Nineteenth-century music, mostly transcriptions, with a few original organ compo...(+)
Nineteenth-century music,
mostly transcriptions,
with a few original organ
compositions.
Masterworks; Organ -
Method or Collection.
Kalmus Edition.
Masterwork. Book. 100
pages. Kalmus Classic
Edition #00-K04094.
Published by Kalmus
Classic Edition
Composed by Frederick Delius (1862-1934). Edited by Nigel Potts. Arranged by Nig...(+)
Composed by Frederick
Delius (1862-1934).
Edited by Nigel Potts.
Arranged by Nigel Potts.
For organ. Non
Hymn-Based, Classical
Transcription. Nigel
Potts Transcription
Series. General. Medium.
Published by MorningStar
Music Publishers
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Nigel Potts. Nigel ...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Arranged by
Nigel Potts. Nigel Potts
Transcription Series.
Published by MorningStar
Music Publishers
(MN.10-676).
Composed by GustavHolst, Antonio Vivaldi, Charles-Marie Widor, Adolphe Adam, Tho...(+)
Composed by GustavHolst,
Antonio Vivaldi,
Charles-Marie Widor,
Adolphe Adam, Thomas
Augustine Arne,
Archangelo Corelli, Cesar
Franck, Georg Friedrich
Kaufmann, Sergei
Rachmaninoff. Arranged by
J. Michael Case. For
organ. Classical
Transcription, Non
Hymn-Based. General.
Medium. Published by
MorningStar Music
Publishers
Composed by J. S. Bach, Antonio Vivaldi, Archangelo Corelli, Faure. Arranged by ...(+)
Composed by J. S. Bach,
Antonio Vivaldi,
Archangelo Corelli,
Faure. Arranged by Samuel
Metzger. For organ.
Classical Transcription,
Non Hymn-Based. General,
Classical. Medium.
Published by MorningStar
Music Publishers
Organ - Early Intermediate SKU: MN.10-936 Composed by Arcangelo Corelli, ...(+)
Organ - Early
Intermediate
SKU:
MN.10-936
Composed by
Arcangelo Corelli, George
Frideric Handel, Georges
Bizet, and John Phelps.
Arranged by John Phelps.
Non Hymn-Based, Preludes,
Postludes, Classical
Transcription,
Processionals/Recessional
s, Compilations. Baroque,
Romantic. MorningStar
Music Publishers #10-936.
Published by MorningStar
Music Publishers
(MN.10-936).
UPC:
688670109368.
May
be performed
independently or as a
suite. Includes: Bouree
(Handel) from Water
Musick Gavotte (Corelli)
from Violin Sonata Lento
(Bizet) from L Arlesienne
Suite No. 1.
Organ SKU: HL.48184602 Composed by Johann Sebastian Bach. Leduc. Baroque....(+)
Organ
SKU:
HL.48184602
Composed
by Johann Sebastian Bach.
Leduc. Baroque.
Softcover. 64 pages.
Alphonse Leduc #AL27724.
Published by Alphonse
Leduc (HL.48184602).
UPC: 888680853921.
9.0x12.0x0.204
inches.
Part of the
Organ collection by J. S.
Bach, this first book of
the Volume X Three
Chorals Transcriptions,
Three partitas and
canonical variations,
book 1 (BWV 645, 646,
647, 766, 767, 768)
contains six pieces and
is completed by the
second book. The six
pieces that feature in
this book are three
choral-transcriptions and
three chorals with
variations: 1. Awake, The
Watchmen ery out 2.
Whither shall I flee 3.
He that suffereth God to
guide him 4. Partite on
?Christ, Thou who Art the
light of the day? 5.
Partite on ?O God, Thou
Holy God? 6. Partite on
?Hail to Thee merciful
Jesus? This volume is
translated in English and
French and features the
annotation of Marcel
Dupre, a French Organist,
to help the performer get
the most our of the sheet
music. The preface is
also well written, with
explanations of the
comments and descriptions
of the techniques to use
for an accomplished
interpretation of this
work. .
Composed by Louis Vierne (1870-1937). Edited by Helga Schauerte-Maubouet. This e...(+)
Composed by Louis Vierne
(1870-1937). Edited by
Helga Schauerte-Maubouet.
This edition: urtext
edition. Paperback. Louis
Vierne. Complete Organ
Works 10 | BARENREITER
URTEXT. Performance
score, anthology.
Published by Baerenreiter
Verlag (BA.BA9238).
The Organ Music of Edwin H. Lemare, Series II (Transcriptions): Volume 13 - Ital...(+)
The Organ Music of Edwin
H. Lemare, Series II
(Transcriptions): Volume
13 - Italian Composers by
Edwin H. Lemare. Edited
by Wayne Leupold. For
organ. Published by Wayne
Leupold Editions
(WY.WL600044).
Including Preludes, Postludes, Transcriptions. Composed by Anton Bruckner (1824-...(+)
Including Preludes,
Postludes,
Transcriptions. Composed
by Anton Bruckner
(1824-1896). Masterworks;
Organ - Method or
Collection. Kalmus
Edition. Form: Prelude.
Masterwork; Romantic.
Book. 40 pages. Kalmus
Classic Edition
#00-K02036. Published by
Kalmus Classic Edition
Composed by J. Michael Case, Jacques-Nicolas Lemmens, Jakob Quadflieg, Josef H...(+)
Composed by J. Michael
Case,
Jacques-Nicolas Lemmens,
Jakob Quadflieg, Josef
Hector
Fiocco, William Herschel,
Johann Sebastian Bach
(1685-
1750), Cesar Auguste
Franck
(1822-1890), Charles
Marie
Widor (1844-1937), Josef
Gabriel Rheinberger, and
Gerald Near (1942-).
Organ
Dedication, Wedding.
MorningStar Music
Publishers
#10-187. Published by
MorningStar Music
Publishers
(Sonatas, Suites, Trios, Transcriptions) Composed by Max Reger (1873-1916). Orga...(+)
(Sonatas, Suites, Trios,
Transcriptions) Composed
by Max Reger (1873-1916).
Organ solo book for organ
solo. With standard
notation. Published by
Breitkopf and Haertel
(German import).
Organ SKU: HL.48024731 Arranged for Organ. Composed by Jean Sibeli...(+)
Organ
SKU:
HL.48024731
Arranged for
Organ. Composed by
Jean Sibelius. Arranged
by Esa Ylö and nen.
BH Piano. Classical.
Softcover. Fennica
Gehrman #M550114203.
Published by Fennica
Gehrman (HL.48024731).
UPC:
888680955748.
Andan
te festivo is originally
composed for string
quartet. This solemn,
hymn-like composition
fits perfectly for the
organ.
Pianist,cantor-organist
Esa Ylonen's
transcription is based on
Karl Ekman's piano
transcription.
Organ SKU: C4.9790902261098 Composed by Sigfrid Karg-Elert. Arranged by G...(+)
Organ
SKU:
C4.9790902261098
Composed by Sigfrid
Karg-Elert. Arranged by
Graham Barber. Classical.
Score. Crescendo Music
Publications
#9790902261098. Published
by Crescendo Music
Publications
(C4.9790902261098).
ISBN 9790902261098.
8.27 x 11.7
inches.
In its
original incarnation,
Karg-Elert's Second
Sonata for Harmonium was
recognised as a key work
for the instrument,
proportions almost
Everestian. Graham
Barber's wonderful
transcription for organ
is a virtuosic showpiece
that guarantees to thrill
audiences both seasoned
and new.
A
recording of this
transcription played by
Graham Barber on the
86-stop Link/Gaida organ
of St. Paul's Evangelical
Church, Ulm is available
from Fugue State Records
(FSRCD016).
Organ SKU: FG.55011-420-3 Composed by Sibelius Jean. Arranged by Esa Ylon...(+)
Organ
SKU:
FG.55011-420-3
Composed by Sibelius
Jean. Arranged by Esa
Ylonen. Fennica Gehrman
#55011-420-3. Published
by Fennica Gehrman
(FG.55011-420-3).
ISBN
9790550114203.
Anda
nte festivo is originally
composed for string
quartet by Jean Sibelius
(1865-1957). The direct
radio broadcast of its
string orchestra version
in 1939, honoring the
World Fair in New York
City, was Sibelius's last
public appearance as a
conductor. This solemn,
hymn-like composition
fits perfectly for the
organ. Pianist,
cantor-organist Esa
Ylonen's transcription is
based on Karl Ekman's
piano transcription.
Organ SKU: HL.48024624 Transcription for Organ. Composed by Anthon...(+)
Organ
SKU:
HL.48024624
Transcription for
Organ. Composed by
Anthony Payne and Edward
Elgar. Arranged by Robert
Gower. BH Piano.
Classical. Softcover. 20
pages. Duration 540
seconds. Boosey & Hawkes
#M060134647. Published by
Boosey & Hawkes
(HL.48024624).
ISBN
9781540052834. UPC:
888680940782. 9.0x12.0
inches.
Organ
transcription of Anthony
Payne's 2006 orchestral
completion from Elgar's
sketches. Robert Gower
comments, Working from
the orchestral score
confirms Payne's musical
intuition in taking
fragments and developing
them into an entirely
convincing whole, one
imbued with Elgarian
spirit and characterised
through the economical
precision of his own art.
Here, intellectual and
artistic integrity
combine to construct
overall architecture in
which not a note is
wasted, painstaking care
is evident in the subtle
details of instrumental
coloring, and where there
is thrilling rhythmic
forward propulsion. In
saluting the skills of
both composers, I have
sought to open out for
organists the excitement
and sincerity of their
work, being designed for
performance not only on
larger organs with a full
range of orchestral
color, but also made
entirely feasible for
performance on smaller
two-manual
instruments..
Organ SKU: HL.48024625 Transcription for Organ. Composed by Richar...(+)
Organ
SKU:
HL.48024625
Transcription for
Organ. Composed by
Richard Strauss. Edited
by Robert Gower. BH
Piano. Classical.
Softcover. 12 pages.
Boosey & Hawkes
#M060134869. Published by
Boosey & Hawkes
(HL.48024625).
ISBN
9781540052841. UPC:
888680940799. 9.0x12.0
inches.
Organists
will be unable to resist
this abridged
transcription of
Strauss's magnificent
essay for symphonic
brass. Robert Gower
masterfully renders for a
solo performer the rich
harmonies and challenging
cross-rhythms of the
original score. Moreover,
he offers a versatile
reading playable on
instruments both large
and small: optional
registration indications
for a two-manual organ
seek to reflect the
antiphonal possibilities
of the two brass choirs
envisaged by Strauss. But
with this piece the
larger the instrument,
the greater the potential
for sonic
spectacular!
Organ SKU: RM.RUBIN6072 Composed by Franz Liszt. Arranged by Louis Robill...(+)
Organ
SKU:
RM.RUBIN6072
Composed
by Franz Liszt. Arranged
by Louis Robilliard.
Orgue. Instrumental
music. Duration 10'.
Editions Robert Martin
#RUBIN6072. Published by
Editions Robert Martin
(RM.RUBIN6072).
Organ or Harmonium (Organ) SKU: HL.50571813 Transcription pour orgue(+)
Organ or Harmonium
(Organ)
SKU:
HL.50571813
Transcription pour
orgue. Composed by
Claude Debussy. Editions
Durand. Score Only.
Composed 2001. Editions
Durand #DD7972. Published
by Editions Durand
(HL.50571813).
Clau
de Debussy's
La Cathédrale
Engloutie.
Arrangement for Organ by
Léon
Roques.
Organ SKU: GI.G-003031 Composed by Francois Clement Theodore Dubois. Edit...(+)
Organ
SKU:
GI.G-003031
Composed
by Francois Clement
Theodore Dubois. Edited
by Richard J. Siegel.
Sacred. GIA Publications
#003031. Published by GIA
Publications
(GI.G-003031).
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9305
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2.
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9304
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305).
Composed by Felix Mendelssohn, J. S. Bach, Johann Christoph Bach, Samuel Scheidt...(+)
Composed by Felix
Mendelssohn, J. S. Bach,
Johann Christoph Bach,
Samuel Scheidt, Johann
Pachelbel, Johann Ludwig
, Dietrich Buxtehude,
Michael Burkhardt, Johann
Neinrich Buttstedt,
Johann Eramus Kindermann,
Matthias Weckmann.
Arranged by Michael
Burkhardt. Non
Hymn-Based, Classical
Transcription, Hymn
Setting. Advent,
Christmas, Easter,
Lent, Passion/Palm
Sunday, Pentecost,
Reformation, 21st
Century, Prayer.
Published by MorningStar
Music Publishers
(MN.10-683).
Composed by Johann Sebastian Bach (1685-1750). Arranged by Gerald Near. Non Hymn...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Arranged by
Gerald Near. Non
Hymn-Based, Preludes,
Classical Transcription.
Baroque. Published by
Aureole Editions
(MN.AE092).