Piano solo - Mixed Level

SKU: YM.GTP01097599

Composed by Miyuki Nakajima. Piano Pop. J-POP. Score. Yamaha Music Media #GTP01097599. Published by Yamaha Music Media (YM.GTP01097599).

ISBN 9784636975994.

From easy to advanced level, piano solo to duet. Please enjoy one melody in 12 various styles.
CONTENTS
1. Ito: Piano Solo - Entry; 2. Ito: Piano Solo - Easy; 3. Ito: Piano Solo - Intermediate(arr. by Murakami); 4. Ito: Piano Solo - Intermediate(arr. by Anzai); 6. Ito: Piano Solo - Advanced; 7. Ito: Piano Solo in Jazz Style - Advanced; 8. Ito: Voice with Piano accompaniment - Intermediate; 9. Ito: Duet(1P4H) - Intermediate; 10. Ito: 2-part Chorus with Piano accompaniment; 11. Ito: Voice with Piano accompaniment - Advanced: 12. Ito: Melody.

Piano - Mixed

SKU: YM.GTP01096994

Piano Pop & Vocal. J-POP. Sheet music. Yamaha Music Media #GTP01096994. Published by Yamaha Music Media (YM.GTP01096994).

ISBN 9784636969948.

From easy to advanced level, piano solo to duet. Please enjoy one melody in various styles.
Cong Chu Ji Dao Gao Ji ,Cong Gang Qin Du Zou Dao He Zou ,Xiang Shou Tong Yi Xuan Lu De Bu Tong Feng Ge .

1. Lemon: Melody; 2. Lemon: Piano Solo - Entry; 3. Lemon: Piano Solo - Easy; 4. Lemon: Piano Solo - Intermediate; 5. Lemon in A minor: Piano Solo - Intermediate; 6. Lemon: Piano Solo - Advanced; 7. Lemon: Voice and Piano; 8. Lemon: Piano Duet.

Piano - Mixed level

SKU: YM.GTP01097744

Piano Pop+Vocal. J-POP. Score. Yamaha Music Media #GTP01097744. Published by Yamaha Music Media (YM.GTP01097744).

ISBN 9784636977448.

From easy to advanced level, piano solo to duet. Please enjoy one melody in various styles.

Piano - Mixed

SKU: YM.GTP01097060

Piano Pop & Vocal. J-POP. Sheet music. Yamaha Music Media #GTP01097060. Published by Yamaha Music Media (YM.GTP01097060).

ISBN 9784636970609.

From easy to advanced level, piano solo to duet. Please enjoy one melody in various styles.
Cong Chu Ji Dao Gao Ji ,Cong Gang Qin Du Zou Dao He Zou ,Xiang Shou Tong Yi Xuan Lu De Bu Tong Feng Ge .

1. Paprica: Melody; 2. Paprica: Piano Solo - Entry; 3. Paprica: Piano Solo - Easy; 4. Paprica: Piano Solo - Intermediate; 5. Paprica in C Major: Piano Solo - Intermediate; 6. Paprica: Piano Solo - Advanced; 7. Paprica: Voice & Piano; 8. Paprica: Piano Duet.

Piano - Mixed level

SKU: YM.GTP01097921

Piano Pop+Vocal. J-POP. Score. Yamaha Music Media #GTP01097921. Published by Yamaha Music Media (YM.GTP01097921).

ISBN 9784636907414.

From easy to advanced level, piano solo to duet. Please enjoy one melody in various styles.

Yoru ni Kakeru. Composed by Yoasobi. Piano Pop Vocal/Liu Xing Gang Qin. Book. Yamaha Music Media #GTP01097719. Published by Yamaha Music Media

Easy Piano Pieces from Bach to Schoenberg. By Various. For piano. Baroque - 20th Century. Full score. 60 pages. Published by Wiener Urtext Edition.

Piano - Mixed

SKU: YM.GTP01091567

Piano Pop and Vocal. Disney. Sheet music. Yamaha Music Media #GTP01091567. Published by Yamaha Music Media (YM.GTP01091567).

ISBN 9784636915679.

From easy to advanced level, piano solo to duet. Please enjoy one melody in various styles.
Cong Chu Ji Dao Gao Ji ,Cong Gang Qin Du Zou Dao He Zou ,Xiang Shou Tong Yi Xuan Lu De Bu Tong Feng Ge .

1. Let It Go: Easy; 2. Let It Go: Intermediate; 3. Let It Go: Advanced; 4. Let It Go: Piano Vocal arrangement; 5. Let It Go: Duet(1P4H, Easy/Intermediate); 6. Let It Go: Duet(1P4H, Intermediate/Advanced); 7. Let It Go: Trio(1P4H by 3, Entry-Easy).
1. Sui Ta Ba : Chu Ji ; 2. Sui Ta Ba : Zhong Ji ; 3. Sui Ta Ba : Gao Ji ; 4. Sui Ta Ba : Gang Qin Dan Chang Bian Pei ; 5. Sui Ta Ba : Si Shou Lian Dan (1P4H, Chu Ji /Zhong Ji ); 6. Sui Ta Ba (1P4H, Zhong Ji /Gao Ji ); 7. Sui Ta Ba : San Ren (3Ren 4Shou , Chu Ji -Chu Ji ).

(Intermediate Level Transcriptions and Original Pieces). By Various. Edited by Remo Cadringher. For Piano. Piano Collection. Softcover. 72 pages. Ricordi #R140468. Published by Ricordi

Performed by Various Artists. By Philippe Garcia-Ortuno. Arranged by Philippe Garcia-Ortuno. For piano solo. This edition: Editions Bourges R. In Edit. Instrumental. Sheet music. 6 pages. Published by Editions Bourges (French import).

In Various Styles/Book 1/Later Elementary Level. By Edna-Mae Burnam. Arranged by Edna-Mae Burnam. Willis. Book only. Size 9x12 inches. 24 pages. Published by Willis Music.

Composed by Various. Collection. Sacred. Collection. Lillenas Publishing Company #9780787760106. Published by Lillenas Publishing Company

This collection of preludes, offertories, and postludes has been especially designed for the church pianist. Extraordinary care has been exercised in choosing classical repertoire that will fit the mood of the various portions of the service. Featuring music by Grieg, Schumann, Beethoven, Bach, Chopin and other master composers, the preludes all have an air of quiet reverence. The offertories embody a pensive mood and have a deep feeling of religious beauty. The postudes, featuring music by Haydn, Mozart, Mendelssoh, Beethoven, Gounod, and other great composers, are vibrant and joyful.

Piano - Grade 5

SKU: ET.PNO48

Composed by Helena Winkelman. Contemporary. Composed 2007. Duration 10. Editions BIM #PNO48. Published by Editions BIM (ET.PNO48).

ISBN 9790207024046.

In her Impromptu, Helena Winkelman conjures an atmosphere of timelessness, employing musical elements variously meditative and percussive, punctuated by shadowy accents in the contrabass register and delicate flourishes in the soprano. This masterful composition, engrossing and adventurous, is a rewarding challenge for the performer.

Performing notes
Attentive pedaling is key to producing the spectral resonances in this Impromptu.
The impressionistic atmosphere of the piece requires a carefully gauged use of all three pedals, even where not expressly noted in the score.
Especially with the right pedal many small ad lib. changes are necessary to create this impressionistic atmosphere. The central pedal only holds the bass notes.
Care must be taken that the pedals are not changed at the same time to avoid the third pedal affecting notes that should not be.
The composer wrote Impromptu with Schubert’s Hungarian Melody (D817) playing in her mind’s ear, and suggests that her Impromptu be programmed to follow it attacca in performance.

Piano

SKU: BT.MS0415

Composed by Fabian Domingo. Book and DVD. Composed 2019. Play Music Spain #MS0415. Published by Play Music Spain (BT.MS0415).

Spanish.

Con no menos de 25 toques para piano en los estilos boogie-woogie y ragtime, nuestro método le divertirá durante mucho rato. Pero no sólo… En efecto, la idea es aprender tocando, progresar pasándolo bien, pero estos toques le permitirán también descubrir y trabajar todas las técnicas, los gimmicks y otras figuras de estilo que hacen su originalidad. Y para ayudarle a abordarlos más fácilmente, le señalamos todas las digitaciones. Inspirados en los mayores artistas y teclistas de dichos estilos (Scott Joplin, Joseph Lamb, James Scott, Pine Top Smith, Meade Lux Lewis, Albert Ammons... y otros muchos), estos 25 toques brindan un amplio panorama del boogie-woogie y del ragtimeen el piano. En el disco incluido en el método, uno encontrará varios archivos audios y v deos. Los v deos (mp4) presentan en imágenes los 25 toques tales como se deben tocar, a velocidad normal o más lenta. Las grabaciones audios (mp3), por su parte, nos brindan los playbacks correspondientes, aqu también en dos aires diferentes. Ud podrá tocar los toques propuestos al estudio o aprovechar la ocasión para desarrollar libremente sus propias ideas de acompañamiento en el estilo.

Piano

SKU: BT.MS0389

Volumen 3. Composed by Fabian Domingo. Studies & Exercises. Book and DVD. Composed 2020. Play Music Spain #MS0389. Published by Play Music Spain (BT.MS0389).

Spanish.

En el teclado del piano, la dos manos desempeñan un papel diferente (bajo/acordes, acordes/melod a...) y resulta imprescindible poder tocar cada mano independientemente de la otra, procurando conservar una perfecta coordinación de las dos. Nuestro método enfoca de manera muy progresiva el problema desde el punto de vista técnico y musical. As cada dificultad señalada con un ejercicio espec fico tiene su aplicación inmediata en un pequeño toque... para que la técnica quede siempre al servicio de la música y del placer de tocar. Los ejercicios de este tercer y último volumen van a profundizar las nociones abordadas en los 2 volúmenes anteriores... ¡pero no sólo! Vd encontrarátambién un trabajo sobre los ternarios, las extensiones, los intervalos sostenidos y en espejo, los tresillos compartidos, los arpegios de 4 sonidos, los desfases r tmicos, los 3 por 2 invertidos, las figuras a base de semicorcheas, la clave, etc... elementos imprescindibles para reforzar la independencia de las manos en el piano. En el disco adjunto al método, Vd encontrará varios archivos audios y v deos. Los v deos (mp4) presentan en imágenes todos los ejercicios y los toques tales como uno debe tocarlos. Las grabaciones audios (mp3), por su parte, le brindan los playbacks correspondientes, en dos aires distintos, en los cuales podrá tocar los toques propuestos al estudio.

Piano

SKU: BT.MS0378

Composed by Pedro Montes. Play Music España. Tuition. Book with CD. Composed 2018. 56 pages. Play Music Spain #MS0378. Published by Play Music Spain (BT.MS0378).

Spanish.

Con no menos de 25 toques reggae y ska para piano y otros teclados, nuestro método le permitirá pasarlo bien durante un buen rato pero no sólo… En efecto se trata de aprender tocando, de progresar disfrutando, y nuestros toques le permitirán también descubrir y trabajar todas las técnicas que contribuyen a crear unos buenos acompañamientos en el estilo… y en particular ¡el famoso “skank”! Y por último, inspirándose en los mayores artistas y teclistas de ayer y de hoy (The Skatalites, Bob Marley / The Wailers, UB40, Madness, The Specials, Jimmy Cliff, Alpha Blondy, Burning Spear, Peter Tosh...),dichos 25 toques le brindarán un amplio panorama de los estilos reggae y ska en elteclado. En el disco incluido en el método, Ud encontrará varios ficheros audios y v deos. Los v deos (mp4) presentan en imágenes los 25 toques tales como uno debe tocarlos, a velocidad normal, y luego más lenta. Las grabaciones audio (mp3), por su parte, presentan los playbacks correspondientes, aqu también en dos aires diferentes. Ud podrá tocar los toques propuestos al estudio, o aprovechar para desarrollar libremente sus propias ideas de acompañamiento en el estilo.

Piano

SKU: BT.MUSMS0370

Pop & Rock. Book and DVD. Play Music Spain #MUSMS0370. Published by Play Music Spain (BT.MUSMS0370).

Spanish.

Con sus 25 acompañamientos en el piano para canciones pop, este método le divertirá durante un buen rato. Pero no sólo... En efecto se trata de aprender tocando, y progresar disfrutando y nuestros toques le permitirán también descubrir y trabajar todas las técnicas que contribuyen a hacer unos buenos acompañamientos en el estilo: toque en acordes placados, semi-arpegiados o arpegiados, fórmulas melódicas de mano derecha con o sin contracanto a la mano izquierda, síncopas rítmicas... ¡lo tiene todo! Y por último, inspirándose en los grandes artistas y pianistas deayer y de hoy (The Beatles, Michael Jackson, Oasis, Madonna, Elton John, Mika, Robbie Williams...), esos 25 toques le brindarán un amplio panorama del piano pop y canciones. En el disco incluido en el método uno encontrará varios ficheros audios y vídeos. Los vídeos (mp4) presentan en imágenes los 25 toques tales como se deben tocar, a velocidad normal (en su playback) y luego más lenta. Las grabaciones audios (mp3), por su parte presentan los playbacks correspondientes también en dos aires diferentes. Ud podrá tocar entonces las canciones propuestas o aprovechar para desarrollar con toda libertad sus propias ideas de acompañamientos en dicho estilo.

By Wesley Schaum. For Piano. Piano - Schaum Method. Schaum Publications Easy Keyboard Harmony. Level: Early Intermediate. Book. 32 pages. Published by John Schaum (Milwaukee).

Piano

SKU: HL.14045610

Varios Autores y Pedagogos Rusos. CARISCH - MUSIC SALES. Classical. General Merchandise. Real Musical #MK16530. Published by Real Musical (HL.14045610).

ISBN 9788438703199. Spanish.

Piano

SKU: BT.EMBZ7190

BWV 812-817. Composed by Johann Sebastian Bach, Perti, and Tamas Zaszkaliczky. EMB Urtext. Book Only. Composed 1975. 60 pages. Editio Musica Budapest #EMBZ7190. Published by Editio Musica Budapest (BT.EMBZ7190).

English-German-Hungari an.

The most important and only autograph source of the French Suites, the Klavierbüchlein für Anna Magdalena Bach (1722) contains the first three suites in fragments only, and the sixth not at all. This is why the numerous copies which have come down to us, are of special significance. Among the copies of major importance is the manuscript which for a long time had been attributed to Bach, and which comprises the first for suites in full (Deutsche Staastsbibliothek, Berlin) as well as the copy by Gerber (1725-26) and the second volume of the Klavierbüchlein (1925). A few manuscripts originating from the circle of Bach's pupils should also be added to them.The texts of thevarious copies show a lot of deviations. The present edition relies on the first formulation - at least where this can be decided at all - but it gives all the major devations of the copies as variants, either in footnotes or after the movement concerned. (Tamás Zászkaliczky).

Piano - Easy

SKU: BO.B.2086

Composed by J.Ch. Hess. Published by Editorial de Musica Boileau (BO.B.2086).

Orchestra Piano

SKU: PR.11641861SP

Composed by William Kraft. Part. 35 pages. Duration 21 minutes. Theodore Presser Company #116-41861SP. Published by Theodore Presser Company (PR.11641861SP).

UPC: 680160685202.

What? ! - my composer colleagues said - A concerto for the piano? It's a 19th century instrument! Admittedly we are in an age when originally created timbres and/or musico-technological formulations are often the modus operandi of a piece. Actually, this Concerto began about two years ago when, during one of my creative jogs, the sound of the uppermost register of the piano mingled with wind chimes penetrated my inner ear. The challenge and fascination of exploring and developing this idea into an orchestral situation determined that some day soon I would be writing a work for piano and orchestra. So it was a very happy coincidence when Mona Golabek phoned to tell me she would like discuss the Ford Foundation commission. After covering areas of aesthetics and compositional styles, we found that we had a good working rapport, and she asked if I would accept the commission. The answer was obvious. Then began the intensive thought process on the stylistic essence and organization of the work. Along with this went a renewed study of idiomatic writing for the piano, of the kind Stravinsky undertook with the violin when he began his Violin Concerto. By a stroke of great fortune, the day in February 1972 that I received official notice from the Ford Foundation of the commission, I also received a letter from the Guggenheim Foundation informing me I had been awarded my second fellowship. With the good graces of Zubin Mehta and Ernest Fleischmann, masters of my destiny as a member of the Los Angeles Philharmonic, I was relieved of my orchestral duties during the Hollywood Bowl season. Thus I was able to go to Europe to work and to view the latest trends in music concentrating in London (the current musical melting pot and showcase par excellence), Oslo, Norway, for the Festival of Scandinavian Music called Nordic Days, and Warsaw, Poland, for its prestigious Autumn Festival. Over half the Concerto was completed in that summer and most of the rest during the 72-73 season with the final touches put on during a month as Resident Scholar at the Rockefeller Foundation's Villa Serbelloni in Bellagio, Italy. So much for the external and environmental influences, except perhaps to mention the birds of Sussex in the first movement, the bells of Arhus (Denmark) in the second movement and the bells of Bellagio at the end of the Concerto. Primary in the conception was the personality of Miss Golabek: she is a wonderfully vital and dynamic person and a real virtuoso. Therefore, the soloist in the Concerto is truly the protagonist; it is she (for once we can do away with the generic he) who unfolds the character and intent of the piece. The first section is constructed in the manner of a recitative - completely unmeasured - with letters and numbers by which the conductor signals the orchestra for its participation. This allows the soloist the freedom to interpret the patterns and control the flow and development of the music. The Concerto is actually in one continuous movement but with three large divisions of sufficiently contrasting character to be called movements in themselves. The first 'movement' is based on a few timbral elements: 1) a cluster of very low pitches which at the beginning are practically inaudibly depressed, and sustained silently by the sostenuto pedal, which causes sympathetic vibrating pitches to ring when strong notes are struck; 2) a single powerful note indicated by a black note-head with a line through it indicating the strongest possible sforzando; 3) short figures of various colors sometimes ominous, sometimes as splashes of light or as elements of transition; 4) trills and tremolos which are the actual controlling organic thread starting as single axial tremolos and gradually expanding to trills of increasingly larger and more powerful scope. The 'movement' begins in quiescent repose but unceasingly grows in energy and tension as the stretching of a string or rubber band. When it can no longer be restrained, it bursts into the next section. The second 'movement,' propelled by the released tension, is a brilliant virtuosic display, which begins with a long solo of wispy percussion, later joined in duet with the piano. Not to be ignored, the orchestra takes over shooting the material throughout all its sections like a small agile bird deftly maneuvering through nothing but air, while the piano counterposes moments of lyricism. The orchestra reaches a climax, thrusting us into the third 'movement' which begins with a cadenza-like section for the piano. This moves gently into an expressive section (expressive is not a negative term to me) in which duets are formed with various instruments. There are fleeting glimpses of remembrances past, as a fragmented recapitulation. One glimpse is hazily expressed by strings and percussion in a moment of simultaneous contrasting levels of activity, a technique of which I have been fond and have utilized in various fixed-free relationships, particularly in my Percussion Concerto, Contextures and Games: Collage No. 1. The second half of the third 'movement; is a large coda - akin to those in Beethoven - which brings about another display of virtuosity, this time gutsy and driving, raising the Concerto to a final climax, the soloist completing the fragmented recapitulation concept as well as the work with the single-note sforzando and low cluster from the very opening of the first movement.

Piano - easy to medium easy

SKU: JK.01966

Composed by Various. Arranged by Paralee Miles Eckman. Piano Beginner, Piano Preludes, Piano Solos, Special Events Baptism and Confirmation, Special Events Primary Program, Children. Christian, Inspirational. Jackman Music Corporation #01966. Published by Jackman Music Corporation (JK.01966).

UPC: 093285019669. Mosiah 2:22, Doctrine and Covenants 59:23.

Easy Primary Songs for Piano is the perfect book for beginning pianists who can play hands together. You'll find many of the most well-loved primary songs in this book, arranged in a simple but beautiful way.

In an effort to make this book simple and approachable, every song has been arranged in the keys of C, G, or F. Each song displays a keyboard chart above, showing the beginning hand positions and the sharps/flats included in the piece. Songs have been ordered by level of difficulty (Beginner: Level 1 to Level 2). Watch for helpful tips above each song and don't be afraid to refer to the pages in the front which contain helpful tools and basic piano/music theory.
* While this book is perfect for developing pianists, it could also be used in a primary setting as a simplified songook for the accompanist.
This book was originally titled Simplified Favorites (#80095)
Contents:
A Happy Family
Baptism
Book of Mormon Stories
Dare to Do Right
Families Can Be Together Forever
Give Said the Little Stream
Happy, Happy Birthday
Have a Very, Merry Christmas
He Sent His Son
I Am a Child of God
I Believe in Being Honest
I Feel My Savior's Love
I Hope They Call Me on a Mission
I Lived in Heaven
I Love to See the Temple
I Want to Be a Missionary Now
I Will Be Valiant
In the Leafy Treetops
Pioneer Children Sang as They Walked
It's Autumn-time
Keep the Commandments
Mother Dear
My Dad
My Heavenly Father Loves Me
Oh, What do You Do in the Summertime?
Once There Was a Snowman
Quickly I'll Obey
Search, Ponder and Pray
Seek the Lord Early
Smiles
Teach Me to Walk in the Light
Thank Thee for Everything
The Golden Plates
We'll Bring the World His Truth
When Joseph Went to Bethlehem
When He Comes Again
Composers: various
Arranger: Paralee Miles Eckman
Lyricist: various
Difficulty: easy to medium easy
Reference: Mosiah 2:22, Doctrine and Covenants 59:23.

Elementary Piano - Elementary (Primer)

SKU: JK.00420

Composed by Various. Arranged by Kristen Allred. Difficulty Easy, Difficulty Easy Medium, Piano 4 Hands, Piano Solos, Special Events Baptism and Confirmation, Special Events Primary Program, Baptism, Children, Eternal Life, Family, God the Father, Gratitude, Jesus Christ - Example, Jesus Christ - Savio. Christian, Inspirational. Jackman Music Corporation #00420. Published by Jackman Music Corporation (JK.00420).

Psalm 82:6, Mosiah 4:15, Doctrine and Covenants 14:7.

Elementary piano arrangements of songs included in the LDS 2018 outline 'Sharing Time for Primary,' arranged by Kristen Allred. Written in big-note format, each song includes words and suggested fingering, with an optional teacher duet. Footnotes add insight into each composer.
* Easy violin parts available separately #09020.
Songs included in this volume:
A Child's Prayer
Children All Over the World
Families Can Be Together Forever
For Health and Strength
I Am a Child of God
I Think the World is Glorious
If the Savior Stood Beside Me
My Heavenly Father Loves Me
Thanks to Our Father
When I Am Baptized
Composer: various
Arranger: Kristen Allred
Lyricist: various
Difficulty: Elementary (Primer)
Reference: Psalm 82:6, Mosiah 4:15, Doctrine and Covenants 14:7