By Franz Liszt (1811-1886). Arranged by Franz Liszt. For concert band. Gems of t...(+)
By Franz Liszt
(1811-1886). Arranged by
Franz Liszt. For concert
band. Gems of the Concert
Band series. Grade 4.
Score and set of parts.
Duration 5 minutes, 51
seconds. Published by
C.L. Barnhouse
Concert Band/Harmonie and Trombone - Grade 5 SKU: HL.44010638 La Trage...(+)
Concert Band/Harmonie and
Trombone - Grade 5
SKU: HL.44010638
La Tragedie Cathare -
Poeme Symphonique pour
Trombone et Orchestre
d'Harmonie. Composed
by Maxime Aulio. De Haske
Concert Band. Concert
Piece. Score Only.
Composed 2009. De Haske
Publications #1094442.
Published by De Haske
Publications
(HL.44010638).
Symfonische
gedichten zijn gewoonlijk
verhalende of
beschrijvende werken die
zijn gebaseerd op een
verhaallijn - of het nu
gaat om poezie of proza.
Naar het voorbeeld van
meestercomponisten als
Berlioz, Liszt en Debussy
zet MaximeAulio het genre
voort met
Montsegur, een
klankgedicht dat uitgaat
van het dramatische
verhaal over de burcht
van de katharen, het
Chateau de Montsegur
(Ariege, Frankrijk). Als
een impressionistische
schilder gebruikt de
componistveel nuances en
klankkleuren, steeds
perfect in harmonie met
de betreffende thematiek.
Een schilderachtig
solowerk voor
trombone!
In der
Tradition von
Meisterkomponisten, wie
Berlioz, Liszt und
Debussy, erweitert Maxime
Aulio das Genre des
Tongedichts um
Montsegur, einem
Werk auf der Grundlage
der dramatischen
Geschichte der
gleichnamigen Festung in
Sudfrankreich. Wie ein
impressionistischer Maler
verwendete Maxime Aulio
dabei viele Tonnuancen
und Klangfarben. Ein
malerisch schones
Solowerk fur Posaune und
Blasorchester!
Un
poeme symphonique est une
composition dont la
nature expressive releve
d'une intention
essentiellement poetique
ou descriptive,
s'appuyant explicitement
sur un theme, un
personnage, une legende
le plus souvent inspires
par un texte litteraire.
Suivant l'exemple
d'illustres compositeurs
tels que Berlioz, Liszt
et Debussy, entre autres,
Maxime Aulio fait
perdurer le genre dans ce
poeme de sons qui relate
l'histoire tragique du
chateau de Montsegur
(Ariege, France), bastion
de la resistance cathare.
Et tel un peintre
impressionniste, il
choisit, une multitude de
timbres et de couleurs
tonales toujours en
parfaite adequation avec
le motif a decrire. Le
tableau respire, etl'on
percoit dans les
premieres mesures, le
souffle du vent. La
beaute du paysage qui
s'enroule autour du
gigantesque piton rocheux
defile sous nos yeux
quand soudain, une volee
de carreaux d'arbalete
fend l'air en sifflant
comme une pluie de fer.
On entend les pierres
s'ecraser sur les
murailles du chateau. La
forteresse cathare est
assiegee... Dans ce
climat musical pesant et
poignant, le trombone
revet une dimension
tragique servie par une
symbolique expressive. Il
expose des themes
cycliques qui reviennent
dans l'ensemble de
l'œuvre : le theme
du chateau, la priere des
Parfaits, le theme du
bucher. En mars 1244, 207
Parfaits cathares
perirent brules vifs.
Presque huit siecles plus
tard, ces flammes d'un
autre age alimentent
encore les rumeurs les
plus folles.
Concert Band/Harmonie and Trombone - Grade 5 SKU: HL.44010637 La Trage...(+)
Concert Band/Harmonie and
Trombone - Grade 5
SKU: HL.44010637
La Tragedie Cathare -
Poeme Symphonique pour
Trombone et Orchestre
d'Harmonie. Composed
by Maxime Aulio. De Haske
Concert Band. Concert
Piece. Score Only.
Composed 2009. Hal
Leonard #1094442.
Published by Hal Leonard
(HL.44010637).
Sym
fonische gedichten zijn
gewoonlijk verhalende of
beschrijvende werken die
zijn gebaseerd op een
verhaallijn - of het nu
gaat om poezie of proza.
Naar het voorbeeld van
meestercomponisten als
Berlioz, Liszt en Debussy
zet MaximeAulio het genre
voort met
Montsegur, een
klankgedicht dat uitgaat
van het dramatische
verhaal over de burcht
van de katharen, het
Chateau de Montsegur
(Ariege, Frankrijk). Als
een impressionistische
schilder gebruikt de
componistveel nuances en
klankkleuren, steeds
perfect in harmonie met
de betreffende thematiek.
Een schilderachtig
solowerk voor
trombone!
In der
Tradition von
Meisterkomponisten, wie
Berlioz, Liszt und
Debussy, erweitert Maxime
Aulio das Genre des
Tongedichts um
Montsegur, einem
Werk auf der Grundlage
der dramatischen
Geschichte der
gleichnamigen Festung in
Sudfrankreich. Wie ein
impressionistischer Maler
verwendete Maxime Aulio
dabei viele Tonnuancen
und Klangfarben. Ein
malerisch schones
Solowerk fur Posaune und
Blasorchester!
Un
poeme symphonique est une
composition dont la
nature expressive releve
d'une intention
essentiellement poetique
ou descriptive,
s'appuyant explicitement
sur un theme, un
personnage, une legende
le plus souvent inspires
par un texte litteraire.
Suivant l'exemple
d'illustres compositeurs
tels que Berlioz, Liszt
et Debussy, entre autres,
Maxime Aulio fait
perdurer le genre dans ce
poeme de sons qui relate
l'histoire tragique du
chateau de Montsegur
(Ariege, France), bastion
de la resistance cathare.
Et tel un peintre
impressionniste, il
choisit, une multitude de
timbres et de couleurs
tonales toujours en
parfaite adequation avec
le motif a decrire. Le
tableau respire, etl'on
percoit dans les
premieres mesures, le
souffle du vent. La
beaute du paysage qui
s'enroule autour du
gigantesque piton rocheux
defile sous nos yeux
quand soudain, une volee
de carreaux d'arbalete
fend l'air en sifflant
comme une pluie de fer.
On entend les pierres
s'ecraser sur les
murailles du chateau. La
forteresse cathare est
assiegee... Dans ce
climat musical pesant et
poignant, le trombone
revet une dimension
tragique servie par une
symbolique expressive. Il
expose des themes
cycliques qui reviennent
dans l'ensemble de
l'œuvre : le theme
du chateau, la priere des
Parfaits, le theme du
bucher. En mars 1244, 207
Parfaits cathares
perirent brules vifs.
Presque huit siecles plus
tard, ces flammes d'un
autre age alimentent
encore les rumeurs les
plus folles.
Puszta Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-0880098-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-0880098-010
Composed by Jan Van der
Roost. Sovereign Series.
Set (Score & Parts).
Composed 1988. De Haske
Publications #DHP
0880098-010. Published by
De Haske Publications
(BT.DHP-0880098-010).
In composing
Puszta, Jan Van der Roost
wrote folk dances related
to Slavonic folk music.
Its character and sounds
are comparable to the
Hungarian and Slavonic
dances by Brahms and
Dvorak and to the
Hungarian Rhapsodies by
Liszt. All the melodies,
however, are newly
composed, not adapted
from existing dances.
Associando
le caratteristiche della
musica tradizionale slava
al suo talento di
compositore, Jan Van der
Roost ha creato questa
suite di quattro danze
originali gitane.
L’orchestrazione,
fine e leggera, è di
una grande ricchezza
sonora che permette di
sfruttare al meglio i
numerosi aspetti della
banda. Puszta è una
composizione danzante ed
espressiva.
Puszta Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-0880098-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-0880098-140
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Score
Only. Composed 1988. 52
pages. De Haske
Publications #DHP
0880098-140. Published by
De Haske Publications
(BT.DHP-0880098-140).
In composing
Puszta, Jan Van der Roost
wrote folk dances related
to Slavonic folk music.
Its character and sounds
are comparable to the
Hungarian and Slavonic
dances by Brahms and
Dvorak and to the
Hungarian Rhapsodies by
Liszt. All the melodies,
however, are newly
composed, not adapted
from existing dances.
Associando
le caratteristiche della
musica tradizionale slava
al suo talento di
compositore, Jan Van der
Roost ha creato questa
suite di quattro danze
originali gitane.
Lâ??orchestrazione, fine
e leggera, è di una
grande ricchezza sonora
che permette di sfruttare
al meglio i numerosi
aspetti della banda.
Puszta è una
composizione danzante ed
espressiva.
Song of David Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135481-140 Based on Dies ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135481-140
Based on Dies
Irae. Arranged by Jan
de Haan. Musica Sacra.
Festive and Solemn Music.
Score Only. Composed
2013. 60 pages. De Haske
Publications #DHP
1135481-140. Published by
De Haske Publications
(BT.DHP-1135481-140).
9x12 inches.
English-German-French-Dut
ch.
This work is
based on the 13th Century
Dies irae (Day of
Wrath) attributed to
Thomas von Celano. Many
famous composers have
already employed this
originally Gregorian
chant in their works,
including Berlioz,
Saint-Saëns, Mahler
and Lizst. In Jan de
Haan’s Song of
David - the title of
which is taken from the
third line of the Dies
Irae text - the theme
is presented in unison
initially and then
reappears in various
guises.
Dit werk
is gebaseerd op het 13e
eeuwse Gregoriaanse
Dies Irae zoals we
dit ook kennen uit werken
van Berlioz,
Saint-Saëns, Mahler en
Liszt. Voor de titel van
dit werk waarin hij het
thema verschillende
gedaantes meegeeft,
haalde Jan de Haan zijn
inspiratie in de derde
zin van het Dies
Irae, waarin verwezen
wordt naar David.
Dieses Werk
basiert auf dem Dies
Irae (Tag des Zorns)
aus dem 13. Jahrhundert,
das Thomas von Celano
zugeschrieben wird.
Bereits mehrere
berühmte
Komponisten, wie Berlioz,
Saint-Saëns, Mahler
und Liszt, haben den
ursprünglichen
gregorianischen Choral in
ihren Werken verwendet.
In Jan de Haan Song of
David, dessen Titel
auf die dritte Textzeile
von Dies Irae
verweist, wird das Thema
zunächst einstimmig
präsentiert und
erscheint dann in
verschiedenen
Gewändern.
Ques
to brano si ispira a
Dies Irae
attribuito a Tommaso da
Celano, considerato
l’autore della
versione
de_x001E_finitiva di
questo poema scritto nel
XIII secolo. Numerosi
celebri compositori quali
Berlioz, Saint-Saëns,
Mahler e Liszt hanno
integrato passaggi di
questo canto gregoriano
nelle loro opere. In
Song Of David (il
titolo fa riferimento
alla terza strofa del
testo originale), Jan de
Haan presenta un tema
all’unisono
ripreso in seguito con
diverse dinamiche.
Song of David Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135481-010 Based on Dies ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135481-010
Based on Dies
Irae. Arranged by Jan
de Haan. Musica Sacra.
Festive and Solemn Music.
Set (Score & Parts).
Composed 2013. De Haske
Publications #DHP
1135481-010. Published by
De Haske Publications
(BT.DHP-1135481-010).
9x12 inches.
English-German-French-Dut
ch.
This work is
based on the 13th Century
Dies Irae (Day of
Wrath) attributed to
Thomas von Celano. Many
famous composers have
already employed this
originally Gregorian
chant in their works,
including Berlioz,
Saint-Saëns, Mahler
and Lizst. In Jan de
Haan’s Song of
David - the title of
which is taken from the
third line of the Dies
Irae text - the theme
is presented in unison
initially and then
reappears in various
guises.
Dit werk
is gebaseerd op het 13e
eeuwse Gregoriaanse
Dies Irae zoals we
dit ook kennen uit werken
van Berlioz,
Saint-Saëns, Mahler en
Liszt. Voor de titel van
dit werk waarin hij het
thema verschillende
gedaantes meegeeft,
haalde Jan de Haan zijn
inspiratie in de derde
zin van het Dies
Irae, waarin verwezen
wordt naar David.
Dieses Werk
basiert auf dem Dies
Irae (Tag des Zorns)
aus dem 13. Jahrhundert,
das Thomas von Celano
zugeschrieben wird.
Bereits mehrere
berühmte
Komponisten, wie Berlioz,
Saint-Saëns, Mahler
und Liszt, haben den
ursprünglichen
gregorianischen Choral in
ihren Werken verwendet.
In Jan de Haan
David’s Song,
dessen Titel auf die
dritte Textzeile von
Dies Irae
verweist, wird das Thema
zunächst einstimmig
präsentiert und
erscheint dann in
verschiedenen
Gewändern.
Ques
to brano si ispira a
Dies Irae
attribuito a Tommaso da
Celano, considerato
l’autore della
versione definitiva di
questo poema scritto nel
XIII secolo. Numerosi
celebri compositori quali
Berlioz, Saint-Saëns,
Mahler e Liszt hanno
integrato passaggi di
questo canto gregoriano
nelle loro opere. In
Song Of David (il
titolo fa riferimento
alla terza strofa del
testo originale), Jan de
Haan presenta un tema
all’unisono
ripreso in seguito con
diverse dinamiche.
Concert Band; Orchestra
3(3rd dPicc).2.2.2:
2.2.3.1: Timp.Perc(1-2):
Str (9-8-7-6-5 in set):
Solo Piano
SKU:
AP.36-S014201
Composed by Franz Liszt.
Full Orchestra, Solo
Keyboard with Ensemble,
SS. Kalmus Study Score
Series. Score.
LudwigMasters
Publications #36-S014201.
Published by
LudwigMasters
Publications
(AP.36-S014201).
ISBN
9781608740055. UPC:
659359973819.
English.
Franz
Liszt (1811-1886) started
work on his Concerto for
Piano and Orchestra No. 2
in A major, S. 125, in
1839 and 1840. Putting it
through a series of
revisions, he dedicated
the concerto to his
student Hans von Bronsart
von Schellendorf. The
composer conducted the
first performance in
Weimar on January 7, 1857
with Bronsart as soloist.
Liszt completed a 4th
revision in 1861. Less
virtuosic than his first
piano concerto, it is
played without break and
serves as a masterful
example of thematic
transformation.
Instrumentation: 3(3rd
dPicc).2.2.2: 2.2.3.1:
Timp.Perc(1-2): Str
(9-8-7-6-5 in set): Solo
Piano. Reprint edition.
Study score.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
3(3rd dPicc).2.2.2:
2.2.3.1: Timp.Perc(1-2):
Str (9-8-7-6-5 in set):
Solo Piano
SKU:
AP.36-A164001
Composed by Franz Liszt.
Full Orchestra, Solo
Keyboard with Ensemble,
Conductor Score. Kalmus
Orchestra Library. Score.
LudwigMasters
Publications #36-A164001.
Published by
LudwigMasters
Publications
(AP.36-A164001).
ISBN
9798892703208. UPC:
659359825644.
English.
Franz
Liszt (1811-1886) started
work on his CONCERTO FOR
PIANO AND ORCHESTRA No. 2
in A major, S. 125, in
1839 and 1840. Putting it
through a series of
revisions, he dedicated
the concerto to his
student Hans von Bronsart
von Schellendorf. The
composer conducted the
first performance in
Weimar on January 7, 1857
with Bronsart as soloist.
Liszt completed a 4th
revision in 1861. Less
virtuosic than his first
piano concerto, it is
played without break and
serves as a masterful
example of thematic
transformation.
Instrumentation: 3(3rd
dPicc).2.2.2: 2.2.3.1:
Timp.Perc(1-2): Str
(9-8-7-6-5 in set): Solo
Piano. Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
3(3rd dPicc).2.2.2:
2.2.3.1: Timp.Perc(1-2):
Str (9-8-7-6-5 in set):
Solo Piano
SKU:
AP.36-A164002
Composed by Franz Liszt.
Full Orchestra, Solo
Keyboard with Ensemble,
Conductor Score & Parts.
Kalmus Orchestra Library.
Score and Part(s).
LudwigMasters
Publications #36-A164002.
Published by
LudwigMasters
Publications
(AP.36-A164002).
UPC:
659359515002.
English.
Franz
Liszt (1811-1886) started
work on his CONCERTO FOR
PIANO AND ORCHESTRA No. 2
in A major, S. 125, in
1839 and 1840. Putting it
through a series of
revisions, he dedicated
the concerto to his
student Hans von Bronsart
von Schellendorf. The
composer conducted the
first performance in
Weimar on January 7, 1857
with Bronsart as soloist.
Liszt completed a 4th
revision in 1861. Less
virtuosic than his first
piano concerto, it is
played without break and
serves as a masterful
example of thematic
transformation.
Instrumentation: 3(3rd
dPicc).2.2.2: 2.2.3.1:
Timp.Perc(1-2): Str
(9-8-7-6-5 in set): Solo
Piano. Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2+Picc.2.2.2: 2.2.3.0: Timp.Perc(2-3) Str (9-8-7-6-5 in ...(+)
Concert Band; Orchestra
2+Picc.2.2.2: 2.2.3.0:
Timp.Perc(2-3) Str
(9-8-7-6-5 in set): Solo
Pno in Score
SKU:
AP.36-A816701
Composed by Franz Liszt.
Full Orchestra, Solo
Keyboard with Ensemble,
Conductor Score. Kalmus
Orchestra Library. Score.
LudwigMasters
Publications #36-A816701.
Published by
LudwigMasters
Publications
(AP.36-A816701).
ISBN
9798892703253. UPC:
659359825590.
English.
As an
inexhaustible proponent
of Beethoven's life and
work, Franz Liszt
(1811-1886) produced a
number of arrangements
and transcriptions in
homage to the great
composer. His FANTASIE
ÜBER MOTIVEN AUS
BEETHOVENS RUINEN VON
ATHEN, S. 122 (FANTASY ON
BEETHOVEN'S RUINS OF
ATHENS) for piano and
orchestra is one of three
existing versions, all of
which he dedicated to
Nikolay Rubinstein. The
work on which the piece
is based, incidental
music for a play by
August von Kotzebue, was
written in 1811 in Pest,
Hungary for the
dedication of a new
theater. The first
performance of the
FANTASY took place, also
in Pest, on June 1, 1853.
Instrumentation:
2+Picc.2.2.2: 2.2.3.0:
Timp.Perc(2-3) Str
(9-8-7-6-5 in set): Solo
Pno in Score. Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
3(3rd dPicc).2.2.2:
2.2.3.1: Timp.Perc(2-3):
Str (9-8-7-6-5 in set):
Solo Piano in the sc
SKU: AP.36-A263301
Composed by Franz Liszt.
Arranged by Ferruccio
Busoni. Chamber
Orchestra; Performance
Music Ensemble. Kalmus
Orchestra Library. Form:
Concerto. Romantic.
Score. LudwigMasters
Publications #36-A263301.
Published by
LudwigMasters
Publications
(AP.36-A263301).
UPC:
660355020445.
English.
The idea
for Totentanz, S. 126
(Dance of the Dead) was
conceived by Franz Liszt
(1811-1886) in 1938. Two
versions were to follow,
the first completed in
1853, and the second
version finished in 1864.
The flashy virtuosic
piece for the solo piano
uses the Gregorian
plainchant melody Dies
irae (Day of Judgement)
in a set of variations.
The first version, which
is nicknamed De
Profundis, is most
commonly heard in the
1919 edition by famed
Italian composer,
pianist, and conductor
Ferruccio Busoni
(1866-1924).
Instrumentation: 3(3rd
dPicc).2.2.2: 2.2.3.1:
Timp.Perc(2-3): Str
(9-8-7-6-5 in set): Solo
Piano in the sc.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2+Picc.2.2.2: 2.2.3.0: Timp.Perc(2-3) Str (9-8-7-6-5 in ...(+)
Concert Band; Orchestra
2+Picc.2.2.2: 2.2.3.0:
Timp.Perc(2-3) Str
(9-8-7-6-5 in set): Solo
Pno in Score
SKU:
AP.36-A816702
Composed by Franz Liszt.
Full Orchestra, Solo
Keyboard with Ensemble,
Conductor Score & Parts.
Kalmus Orchestra Library.
Score and Part(s).
LudwigMasters
Publications #36-A816702.
Published by
LudwigMasters
Publications
(AP.36-A816702).
UPC:
659359502255.
English.
As an
inexhaustible proponent
of Beethoven's life and
work, Franz Liszt
(1811-1886) produced a
number of arrangements
and transcriptions in
homage to the great
composer. His FANTASIE
ÜBER MOTIVEN AUS
BEETHOVENS RUINEN VON
ATHEN, S. 122 (FANTASY ON
BEETHOVEN'S RUINS OF
ATHENS) for piano and
orchestra is one of three
existing versions, all of
which he dedicated to
Nikolay Rubinstein. The
work on which the piece
is based, incidental
music for a play by
August von Kotzebue, was
written in 1811 in Pest,
Hungary for the
dedication of a new
theater. The first
performance of the
FANTASY took place, also
in Pest, on June 1, 1853.
Instrumentation:
2+Picc.2.2.2: 2.2.3.0:
Timp.Perc(2-3) Str
(9-8-7-6-5 in set): Solo
Pno in Score. Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score and parts.
Duration 3:00. Published
by G & M Brand Music
Publishers (CN.R10230).
Music of
enormous excitement and
expectation - marked very
animated - with brass
blazing a powerful call
against a tingling
triplet figure in
support. In Wagner's own
words - awaken the mute
lines of this score to
bright surrounding
life.
In a letter
addressed to My dear
Liszt, dated May 1852,
Richard Wagner writes: It
was you who awakened the
mute lines of this score
to bright surrounding
life. He was referring to
a performance of his
opera Lohengrin which
Franz Liszt conducted at
the Weirner Court Theatre
on August 28, 1850. The
letter was sent from
Zurich, since Wagner was
exiled from Germany at
this time. He had
completed his romantic
opera, Lohengrin, some
five years earlier but
doubted whether he would
ever hear it performed.
The action takes place in
Antwerp in the first half
of the 10th century. Elsa
and Lohengrin are to be
married and the 3rd Act
opens as they proceed in
great splendour,
accompanied by their
respective noblewomen and
noblemen, to the
cathedral. As a Prelude
to the curtain rising
Wagner unleashed music of
enormous excitement and
expectation - marked very
animated - with brass
blazing a powerful call
against a tingling
triplet figure in
support. In the opera
this magnificent Prelude
leads directly into the
Bridal Scene as Elsa and
Lohengrin make their way
solemnly to the betrothal
ceremony. Wagner achieves
this change of mood and
atmosphere most
skillfully. In arranging
the Prelude for concert
performance the challenge
was to provide an ending
which provides a
satisfactory climax to
Wagner's blaze of
instrumental colour,
without proceeding to the
solemn betrothal music.
This was resolved by
using the composer's own
mighty flourish to end
Act I of his opera. Now,
the gauntlet is thrown
down to all who perform
it to - in Wagner's own
words - awaken the mute
lines of this score to
bright surrounding
life..
Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score only.
Duration 3:00. Published
by G & M Brand Music
Publishers (CN.S11230).
Music of
enormous excitement and
expectation - marked very
animated - with brass
blazing a powerful call
against a tingling
triplet figure in
support. In Wagner's own
words - awaken the mute
lines of this score to
bright surrounding
life.
In a letter
addressed to My dear
Liszt, dated May 1852,
Richard Wagner writes: It
was you who awakened the
mute lines of this score
to bright surrounding
life. He was referring to
a performance of his
opera Lohengrin which
Franz Liszt conducted at
the Weirner Court Theatre
on August 28, 1850. The
letter was sent from
Zurich, since Wagner was
exiled from Germany at
this time. He had
completed his romantic
opera, Lohengrin, some
five years earlier but
doubted whether he would
ever hear it performed.
The action takes place in
Antwerp in the first half
of the 10th century. Elsa
and Lohengrin are to be
married and the 3rd Act
opens as they proceed in
great splendour,
accompanied by their
respective noblewomen and
noblemen, to the
cathedral. As a Prelude
to the curtain rising
Wagner unleashed music of
enormous excitement and
expectation - marked very
animated - with brass
blazing a powerful call
against a tingling
triplet figure in
support. In the opera
this magnificent Prelude
leads directly into the
Bridal Scene as Elsa and
Lohengrin make their way
solemnly to the betrothal
ceremony. Wagner achieves
this change of mood and
atmosphere most
skillfully. In arranging
the Prelude for concert
performance the challenge
was to provide an ending
which provides a
satisfactory climax to
Wagner's blaze of
instrumental colour,
without proceeding to the
solemn betrothal music.
This was resolved by
using the composer's own
mighty flourish to end
Act I of his opera. Now,
the gauntlet is thrown
down to all who perform
it to - in Wagner's own
words - awaken the mute
lines of this score to
bright surrounding
life..
Concert Band; Orchestra
3(3rd dPicc).2.2.2:
2.2.3.1: Timp.Perc(2-3):
Str (9-8-7-6-5 in set):
Solo Piano in the sc
SKU: AP.36-A263302
Composed by Franz Liszt.
Arranged by Ferruccio
Busoni. Chamber
Orchestra; Performance
Music Ensemble; Solo.
Kalmus Orchestra Library.
Form: Concerto. Romantic.
Score and Part(s).
LudwigMasters
Publications #36-A263302.
Published by
LudwigMasters
Publications
(AP.36-A263302).
UPC:
746241287199.
English.
The idea
for Totentanz, S. 126
(Dance of the Dead) was
conceived by Franz Liszt
(1811-1886) in 1938. Two
versions were to follow,
the first completed in
1853, and the second
version finished in 1864.
The flashy virtuosic
piece for the solo piano
uses the Gregorian
plainchant melody Dies
irae (Day of Judgement)
in a set of variations.
The first version, which
is nicknamed De
Profundis, is most
commonly heard in the
1919 edition by famed
Italian composer,
pianist, and conductor
Ferruccio Busoni
(1866-1924).
Instrumentation: 3(3rd
dPicc).2.2.2: 2.2.3.1:
Timp.Perc(2-3): Str
(9-8-7-6-5 in set): Solo
Piano in the sc.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
To a Wild Rose Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 2 SKU: BT.AMP-026-010 Composed by Edward Ma...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.AMP-026-010
Composed by Edward
MacDowell. Arranged by
Philip Sparke. Debut
Series (Anglo). Festive
and Solemn Music. Set
(Score & Parts). Composed
2002. Anglo Music Press
#AMP 026-010. Published
by Anglo Music Press
(BT.AMP-026-010).
Edward
MacDowell can be regarded
as the first great
American composer,
although he disliked the
idea of being classified
as any sort of musical
nationalist. He composed
a large number of
orchestral works but it
is the charming and
unpretentious suite of
musical miniatures,
Woodland Sketches, that
has survived as his
best-known work, with To
a Wild Rose being the
most popular. Philip
Sparke has expertly
arranged this simple work
for concert band.
Philip Sparke
bearbeitete dieses
Stück des
amerikanischen
Komponisten Edward
MacDowell, der weit
über die Grenzen
seines Heimatlandes
hinaus berühmt ist.
To a Wild Rose
wurde seinem bekanntesten
Werk, den Woodland
Sketches, entnommen,
einer Reihe anmutiger,
unprätentiöser
musikalischer Miniaturen.
Hieraus ist To a Wild
Rose das wohl
populärste Stück,
dessen Qualität
Kritiker zu dem Urteil
bewog, es sei so gut, wie
der gesamte Rest von
MacDowells
Klaviermusik.
To a Wild Rose Orchestre d'harmonie [Conducteur] - Facile Anglo Music
Concert Band/Harmonie - Grade 2 SKU: BT.AMP-026-140 Composed by Edward Ma...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.AMP-026-140
Composed by Edward
MacDowell. Arranged by
Philip Sparke. Debut
Series (Anglo). Festive
and Solemn Music. Score
Only. Composed 2002.
Anglo Music Press #AMP
026-140. Published by
Anglo Music Press
(BT.AMP-026-140).
Edward
MacDowell can be regarded
as the first great
American composer,
although he disliked the
idea of being classified
as any sort of musical
nationalist. He composed
a large number of
orchestral works but it
is the charming and
unpretentious suite of
musical miniatures,
Woodland Sketches, that
has survived as his
best-known work, with To
a Wild Rose being the
most popular. Philip
Sparke has expertly
arranged this simple work
for concert band.
Philip Sparke
bearbeitete dieses
Stück des
amerikanischen
Komponisten Edward
MacDowell, der weit
über die Grenzen
seines Heimatlandes
hinaus berühmt ist.
To a Wild Rose
wurde seinem bekanntesten
Werk, den Woodland
Sketches, entnommen,
einer Reihe anmutiger,
unprätentiöser
musikalischer Miniaturen.
Hieraus ist To a Wild
Rose das wohl
populärste Stück,
dessen Qualität
Kritiker zu dem Urteil
bewog, es sei so gut, wie
der gesamte Rest von
MacDowells
Klaviermusik.
Rhapsody Orchestre d'harmonie EMB (Editio Musica Budapest)
Concert Band (Score) SKU: HL.50606828 For Cimbalom or Marimba and Conc...(+)
Concert Band (Score)
SKU: HL.50606828
For Cimbalom or
Marimba and Concert Band
Score. Composed by
Arpad Balázs. EMB.
Contemporary, Hungarian.
Softcover. Duration 660
seconds. Editio Musica
Budapest #Z15167.
Published by Editio
Musica Budapest
(HL.50606828).
ISBN
9798350114423. UPC:
196288188285.
Ãr
pád Balázs (*1937)
composed the first
version of Rhapsody for
Hungarian cimbalom and
concert band in 2001; in
2021, on the
encouragement by a
Japanese marimba player
he arranged the solo part
for marimba, and
therefore the
opportunities for the
work to beplayed have
significantly widened.
The Rhapsody follows the
one-movement structure
created by Franz Liszt.
The beginning solo
section of the cimbalom
(or marimba) returns
before the coda as a
pillar of the form. The
composition, which can be
divided into five
sections, develops and
works with a Lydian
tetrachordal motif
(G-A-B-C sharp) in
different characters,
stretching the span of
music from a simple,
children's song-like
appearance to an
obstinate ritual dance.
In conclusion, the
Rhapsody is a
passionately emotional
lyric orchestral poem
rich in colours and
characters, which has a
place on the repertoire
of every concert band
playing quality
music.
Rhapsody Orchestre d'harmonie - Intermédiaire EMB (Editio Musica Budapest)
Concert Band (Score) - Grade 4 SKU: HL.50606649 For Cimbalom or Marimb...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.50606649
For
Cimbalom or Marimba and
Concert Band Score.
Composed by Arpad
Balázs. EMB.
Contemporary, Hungarian.
Softcover. 36 pages.
Duration 420 seconds.
Editio Musica Budapest
#Z15167SC. Published by
Editio Musica Budapest
(HL.50606649).
ISBN
9781705199817. UPC:
196288153566.
Ãr
pád Balázs (*1937)
composed the first
version of Rhapsody for
Hungarian cimbalom and
concert band in 2001; in
2021, on the
encouragement by a
Japanese marimba player
he arranged the solo part
for marimba, and
therefore the
opportunities for the
work to beplayed have
significantly widened.
The Rhapsody follows the
one-movement structure
created by Franz Liszt.
The beginning solo
section of the cimbalom
(or marimba) returns
before the coda as a
pillar of the form. The
composition, which can be
divided into five
sections, develops and
works with a Lydian
tetrachordal motif
(G-A-B-C sharp) in
different characters,
stretching the span of
music from a simple,
children's song-like
appearance to an
obstinate ritual dance.
In conclusion, the
Rhapsody is a
passionately emotional
lyric orchestral poem
rich in colours and
characters, which has a
place on the repertoire
of every concert band
playing quality
music.
Rhapsody Orchestre d'harmonie - Intermédiaire EMB (Editio Musica Budapest)
Score and Parts Concert Band (Score & Parts) - Grade 4 SKU: HL.50606648 <...(+)
Score and Parts Concert
Band (Score & Parts) -
Grade 4
SKU:
HL.50606648
For
Cimbalom or Marimba and
Concert Band Score and
Parts. Composed by
Arpad Balázs. EMB.
Contemporary, Hungarian.
Softcover. 276 pages.
Duration 660 seconds.
Editio Musica Budapest
#Z15167SET. Published by
Editio Musica Budapest
(HL.50606648).
ISBN
9781705199800. UPC:
196288153559.
Ãr
pád Balázs (*1937)
composed the first
version of Rhapsody for
Hungarian cimbalom and
concert band in 2001; in
2021, on the
encouragement by a
Japanese marimba player
he arranged the solo part
for marimba, and
therefore the
opportunities for the
work to beplayed have
significantly widened.
The Rhapsody follows the
one-movement structure
created by Franz Liszt.
The beginning solo
section of the cimbalom
(or marimba) returns
before the coda as a
pillar of the form. The
composition, which can be
divided into five
sections, develops and
works with a Lydian
tetrachordal motif
(G-A-B-C sharp) in
different characters,
stretching the span of
music from a simple,
children's song-like
appearance to an
obstinate ritual dance.
In conclusion, the
Rhapsody is a
passionately emotional
lyric orchestral poem
rich in colours and
characters, which has a
place on the repertoire
of every concert band
playing quality
music.
Les Preludes Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Baton Music
By Franz Liszt (1811-1886). Arranged by Marc Koninkx. For concert band. Baton Mu...(+)
By Franz Liszt
(1811-1886). Arranged by
Marc Koninkx. For concert
band. Baton Music
Orchestral Series. S.97.
Grade 6. Full score and
parts. Duration 17:00.
Published by Baton Music
A Day at the Circus Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Arranged by Nicholas Baratta. Concert Band. Concert Band. Belwin Young Band. Lig...(+)
Arranged by Nicholas
Baratta. Concert Band.
Concert Band. Belwin
Young Band. Light
Concert. Grade 2.5.
Conductor Score. 20
pages. Published by
Alfred Music Publishing
Les Preludes Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé C.L. Barnhouse
Grade 6 SKU: CL.MHT-0043-00 Composed by Franz Liszt. Arranged by Hindsley...(+)
Grade 6
SKU:
CL.MHT-0043-00
Composed by Franz Liszt.
Arranged by Hindsley.
Concert Band. Score and
set of parts. C.L.
Barnhouse #MHT-0043-00.
Published by C.L.
Barnhouse
(CL.MHT-0043-00).
Les Preludes Orchestre d'harmonie [Conducteur et Parties séparées] Molenaar Edition
(Poeme Symphonique No.3). By Franz Liszt (1811-1886). Arranged by Ton Kotter. Fo...(+)
(Poeme Symphonique No.3).
By Franz Liszt
(1811-1886). Arranged by
Ton Kotter. For Concert
Band. Arrangements of
Classical Pieces. Classic
Arrangement. Grade 6.
Score and Parts.
Published by Molenaar
Edition
Concert band - Grade 5 SKU: RM.LISZ00282-CO Composed by Franz Liszt. Arra...(+)
Concert band - Grade 5
SKU:
RM.LISZ00282-CO
Composed by Franz Liszt.
Arranged by Pierre
Dupont. Classical music.
Orchestra. Conductor's
score. Editions Robert
Martin #LISZ00282-CO.
Published by Editions
Robert Martin
(RM.LISZ00282-CO).