3 Pieces Op. 52 Violon et Piano [Conducteur] Breitkopf & Härtel
Violin, piano SKU: BR.EB-32065 Urtext. Composed by Richard Franck....(+)
Violin, piano
SKU:
BR.EB-32065
Urtext. Composed
by Richard Franck. Edited
by Nick Pfefferkorn. Solo
instruments; stapled.
Edition Breitkopf.
Late-romantic. Score. 20
pages. Duration 10'.
Breitkopf and Haertel #EB
32065. Published by
Breitkopf and Haertel
(BR.EB-32065).
ISBN
9790004186558. 9 x 12
inches.
Die
Entstehung von op. 52
fallt in ein zeitlich und
inhaltlich schwer
abzugrenzendes
Spannungsfeld. Die Stucke
erschienen 1910 im Verlag
von Albert Stahl in
Berlin, als Richard
Franck sich bereits nach
Heidelberg zuruckgezogen
hatte. Sie zahlen somit
zu seinen letzten
veroffentlichten Werken.
Inhalt: I. Elegie wirkt
ausgesprochen resigniert,
fast wie ein Abschied.
Die Flote steht ganz im
Vordergrund dieses
melancholischen, mit
Chromatik angereicherten
und klar strukturierten
Adagio-Satzes. II. Der
Reiter von Sankt Karli
kommt als humorvolles
Scherzo daher, wohl eine
Anspielung auf die
Schweiz, in der Franck
einige Jahre verbrachte.
Fast wirkt es wie eine
Hommage an Schumann. Der
Mittelteil dieses
Scherzos, ein Andante,
nimmt Bezug auf die
elegische Stimmung des
ersten Satzes. Es ist
eine ruhigere Station,
bevor der Reiter
weiterzieht. III.
Perpetuum mobile, so
schnell als moglich kann
man als Vorlaufer
moderner
Klangflachenkompositionen
auffassen, aber naturlich
auch als schlichtes,
scherzhaftes Bravourstuck
im Stile des
Hummelflugs.
Chamber Music Clarinet, Piano, Violin SKU: PR.164002390 Composed by Dan W...(+)
Chamber Music Clarinet,
Piano, Violin
SKU:
PR.164002390
Composed
by Dan Welcher. Set of
Score and Parts. With
Standard notation.
Composed 1995. 26+14+14
pages. Duration 14
minutes. Theodore Presser
Company #164-00239.
Published by Theodore
Presser Company
(PR.164002390).
UPC:
680160038091.
I
became interested in the
work of Plato through my
friend and collaborator,
the writer and
philosopher Paul
Woodruff. Paul's new
translation, with
Alexander Nehamas, of the
Symposium gave me
insights into ancient
Greek ways of thinking
about Love, Beauty, and
Wisdom -- and managed to
keep the earthy, and
often bawdy side of it
all in full view. But
their new translation of
Plato's later dialogue
Phaedrus went even
further: the beauty of
the speeches is
breathtaking, and the
discourse itself is
enough to keep one awake
at night. Basically the
Great Speech of Socrates
in the Phaedrus dialogue
has to do with the place
of Eros in the world, and
with the conflict in the
soul between fleshly
pleasure and philosophic
discovery. I will not
attempt to encapsulate
this brilliant discourse
in a program note:
suffice it to say that
reading it gave rise to
my two-sided work for
clarinet, violin, and
piano, Phaedrus. The
first movement represents
the Philosophic life, and
is thus subtitled
Apollo's Lyre (Invocation
and Hymn). It begins with
an unaccompanied melody
for the clarinet, which
(after a pair of
harp-like flourishes for
the piano, expands into
an accompanied canon. The
voices in the dialogue
(clarinet and violin)
follow each other by a
prescribed number of
beats, but the music is
totally devoid of any
meter at all. The piano,
representing the lyre,
accompanies this lyric
love-feast with repeated
strummed chords. The
canon has three large
sections, and ends with
violin echoing the
unaccompanied clarinet
invocation as the sound
of the lyre fades. The
second movement, called
Dionysus' Dream-Orgy
(Ritual Dance) presents,
after a brief
introduction, another
kind of unmetered music.
Rather than long lyric
flights of philosophic
song, however, this time
we hear a unison dance of
unbridled energy and
sensual transport. The
piece soon forms itself
into a loose arch form,
with contrasting metered
dance sections divided by
the unison unmetered orgy
tune. Midway through the
movement, Apollo's melody
returns from the first
movement, but it is a
temporary reminiscence.
The orgiastic dance
returns, reaches a
climax, and ends with a
stomping of feet. While
Plato asserts that a
proper balance between
lust and reason is
necessary in all men, he
(naturally) gives the nod
to Philosophy as the
better choice in which to
live. Not so in my music:
the two sides are meant
to coexist and to
complement each other. No
sides are taken. Phaedrus
was commissioned of the
Verdehr Trio by Michigan
State University. It is
dedicated to the Vedehr
Trio with great affection
and admiration.
Violin and piano SKU: M7.VHR-3435 23 Charakterstücke - leicht in be...(+)
Violin and piano
SKU:
M7.VHR-3435
23
Charakterstücke -
leicht in beiden
Instrumenten.
Composed by Karin Gross.
Sheet music. Holzschuh
Musikverlag #VHR 3435.
Published by Holzschuh
Musikverlag
(M7.VHR-3435).
ISBN
9783864341014.
Die
kleinen Duos erzählen
von Rittern und
Seeräubern, malen
Landschaftsbilder, lassen
Drachen steigen und
entführen ins Reich
der Tiere. Die Ausgabe
richtet sich
gleichermaßen an
Geigen- wie an
Klavierschüler/-innen
mit Freude am gemeinsamen
Musizieren. 1. und 2.
Griffart Die Ausgabe
einthält einen
20-seitigen Einleger
für Violine.
Twelve European Dances Violon et Piano [Partition + CD] - Intermédiaire De Haske Publications
Violin and Piano - intermediate SKU: BT.DHP-1094746-400 For Violin and...(+)
Violin and Piano -
intermediate
SKU:
BT.DHP-1094746-400
For Violin and
Piano. Composed by
Wim Dirriwachter. Book
with CD. Composed 2009.
56 pages. De Haske
Publications #DHP
1094746-400. Published by
De Haske Publications
(BT.DHP-1094746-400).
ISBN 9789043132848.
9x12 inches.
English-German-French-Dut
ch.
Take a trip
around Europe with this
exciting play-along book:
Enjoy visits to Scotland,
Ireland, Hungary, Spain,
Bohemia and many more
exciting places!
Die Tänze
in diesem Buch enthalten
alle charakteristische
Rhythmusmerkmale der
musikalischen Tradition
des Landes oder der
Region, aus der sie
stammen. So ist zum
Beispiel Irish
Dance von der
traditionellen Jig mit
ihrem trällernden
6/8-Takt inspiriert. In
der Violinstimme von
Spanish Dance ist
der der Flamencorhythmus
in einem schnellen
3/4-Takt
herauszuhören,
während die
Klavierstimme den Klang
der Gitarre nachahmt.
Scottish Dance
weist Strathspey-Rhythmen
auf und imitiert
außerdem den Klang
eines
Dudelsacks.
Inizia un viaggio
attraverso
lââ¬ËEuropa.
Questa pubblicazione di
porter in Scozia,
Irlanda, Ungheria,
Spagna, Boemia e tanti
altri posti
affascinanti!
Chamber Music violin, piano SKU: PR.144407050 Composed by James Primosch....(+)
Chamber Music violin,
piano
SKU:
PR.144407050
Composed
by James Primosch. Set of
Score and Parts. With
Standard notation. 28+12
pages. Duration 20
minutes. Theodore Presser
Company #144-40705.
Published by Theodore
Presser Company
(PR.144407050).
UPC:
680160655519. 9 x 12
inches.
Celebrating
30 years, the
Philadelphia Chamber
Music Society
commissioned a work of
20-25 minutes for violin
and piano from James
Primosch, University of
Pennsylvania professor of
music. Primosch had
originally thought to
create a new sonata, but
what developed is more
appropriately a set of
five character pieces,
two of which were
directly inspired by
poems. Five Poems was
premiered in May, 2016,
and Primosch's thoughts
are recorded at his
website:
https://jamesprimosch.com
/2016/05/10/five-poems-pr
emiere/. Upon
receiving a commission
from the Philadelphia
Chamber MusicSociety for
a violin and piano piece
in honor of its 30th
anniversary, myplan was
to write a sonata, a term
suggesting a relatively
abstractdiscourse. But as
the piece developed, the
movements struck me
ascharacter pieces rather
than music employing a
more
“symphonicâ€ap
proach. When specific
poems started to attach
themselves in my mindwith
two of the movements, the
overall title Five Poems
became clear.The title of
the second movement is a
line from Susan
Stewart’s“De
scentâ€, which deals
with Aeneas’s
visit to the underworld.
The musicis alternately
fiercely driving and
quite still, though
tense.
RobertFrost’s
Nothing Gold Can Stay
summons fleet scale
passages framinglyrical
counterpoint. The
remaining movements do
not refer to
specificpoems, but have
titles reflecting their
expressive tone.
Dreamscape ismusing with
an improvisatory violin
line over shifting pairs
of pianochords. Nightsong
is a bluesy lullaby that
turns highly
dramatic.Vision begins
with a closely argued
struggle but breaks
through tosomething
spacious and clear.
Piano Accompaniment; Violin (Score and Solo Part) - difficult SKU: HL.4904445...(+)
Piano Accompaniment;
Violin (Score and Solo
Part) - difficult
SKU:
HL.49044450
Violin
and Piano. Composed
by Thierry Pé and
cou. This edition: Saddle
stitching. Sheet music.
String. Soleil-Feu refers
to the first attempt to
create a world out of a
rain of fire (nahui
quiahuitl) as described
in the cosmogony of
Ancient Mexican
civilisation. The element
of fire is reflected in
the musical soundscape of
this work; rampant,
rhythmic moti. Classical,
Contemporary. Softcover.
Composed 2013. 32 pages.
Duration 6'. Schott Music
#ED21888. Published by
Schott Music
(HL.49044450).
ISBN
9790001198639.
9.0x12.0x0.124
inches.
This work
is part of a cycle of
five short pieces for a
single instrument and
piano, focused on the
five ages in the
cosmogony of Ancient
Mexican civilisation. The
peoples of the Mexican
highlands believe that
time follows specific
cycles and that the world
was created following the
pattern of 'trial and
error'. The creation of
the world is divided into
several periods which are
termed 'suns' (we are
currently living in the
fifth phase named
'Ollin'). Each period
will be brought to an end
through a natural
catastrophe.Solei-Feu
refers to the first
attempt to create a world
out of a rain of fire
(nahui quiahuitl).The
element of fire is
reflected in the musical
soundscape of this work,
constructed from rampant,
rhythmic motifs,
fragmented splinters,
spinning upswings and
impacts reverberating
through space. An
intimate dialogue
develops between violin
and piano on the basis of
extremely simple figures.
Interconnecting lines and
dense musical material
are thrown against each
other in a play of
contrasting registers and
blended tonal colouring,
creating a mysterious and
disturbing mythological
universe coloured by its
ontological pessimism.
Thierry
Pecou
Soleil-Feu
refers to the first
attempt to create a world
out of a rain of fire
(nahui quiahuitl) as
described in the
cosmogony of Ancient
Mexican civilisation. The
element of fire is
reflected in the musical
soundscape of this work;
rampant, rhythmic motifs,
fragmented splinters,
spinning upswings and
impacts reverberating
through space create a
mysterious and disturbing
mythological universe
coloured by its
ontological pessimism.
Thierry Pecou.
Violin and Piano with Online Accompaniments. Composed by Stephen Sondheim (193...(+)
Violin and Piano with
Online
Accompaniments. Composed
by
Stephen Sondheim (1930-).
Broadway, Movies.
Softcover
Audio Online. 64 pages.
Published by Hal Leonard
Chamber Music Cello, Piano, Violin SKU: PR.414411630 Composed by Shulamit...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.414411630
Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation.
28+28+20+24+20+24 pages.
Duration 20 minutes.
Theodore Presser Company
#414-41163. Published by
Theodore Presser Company
(PR.414411630).
ISBN
9781491114551. UPC:
680160089956. 9.5 x 13
inches.
EXCURSIONS
is a one-movement work
exploring two
“characters.â€
A rhapsodic, descending
passage is introduced by
the cello, followed by
a static,
chorale-like phrase for
the violin and cello.
Their individual
developments are
separated by a slow,
contrasting middle
section. The composer has
written: “This is
analogous to situations
in life: we stand by a
crossroad, choosing one
option and forfeiting the
other. But in art, the
realm of the imagination,
we can perhaps afford to
pursue more than one
route to its ultimate
destination… or can
we? It is symbolic that
in this work both roads
eventually lead to the
same
place.â€. Excursi
ons for violin, cello and
piano, is a one-movement
work of tripartite
structure in which
materials explored in the
first of three large
sections are brought back
in the last section.Â
The traditional
statement-contrast-restat
ement form, which is
readily suggested by such
a description, is,
however, not at all in
the mold in which the
work is cast. Rather,
my aim was to subject the
essential materials of
the piece (two
“charactersâ€
–the rhapsodic,
descending passage played
by the cello in the very
opening and, later, a
static, slow moving,
chorale-like phrase for
the violin and cello) to
two entirely different
developments separated by
a slow, contrasting
middle section. This
is analogous to an
exploration of the
ramifications that two
divergent choices made by
the same person might
lead to. In life, as
we stand by a crossroad,
choosing one option
usually means having to
forfeit the other.Â
But in art, the realm of
the imagination, we can
perhaps afford to pursue
more than one route to
its ultimate
destination…or can
we? It is, I believe,
symbolic that in this
work both roads
eventually lead to the
same place: in composing
Excursions, it seemed
absolutely inescapable
that at the end the slow,
contrasting middle
sections – both
more resigned and
peaceful than the
battling spirits of the
outer parts –
should return briefly to
end the work. The
piano trio combination
(once highly favored, but
to this composer still as
challenging today) is
approached here as a
collaborative effort of
three equal soloists
– partners. Of
the available pairings,
the two strings find
themselves occasionally
approached as a team
pitted against the
piano. The
cello-piano combination
is also not uncommon
here, and there is an
extended violin cadenza
toward the end of the
piece. The writing
for the three instruments
is closely and at times
interlinked, but the
players are all
instructed to play from
scores. Excursions was
first performed at
Brandeis University in
1982.
Violin and Piano Book/Online Audio. Composed by Peter Ilyich Tchaikovsky (1840...(+)
Violin and Piano
Book/Online
Audio. Composed by Peter
Ilyich Tchaikovsky (1840-
1893). For Classical
Players. Christmas,
Christmas Secular.
Softcover
Audio Online. 64 pages.
Published by Hal Leonard
Chamber Music violin, piano SKU: PR.144405810 Ballad for Violin and Pi...(+)
Chamber Music violin,
piano
SKU:
PR.144405810
Ballad for Violin and
Piano. Composed by
Jay Reise. Premiered by
Maria Bachmann and Jon
Klibonoff in
Philadelphia.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 10-Sep. 24+8
pages. Duration 17
minutes. Theodore Presser
Company #144-40581.
Published by Theodore
Presser Company
(PR.144405810).
ISBN
9781491101407. UPC:
680160614127.
In
this ballad, Reise
ponders the Red Sea
Swallow, of which only
one was ever found (and
dead, at that). The
Flight of the Red Sea
Swallow imagines the
final flight of what may
have been the last of its
kind. Originally written
for violin and piano, and
premiered by Maria
Bachmann, Flight has also
been transcribed for
flute and piano. For
advanced performers.
Duration: 17'.
o Brasil Violon et Piano [Conducteur et Parties séparées] - Facile FLEX Editions
Violin, Piano - Grade 3 SKU: FL.FX071360 Composed by Alain Lopez. Classic...(+)
Violin, Piano - Grade 3
SKU: FL.FX071360
Composed by Alain Lopez.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX071360.
Published by FLEX
Editions (FL.FX071360).
What else can
be better than a Samba to
tackle the Syncopation
with fun! In the second
part, the player will
have to articulate the
syncopation to become a
credible Samba player!
one could also add the
sounds of a reco-reco or
a pandeiro (small
Brasilian drums) to make
this Samba even more
captivating!
Violin, Piano SKU: BA.BA11086 Composed by Thomas Daniel Schlee. Stapled. ...(+)
Violin, Piano
SKU:
BA.BA11086
Composed
by Thomas Daniel Schlee.
Stapled. Urauffuhrung
24.10.2017, Wien.
Performance score, Part
(1). Opus 82. 20/9 pages.
Baerenreiter Verlag
#BA11086_00. Published by
Baerenreiter Verlag
(BA.BA11086).
ISBN
9790006564446. 32.5 x
25.5 cm inches.
A
suite whose movements
always deliver something
other than what they seem
to promise. But
throughout, the two
instruments and
respectively their
players act like two
people in very specific
situations:
I.:
The opening movement is
reserved for the piano;
the initially earnest,
solitary cantilena
intensifies creating
expectation.
Suddenly II.: the
violin sounds. Its moving
figures replace the now
silent piano, also
soloistically. III.
„Passacaglia“
: The title is taken
literally – the
two instruments/persons
encounter each other in
the street. Two musical
characters who meet at a
specific point, recognize
each other, but move on
again, each one by
itself. IV.
„Rondo“: The
two of them dance
together. Before me, I
saw people dancing the
Sardana – a round
dance – in front
of the cathedral of
Barcelona. Four themes in
different time signatures
circle ceaselessly
between the two
instruments. V.
„Fuga“: At
last, regardless, panic
flight – again the
title is taken literally
... Human, only too human
…
Enigma Violon et Piano [Conducteur] Theodore Presser Co.
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440516S Com...(+)
Chamber Music Cello,
Clarinet, Flute, Piano,
Violin
SKU:
PR.14440516S
Composed
by Robert Martin. Full
score. With Standard
notation. 44 pages.
Duration 9 minutes, 15
seconds. Theodore Presser
Company #144-40516S.
Published by Theodore
Presser Company
(PR.14440516S).
UPC:
680160667864. 9 x 12
inches.
In 1979,
Martin produced a set of
three quintets, in
consideration of Gorky's
piece Nighttime Enigma
Nostalgia. Each is scored
for flute, clarinet,
violin, cello, and piano.
As the title suggests,
the music is in a state
of perpetual questioning
using a variety of
approaches. For example,
Enigma opens using
ostinati (plural of
ostinato) that do not
match in length, like a
staircase with each step
a different height.
Additionally, the music
has sudden starts and
stops, again unexplained.
There are dramatic and
powerful explosive
passages that are
interrupted. The
technique, used to create
this feeling of a
perplexed music world
where things seem often
not to make sense and to
be left unresolved, is
called in poetry and
literature, anticlimax.
In Enigma, the music
suggests one direction;
then refuses to continue,
striking out in another
direction. Artists use
approaches such as this
to force themselves into
creative circumstances
that they otherwise might
not have discovered.
(From the performance
notes.).
Nostalgia Violon et Piano [Conducteur] Theodore Presser Co.
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440517S Com...(+)
Chamber Music Cello,
Clarinet, Flute, Piano,
Violin
SKU:
PR.14440517S
Composed
by Robert Martin. Full
score. With Standard
notation. 20 pages.
Theodore Presser Company
#144-40517S. Published by
Theodore Presser Company
(PR.14440517S).
UPC:
680160667888. 9 x 12
inches.
In 1979,
Martin produced a set of
three quintets, in
consideration of Gorky's
piece Nighttime Enigma
Nostalgia. Each is scored
for flute, clarinet,
violin, cello, and piano.
There are passages in
Nostalgia that build
using two layers, a
louder foreground and a
quieter background. Both
of these layers are
independent of specific
instruments, in other
words, the various
instruments jump in to
play a role in either
layer, then jump to the
other layer. It is as if
the ensemble has doubled.
The technical musical
term for multiple
instruments interweaving
to produce a single
thread or idea is called
Klangfarbenmelodie
(tone-color-melody).
Because there are two
layers (louder and
softer), both using this
technique, Nostalgia is a
unique example of 'double
Klangfarbenmelodie.' The
piece ends with a series
of intense rhythmic
pulsations and several
apocalyptic fanfares.
(From the performance
notes.).
For violin and piano. Format: set of performance parts (includes separate pull o...(+)
For violin and piano.
Format: set of
performance parts
(includes separate pull
out violin part). With
solo part and piano
accompaniment. Baroque,
classical period and
romantic period. Series:
Whole World Series, No.
5. 304 pages. 9x12
inches. Published by
Music Sales.
Nighttime Violon et Piano [Conducteur] Theodore Presser Co.
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440515S Com...(+)
Chamber Music Cello,
Clarinet, Flute, Piano,
Violin
SKU:
PR.14440515S
Composed
by Robert Martin. Full
score. With Standard
notation. 48 pages.
Theodore Presser Company
#144-40515S. Published by
Theodore Presser Company
(PR.14440515S).
UPC:
680160667819. 9 x 12
inches.
In 1979,
Martin produced a set of
three quintets, in
consideration of Gorky's
piece Nighttime Enigma
Nostalgia. Each is scored
for flute, clarinet,
violin, cello, and piano.
One role of music is to
evoke. Therefore,
Nighttime is a nocturne,
a night piece suggestive
of flickering shadows,
perhaps created by
firelight. It is a
recurrent setting in
human existence. The
music opens with the
scene of twilight calm,
gently disturbed with the
slight uncertainty about
what is around us, what
we cannot see. Later, the
clarinet takes on a solo
role, and the notes bleed
like careless paint into
the other instruments
that quietly sustain
them. Next, the flute
takes over the role of
solo. The piece ends with
a repeated cadence of
morning light. (From the
performance notes.).