Piano/harpsichord and orchestra (solo: pno - 1.0.2.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-4432

Composed by Wolfgang Amadeus Mozart. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

The edition EB 8579 Bu soni, Cadenzas for W. A. Mozart's Piano Concertos also contains cadenzas for the Piano Concerto in Eb major K. 482.

Solo concerto; Classical. Full score. 68 pages. Duration 32'. Breitkopf and Haertel #PB 4432. Published by Breitkopf and Haertel (BR.PB-4432).

ISBN 9790004203439. 9 x 12 inches.

Piano/harpsichord and orchestra (Solo: pno- 1.2.0.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-15123

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Ernst Herttrich. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle VerlagEB 10825 is printed in score form; two copies are needed for performance. Our ed ition EB 8579 contains a Ferrucci Busoni cadenza for the Piano. Solo concerto; Classical. Full score. 88 pages. Duration 33'. Breitkopf and Haertel #PB 15123. Published by Breitkopf and Haertel (BR.PB-15123).

ISBN 9790004212738. 10 x 12.5 inches.

The C major Concerto K. 503 was held in particularly high esteem by Mozart, who, for example, put it on the program of his subscription concert at Leipzigs Gewandhaus in 1789, three years after it was written. This new edition is based on the autograph and also takes into account the first edition published by Constanze Mozart at her own cost in 1797.The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Ernst Herttrich to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.

Piano/harpsichord and orchestra (solos: pno - 1.2.0.2 - 2.0.0.0 - str)

SKU: BR.PB-15108

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Stephan Horner. Orchestra; Softbound. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag EB 10765 is printed in score form; two copies will be needed for performance. Solo concerto; Classical. Full score. 72 pages. Duration 30 '. Breitkopf and Haertel #PB 15108. Published by Breitkopf and Haertel (BR.PB-15108).

ISBN 9790004212004. 10 x 12.5 inches.

Mozart's Concerto K. 453 enjoyed great popularity during the composer's lifetime and was widely known through copies and a print. The state of the sources is thus multi-faceted yet unequivocal: the primary source is the rediscovered autograph, which was considered lost after 1945 and was not at the disposal of the Neue Mozart-Ausgabe. The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Stephan Horner to whom Henle has entrusted its urtext editions. Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.

String Orchestra and Piano

SKU: BT.EMBZ6338

Composed by Bela Bartok. Set (Score & Parts). Composed 1970. 304 pages. Editio Musica Budapest #EMBZ6338. Published by Editio Musica Budapest (BT.EMBZ6338).

Béla Bartók composed his Piano Quintet while at grammar school in Pozsony (Pressburg, now Bratislava), and it still shows the influence of Brahms in its melody and harmony. The work was always resoundingly successful at his youthful concerts. When on 7 January 1921 the Waldbauer Quartet wanted to repeat the programme of a concert given ten years previously, Bartók was displeased that this early work of his should be performed once again. Finally he consented to the performance, and played the piano part himself. The quintet was greeted with tumults of applause, unlike the other pieces on the programme, which were written later. According to a communication by Márta Ziegler,Bartók threw away the score in anger, and for many years it was believed to have been destroyed. In 1963, the editor Denijs Dille received a package inside which were the score and parts, which had been thought lost. Denijs Dille wrote: 'In preparing the text of this edition for practical purposes, I used the autograph score, and Bartók's own handwritten parts for the first and second violins, viola, and cello. [...] Bartók made so many deletions and significant changes in the score that the resulting version was somewhat different from the original. In this edition we give the last version, supplemented with the minor changes and signs that can be found in the string parts.'.

Masterworks Book). Standard early intermediate to intermediate literature for expressive performance. Classical. Early Intermediate; Intermediate. Collection. Fingerings. 64 pages. Published by Alfred Music Publishing

Piano/harpsichord and orchestra (solo: pno - 1.2.0.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-15106

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Norbert Gertsch. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle VerlagEB 10766 is printed in score form; two copies are needed for performance.Our edition EB 8578 contains Ferrucci Busoni's cadenzas for the Piano Concerto in C m. Solo concerto; Classical. Full score. 72 pages. Duration 30'. Breitkopf and Haertel #PB 15106. Published by Breitkopf and Haertel (BR.PB-15106).

ISBN 9790004211892. 10 x 12.5 inches.

The editorial quality of the new edition is guaranteed not only by Schiff's sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Norbert Gertsch to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozart's handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozart's own manuscripts, early copies in parts and prints also contain important information regarding the musical text.Die Editionen werden den Intentionen des Komponisten so weit wie moglich gerecht. Gemass Mozarts Anweisungen in den Autographen ist beispielsweise im unteren Klaviersolosystem sowohl der Partituren als auch der Klavierauszuge durchgangig die Bassstimme des Orchesters wiedergegeben. (Andreas Friesenhagen, FonoForum)L'interet particulier de cette nouvelle edition reside dans les notations complementaires des parties de violon ayant pour source la premiere execution de l'oeuvre par Joseph Joachim et Robert Hausmann avec, tres probablement, l'autorisation du compositeur, ces notes de jeu refletant les pratiques de l'epoque. (Crescendo).

Study Score. By Wolfgang Amadeus Mozart. Schott. 134 pages. Published by Eulenburg.

In G Major. By Wolfgang Amadeus Mozart. Arranged by Friedrich Blume. (Study Score). Schott. 110 pages. Published by Eulenburg.

In C minor. By Wolfgang Amadeus Mozart. (Study Score). Schott. Size 5.25x7.5 inches. 108 pages. Published by Eulenburg.

Piano, orchestra (Piano,2Fl,2Ob,2Clar,2bas soon,2Hn,2Trp,Timp,2V,Va, Vc,Db) - Level 4

SKU: BA.BA10420

Composed by Antonin Dvorak. Edited by Robbert van Steijn. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 33. Duration 00:40:00. Baerenreiter Verlag #BA10420_00. Published by Baerenreiter Verlag (BA.BA10420).

ISBN 9790260108387. 31 x 24.3 cm inches. Key: G minor. Preface: David R. Beveridge.

Composed in 1876, Dvorákâ??s only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources, frees the work from subsequent interventions and presents it to full advantage in its authentic form.

The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883, which has been meticulously collated with the autograph. The anonymous original piano reduction is so full of mistakes that editor Robbert van Steijn decided instead to present the version by Karel Å olc.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Piano/harpsichord and orchestra (solo: pno - 1.2.0.2. - 2.0.0.0. - str)

SKU: BR.PB-4429

Composed by Wolfgang Amadeus Mozart. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

You will find the original cadenzas under Mo zart, 36 Cadenzas for his own Piano Concertos. The edition EB 8577 Bu soni, Cadenzas for W. A. Mozart's Piano Concertos also contains cadenzas fo. Solo concerto; Classical. Full score. 64 pages. Duration 24'. Breitkopf and Haertel #PB 4429. Published by Breitkopf and Haertel (BR.PB-4429).

ISBN 9790004203408. 9 x 12 inches.

Piano/harpsichord and orchestra (solo: pno - 1.0.2.2 - 2.0.0.0 - str)

SKU: BR.PB-15107

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Ernst-Gunter Heinemann. Orchestra; stapled. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag EB 10767 is printed in score form; two copies are needed for performance.You will find the original cadenzas under Mo zart, 36 Cadenzas for his own Piano Concertos. Our ISBN 9790004211922. 10 x 12.5 inches.

One of the most frequently performed concertos of all, it was written while Mozart was working on the opera Le nozze di Figaro. The source situation is clear: the autograph score has survived, and the first printed editions were not published until after Mozart's death.The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Ernst-Gunter Heinemann to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.

Piano/harpsichord and orchestra (solo: pno - 1.2.0.2. - 2.0.0.0. - str)

SKU: BR.PB-4437

Composed by Wolfgang Amadeus Mozart. Orchestra; Softcover. Partitur-Bibliothek (Score Library).

You will find the original cadenzas under Mo zart, 36 Cadenzas for his own Piano Concertos.EB 4061 is printed in score form; two copies are needed for performance.

Solo concerto; Classical. Full score. 52 pages. Duration 34'. Breitkopf and Haertel #PB 4437. Published by Breitkopf and Haertel (BR.PB-4437).

ISBN 9790004203484. 9 x 12 inches.

Piano/harpsichord and orchestra (solo: pno - 1.2.0.2. - 2.0.0.0. - str)

SKU: BR.PB-4427

Composed by Wolfgang Amadeus Mozart. Orchestra; Softcover. Partitur-Bibliothek (Score Library). You will find the original cadenzas under Mozart, 36 Cadenzas for his own Piano Concertos. Solo concerto; Classical. Full score. 44 pages. Duration 29'. Breitkopf and Haertel #PB 4427. Published by Breitkopf and Haertel (BR.PB-4427).

ISBN 9790004203385. 9 x 12 inches.

By Wolfgang Amadeus Mozart (1756-1791). Edited by Eva Badura-Skoda; Paul Badura-Skoda. For piano/orchestra (solo piano/flute/2 oboes/2 bassoons/2 horns/strings). This edition: Stapled, Urtext edition. Score. KV 453, No. 17. 70 pages. Duration 30'. Published by Baerenreiter Verlag

Piano/harpsichord and orchestra (solo: pno - 1.2.0.2. - 2.0.0.0. - str)

SKU: BR.PB-5137

Composed by Wolfgang Amadeus Mozart. Orchestra; Softbound. Partitur-Bibliothek (Score Library). You will find the original cadenzas under Mozart, 36 Cadenzas for his own Piano Concertos. Solo concerto; Classical. Full score. 64 pages. Duration 29'. Breitkopf and Haertel #PB 5137. Published by Breitkopf and Haertel (BR.PB-5137).

ISBN 9790004208823. 9 x 12 inches.

Piano/harpsichord and orchestra (solo: pno - 1.0.2.2 - 2.0.0.0 - str)

SKU: BR.PB-15111-07

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Ernst-Gunter Heinemann. Orchestra; stapled. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag EB 10767 is printed in score form; two copies are needed for performance. You will find the original cadenzas under Mozart, 36 Cadenzas for his own Piano Concertos. Our edition EB 8579 contains a Ferrucci Busoni cadenza. Solo concerto; Classical. Study Score. 76 pages. Duration 26'. Breitkopf and Haertel #PB 15111-07. Published by Breitkopf and Haertel (BR.PB-15111-07).

ISBN 9790004212684. 6.5 x 9 inches.

One of the most frequently performed concertos of all, it was written while Mozart was working on the opera Le nozze di Figaro. The source situation is clear: the autograph score has survived, and the first printed editions were not published until after Mozart's death.The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Ernst-Gunter Heinemann to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.