Four Passion Meditations Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Oxford University Press
Composed by Bob Chilcott. Vocal score. 28 pages. Duration 15'. Oxford University...(+)
Composed by Bob Chilcott.
Vocal score. 28 pages.
Duration 15'. Oxford
University Press
#9780193519763. Published
by Oxford University
Press (OU.9780193519763).
By Dietrich Buxtehude (1637-1707). Edited by Thomas Schlage. For SATB Choir, 2 V...(+)
By Dietrich Buxtehude
(1637-1707). Edited by
Thomas Schlage. For SATB
Choir, 2 Violins, Violone
(Violoncello), Basso
continuo. This edition:
Paperbound. Cantatas.
Full score. Language:
German. BuxWV 27. 24
pages. Duration 6 min.
Published by Carus Verlag
Cantata
for Ascension.
Composed by Johann
Sebastian Bach. Edited by
Michael Marker. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gott fahret auf mit
Jauchzen. Sacred vocal
music, Cantatas,
Ascension. Set of
Orchestra Parts. Composed
1726. BWV 43. Duration 25
minutes. Carus Verlag #CV
31.043/19. Published by
Carus Verlag
(CA.3104319).
ISBN
9790007136123. Key: C
major / g major.
Language:
German/English.
On
the 30th May 1726, as
part of his third Leipzig
annual cycle of cantatas,
Bach directed the first
performance of his
Ascension Cantata Gott
fahret auf mit Jauchzen.
The libretto was
published at Rudolstadt
during the same year
without any indication of
the autor's name, in a
collection entitled Sonn-
und Fest-Tags-Andachten
uber die ordenlichen
Evangelia. The libretti
in that collection had
already been used during
the Church year 1704/05
at the Court of
Meiningen; their author
may have been Duke Ernst
Ludwig von
Sachsen-Meiningen. Score
and parts available
separately - see item
CA.3104300.
Cantata
for Ascension.
Composed by Johann
Sebastian Bach. Edited by
Michael Marker. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gott fahret auf mit
Jauchzen. Sacred vocal
music, Cantatas,
Ascension. Choral Score.
Composed 1726. BWV 43. 8
pages. Duration 25
minutes. Carus Verlag #CV
31.043/05. Published by
Carus Verlag
(CA.3104305).
ISBN
9790007103040. Key: C
major / g major.
Language:
German/English.
On
the 30th May 1726, as
part of his third Leipzig
annual cycle of cantatas,
Bach directed the first
performance of his
Ascension Cantata Gott
fahret auf mit Jauchzen.
The libretto was
published at Rudolstadt
during the same year
without any indication of
the autor's name, in a
collection entitled Sonn-
und Fest-Tags-Andachten
uber die ordenlichen
Evangelia. The libretti
in that collection had
already been used during
the Church year 1704/05
at the Court of
Meiningen; their author
may have been Duke Ernst
Ludwig von
Sachsen-Meiningen. Score
available separately -
see item CA.3104300.
Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Whitsun.
Single Part, basso
continuo. Composed 1725.
BWV 164. 12 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/14. Published by
Carus Verlag
(CA.3116414).
ISBN
9790007209056. Text
language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400.
Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 2. Composed
1725. BWV 164. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/12. Published by
Carus Verlag
(CA.3116412).
ISBN
9790007209032. Text
language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400.
Cantata
for Ascension.
Composed by Johann
Sebastian Bach. Edited by
Michael Marker. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gott fahret auf mit
Jauchzen. Sacred vocal
music, Cantatas,
Ascension. Single Part,
Cello/Double Bass.
Composed 1726. BWV 43. 12
pages. Duration 25
minutes. Carus Verlag #CV
31.043/14. Published by
Carus Verlag
(CA.3104314).
ISBN
9790007205935. Key: C
major / g major.
Language:
German/English.
On
the 30th May 1726, as
part of his third Leipzig
annual cycle of cantatas,
Bach directed the first
performance of his
Ascension Cantata Gott
fahret auf mit Jauchzen.
The libretto was
published at Rudolstadt
during the same year
without any indication of
the autor's name, in a
collection entitled Sonn-
und Fest-Tags-Andachten
uber die ordenlichen
Evangelia. The libretti
in that collection had
already been used during
the Church year 1704/05
at the Court of
Meiningen; their author
may have been Duke Ernst
Ludwig von
Sachsen-Meiningen. Score
and part available
separately - see item
CA.3104300.
Cantata
for Ascension.
Composed by Johann
Sebastian Bach. Edited by
Michael Marker. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gott fahret auf mit
Jauchzen. Sacred vocal
music, Cantatas,
Ascension. Single Part,
Viola. Composed 1726. BWV
43. 4 pages. Duration 25
minutes. Carus Verlag #CV
31.043/13. Published by
Carus Verlag
(CA.3104313).
ISBN
9790007205928. Key: C
major / g major.
Language:
German/English.
On
the 30th May 1726, as
part of his third Leipzig
annual cycle of cantatas,
Bach directed the first
performance of his
Ascension Cantata Gott
fahret auf mit Jauchzen.
The libretto was
published at Rudolstadt
during the same year
without any indication of
the autor's name, in a
collection entitled Sonn-
und Fest-Tags-Andachten
uber die ordenlichen
Evangelia. The libretti
in that collection had
already been used during
the Church year 1704/05
at the Court of
Meiningen; their author
may have been Duke Ernst
Ludwig von
Sachsen-Meiningen. Score
and part available
separately - see item
CA.3104300.
Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Whitsun. Single Part,
Viola. Composed 1725. BWV
164. 4 pages. Duration 17
minutes. Carus Verlag #CV
31.164/13. Published by
Carus Verlag
(CA.3116413).
ISBN
9790007209049. Text
language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400.
Cantata
for Ascension.
Composed by Johann
Sebastian Bach. Edited by
Michael Marker. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gott fahret auf mit
Jauchzen. Sacred vocal
music, Cantatas,
Ascension. Single Part,
Violin 1. Composed 1726.
BWV 43. 8 pages. Duration
25 minutes. Carus Verlag
#CV 31.043/11. Published
by Carus Verlag
(CA.3104311).
ISBN
9790007205904. Key: C
major / g major.
Language:
German/English.
On
the 30th May 1726, as
part of his third Leipzig
annual cycle of cantatas,
Bach directed the first
performance of his
Ascension Cantata Gott
fahret auf mit Jauchzen.
The libretto was
published at Rudolstadt
during the same year
without any indication of
the autor's name, in a
collection entitled Sonn-
und Fest-Tags-Andachten
uber die ordenlichen
Evangelia. The libretti
in that collection had
already been used during
the Church year 1704/05
at the Court of
Meiningen; their author
may have been Duke Ernst
Ludwig von
Sachsen-Meiningen. Score
and part available
separately - see item
CA.3104300.
Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 1. Composed
1725. BWV 164. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/11. Published by
Carus Verlag
(CA.3116411).
ISBN
9790007209025. Text
language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400.
Cantata
for Ascension.
Composed by Johann
Sebastian Bach. Edited by
Michael Marker. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gott fahret auf mit
Jauchzen. Sacred vocal
music, Cantatas,
Ascension. Single Part,
Violin 2. Composed 1726.
BWV 43. 8 pages. Duration
25 minutes. Carus Verlag
#CV 31.043/12. Published
by Carus Verlag
(CA.3104312).
ISBN
9790007205911. Key: C
major / g major.
Language:
German/English.
On
the 30th May 1726, as
part of his third Leipzig
annual cycle of cantatas,
Bach directed the first
performance of his
Ascension Cantata Gott
fahret auf mit Jauchzen.
The libretto was
published at Rudolstadt
during the same year
without any indication of
the autor's name, in a
collection entitled Sonn-
und Fest-Tags-Andachten
uber die ordenlichen
Evangelia. The libretti
in that collection had
already been used during
the Church year 1704/05
at the Court of
Meiningen; their author
may have been Duke Ernst
Ludwig von
Sachsen-Meiningen. Score
and part available
separately - see item
CA.3104300.
Shorter Sacred Works Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Partition] Barenreiter
Arranged for Soloists, Choir and Organ. By Wolfgang Amadeus Mozart. Arranged by ...(+)
Arranged for Soloists,
Choir and Organ. By
Wolfgang Amadeus Mozart.
Arranged by K!Hs,
Andreas. For Soli, Mixed
Choir (SATB), Organ. Chor
and Orgel. Collection
(paperbound). Published
by Baerenreiter-Ausgaben
(German import).