Christmas Favourites Quatuor à cordes: 2 violons, alto, violoncelle - Facile De Haske Publications
String Quartet - early intermediate SKU: BT.DHP-1115200-070 Arranged by N...(+)
String Quartet - early
intermediate
SKU:
BT.DHP-1115200-070
Arranged by Nico Dezaire.
De Haske Pops for String
Quartet. Christmas. Set
(Score & Parts). Composed
2011. 16 pages. De Haske
Publications #DHP
1115200-070. Published by
De Haske Publications
(BT.DHP-1115200-070).
ISBN 9789043140980. 12
X 9 inches.
A
seasonal selection of
Christmas pop classics
for string quartet.De
Haske's best-selling
Pops for String
Quartet series offers
excellent arrangements
for intermediate string
quartets who want to
bring some classic pop to
their performances.
Een eenvoudig
speelbare medley in
popstijl voor
strijkkwartetten. De
medley bestaat uit de
titels When a Child Is
Born, Jingle Bells,
Winter Wonderland en
Sleigh Ride.Onder
de naam Pops for
String Quartet
heeftde Haske een nieuwe
serie ontwikkeld voor
strijkkwartetten die zich
eens buiten het klassieke
pad willen begeven. Een
collectie van uitstekende
arrangementen in
gemiddelde
moeilijkheidsgraad! Unter dem Titel Pops
for String Quartet
hat De Haske eine
Notenreihe ins Leben
gerufen, die
Streichquartette, die
sich einmal abseits der
ausgetretenen klassischen
Pfade bewegen wollen, mit
ausgezeichneten
Arrangements im leichten
bis mittleren
Schwierigkeitsgrad
versorgt.Ein leicht
spielbares Medley für
Streichquartette, die zu
Weihnachten mit einem
flotten, poppigen Titel
überraschen und
überzeugen wollen.
Un semplice
medley di canzoni
natalizie per quartetto
d'archi.Pops for
String Quartet: una
collana per tutti i
violinisti desiderosi di
suonare qualcosa di
diverso dal repertorio
classico.
Composed by Carole
Neuen-Rabinowitz.
Arranged by Carole
Neuen-Rabinowitz and arr.
Performance Music
Ensemble; String Quartet.
Latham Music. Christmas;
Winter. Score.
LudwigMasters
Publications
#36-52703014. Published
by LudwigMasters
Publications
(AP.36-52703014).
ISBN
9781628761061. UPC:
654690579492.
English.
Six more
Christmas favorites for
string quartet: Still,
Still, Still; Pat a Pan;
What Child is This?;
Coventry Carol/Break
Forth, O Beauteous
Heavenly Light; O Holy
Night and God Rest Ye
Merry, Gentlemen/Carol of
the Bells.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Jingle Bells Quatuor à cordes: 2 violons, alto, violoncelle [Partition + CD] - Intermédiaire Editions Marc Reift (Swiss import)
String Quartet + CD Play Back / Play Along - Grade 3 SKU: MA.EMR-61924 Co...(+)
String Quartet + CD Play
Back / Play Along - Grade
3
SKU:
MA.EMR-61924
Composed
by Gilles Remy and Rene
Willener. Arranged by
Jirka Kadlec. Score and
parts. Duration 2'42.
Editions Marc Reift #EMR
61924. Published by
Editions Marc Reift
(MA.EMR-61924).
Chamber Music String Quartet SKU: PR.114405050 Composed by John Downey. S...(+)
Chamber Music String
Quartet
SKU:
PR.114405050
Composed
by John Downey. Set of
Score and Parts. With
Standard notation. 53
pages. Duration 25
minutes. Theodore Presser
Company #114-40505.
Published by Theodore
Presser Company
(PR.114405050).
UPC:
680160008377. 11 x 14
inches.
Although
structurally it
subdivides into five
movements, the entire
quartet emerges as one
vast continuum. There are
no formal breaks between
movements. However,
certain musical signposts
can be discerned,
associated with each of
the movements'
terminations and new
beginnings. The opening
movement, The Nostalgia
of Clanging Bell
Sonorities, begins
floating on recurrent Bbs
whose soft rhythmic flow
slowly puts into motion
strong undercurrents
suggestive of the latent
power of water... After
several suggestions of
tolling bells, the
movement gradually fades
into hushed tones of
veiled and very distant
sonorities. It uses a
unique efffect, for the
first time in a musical
context, conveyed through
the use of extra heavy
practice mutes. The
second movement, The
Spill of Water ,
disengages itself from
the first through its
distinct contrast in
tempo. Water moves fast,
and when it splashes, it
tends to run wildly. In
this case, it happens to
be bubbly water that
gushes forth bodly...
smashing across rocky
shorlines. So, too, the
music attempts to conjure
such moods. At the end of
this movement, a cello
cadenza emerges,
introducing an
introspective type of
melodicism. The third
movement, The Poignancy
of Memory, contains many
silences as it tries to
convey memory through
fragmented remembrances
much like often occur in
our dream state.
Progressing through
several slowly building
images, it gradually
works itself into
juxtaposition of musical
images. Towards the
movement's end, high
harmonics are sounding in
all four instruments
while left hand pizzicato
notes in the cello pluch
the last remembrances of
this central core. Almost
imperceptibly, the viola
assumes leadership as it
dissolves into: The
fourth movement, The
Fluidity of Motion, which
has mostly the viola, but
also the cello,
articulating lyrical
statements against the
sheets of sound conjured
up by the two violins
playing a flood of
swirling figures, evokes
a kind of static motion
in spae. Here, the
virtually imperceptible
manner in which this
hushed whisper continues
incessantly, can suggest
the potential fluidity
with which movement may
inch forward... Later
into the fourth movement
, two fairly extended
solos by the second and
then the first violins,
lead to a kind of
spontaneous dialogue
among the four
instrumentalists.
Eventually, this musical
conversation gets caught
up in: The fifth
movement's The Rush of
Time, which opens with a
hushed flurry of speed,
precipitates the Finale.
It generates, at first
slowly, but then very
swiftly, whole shifts of
rhythmic fields that
initially seem to
conflict with one
another. Ultimately, this
use of 'psycho-rhythmics
contributes to an on-rush
of motion and time.
Rhythmic changes are, at
times, abruptly
precipitated with but
little or no preparation
creating a kind of
inevitability in forward
thrust, while the
movement rushes forward
with a feeling of gradual
and continuous
acceleration. It gathers
density as more and more
notes are piled
progressively upon
successive beats. The
attempt is to spark
tension and ignite
excitement by means of
frenetic confrontations
of dissimilitudes.
Ultimately - with the
help of time - these
polarities centrifically
spin out their own
destinies with their
accompanying fall-out and
own inevitable
resolutions.
Composed
by Jirka Kadlec. Score
and parts. Duration
15'45. Editions Marc
Reift #EMR 56756.
Published by Editions
Marc Reift
(MA.EMR-56756).
O Come, All Ye
Faithful / Good King
Wenceslas / Kling,
Glockchen, Kling / Il est
ne le divin enfant / The
First Nowell / Hark, The
Herald Angels Sing /
Silent Night / Les anges
dans nos campagnes /
Jingle Bells / In dulci
jubilo etc..
Chamber Music String Quartet SKU: PR.11440505S Composed by John Downey. F...(+)
Chamber Music String
Quartet
SKU:
PR.11440505S
Composed
by John Downey. Full
score. With Standard
notation. 53 pages.
Duration 25 minutes.
Theodore Presser Company
#114-40505S. Published by
Theodore Presser Company
(PR.11440505S).
UPC:
680160008391. 11 x 14
inches.
Although
structurally it
subdivides into five
movements, the entire
quartet emerges as one
vast continuum. There are
no formal breaks between
movements. However,
certain musical signposts
can be discerned,
associated with each of
the movements'
terminations and new
beginnings. The opening
movement, The Nostalgia
of Clanging Bell
Sonorities, begins
floating on recurrent Bbs
whose soft rhythmic flow
slowly puts into motion
strong undercurrents
suggestive of the latent
power of water... After
several suggestions of
tolling bells, the
movement gradually fades
into hushed tones of
veiled and very distant
sonorities. It uses a
unique effect, for the
first time in a musical
context, conveyed through
the use of extra heavy
practice mutes. The
second movement, The
Spill of Water,
disengages itself from
the first through its
distinct contrast in
tempo. Water moves fast,
and when it splashes, it
tends to run wildly. In
this case, it happens to
be bubbly water that
gushes forth bodly...
smashing across rocky
shorelines. So, too, the
music attempts to conjure
such moods. At the end of
this movement, a cello
cadenza emerges,
introducing an
introspective type of
melodicism. The third
movement, The Poignancy
of Memory, contains many
silences as it tries to
convey memory through
fragmented remembrances
much like often occur in
our dream state.
Progressing through
several slowly building
images, it gradually
works itself into
juxtaposition of musical
images. Towards the
movement's end, high
harmonics are sounding in
all four instruments
while left hand pizzicato
notes in the cello pluck
the last remembrances of
this central core. Almost
imperceptibly, the viola
assumes leadership as it
dissolves into: The
fourth movement, The
Fluidity of Motion, which
has mostly the viola, but
also the cello,
articulating lyrical
statements against sheets
of sound conjured up by
the two violins playing a
flood of swirling
figures, evokes a kind of
static motion in space.
Here , the virtually
imperceptible manner in
which this hushed whisper
continues incessantly,
can suggest the potential
fluidity with which
movement may inch
forward... Later into the
fourth movement, two
fairly extended solos by
the second and then the
first violins, lead to a
kind of spontaneous
dialogue amont the four
instrumentalists.
Eventually, this musical
conversation gets caught
up in: The fifth
movement's The Rush of
Time, which opens with a
hushed flurry of speed,
precipitates the Finale.
It generates, at first
slowly, but then very
swiftly, whole shifts of
rhythmic fields that
initially seem to
conflict with one
another. Ultimately, this
use of psycho-rhythmics
contributes to an on-rush
seem of motion and time.
Rhythmic changes are, at
times, abruptly
precipitated with but
little or no preparation
creating a kind of
inevitability in forward
thrust, while the
movement rushes forward
with a feeling of gradual
and continuous
acceleration. It gathers
density as more and more
notes are piled
progressively upon
successive beats. The
attempt is to spark
tension and ignite
excitement by means of
frenetic confrontations
of dissimilitudes.
Ultimately - with the
help of time - these
polarities centrifically
spin out their own
destinies with their
accompanying fall-out and
own inevitable
resolutions.