt (1811-1886) started
work on his CONCERTO FOR
PIANO AND ORCHESTRA No. 2
in A major, S. 125, in
1839 and 1840. Putting it
through a series of
revisions, he dedicated
the concerto to his
student Hans von Bronsart
von Schellendorf. The
composer conducted the
first performance in
Weimar on January 7, 1857
with Bronsart as soloist.
Liszt completed a 4th
revision in 1861. Less
virtuosic than his first
piano concerto, it is
played without break and
serves as a masterful
example of thematic
transformation.
Instrumentation: 3(3rd
dPicc).2.2.2: 2.2.3.1:
Timp.Perc(1-2): Str
(9-8-7-6-5 in set): Solo
Piano. Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2+Picc.2.2.2: 2.2.3.0: Timp.Perc(2-3) Str (9-8-7-6-5 in ...(+)
Concert Band; Orchestra
2+Picc.2.2.2: 2.2.3.0:
Timp.Perc(2-3) Str
(9-8-7-6-5 in set): Solo
Pno in Score
SKU:
AP.36-A816701
Composed by Franz Liszt.
Full Orchestra, Solo
Keyboard with Ensemble,
Conductor Score. Kalmus
Orchestra Library. Score.
LudwigMasters
Publications #36-A816701.
Published by
LudwigMasters
Publications
(AP.36-A816701).
ISBN
9798892703253. UPC:
659359825590.
English.
As an
inexhaustible proponent
of Beethoven's life and
work, Franz Liszt
(1811-1886) produced a
number of arrangements
and transcriptions in
homage to the great
composer. His FANTASIE
ÜBER MOTIVEN AUS
BEETHOVENS RUINEN VON
ATHEN, S. 122 (FANTASY ON
BEETHOVEN'S RUINS OF
ATHENS) for piano and
orchestra is one of three
existing versions, all of
which he dedicated to
Nikolay Rubinstein. The
work on which the piece
is based, incidental
music for a play by
August von Kotzebue, was
written in 1811 in Pest,
Hungary for the
dedication of a new
theater. The first
performance of the
FANTASY took place, also
in Pest, on June 1, 1853.
Instrumentation:
2+Picc.2.2.2: 2.2.3.0:
Timp.Perc(2-3) Str
(9-8-7-6-5 in set): Solo
Pno in Score. Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
3(3rd dPicc).2.2.2:
2.2.3.1: Timp.Perc(2-3):
Str (9-8-7-6-5 in set):
Solo Piano in the sc
SKU: AP.36-A263301
Composed by Franz Liszt.
Arranged by Ferruccio
Busoni. Chamber
Orchestra; Performance
Music Ensemble. Kalmus
Orchestra Library. Form:
Concerto. Romantic.
Score. LudwigMasters
Publications #36-A263301.
Published by
LudwigMasters
Publications
(AP.36-A263301).
UPC:
660355020445.
English.
The idea
for Totentanz, S. 126
(Dance of the Dead) was
conceived by Franz Liszt
(1811-1886) in 1938. Two
versions were to follow,
the first completed in
1853, and the second
version finished in 1864.
The flashy virtuosic
piece for the solo piano
uses the Gregorian
plainchant melody Dies
irae (Day of Judgement)
in a set of variations.
The first version, which
is nicknamed De
Profundis, is most
commonly heard in the
1919 edition by famed
Italian composer,
pianist, and conductor
Ferruccio Busoni
(1866-1924).
Instrumentation: 3(3rd
dPicc).2.2.2: 2.2.3.1:
Timp.Perc(2-3): Str
(9-8-7-6-5 in set): Solo
Piano in the sc.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2+Picc.2.2.2: 2.2.3.0: Timp.Perc(2-3) Str (9-8-7-6-5 in ...(+)
Concert Band; Orchestra
2+Picc.2.2.2: 2.2.3.0:
Timp.Perc(2-3) Str
(9-8-7-6-5 in set): Solo
Pno in Score
SKU:
AP.36-A816702
Composed by Franz Liszt.
Full Orchestra, Solo
Keyboard with Ensemble,
Conductor Score & Parts.
Kalmus Orchestra Library.
Score and Part(s).
LudwigMasters
Publications #36-A816702.
Published by
LudwigMasters
Publications
(AP.36-A816702).
UPC:
659359502255.
English.
As an
inexhaustible proponent
of Beethoven's life and
work, Franz Liszt
(1811-1886) produced a
number of arrangements
and transcriptions in
homage to the great
composer. His FANTASIE
ÜBER MOTIVEN AUS
BEETHOVENS RUINEN VON
ATHEN, S. 122 (FANTASY ON
BEETHOVEN'S RUINS OF
ATHENS) for piano and
orchestra is one of three
existing versions, all of
which he dedicated to
Nikolay Rubinstein. The
work on which the piece
is based, incidental
music for a play by
August von Kotzebue, was
written in 1811 in Pest,
Hungary for the
dedication of a new
theater. The first
performance of the
FANTASY took place, also
in Pest, on June 1, 1853.
Instrumentation:
2+Picc.2.2.2: 2.2.3.0:
Timp.Perc(2-3) Str
(9-8-7-6-5 in set): Solo
Pno in Score. Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
3(3rd dPicc).2.2.2:
2.2.3.1: Timp.Perc(2-3):
Str (9-8-7-6-5 in set):
Solo Piano in the sc
SKU: AP.36-A263302
Composed by Franz Liszt.
Arranged by Ferruccio
Busoni. Chamber
Orchestra; Performance
Music Ensemble; Solo.
Kalmus Orchestra Library.
Form: Concerto. Romantic.
Score and Part(s).
LudwigMasters
Publications #36-A263302.
Published by
LudwigMasters
Publications
(AP.36-A263302).
UPC:
746241287199.
English.
The idea
for Totentanz, S. 126
(Dance of the Dead) was
conceived by Franz Liszt
(1811-1886) in 1938. Two
versions were to follow,
the first completed in
1853, and the second
version finished in 1864.
The flashy virtuosic
piece for the solo piano
uses the Gregorian
plainchant melody Dies
irae (Day of Judgement)
in a set of variations.
The first version, which
is nicknamed De
Profundis, is most
commonly heard in the
1919 edition by famed
Italian composer,
pianist, and conductor
Ferruccio Busoni
(1866-1924).
Instrumentation: 3(3rd
dPicc).2.2.2: 2.2.3.1:
Timp.Perc(2-3): Str
(9-8-7-6-5 in set): Solo
Piano in the sc.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score and parts.
Duration 3:00. Published
by G & M Brand Music
Publishers (CN.R10230).
Music of
enormous excitement and
expectation - marked very
animated - with brass
blazing a powerful call
against a tingling
triplet figure in
support. In Wagner's own
words - awaken the mute
lines of this score to
bright surrounding
life.
In a letter
addressed to My dear
Liszt, dated May 1852,
Richard Wagner writes: It
was you who awakened the
mute lines of this score
to bright surrounding
life. He was referring to
a performance of his
opera Lohengrin which
Franz Liszt conducted at
the Weirner Court Theatre
on August 28, 1850. The
letter was sent from
Zurich, since Wagner was
exiled from Germany at
this time. He had
completed his romantic
opera, Lohengrin, some
five years earlier but
doubted whether he would
ever hear it performed.
The action takes place in
Antwerp in the first half
of the 10th century. Elsa
and Lohengrin are to be
married and the 3rd Act
opens as they proceed in
great splendour,
accompanied by their
respective noblewomen and
noblemen, to the
cathedral. As a Prelude
to the curtain rising
Wagner unleashed music of
enormous excitement and
expectation - marked very
animated - with brass
blazing a powerful call
against a tingling
triplet figure in
support. In the opera
this magnificent Prelude
leads directly into the
Bridal Scene as Elsa and
Lohengrin make their way
solemnly to the betrothal
ceremony. Wagner achieves
this change of mood and
atmosphere most
skillfully. In arranging
the Prelude for concert
performance the challenge
was to provide an ending
which provides a
satisfactory climax to
Wagner's blaze of
instrumental colour,
without proceeding to the
solemn betrothal music.
This was resolved by
using the composer's own
mighty flourish to end
Act I of his opera. Now,
the gauntlet is thrown
down to all who perform
it to - in Wagner's own
words - awaken the mute
lines of this score to
bright surrounding
life..
Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score only.
Duration 3:00. Published
by G & M Brand Music
Publishers (CN.S11230).
Music of
enormous excitement and
expectation - marked very
animated - with brass
blazing a powerful call
against a tingling
triplet figure in
support. In Wagner's own
words - awaken the mute
lines of this score to
bright surrounding
life.
In a letter
addressed to My dear
Liszt, dated May 1852,
Richard Wagner writes: It
was you who awakened the
mute lines of this score
to bright surrounding
life. He was referring to
a performance of his
opera Lohengrin which
Franz Liszt conducted at
the Weirner Court Theatre
on August 28, 1850. The
letter was sent from
Zurich, since Wagner was
exiled from Germany at
this time. He had
completed his romantic
opera, Lohengrin, some
five years earlier but
doubted whether he would
ever hear it performed.
The action takes place in
Antwerp in the first half
of the 10th century. Elsa
and Lohengrin are to be
married and the 3rd Act
opens as they proceed in
great splendour,
accompanied by their
respective noblewomen and
noblemen, to the
cathedral. As a Prelude
to the curtain rising
Wagner unleashed music of
enormous excitement and
expectation - marked very
animated - with brass
blazing a powerful call
against a tingling
triplet figure in
support. In the opera
this magnificent Prelude
leads directly into the
Bridal Scene as Elsa and
Lohengrin make their way
solemnly to the betrothal
ceremony. Wagner achieves
this change of mood and
atmosphere most
skillfully. In arranging
the Prelude for concert
performance the challenge
was to provide an ending
which provides a
satisfactory climax to
Wagner's blaze of
instrumental colour,
without proceeding to the
solemn betrothal music.
This was resolved by
using the composer's own
mighty flourish to end
Act I of his opera. Now,
the gauntlet is thrown
down to all who perform
it to - in Wagner's own
words - awaken the mute
lines of this score to
bright surrounding
life..
To a Wild Rose Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 2 SKU: BT.AMP-026-010 Composed by Edward Ma...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.AMP-026-010
Composed by Edward
MacDowell. Arranged by
Philip Sparke. Debut
Series (Anglo). Festive
and Solemn Music. Set
(Score & Parts). Composed
2002. Anglo Music Press
#AMP 026-010. Published
by Anglo Music Press
(BT.AMP-026-010).
Edward
MacDowell can be regarded
as the first great
American composer,
although he disliked the
idea of being classified
as any sort of musical
nationalist. He composed
a large number of
orchestral works but it
is the charming and
unpretentious suite of
musical miniatures,
Woodland Sketches, that
has survived as his
best-known work, with To
a Wild Rose being the
most popular. Philip
Sparke has expertly
arranged this simple work
for concert band.
Philip Sparke
bearbeitete dieses
Stück des
amerikanischen
Komponisten Edward
MacDowell, der weit
über die Grenzen
seines Heimatlandes
hinaus berühmt ist.
To a Wild Rose
wurde seinem bekanntesten
Werk, den Woodland
Sketches, entnommen,
einer Reihe anmutiger,
unprätentiöser
musikalischer Miniaturen.
Hieraus ist To a Wild
Rose das wohl
populärste Stück,
dessen Qualität
Kritiker zu dem Urteil
bewog, es sei so gut, wie
der gesamte Rest von
MacDowells
Klaviermusik.
To a Wild Rose Orchestre d'harmonie [Conducteur] - Facile Anglo Music
Concert Band/Harmonie - Grade 2 SKU: BT.AMP-026-140 Composed by Edward Ma...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.AMP-026-140
Composed by Edward
MacDowell. Arranged by
Philip Sparke. Debut
Series (Anglo). Festive
and Solemn Music. Score
Only. Composed 2002.
Anglo Music Press #AMP
026-140. Published by
Anglo Music Press
(BT.AMP-026-140).
Edward
MacDowell can be regarded
as the first great
American composer,
although he disliked the
idea of being classified
as any sort of musical
nationalist. He composed
a large number of
orchestral works but it
is the charming and
unpretentious suite of
musical miniatures,
Woodland Sketches, that
has survived as his
best-known work, with To
a Wild Rose being the
most popular. Philip
Sparke has expertly
arranged this simple work
for concert band.
Philip Sparke
bearbeitete dieses
Stück des
amerikanischen
Komponisten Edward
MacDowell, der weit
über die Grenzen
seines Heimatlandes
hinaus berühmt ist.
To a Wild Rose
wurde seinem bekanntesten
Werk, den Woodland
Sketches, entnommen,
einer Reihe anmutiger,
unprätentiöser
musikalischer Miniaturen.
Hieraus ist To a Wild
Rose das wohl
populärste Stück,
dessen Qualität
Kritiker zu dem Urteil
bewog, es sei so gut, wie
der gesamte Rest von
MacDowells
Klaviermusik.
Rhapsody Orchestre d'harmonie EMB (Editio Musica Budapest)
Concert Band (Score) SKU: HL.50606828 For Cimbalom or Marimba and Conc...(+)
Concert Band (Score)
SKU: HL.50606828
For Cimbalom or
Marimba and Concert Band
Score. Composed by
Arpad Balázs. EMB.
Contemporary, Hungarian.
Softcover. Duration 660
seconds. Editio Musica
Budapest #Z15167.
Published by Editio
Musica Budapest
(HL.50606828).
ISBN
9798350114423. UPC:
196288188285.
Ãr
pád Balázs (*1937)
composed the first
version of Rhapsody for
Hungarian cimbalom and
concert band in 2001; in
2021, on the
encouragement by a
Japanese marimba player
he arranged the solo part
for marimba, and
therefore the
opportunities for the
work to beplayed have
significantly widened.
The Rhapsody follows the
one-movement structure
created by Franz Liszt.
The beginning solo
section of the cimbalom
(or marimba) returns
before the coda as a
pillar of the form. The
composition, which can be
divided into five
sections, develops and
works with a Lydian
tetrachordal motif
(G-A-B-C sharp) in
different characters,
stretching the span of
music from a simple,
children's song-like
appearance to an
obstinate ritual dance.
In conclusion, the
Rhapsody is a
passionately emotional
lyric orchestral poem
rich in colours and
characters, which has a
place on the repertoire
of every concert band
playing quality
music.
Rhapsody Orchestre d'harmonie - Intermédiaire EMB (Editio Musica Budapest)
Concert Band (Score) - Grade 4 SKU: HL.50606649 For Cimbalom or Marimb...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.50606649
For
Cimbalom or Marimba and
Concert Band Score.
Composed by Arpad
Balázs. EMB.
Contemporary, Hungarian.
Softcover. 36 pages.
Duration 420 seconds.
Editio Musica Budapest
#Z15167SC. Published by
Editio Musica Budapest
(HL.50606649).
ISBN
9781705199817. UPC:
196288153566.
Ãr
pád Balázs (*1937)
composed the first
version of Rhapsody for
Hungarian cimbalom and
concert band in 2001; in
2021, on the
encouragement by a
Japanese marimba player
he arranged the solo part
for marimba, and
therefore the
opportunities for the
work to beplayed have
significantly widened.
The Rhapsody follows the
one-movement structure
created by Franz Liszt.
The beginning solo
section of the cimbalom
(or marimba) returns
before the coda as a
pillar of the form. The
composition, which can be
divided into five
sections, develops and
works with a Lydian
tetrachordal motif
(G-A-B-C sharp) in
different characters,
stretching the span of
music from a simple,
children's song-like
appearance to an
obstinate ritual dance.
In conclusion, the
Rhapsody is a
passionately emotional
lyric orchestral poem
rich in colours and
characters, which has a
place on the repertoire
of every concert band
playing quality
music.
Rhapsody Orchestre d'harmonie - Intermédiaire EMB (Editio Musica Budapest)
Score and Parts Concert Band (Score & Parts) - Grade 4 SKU: HL.50606648 <...(+)
Score and Parts Concert
Band (Score & Parts) -
Grade 4
SKU:
HL.50606648
For
Cimbalom or Marimba and
Concert Band Score and
Parts. Composed by
Arpad Balázs. EMB.
Contemporary, Hungarian.
Softcover. 276 pages.
Duration 660 seconds.
Editio Musica Budapest
#Z15167SET. Published by
Editio Musica Budapest
(HL.50606648).
ISBN
9781705199800. UPC:
196288153559.
Ãr
pád Balázs (*1937)
composed the first
version of Rhapsody for
Hungarian cimbalom and
concert band in 2001; in
2021, on the
encouragement by a
Japanese marimba player
he arranged the solo part
for marimba, and
therefore the
opportunities for the
work to beplayed have
significantly widened.
The Rhapsody follows the
one-movement structure
created by Franz Liszt.
The beginning solo
section of the cimbalom
(or marimba) returns
before the coda as a
pillar of the form. The
composition, which can be
divided into five
sections, develops and
works with a Lydian
tetrachordal motif
(G-A-B-C sharp) in
different characters,
stretching the span of
music from a simple,
children's song-like
appearance to an
obstinate ritual dance.
In conclusion, the
Rhapsody is a
passionately emotional
lyric orchestral poem
rich in colours and
characters, which has a
place on the repertoire
of every concert band
playing quality
music.
Les Preludes Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Baton Music
By Franz Liszt (1811-1886). Arranged by Marc Koninkx. For concert band. Baton Mu...(+)
By Franz Liszt
(1811-1886). Arranged by
Marc Koninkx. For concert
band. Baton Music
Orchestral Series. S.97.
Grade 6. Full score and
parts. Duration 17:00.
Published by Baton Music
Les Preludes Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé C.L. Barnhouse
Grade 6 SKU: CL.MHT-0043-00 Composed by Franz Liszt. Arranged by Hindsley...(+)
Grade 6
SKU:
CL.MHT-0043-00
Composed by Franz Liszt.
Arranged by Hindsley.
Concert Band. Score and
set of parts. C.L.
Barnhouse #MHT-0043-00.
Published by C.L.
Barnhouse
(CL.MHT-0043-00).
Les Preludes Orchestre d'harmonie [Conducteur et Parties séparées] Molenaar Edition
(Poeme Symphonique No.3). By Franz Liszt (1811-1886). Arranged by Ton Kotter. Fo...(+)
(Poeme Symphonique No.3).
By Franz Liszt
(1811-1886). Arranged by
Ton Kotter. For Concert
Band. Arrangements of
Classical Pieces. Classic
Arrangement. Grade 6.
Score and Parts.
Published by Molenaar
Edition
Concert band - Grade 5 SKU: RM.LISZ00282-CO Composed by Franz Liszt. Arra...(+)
Concert band - Grade 5
SKU:
RM.LISZ00282-CO
Composed by Franz Liszt.
Arranged by Pierre
Dupont. Classical music.
Orchestra. Conductor's
score. Editions Robert
Martin #LISZ00282-CO.
Published by Editions
Robert Martin
(RM.LISZ00282-CO).
Composed by Bedrich Smetana (1824-1884). Arranged by Capitao Joao Afonso C...(+)
Composed by Bedrich
Smetana
(1824-1884). Arranged by
Capitao Joao Afonso
Cerqueira. For concert
band.
Arrangements of Classical
Compositions/Catalogue
New
Band Music Vol. 12.
Classic
Arrangement. Recorded on
Ma
Vlast (ML.311119720).
Grade
5. Score only. Duration
14
minutes, 49 seconds.
Published by Molenaar
Edition
Friska Orchestre d'harmonie [Conducteur] - Intermédiaire Opus III Wind Orchestra Publications
Concert band - Grade 4 SKU: CL.012-4102-01 Arranged by Glover. Concert Ba...(+)
Concert band - Grade 4
SKU:
CL.012-4102-01
Arranged by Glover.
Concert Band. Gems of the
Concert Band Series.
Audio recording available
separately (item
CL.WFR375). Extra full
score. Composed 2012.
Duration 5 minutes, 51
seconds. Opus III Wind
Orchestra Publications
#012-4102-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4102-01).
Friska is the
traditional Hungarian
folk dance which is most
famous as the fast
section from Franz
Liszt’s Second
Hungarian Rhapsody. One
of the most famous themes
from the symphonic
repertoire, this work is
a time-honored classic
that will excite
performers and audiences
alike. This tour-de-force
for concert band is a
perfect gem for your
mature band.
Dazzling!
About Gems of
the Concert
Band
A
series of transcriptions
and other works in
varying styles,
representative of the
programming of the Great
American Classic Concert
Band era of a century
ago, as exemplified by
John Phillip Sousa, Edwin
Franko Goldman, Karl L.
King, and Leonard B.
Smith
Les Preludes Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé C.L. Barnhouse
Grade 6 SKU: CL.MHT-0043-75 Composed by Franz Liszt. Arranged by Hindsley...(+)
Grade 6
SKU:
CL.MHT-0043-75
Composed by Franz Liszt.
Arranged by Hindsley.
Concert Band. Oversized,
spiral-bound score. C.L.
Barnhouse #MHT-0043-75.
Published by C.L.
Barnhouse
(CL.MHT-0043-75).
Composed by Franz Liszt (1811-1886). Arranged by Andrew Glover. Gems of the Conc...(+)
Composed by Franz Liszt
(1811-1886). Arranged by
Andrew Glover. Gems of
the Concert Band Series.
Audio recording available
separately (item
CL.WFR375). Oversized
spiral-bound score.
Composed 2012. Duration 5
minutes, 51 seconds.
Published by C.L.
Barnhouse
(CL.012-4102-75).
Concert band - Grade 5 SKU: RM.LISZ03031-BA Composed by Franz Liszt. Arra...(+)
Concert band - Grade 5
SKU:
RM.LISZ03031-BA
Composed by Franz Liszt.
Arranged by Pierre
Dupont. Transcription.
Prestige collection.
Orchestra. Full set.
Editions Robert Martin
#LISZ03031-BA. Published
by Editions Robert Martin
(RM.LISZ03031-BA).
Les Preludes Orchestre d'harmonie - Intermédiaire Martin, Robert
Concert band - Grade 5 SKU: RM.LISZ00281-BA Composed by Franz Liszt. Arra...(+)
Concert band - Grade 5
SKU:
RM.LISZ00281-BA
Composed by Franz Liszt.
Arranged by Pierre
Dupont. Transcription.
Prestige collection.
Orchestra. Full set.
Duration 15 minutes, 30
seconds. Editions Robert
Martin #LISZ00281-BA.
Published by Editions
Robert Martin
(RM.LISZ00281-BA).