Ave verum, op. 65/1 N 123 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre - Facile Barenreiter
Solo voices, SATB chorus,organ,double bass ad lib (Soprano solo or Alto solo (or...(+)
Solo voices, SATB
chorus,organ,double bass
ad lib (Soprano solo or
Alto solo (or Female
choir (2voices)) or Tenor
solo, Baritone solo,
Organ, Double bass ad
libitum) - Level 2
SKU: BA.BA25144
Motet for Soprano or
Alto (or two-part Female
Choir) or Tenor and
Baritone, Organ and
optional Double Bass.
Composed by Gabriel
Faure. Edited by Helga
Schauerte-Maubouet. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Singing Score.
Opus 65/1. 4 pages.
Baerenreiter Verlag
#BA25144_00. Published by
Baerenreiter Verlag
(BA.BA25144).
ISBN
9790006575107. 29.7 x 21
cm inches. Text Language:
Latin.
The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
â??Cantique de Jean
Racineâ? or the
â??Messe basseâ? are
published in performing
editions based on the
musical text of the
â??Gabriel Faur â??
Å?uvres
complètesâ?.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Oratorio in three
acts. Composed by
George Frideric Handel.
Edited by Kenneth Nott.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series I,
Volume 30. Complete
edition, Score. HWV 70.
Baerenreiter Verlag
#BA04014_00. Published by
Baerenreiter Verlag
(BA.BA04014).
ISBN
9790006442935. 33 x 26 cm
inches. Text Language:
English. Preface: Nott,
Kenneth. Text: Thomas
Morell.
“Jeph
tha†is
Handel’s last
oratorio. Handel had to
break off from composing
several times because of
his increasing blindness
in 1751. The first
performance at the Covent
Garden Theatre in
February 1752 was the
last performance he
conducted before he went
completely blind. In
“Jephthaâ€,
Handel succeeded in
achieving the perfect
fusion between a biblical
plot and the spirit of
classical tragedy. With
great intensity and
dramatic expression he
highlighted in particular
the fates of Jephtha and
Iphis , thereby
portraying convincing and
complex
characters.
The
chorus “How Dark, O
Lord, are Thy
Decrees†at the end
of part two is of crucial
importance in the work
and is regarded as the
dramatic high point of
the oratorio.
The
vocal score is based on
volume I/30 of the
“Halle Handel
Edition†(BA 4014),
which contains the
complete critical version
of the music of the
oratorio for the first
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Oratorio in three
acts. Composed by
George Frideric Handel.
Edited by Hans Dieter
Clausen. This edition:
complete edition, urtext
edition. Linen. Halle
Handel Edition (HHA)
Series I, Voume 18, Nos.
1 2. Complete edition,
Score. Composed 1743. HWV
57. Duration 3 hours.
Baerenreiter Verlag
#BA04099_00. Published by
Baerenreiter Verlag
(BA.BA04099).
ISBN
9790006550111. 33 x 25.7
cm inches. Text Language:
English. Preface: Hans
Dieter Clausen. Text:
Newburgh
Hamilton.
Handel
composed Samson directly
after completing the
Messiah. After its
premiere in 1743 in the
Covent Garden Theatre in
London, the work rapidly
became one of the
composerâ??s most
successful oratorios
alongside Esther and
Judas Maccabaeus. This
probably had as much to
do with the popular Old
Testament story of the
libretto as with
Handelâ??s masterly
shaping of the arias and
choruses.
By
including some movements
in the appendix, this
edition makes it possible
for the first time to
perform the work in its
original 1741 version.
The edition is based
on the complete edition
volume of the Halle
Handel Edition (BA 4099),
offering the complete
music text of the
oratorio for the first
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Cantata
for Quasimodogeniti
Sunday. Composed by
Johann Sebastian Bach.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal.
Violoncello/double bass.
Sacred vocal music,
Cantatas, Easter and
Eastertide. Single Part,
Cello/Double Bass.
Composed 1725. BWV 42. 12
pages. Duration 28
minutes. Carus Verlag #CV
31.042/14. Published by
Carus Verlag
(CA.3104214).
ISBN
9790007205874. Language:
German/English.
Ins
tead of an opening chorus
Cantata BWV 42 begins
with a magnificent
Sinfonia in the style of
the Brandenburg
Concertos. It is possible
that Bach took this
movement from a concerto
which he had composed
earlier. The first aria,
for alto with obbligato
oboe and bassoon, could
be derived from the
middle movement of this
concerto. The heroic bass
aria, a statement of the
certainty of faith, forms
a weighty counterpart to
the opening movement.
Score and part available
separately - see item
CA.3104200.
Serenade in three
parts. Composed by
George Frideric Handel.
Edited by Artie Heinrich.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) I, 9.2. 2nd
version. Complete
edition, Score. HWV 49.
Duration 1 hour, 20
minutes. Baerenreiter
Verlag #BA10700_00.
Published by Baerenreiter
Verlag (BA.BA10700).
ISBN 9790006550135. 33
x 26 cm inches. Text
Language: English,
Italian. Preface:
Heinrich, Artie. Text:
Gay, John / Hughes, John
/ Pope, Alexander /
Giuvo,
Nicola.
Handel set
the myth about the love
of the shepherd Acis for
the sea nymph Galatea
from Ovid’s
“Metamorphosesâ€
a total of three
times: in the cantata
“Aci, Galatea e
Polifemo†HWV 72
(1708), the masque
“Acis and
Galatea†HWV 49a
(1718) and finally the
pasticcio-like serenata
“Acis and
Galatea†HWV 49b
(1732) of which the
original version is now
made available in its
complete form for the
first time.
A
particular charm is
provided by the use of
two languages in the
serenata. The work was
originally conceived in
English, as was required
for the first
performance. However,
Handel’s Italian
singers were criticised
for their poor command of
English, – so in
the end, many numbers
were sung in Italian.
The extensive
appendix to the vocal
score includes the
additional arias and
newly composed movements
for the versions used in
the 1734 and 1736
performances.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Oratorio in two
parts. Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series I,
Volume 3. Complete
edition, Score. HWV 47.
Duration 1 hour, 50
minutes. Baerenreiter
Verlag #BA04096_00.
Published by Baerenreiter
Verlag (BA.BA04096).
ISBN 9790006550098. 33
x 26 cm inches. Text
Language: Italian.
Preface: Terence Best.
Text: Carlo Sigismondo
Capece.
The Italian
oratorio La Resurrezione
(The Resurrection) was
written during
Handel’s time in
Rome. It was performed on
Easter Sunday 1708 with
great splendour and
extravagance by a large
orchestra conducted by
Arcangelo Corelli in the
Palazzo Bonelli, the
Roman palazzo of
Handel’s patron
the Marchese Francesco
Maria Ruspoli. In its
dramatic structure and
characterisation of the
protagonists, the work
displays a striking
affinity with Italian
opera. Lucifer’s
raging sixty fourth notes
call to mind the demon
characters in Venetian
opera and
Maddalena’s arias
are so full of expressive
power and virtuosity that
Handel later incorporated
one of them into his
opera Agrippina. The
unusual musical richness
of this work and the
virtuosic and masterly
shaping of the arias make
it a welcome addition to
any concert programme.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed
by Carl Philipp Emanuel
Bach. Edited by Gunter
Graulich. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal;
Carus sheet music series:
Vocal scores XL.
Violoncello/double bass.
Innovative practice aids,
Sacred vocal music,
Magnificats, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Single Part, Cello/Double
Bass. Composed 1749.
BR-CPEB E 4 (Wq 215). 32
pages. Duration 42
minutes. Carus Verlag #CV
33.215/14. Published by
Carus Verlag
(CA.3321514).
ISBN
9790007051709. Language:
Latin.
C. P. E.
Bach's nine-movement
Magnificat (1749), the
first great vocal work
from his Berlin years, is
among the most
magnificent sounding, in
which the solo vocal
parts are also among the
most ambitious settings
of the Hymn to the Virgin
Mary (Luke 1). The work
fulfills all the criteria
required for a larger
sacred composition:
grandeur, dignity,
polyphonic and
concertante choral
movements, sensitive
(empfindsam) and
expressive arias, a long
concluding double fugue.
This richly scored
Magnificat (with 3
trumpets and timp. ad.
lib.), which is almost
one hour in duration,
would be well suited, for
example, as the central
work on every Christmas
or pre-Christmas concert
programme. Score and part
available separately -
see item CA.3321500.
In allen meinen
Taten. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Violoncello/double bass.
Sacred vocal music,
Cantatas. Single Part,
Cello/Double Bass.
Composed 1734. BWV 97. 16
pages. Duration 32
minutes. Carus Verlag #CV
31.097/14. Published by
Carus Verlag
(CA.3109714).
ISBN
9790007046965. Key: B
flat major. Language:
German/English. Text:
Fleming, Paul. Text: Paul
Fleming.
Liturgical
intention unknown. Score
and part available
separately - see item
CA.3109700.
Missa in C.
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich. Carus
sheet music series: Vocal
scores XL. Messe In C Op.
86. Innovative practice
aids, Sacred vocal music,
Masses, Latin. Single
Part, Double Bass. Op.
86. 16 pages. Duration 50
minutes. Carus Verlag #CV
40.688/15. Published by
Carus Verlag
(CA.4068815).
ISBN
9790007220372. Language:
Latin.
With its
tonal language of
subjective avowal, the
first of Beethoven's two
masses opens up new
worlds of expression for
the liturgical texts of
the Mass which are
expressly modern and
point towards the future.
Not to be considered a
preliminary work to the
Missa solemnis, it is an
entirely independent work
which set standards for
the further development
of settings of the Mass
in the 19th century. Its
newness, of which the
composer himself was
fully aware (I do not
speak gladly of my Mass,
or of myself, but I do
believe that I have
treated the text in a
manner in which only few
have treated it.), paves
a way to an hitherto
unknown, contemporary
avenue to faith which
today is still current.
Carus presents this
important work of church
music history in a new
critical edition by the
Beethoven expert Ernst
Herttrich. Score and part
available separately -
see item CA.4068800.
Composed
by Franz Xaver Richter.
Edited by Hans Gurski,
Annette Naumann.
Violoncello/double bass.
Sacred vocal music,
Masses, Latin, Christmas.
Single Part, Cello/Double
Bass. Composed 1775.
Reutter A 23. 24 pages.
Duration 40 minutes.
Carus Verlag #CV
97.006/14. Published by
Carus Verlag
(CA.9700614).
ISBN
9790007238902. Key: G
major. Language:
Latin.
Several
elements contribute to
the Christmas character
of this mass, which is
distinguished by the fine
skillfulness of its
composition: structural
means, such as motives in
triads, the symbol of
gently rocking,
traditional themes and a
fitting instrumentation
with trumpets and flutes.
Because of its catchy,
easiliy graspable quality
this Messa Pastorale,
published here in a first
edition, is highly suited
for liturgical use. Score
and part available
separately - see item
CA.9700600.
Composed
by Johann David
Heinichen.
Violoncello/double bass.
Sacred vocal music,
Masses, Latin. Single
Part, Cello/Double Bass.
20 pages. Duration 45
minutes. Carus Verlag #CV
27.048/14. Published by
Carus Verlag
(CA.2704814).
ISBN
9790007199432. Key: D
major. Language:
Latin.
The Carus
program featuring music
of the Court of Dresden
has been expanded with
the publication of the
first edition of the
great masses of Johann
David Heinichen, who,
next to Hasse and
Zelenka, was the most
important musical
representative of this
capital of Saxony. A
peculiarity of this work
is the fact that
Heinichen inserted an
actual concerto movement
for solo flute, 2 oboes,
strings and continuo
between the Gloria and
Credo, which recommends
the Mass for concert
performances. Score and
part available separately
- see item
CA.2704800.
Cantata
for Exaudi. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal.
Violoncello/double bass.
Sacred vocal music,
Cantatas. Single Part,
Cello/Double Bass.
Composed circa 1724? BWV
44. 8 pages. Duration 22
minutes. Carus Verlag #CV
31.044/14. Published by
Carus Verlag
(CA.3104414).
ISBN
9790007205997. Language:
German/English.
The
cantata Sie werden euch
in den Bann tun, part of
Bach's first Leipzig
annual cycle of cantatas
and the earlier of two
compositions of the same
name, was probably first
performed on the last
Sunday after Ascension in
May 1724. The text is
concerned with suffering
and the Antichrist, both
of which are overcome by
Christian faith. By
employing all four ranges
in solo capacities Bach
creates the greatest
possible variety. It
opens, unusually, with a
duet for tenor and bass,
accompanied by two oboes
and basso continuo. Score
and part available
separately - see item
CA.3104400.
Singet
dem Herrn ein neues
Lied. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
Arranged by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
Violoncello/double bass.
Sacred vocal music,
Cantatas, Psalms, German,
Easter and Eastertide,
Psalms. Single Part,
Cello/Double Bass. TVWV
7:30. 12 pages. Duration
20 minutes. Carus Verlag
#CV 39.124/14. Published
by Carus Verlag
(CA.3912414).
ISBN
9790007055813. Key: D
major. Language:
German/English.
Thi
s nine-movement psalm
composition allows all
the participants to
shine, in some cases with
rich virtuosity: the
string ensemble in the
opening Sonata; the solo
singers and choir in the
chaconne-like first vocal
movement, Singet dem
Herrn; also the solo
singers in two duets
(alto + tenor, soprano +
alto), an alto solo and
an extensive bass solo;
the choir in two further
movements - a fugue on
the 6th verse of the
psalm Es stehet herrlich
und prachtig fur ihm and
the concluding movement
in two sections, Betet an
den Herrn, which ends
with a brilliant fugue on
Es furchte ihn alle Welt.
This is a festive sacred
work suitable for many
occasions (including
weekday Epiphany psalm
services and for services
on the 4th Sunday after
Easter). The present
edition presents the
source material in
revides form, transcribed
into current editorial
and performance usage.
Score and part available
separately - see item
CA.3912400.
WithL'Etoil
e, Chabrier composed a
light-hearted opera which
has increasingly enjoyed
revivals in recent
years.
The plot
is introduced by King Ouf
I who offers his subjects
an execution every year
on his birthday.
Unfortunately the problem
now arises that no crime
has recently been
committed which might
serve as a reason for an
execution. Finally, he
finds a would-be victim
in the young Lazuli.
However, according to
predictions by the
astrologer Siroco,
Lazuli's fate is closely
linked to the king's own
life. The comic opera is
further bolstered by a
story of mistaken
identities which involves
a great deal of
diplomacy, a love story
and a large number of
refined, yet catchy
melodies. Chabrier was
a master of the sensitive
and complicated art of
musical comedy, a field
where he can be compared
in equal measure to
Offenbach, Rossini and
Mozart.
This vocal
score is based on the
full score edited by Hugh
Macdonald which is
published as part of the
seriesL'Opera
francais.
-
Authoritative Urtext
edition based on the
seriesL'Opera
francais - Original
French text with a German
singing translation -
Comprehensive foreword
(Ger/Eng/Fr)
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Missa in C.
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich. 1x
40.688/21 flute 1, 1x
40.688/22 flute 2, 1x
40.688/23 oboe 1, 1x
40.688/24 oboe 2, 1x
40.688/25 clarinet 1, 1x
40.688/26 clarinet 2, 1x
40.688/27 bassoon 1, 1x
40.688/28 bassoon 2, 1x
40.688/31 horn 1, 1x
40.688/32 horn 2, 1x
40.688/33 trumpet 1, 1x
40. Carus sheet music
series: Vocal scores XL.
Messe In C Op. 86.
Innovative practice aids,
Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. Op. 86.
120 pages. Duration 50
minutes. Carus Verlag #CV
40.688/09. Published by
Carus Verlag
(CA.4068809).
ISBN
9790007220327. Language:
Latin.
With its
tonal language of
subjective avowal, the
first of Beethoven's two
masses opens up new
worlds of expression for
the liturgical texts of
the Mass which are
expressly modern and
point towards the future.
Not to be considered a
preliminary work to the
Missa solemnis, it is an
entirely independent work
which set standards for
the further development
of settings of the Mass
in the 19th century. Its
newness, of which the
composer himself was
fully aware (I do not
speak gladly of my Mass,
or of myself, but I do
believe that I have
treated the text in a
manner in which only few
have treated it.), paves
a way to an hitherto
unknown, contemporary
avenue to faith which
today is still current.
Carus presents this
important work of church
music history in a new
critical edition by the
Beethoven expert Ernst
Herttrich. Score and
parts available
separately - see item
CA.4068800.
Composed
by Johann Valentin
Rathgeber. Edited by
Wilfried Dotzauer.
Arranged by Wilfried
Dotzauer.
Violoncello/double bass.
Sacred vocal music,
Masses, Latin. Single
Part, Cello/Double Bass.
Composed 1721. Op. 1, No.
3. 6 pages. Duration 12
minutes. Carus Verlag #CV
40.633/13. Published by
Carus Verlag
(CA.4063313).
ISBN
9790007074944. Key: A
major. Language:
Latin.
The
technical demands made on
the vocal soloists (and
also on the
instrumentalists) are no
greater in the soli than
in the tutti sections.
Therefore there ist no
need for highly
accomplished solo
singers; members of the
choir can take the solo
parts. This Mass can also
be performed accompanied
only by an organ. Score
and part available
separately - see item
CA.4063300.
Oratorium.
Composed by Franz Joseph
Haydn. Edited by Wolfgang
Gersthofer. This edition:
urtext. 1x 51.990/21
flute 1, 1x 51.990/22
flute 2, 1x 51.990/23
flute 3, 1x 51.990/24
oboe 1, 1x 51.990/25 oboe
2, 1x 51.990/26 clarinet
1, 1x 51.990/27 clarinet
2, 1x 51.990/28 bassoon
1, 1x 51.990/29 bassoon
2, 1x 51.990/30 double
bassoon, 1x 51.990/31
horn 1,. Stuttgart Urtext
Edition: Joseph Haydn,
Sacred vocal music.
German title: Die
Schopfung 18. Innovative
practice aids, Sacred
vocal music, Oratorios,
Praise and thanks. Set of
Orchestra Parts. Composed
1798. Hob. XXI:2. 250
pages. Duration 105
minutes. Carus Verlag #CV
51.990/09. Published by
Carus Verlag
(CA.5199009).
ISBN
9790007225452. Language:
German/English. Text: von
Swieten, Gottfried. Text:
Baron von
Swieten.
The
primary source on which
the new Carus Urtext
edition is based is the
first edition of the
score from 1800. Contrary
to normal custom, Haydn
published the score
himself in order to avoid
unauthorized publications
and to present an
optimally designed
edition from an authentic
hand. With this original
document, which has been
compared with additional
relevant sources, Carus
now offers a musical text
based on the latest
musicological findings.
The critical report
provides all of the
important data concerning
the edition in a compact
form suitable for
practical use [practical
performance]. A detailed
foreword offers insight
into the genesis of the
work, its construction
and reception and
illuminates compositional
and theological and
spiritual-historical
aspects. In addition to
the score, with singing
texts in two languages
(G. van Swieten's
original German and
English text), in the
interest of legibility,
vocal and choral scores
will be offered in two
separate editions (German
or English). This work is
now available in carus
music, the choir app.
Score and parts available
separately - see item
CA.5199000.
Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
Violoncello/double bass.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Cello/Double
Bass. TVWV 1:1452. 8
pages. Duration 22
minutes. Carus Verlag #CV
39.115/14. Published by
Carus Verlag
(CA.3911514).
ISBN
9790007215637. Language:
German.
Uns ist ein
Kind geboren is one of
Telemann's most beautiful
Christmas cantatas, which
features an opening duet
for two sopranos based on
Polish-Moravian folklore,
as well as two
substantial choral
movements. The two horns
allotted to the second
choral movement to the
text Ehre sei Gott in der
Hohe can be replaced by
two flutes. This is
supported by a source
from the Telemann
tradition in Frankfurt,
in which these parts are
present. Score and part
available separately -
see item CA.3911500.
Missa
in C. Composed by
Johann Joseph Fux.
Violoncello/double bass.
Sacred vocal music,
Masses, Latin. Single
Part, Cello/Double Bass.
KV 46. 8 pages. Carus
Verlag #CV 10.275/13.
Published by Carus Verlag
(CA.1027513).
ISBN
9790007023515. Key: C
major. Language:
Latin.
In his
numerous works Fux
succeeded in combining,
with extremely
interesting results, the
art of setting
construction as learned
from Palestrina with the
advanced style of
composition of the
Neapolitan school. Score
and part available
separately - see item
CA.1027500.
Composed by Gallus
Zeiler. Edited by Gerhard
Weinberger.
Violoncello/double bass.
Sacred vocal music,
Cantatas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Cello/Double Bass. Op. 5,
No. 8. 4 pages. Duration
6 minutes. Carus Verlag
#CV 40.453/14. Published
by Carus Verlag
(CA.4045314).
ISBN
9790007068677. Key: B
flat major. Language:
Latin.
The brevity
of the work and the
slight technical demands
posed make Zeiler's
Magnificat equally
suitable to liturgical
and concert use. Score
and part available
separately - see item
CA.4045300.
Composed by Leopold
Mozart.
Violoncello/double bass.
Sacred vocal music,
Masses, Latin. Single
Part, Cello/Double Bass.
Composed 1765. KV. 8
pages. Duration 15
minutes. Carus Verlag #CV
27.051/13. Published by
Carus Verlag
(CA.2705113).
ISBN
9790007199487. Language:
Latin.
If, during
his lifetime, Leopold
Mozart was highly
regarded as composer of
programmatic instrumental
music, it is his church
music which has proven to
comprise the more
important part of his
opus. This is also
especially true for the
influence which this
music had on the sacred
compositions of his son
Wolfgang Amadeus. In the
Missa in A (ca.1765), in
the manner of the times,
Leopold Mozart blends
baroque and gallant
stylistic elements and
through formal structure
and an expressive musical
language he gives the
Credo a special
importance. Score and
part available separately
- see item
CA.2705100.
Composed
by Giovanni Benedetto
Platti. Edited by Leo
Langer. Arranged by Paul
Horn. Violoncello/double
bass. Sacred vocal music,
Masses, Latin. Single
Part, Cello/Double Bass.
12 pages. Duration 25
minutes. Carus Verlag #CV
40.677/14. Published by
Carus Verlag
(CA.4067714).
ISBN
9790007220204. Key: F
major. Language:
Latin.
The first
edition of a Missa in F
by Giovanni Platti (ca.
1690-1763) is a rarity.
Platti served at the
Court of the Counts of
Schonborn-Wiesentheid,
and during his more than
40 years of service at
the Court he worked for
more than five masters
and each of them knew how
to make use of his
musical abilities. Thus,
in addition to his
position as a virtuoso
oboist, singer and
violinist, he was also
entrusted with the
musical education of
musicians. The Missa in F
major is primarily a
composition for choir; it
is very singable, its
construction is
transparent and it is
accompanied by only four
strings and an organ.
Score and part available
separately - see item
CA.4067700.
Cantata for the Feast
of John the Baptist.
Composed by Johann
Sebastian Bach. Edited by
Julia Doht. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Violoncello/double bass.
Sacred vocal music,
Cantatas, Special days.
Single Part, Cello/Double
Bass. Composed 1738(?).
BWV 30. 16 pages.
Duration 40 minutes.
Carus Verlag #CV
31.030/14. Published by
Carus Verlag
(CA.3103014).
ISBN
9790007205430. Text
language:
German/English.
The
cantata Freue dich,
erloste Schar BWV 30 is
one of Bach's last church
cantatas. Originally
composed as a parody of
the cantata Angenehmes
Wiederau BWV 30a for the
Feast of St. John's Day
in 1738, it still enjoys
a great popularity today.
Its extraordinary length
(12 movements) made it
possible for Bach to
employ four vocal
soloists who, together
with instrumental
soloists, choir and
orchestra contribute to
the generally festive
character of this work.
Score and part available
separately - see item
CA.3103000.